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Engage your students as soon as they walk into your classroom with my best-selling, full-year bell-ringer set. Each day includes a unique and creative task. Topics include grammar, vocabulary, writing, and figurative language.  

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Top categories, i'm bonnie from presto plans.

I’m a curriculum writer, literacy educator, and all around book lover with a passion for helping English teachers engage their students with creative, high-quality resources. My mission? To make teaching English a whole lot easier for you, teacher friend! 

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5 Outside the Box Creative Writing Assignments for ELA

For some, the idea of creative writing assignments in ELA is exciting. You might have students in your classroom who are regularly honing their writing skills at home, on their own time. On the other hand , you may have some students who haven’t done much creative writing at all. In fact, they might look at writing as less an opportunity and more as a punishment.

Strong creative writing assignments will provide unique challenges and rewards for all of your students . It will provide the necessary framework to help reluctant creative writers and the necessary guidelines to give focus to your most exuberant. It should also not simply focus on the end product, but on the overall creative process, like planning and outlining at the outset, and editing and revision at the end.

Above all, though, a strong creative writing assignment should be interesting to you and your students. It should serve to incite creative passion in your classroom, and that’s why I’m excited to share my 5 favorite outside-the-box creative writing assignments for ELA to inspire even your most reluctant writers.

1. SOUNDTRACK OF YOUR LIFE

Remember mixtapes?! If you don’t, you’re probably far younger than I am. 😉 Well, one of my favorite writing assignments is to get students to make one of their own.

First, you’ll have students choose ten songs that represent them in some way, and then you’ll have them write about their connection to each song. I like to make it really old school and have them separate their choices into Side A and Side B songs as a kind of tracklist. Warning: your students may have no clue what a B-Side song is…

I’ve always found music to be an effective way to get my students engaged in conversations around creative writing, whether they’re writing it or reading it. After all, song lyrics have so much in common with poetry. Alongside writing about each song, the Soundtrack of Your Life assignment prompts students to plan the overall structure of the mixtape as a whole and write about how the collective meaning of the songs connects to their lives.

I also love using a hand-drawn introductory video made by John Spencer to introduce the assignment to students and give them a little background information on what a mixtape is!

2. MY GENERATION

Teenagers always feel misunderstood, am I right?  They often get a bad rep, and this writing assignment tackles this notion perfectly.

I love getting students to write an open letter discussing the seven greatest misunderstandings that they think people have about their generation . They make a case for why they are different than how they are perceived. I like this one a lot because it provokes students to write convincingly and passionately at the outset. I mean, if someone were to have asked me to explain the ways my generation was misunderstood when I was their age, I could’ve easily written an incredibly long list.

What’s great about this assignment is that students get to learn about a seldomly discussed yet important form of writing: the open letter. Open letters are usually written in protest or as an appeal for a person or a group of people to change their opinion on a particular topic.

You might consider providing prompts to the students to help them formulate their lists. Try asking questions like,

• What do people miss about your work ethic or habits?
• What do people not understand about your hobbies/interests?
• What do people fail to understand about your generation’s values, ideas, or beliefs?

3. MY LIFE IN TEXTURES

Another creative writing assignment idea is to have students write a personal narrative inspired by the memories of three textures . The feeling of the sand between your fingers at a certain beach you’d visit as a child, squishing Play-Doh between your fingers, or even cookie crumbs on your hands at grandma’s house. You get the idea. Students will focus on their five senses—and their tactile senses in particular.

They might simply choose textures that bring back fond memories, or they might go so far as to choose textures that are collectively symbolic of their ideals and values!

You’ll want to encourage your students to go into as much descriptive detail as possible when describing their three textures.

Can you think of three textures that have been important in your life? It takes some brainstorming, doesn’t it? That’s why I like to provide a planning sheet with questions for each texture. This makes a great starting point for your students.

4. DESIGN A SCHOOL

We know our students learn a lot of important lessons outside of school. They learn important lessons from the sports they play, from the friends they make, from all the things they do. They are always learning. Everywhere they go.

The same was true of us, of course: much of what we learned came from inside the classroom, but some of it—a lot of it—came from outside. Another creative writing idea is to have students design their own school .

I first have students brainstorm what school would be like and what a typical day would look like, hour-by-hour, at their new school. You might consider having them get peer feedback by having them share their initial concept with a partner. Then, to take it to the next level, get students to develop a promotional advertisement to recruit other students!

5. GEEK OUT

Ok, this last writing assignment is really fun! For this one, students get to write about something that they “geek out” on .

We all seem to have at least one interest in life that brings us joy every time we get to discuss it. Incorporating this joy into a creative writing assignment is a great way to engage every student. It’s also a great way to establish the mentality that creative writing should ultimately be enjoyable. We’ve heard the cliché “write about what you know.” This assignment pushes that idea further to write what you love .

Students will also get to practice writing a listicle. A listicle is a piece of writing or other content presented wholly or partly in the form of a list. It’s a common form used by bloggers and journalists. In other words, it looks something like what you’ve been reading here!

I hope you found these creative writing assignments for ELA helpful! Best of luck teaching creative writing in your class.

Want more ideas for creative writing? One of my favorite ways to get students writing is with snowball writing .

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Descriptive Writing | Class Book of Awesome

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Looking to bring GRATITUDE into your class and CELEBRATE AWESOME-NESS?

This is the assignment for you! My students loved it!! I had to adjust it so they could write two articles because we found so many things to celebrate and so much awesomeness in our daily lives.

What's included:

- Editable title page for a class book

- An intro to the book of awesome

- Brainstorming graphic organizer

- Comparing descriptive paragraphs and language

- Success Criteria for Article #1

- Success Criteria for Article #2

- Rubric for Article #1

- Final Template for Article #1

- Final Template for Article #2

I took their articles and compiled them into a class book for our library. It is one of our favourite books and it's written by my favourite authors!

A great intro to descriptive writing! I look forward to doing this every year!

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10 Tips for Writing Assignments

Writing assignments are a cornerstone of your academic journey, and honing your assignment writing skills is paramount for your success. Whether you're embarking on your first year or a seasoned academic, the art of effective assignment writing can wield significant influence over your grades and overall educational voyage. In this comprehensive guide, we'll offer you ten invaluable tips to elevate your assignment writing prowess. These strategies, along with expert guidance from our specialized assignment help website writemyessays.com/do-my-assignment.html , will empower you to enhance your writing skills and chart a course towards academic triumph.

Tip 1: Start Early

The first rule of successful assignment writing is to start early. Procrastination is the enemy of quality work. By initiating your assignments as soon as you receive them, you'll have ample time for essential steps such as research, planning, drafting, and revisions. Starting early allows you to manage your time effectively and produce well-crafted assignments.

Tip 2: Understand the Assignment

Before you begin writing, it's essential to thoroughly understand the assignment instructions. Take the time to read and analyze what is expected of you. If any aspects are unclear, don't hesitate to seek clarification from your instructor. Understanding the assignment's requirements is fundamental to meeting them successfully.

Tip 3: Plan Your Work

Effective planning is a cornerstone of assignment writing. Develop a structured plan that includes creating a timeline for your assignment. Break down the work into smaller tasks, allocate sufficient time for research, outlining, drafting, and proofreading. A well-organized plan will keep you on track and reduce stress.

Tip 4: Utilize Campus Resources

Your university offers a wealth of resources to support your writing endeavors. Take advantage of writing centers, libraries, and academic advisors who can provide guidance and feedback on your assignments. These resources are valuable assets that can significantly improve the quality of your work.

Tip 5: Research Thoroughly

High-quality assignments require thorough research. Dive deeply into your chosen topic, utilizing a variety of credible sources such as academic journals, books, and reputable websites. Ensure that you cite your sources correctly to provide evidence for your arguments and maintain academic integrity.

Tip 6: Maintain a Good Writing Style

Developing and maintaining a clear and concise writing style is essential for effective communication in your assignments. Avoid overly complex language and prioritize clarity. Ensure that your assignments have a logical structure with a clear flow of ideas. Your goal is to make your writing accessible and easy for your reader to understand.

Tip 7: Seek Writing Assistance

If you ever find yourself struggling with assignment writing, don't hesitate to seek writing assistance. Many universities offer writing assistance programs staffed by experienced tutors who can provide guidance and feedback on your work. These services are designed to help you refine your writing skills and produce higher-quality assignments.

Tip 8: Proofread and Edit

The importance of proofreading and editing cannot be overstated. After completing your initial draft, take the time to review and edit your work. Check for grammar and punctuation errors, ensure proper formatting, and verify that your assignment aligns with the assignment guidelines. Effective editing will polish your work and enhance its overall quality.

Tip 9: Stay Safe Online

When conducting online research for your assignments, it's essential to prioritize online safety. Use reliable sources and be cautious of plagiarism. Properly cite all your references to maintain academic integrity and avoid unintentional academic misconduct.

Tip 10: Celebrate Your Achievements

Lastly, don't forget to celebrate your achievements in assignment writing. Completing assignments is a significant accomplishment on your academic journey. Reward yourself for your hard work and dedication, and acknowledge your successes. Recognizing your achievements can motivate you to excel in future assignments.

Dos and Don'ts

To summarize, here are some dos and don'ts for successful assignment writing:

• Start early and plan your work effectively.
• Thoroughly understand the assignment instructions.
• Utilize available campus resources for support and guidance.
• Conduct in-depth research using credible sources.
• Maintain a clear and concise writing style for accessibility.
• Seek writing assistance when facing challenges.
• Commit to thorough proofreading and editing.
• Stay safe and ethical when conducting online research.
• Celebrate your achievements and milestones.
• Procrastinate on your assignments; start early instead.
• Overlook or misinterpret assignment instructions.
• Miss out on utilizing valuable campus resources.
• Skimp on research quality or rely on unreliable sources.
• Engage in overly complex writing that hinders clarity.
• Hesitate to seek assistance when facing challenges.
• Neglect the critical steps of proofreading and editing.
• Plagiarize or compromise on academic integrity.
• Forget to acknowledge and celebrate your accomplishments.

Frequently Asked Questions

Here are some common questions related to assignment writing:

1. How can I improve my writing style?

Improving your writing style is a gradual process. Consider taking writing courses, seeking feedback from professors or writing tutors, and practicing regularly to refine your skills.

2. Is it okay to use online sources for research?

Yes, it's acceptable to use online sources for research, but ensure that they are reliable and properly cited in your assignments to maintain academic credibility.

Final Thoughts

Writing assignments may seem challenging at times, but with the right approach and these ten tips, you can excel in your academic journey. Remember that assignment writing is a skill that improves with practice and dedication. By following these guidelines and continuously honing your writing skills, you'll be well-equipped to tackle assignments successfully and achieve academic excellence. Go to website

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Last updated on May 20, 2024

How to Write a Novel: Steps From a Bestselling Writer

About tom bromley.

Author, editor, tutor, and bestselling ghostwriter. Tom Bromley is the head of learning at Reedsy, where he has created their acclaimed course, 'How to Write a Novel.'

About Martin Cavannagh

Head of Content at Reedsy, Martin has spent over eight years helping writers turn their ambitions into reality. As a voice in the indie publishing space, he has written for a number of outlets and spoken at conferences, including the 2024 Writers Summit at the London Book Fair.

The challenge of writing a novel is an exhilarating one. How do you transform a simple idea into a powerful narrative that grips readers from start to finish? Crafting a long-form narrative can be challenging and requires skillfully weaving together various story elements.

In this article, I will break down the major steps of novel writing into manageable pieces, organized into three categories — before, during, and after you write your manuscript.

How to write a novel in 13 steps:

1. Pick a story idea with novel potential

2. develop your main characters, 3. establish a central conflict and stakes, 4. write a logline or synopsis, 5. structure your plot, 6. pick a point of view, 7. choose a setting that benefits your story , 8. establish a writing routine, 9. shut out your inner editor, 10. revise and rewrite your first draft, 11. share it with your first readers, 12. professionally edit your manuscript, 13. publish your novel.

Every story starts with an idea.

You might be lucky, like JRR Tolkien, who was marking exam papers when a thought popped into his head: ‘In a hole in the ground there lived a hobbit.’ You might be like Jennifer Egan, who saw a wallet left in a public bathroom and imagined the repercussions of a character stealing it, which set the Pulitzer prize-winner A Visit From the Goon Squad in process. Or you might follow Khaled Hosseini, whose The Kite Runner was sparked by watching a news report on TV.

Many novelists I know keep a notebook of ideas both large and small 一 sometimes the idea they pick up on they’ll have had much earlier, but whatever reason, now feels the time to write it. Certainly, the more ideas you have, the more options you’ll have to write. 

✍️ Need a little inspiration? Check our list of 30+ story ideas for fiction writing , our list of 300+ writing prompts for creative inspiration , or even our plot generator to create story ideas .

Is your idea novel-worthy?

How do you know if what you’ve got is the inspiration for a novel, rather than a shorter form of fiction, or a 20,000-word manuscript ? There’s no definitive answer here, but there are two things to look out for 

Firstly, a novel allows you the space to show how a character changes over time, whereas a short story is often more about a vignette or an individual moment. Secondly, if an idea is fit for a novel, it’ll nag away at you: a thread asking to be pulled to see where it goes. If you find yourself coming back to an idea, then that’s probably one to explore.

I expand on cultivating and nurturing your ‘idea seeds’ in my free 10-day course on novel writing. 

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How to Write a Novel

Author and ghostwriter Tom Bromley will guide you from page 1 to the finish line.

Another starting point (or essential element) for writing a novel will come in the form of the people who will populate your stories: the protagonists. 

My rule of thumb in writing is that a reader will read on for one of two reasons: either they care about the cast of characters , or they want to know what happens next (or, in an ideal world, both). Now different people will tell you that character or plot are the most important element when writing. 

In truth, it’s a bit more complicated than that: in a good novel, the main character or protagonist should shape the plot, and the plot should shape the protagonist. So you need both core elements in there, and those two core elements are entwined rather than being separate entities. 

Characters matter because when written well, readers become invested in what happens to them. You can develop the most brilliant, twisty narrative, but if the reader doesn’t care how the protagonist ends up, you’re in trouble as a writer. 

As I said above, one of the strengths of the novel is that it gives you the space to show how characters change over time. How do characters change? 

Firstly, they do so by being put in a position where they have to make decisions, difficult decisions, and difficult decisions with consequences . That’s how we find out who they really are. 

Secondly, they need to start from somewhere where they need to change: give them flaws, vulnerabilities, and foibles for them to overcome. This is what makes them human — and the reason why readers respond to and care about them.

🗿 Need more guidance? Look into your character’s past using these character development exercises , or give your character the perfect name using this character name generator .

As said earlier, it’s important to have both a great character and an interesting plot, which you can develop by making your character face some adversities.

That drama in the novel is usually built around some sort of central conflict. This conflict creates a dramatic tension that compels the reader to read on. They want to see the outcome of that conflict resolved: the ultimate resolution of the conflict (hopefully) creates a satisfying ending to the narrative.

A character changes, as I said above, when they are put in a position of making decisions with consequences. Those consequences are important. It isn’t enough for a character to have a goal or a dream or something they need to achieve (to slay the dragon): there also needs to be consequences if they don’t get what they’re after (the dragon burns their house down). Upping the stakes heightens the drama all round.

Now you have enough ingredients to start writing your novel, but before you do that, it can be useful to tighten them all up into a synopsis. 

So far, you’ve got your story idea, your central characters, and your sense of conflict and stakes. Now is the time to distill this down into a narrative. Different writers approach this planning stage in different ways, as we’ll come to in a moment, but for anyone starting a novel, having a clear sense of what is at the heart of your story is crucial. 

There are a lot of different terms used here 一 pitch, elevator pitch , logline, shoutline, or the hook of your summary 一 but whatever the terminology the idea remains the same. This is to summarize your story in as few words as possible: a couple of dozen words, say, or perhaps a single sentence. 

This exercise will force you to think about what your novel is fundamentally about. What is the conflict at the core of the story? What are the challenges facing your main protagonist? What do they have at stake? 

📚 Check out these 48 irresistible book hook examples and get inspired to craft your own hook .

If you need some help, as you go through the steps in this guide, you can fill in this template:

My story is a [genre] novel. It’s told from [perspective] and is set in [place and time period] . It follows [protagonist] , who wants [goal] because [motivation] . But [conflict] doesn’t make that easy, putting [stake] at risk.

It's not an easy thing to write this summarising sentence or two. In fact, they might be the most difficult sentences to get down in the whole writing process. But it is really useful in helping you to clarify what your book is about before you begin. When you’re stuck in the middle of the writing, it will be there for you to refer back to. And further down the line, when you’ve finished the novel, it will prove invaluable in  pitching to agents , publishers, and readers. 

📼 Learn more about the process of writing a logline from professional editor Jeff Lyons. 

Another particularly important step to prepare for the writing part, is to outline your plot into different key story points. 

There’s no right answer here as to how much planning you should do before you write: it very much depends on the sort of writer you are. Some writers find planning out their novel before start gives them confidence and reassurance knowing where their book is going to go. But others find this level of detail restrictive: they’re driven more by the freedom of discovering where the writing might take them. 

This is sometimes described as a debate between ‘planners’ and ‘pantsers’ (those who fly by the seat of their pants). In reality, most writers sit somewhere on a sliding scale between the two extremes. Find your sweet spot and go from there!

If you’re a planning type, there’s plenty of established story structures out there to build your story around. Popular theories include the Save the Cat story model and Christopher Vogler’s Hero’s Journey for characters . Then there are books such as Christopher Booker’s The Seven Basic Plots , which suggests that all stories are one of, well, you can probably work that out.

Whatever the structure, most stories follow the underlying principle of having a beginning, middle and end (and one that usually results in a process of change). So even if you’re ‘pantsing’ rather than planning, it’s helpful to know your direction of travel, though you might not yet know how your story is going to get there. 

Finally, remember what I said earlier about plot and character being entwined: your character’s journey shouldn’t be separate to what happens in the story. Indeed, sometimes it can be helpful to work out the character’s journey of change first, and shape the plot around that, rather than the other way round. 

Now, let’s consider which perspective you’re going to write your story from. 

However much plotting you decide to do before you start writing, there are two further elements to think about before you start putting pen to paper (or finger to keyboard). The first one is to think about which perspective you’re going to tell your story from . It is worth thinking about this before you start writing because deciding to change midway through your story is a horribly thankless task (I speak from bitter personal experience!)

Although there might seem a large number of viewpoints you could tell your story from, in reality, most fiction is told from two points of view 一 first person (the ‘I’ form) and third person ‘close’ (he/she/they) . ‘Close’ third person is when the story is witnessed from one character’s view at a time (as opposed to third person ‘omniscient’ where the story can drop into lots of people’s thoughts).

Both of these viewpoints have advantages and disadvantages. First person is usually better for intimacy and getting into character’s thoughts: the flip side is that its voice can feel a bit claustrophobic and restrictive in the storytelling. Third person close offers you more options and more space to tell your story: but can feel less intimate as a result. 

There’s no right and wrong here in terms of which is the ‘best’ viewpoint. It depends on the particular demands of the story that you are wanting to write. And it also depends on what you most feel comfortable writing in. It can be a useful exercise to write a short section in both viewpoints to see which feels the best fit for you before starting to write. 

Besides choosing a point of view, consider the setting you’re going to place your story in.

The final element to consider before beginning your story is to think about where your story is going to be located . Settings play a surprisingly important part in bringing a story to life. When done well, they add in mood and atmosphere and can act almost like an additional character in your novel.

There are many questions to consider here. And again, it depends a bit on the demands of the story that you are writing. 

Is your setting going to a real place, a fictional one, or a real place with fictional elements? Is it going to be set in the present day, the past, or at an unspecified time? Are you going to set your story in somewhere you know, or need to research to capture properly? Finally, is your setting suited to the story you are telling, and serve to accentuate it, rather than just acting as a backdrop?

If you’re writing a novel in genres such as fantasy or science fiction , then you may well need to go into some additional world-building as well before you start writing. Here, you may have to consider everything from the rules and mores of society to the existence of magical powers, fantastic beasts, extraterrestrials, and futuristic technology. All of these can have a bearing on the story, so it is better to have a clear setup in your head before you start to write.

Whether your story is set in central London or the outer rings of the solar system, some elements of the descriptive detail remain the same. Think about the use of all the different senses — the sights, sounds, smells, tastes, and textures of where you’re writing about. Those sorts of small details can help to bring any setting to life, from the familiar to the imaginary. 

Alright, enough brainstorming and planning. It’s time to let the words flow on the page. 

Having done your prep — or as much prep and planning as you feel you need — it’s time to get down to business and write the thing. Getting a full draft of a novel is no easy task, but you can help yourself by setting out some goals before you start writing.

Firstly, think about how you write best. Are you a morning person or an evening person? Would you write better at home or out and about, in a café or a library, say? Do you need silence to write, or musical encouragement to get the juices flowing? Are you a regular writer, chipping away at the novel day by day, or more of a weekend splurger?

I’d always be wary of anyone who tells you how you should be writing. Find a routine and a setup that works for you . That might not always be the obvious one: the crime writer Jo Nesbø spent a while creating the perfect writing room but discovered he couldn’t write there and ended up in the café around the corner.

You might not keep the same way of writing throughout the novel: routines can help, but they can also become monotonous. You may need to find a way to shake things up to keep going.

Deadlines help here. If you’re writing a 75,000-word novel, then working at a pace of 5,000 words a week will take you 15 weeks (Monday to Friday, that’s 1000 words a day). Half the pace will take twice as long. Set yourself a realistic deadline to finish the book (and key points along the way). Without a deadline, the writing can end up drifting, but it needs to be realistic to avoid giving yourself a hard time. 

In my experience, writing speeds vary. I tend to start quite slowly on a book, and speed up towards the end. There are times when the tap is open, and the words are pouring out: make the most of those moments. There are times, too, when each extra sentence feels like torture: don’t beat yourself up here. Be kind to yourself: it’s a big, demanding project you’re undertaking.

Speaking of self-compassion, a word on that harsh editor inside your mind…

The other important piece of advice is to continue writing forward. It is very easy, and very tempting, to go back over what you’ve written and give it a quick edit. Once you start down that slippery slope, you end up rewriting and reworking the same scene and never get any further forwards in the text. I know of writers who spent months perfecting their first chapter before writing on, only to delete that beginning as the demands of the story changed.

The first draft of your novel isn’t about perfection; it’s about getting the words down. One writer I work with calls it the ‘vomit draft’ — getting everything out and onto the page. It’s only once you’ve got a full manuscript down that you can see your ideas in context and have the capacity to edit everything properly. So as much as your inner editor might be calling you, resist! They’ll have their moment in the sun later on. For now, it’s about getting a complete version down, that you can go on to work with and shape. 

By now, you’ve reached the end of your first draft (I might be glossing over the hard writing part just a little here: if you want more detail and help on how to get through to the end of your draft, our How to Write A Novel course is warmly recommended ). 

Reaching the end of your first draft is an important milestone in the journey of a book. Sadly for those who feel that this is the end of the story, it’s actually more of a stepping stone than the finish line.

In some ways, now the hard work begins. The difference between wannabe writers and those who get published can often be found in the amount of rewriting done. Professional writers will go back and back over what they’ve written, honing what they’ve created until the text is as tight and taut as it is possible to be.

How do you go about achieving this? The first thing to do upon finishing is to put the manuscript in a drawer. I leave it for a month or six weeks before you come back to it. That way, you’ll return the script with a fresh pair of eyes. Read it back through and be honest about what works and what doesn’t. As you read the script, think in particular about pace: are there sections in the novel that are too fast or too slow? Avoid the trap of the saggy middle . Then consider: is your character arc complete and coherent ? Look at the big-picture stuff first before you tackle the smaller details. 

Edit your novel closely

On that note, here are a few things you might want to keep an eye out for:

Show, don’t tell. Sometimes, you just need to state something matter-of-factly in your novel, that’s fine. But, as much as you can, try to illustrate a point instead of just stating it . Keep in mind the words of Anton Chekhov: “Don’t tell me the moon is shining. Show me the glint of light on broken glass."

“Said” is your friend. When it comes to dialogue, there can be the temptation to spice things up a bit by using tags like “exclaimed,” “asserted,” or “remarked.” And while there might be a time and place for these, 90% of the time, “said” is the best tag to use. Anything else can feel distracting or forced. 

Stay away from purple prose. Purple prose is overly embellished language that doesn’t add much to the story . It convolutes the intended message and can be a real turn-off for readers.

Once you feel it’s good enough for others to examine it, you should ask for feedback.

Writing a novel is a two-way process: there’s you, the writer, and there’s the intended audience, the reader. The only way that you can find out if what you’ve written is successful is to ask people to read and get feedback.

Think about when to ask for feedback and who to ask it from. There are moments in the writing when feedback is useful and others where it gets in the way. To save time, I often ask for feedback in those six weeks when the script is in the drawer (though I don’t look at those comments until I’ve read back myself first). The best people to ask for feedback are fellow writers and people who can beta read your book : they know what you’re going through and will also be most likely to offer you constructive feedback. 

Also, consider working with sensitivity readers if you are writing about a place or culture outside your own. Friends and family can also be useful but are a riskier proposition: they might be really helpful, but equally, they might just tell you it’s great or terrible, neither of which is overly useful.

Feedbacking works best when you can find at least a few people to read, and you can pool their comments. My rule is that if more than one person is saying the same thing, they are probably right. If only one person is saying something, then you have a judgment call to make as to whether to take those comments further (though usually, you’ll know in your gut whether they are right or not.)

Overall, the best feedback you can receive is that of a professional editor…

Once you’ve completed your rewrites and taken in comments from your chosen feedbackers, it’s time to take a deep breath and seek outside opinions. What happens next here depends on which route you want to take to market:

If you want to go down the traditional publishing route , you’ll probably need to get a literary agent, which we’ll discuss in a moment.

If you’re going down the self-publishing route , you’ll need to do what would be done in a traditional publishing house and take your book through the editing process. This normally happens in three stages. 

Developmental editing. The first of these is to work with a developmental editor , who will read and critique your work primarily from a structural point of view. 

Copy-editing. Secondly, the book must be copy-edited , where an editor works more closely, line-by-line, on the script. 

Proofreading. Finally, usually once the script has been typeset, then the material should be professionally proofread, to spot any final mistakes or orrors . Sorry, errors!

Finding such people can sound like a daunting task. But fear not! Here at Reedsy, we have a fantastic fleet of editors of all shapes, sizes, and experiences. So whatever your needs or requirements, we should be able to pair you with an editor to suit.

Finish your book with expert help

The best editors in the industry are on Reedsy. Come meet them.

Learn how Reedsy can help you craft a beautiful book.

Now that you’ve ironed out all the wrinkles of your manuscript, it’s time to release it into the wild.

For those thinking about going the traditional publishing route, now’s the time for you to get to work. Most trade publishers will only accept work from a literary agent, so you’ll need to find a suitable literary agent to represent your work . 

The querying process is not always straightforward: it involves research, waiting and often a lot of rejections until you find the right person (I was rejected by 24 agents before I found my first agent). Usually, an agent will ask to see a synopsis and the first three chapters (check their websites for submission details). If they like what they read, they’ll ask to see the whole thing. 

If you’re self-publishing, you’ll need to think about getting your finished manuscript to market. You’ll need to get it typeset (laid out in book form) and find a cover designer . Do you want to sell printed copies or just ebooks? You’ll need to work out how to work Amazon , and also how you’ll sell your book  to generate more sales through marketing .

For those picked up by a traditional publisher, all the editing steps discussed will take place in-house. That might sound like a smoother process, but the flip side can be less control over the process: a publisher may have the final say in the cover or the title, and lead times (when the book is published) are usually much longer. So, it’s worth thinking about which route to market works best for you.

Finally, you’re a published author! Congratulations. Now all you have to do is think about writing the next one… 

8 responses

Sasha Winslow says:

14/05/2019 – 02:56

I started writing in February 2019. It was random, but there was an urge to the story I wanted to write. At first, I was all over the place. I knew the genre I wanted to write was Fantasy ( YA or Adult). That has been my only solid starting point the genre. From February to now, I've changed my story so many times, but I am happy to say by giving my characters names I kept them. I write this all to say is thank you for this comprehensive step by step. Definitely see where my issues are and ways to fix it. Thank you, thank you, thank you!

Evelyn P. Norris says:

30/10/2019 – 14:18

My number one tip is to write in order. If you have a good idea for a future scene, write down the idea for the scene, but do NOT write it ahead of time. That's a major cause of writer's block that I discovered. Write sequentially. :) If you can't help yourself, make sure you at least write it in a different document, and just ignore that scene until you actually get to that part of the novel

Allen P. Wilkinson says:

28/01/2020 – 04:51

How can we take your advice seriously when you don’t even know the difference between stationary and stationery? Makes me wonder how competent your copy editors are.

↪️ Martin Cavannagh replied:

29/01/2020 – 15:37

Thanks for spotting the typo!

↪️ Chris Waite replied:

14/02/2020 – 13:17

IF you're referring to their use of 'stationery' under the section '1. Nail down the story idea' (it's the only reference on this page) then the fact that YOU don't know the difference between stationery and stationary and then bother to tell the author of this brilliant blog how useless they must be when it's YOU that is the thicko tells me everything I need to know about you and your use of a middle initial. Bellend springs to mind.

Sapei shimrah says:

18/03/2020 – 13:59

Thanks i will start writing now

Jeremy says:

25/03/2020 – 22:41

I’ve run the gamut between plotter and pantser, but lately I’ve settled on in-depth plotting before my novels. It’s hard for me to do focus wise, but I’m finding I’m spending less time in writer’s block. What trips me up more is finding the right voice for my characters. I’m currently working on a sci-fi YA novel and using the Save the Cat beat sheet for structure for the first time. Thank you for the article!

Nick Girdwood says:

29/04/2020 – 10:32

Can you not write a story without some huge theme?

Comments are currently closed.

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Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Common Writing Assignments

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

These OWL resources will help you understand and complete specific types of writing assignments, such as annotated bibliographies, book reports, and research papers. This section also includes resources on writing academic proposals for conference presentations, journal articles, and books.

Understanding Writing Assignments

This resource describes some steps you can take to better understand the requirements of your writing assignments. This resource works for either in-class, teacher-led discussion or for personal use.

Argument Papers

This resource outlines the generally accepted structure for introductions, body paragraphs, and conclusions in an academic argument paper. Keep in mind that this resource contains guidelines and not strict rules about organization. Your structure needs to be flexible enough to meet the requirements of your purpose and audience.

Research Papers

This handout provides detailed information about how to write research papers including discussing research papers as a genre, choosing topics, and finding sources.

Exploratory Papers

This resource will help you with exploratory/inquiry essay assignments.

Annotated Bibliographies

This handout provides information about annotated bibliographies in MLA, APA, and CMS.

Book Report

This resource discusses book reports and how to write them.

Definitions

This handout provides suggestions and examples for writing definitions.

Essays for Exams

While most OWL resources recommend a longer writing process (start early, revise often, conduct thorough research, etc.), sometimes you just have to write quickly in test situations. However, these exam essays can be no less important pieces of writing than research papers because they can influence final grades for courses, and/or they can mean the difference between getting into an academic program (GED, SAT, GRE). To that end, this resource will help you prepare and write essays for exams.

Book Review

This resource discusses book reviews and how to write them.

Academic Proposals

This resource will help undergraduate, graduate, and professional scholars write proposals for academic conferences, articles, and books.

In this section

Subsections.

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

Writing Assignments

Kate Derrington; Cristy Bartlett; and Sarah Irvine

Introduction

Assignments are a common method of assessment at university and require careful planning and good quality research. Developing critical thinking and writing skills are also necessary to demonstrate your ability to understand and apply information about your topic.  It is not uncommon to be unsure about the processes of writing assignments at university.

• You may be returning to study after a break
• You may have come from an exam based assessment system and never written an assignment before
• Maybe you have written assignments but would like to improve your processes and strategies

This chapter has a collection of resources that will provide you with the skills and strategies to understand assignment requirements and effectively plan, research, write and edit your assignments.  It begins with an explanation of how to analyse an assignment task and start putting your ideas together.  It continues by breaking down the components of academic writing and exploring the elements you will need to master in your written assignments. This is followed by a discussion of paraphrasing and synthesis, and how you can use these strategies to create a strong, written argument. The chapter concludes with useful checklists for editing and proofreading to help you get the best possible mark for your work.

Task Analysis and Deconstructing an Assignment

It is important that before you begin researching and writing your assignments you spend sufficient time understanding all the requirements. This will help make your research process more efficient and effective. Check your subject information such as task sheets, criteria sheets and any additional information that may be in your subject portal online. Seek clarification from your lecturer or tutor if you are still unsure about how to begin your assignments.

The task sheet typically provides key information about an assessment including the assignment question. It can be helpful to scan this document for topic, task and limiting words to ensure that you fully understand the concepts you are required to research, how to approach the assignment, and the scope of the task you have been set. These words can typically be found in your assignment question and are outlined in more detail in the two tables below (see Table 19.1 and Table 19.2 ).

Table 19.1 Parts of an Assignment Question

Make sure you have a clear understanding of what the task word requires you to address.

Table 19.2 Task words

The criteria sheet , also known as the marking sheet or rubric, is another important document to look at before you begin your assignment. The criteria sheet outlines how your assignment will be marked and should be used as a checklist to make sure you have included all the information required.

The task or criteria sheet will also include the:

• Word limit (or word count)
• Referencing style and research expectations
• Formatting requirements

Task analysis and criteria sheets are also discussed in the chapter Managing Assessments for a more detailed discussion on task analysis, criteria sheets, and marking rubrics.

Preparing your ideas

Brainstorm or concept map:  List possible ideas to address each part of the assignment task based on what you already know about the topic from lectures and weekly readings.

Finding appropriate information: Learn how to find scholarly information for your assignments which is

See the chapter Working With Information for a more detailed explanation .

What is academic writing?

Academic writing tone and style.

Many of the assessment pieces you prepare will require an academic writing style.  This is sometimes called ‘academic tone’ or ‘academic voice’.  This section will help you to identify what is required when you are writing academically (see Table 19.3 ). The best way to understand what academic writing looks like, is to read broadly in your discipline area.  Look at how your course readings, or scholarly sources, are written. This will help you identify the language of your discipline field, as well as how other writers structure their work.

Table 19.3 Comparison of academic and non-academic writing

Thesis statements

Essays are a common form of assessment that you will likely encounter during your university studies. You should apply an academic tone and style when writing an essay, just as you would in in your other assessment pieces. One of the most important steps in writing an essay is constructing your thesis statement.  A thesis statement tells the reader the purpose, argument or direction you will take to answer your assignment question. A thesis statement may not be relevant for some questions, if you are unsure check with your lecturer. The thesis statement:

• Directly  relates to the task .  Your thesis statement may even contain some of the key words or synonyms from the task description.
• Does more than restate the question.
• Is specific and uses precise language.
• Let’s your reader know your position or the main argument that you will support with evidence throughout your assignment.
• The subject is the key content area you will be covering.
• The contention is the position you are taking in relation to the chosen content.

Your thesis statement helps you to structure your essay.  It plays a part in each key section: introduction, body and conclusion.

Planning your assignment structure

When planning and drafting assignments, it is important to consider the structure of your writing. Academic writing should have clear and logical structure and incorporate academic research to support your ideas.  It can be hard to get started and at first you may feel nervous about the size of the task, this is normal. If you break your assignment into smaller pieces, it will seem more manageable as you can approach the task in sections. Refer to your brainstorm or plan. These ideas should guide your research and will also inform what you write in your draft. It is sometimes easier to draft your assignment using the 2-3-1 approach, that is, write the body paragraphs first followed by the conclusion and finally the introduction.

Writing introductions and conclusions

Clear and purposeful introductions and conclusions in assignments are fundamental to effective academic writing. Your introduction should tell the reader what is going to be covered and how you intend to approach this. Your conclusion should summarise your argument or discussion and signal to the reader that you have come to a conclusion with a final statement.  These tips below are based on the requirements usually needed for an essay assignment, however, they can be applied to other assignment types.

Writing introductions

Most writing at university will require a strong and logically structured introduction. An effective introduction should provide some background or context for your assignment, clearly state your thesis and include the key points you will cover in the body of the essay in order to prove your thesis.

Usually, your introduction is approximately 10% of your total assignment word count. It is much easier to write your introduction once you have drafted your body paragraphs and conclusion, as you know what your assignment is going to be about. An effective introduction needs to inform your reader by establishing what the paper is about and provide four basic things:

• A brief background or overview of your assignment topic
• A thesis statement (see section above)
• An outline of your essay structure
• An indication of any parameters or scope that will/ will not be covered, e.g. From an Australian perspective.

The below example demonstrates the four different elements of an introductory paragraph.

1) Information technology is having significant effects on the communication of individuals and organisations in different professions. 2) This essay will discuss the impact of information technology on the communication of health professionals.   3)  First, the provision of information technology for the educational needs of nurses will be discussed.  4)  This will be followed by an explanation of the significant effects that information technology can have on the role of general practitioner in the area of public health.  5)  Considerations will then be made regarding the lack of knowledge about the potential of computers among hospital administrators and nursing executives.  6)   The final section will explore how information technology assists health professionals in the delivery of services in rural areas .  7)  It will be argued that information technology has significant potential to improve health care and medical education, but health professionals are reluctant to use it.

1 Brief background/ overview | 2 Indicates the scope of what will be covered |   3-6 Outline of the main ideas (structure) | 7 The thesis statement

Note : The examples in this document are taken from the University of Canberra and used under a CC-BY-SA-3.0 licence.

Writing conclusions

You should aim to end your assignments with a strong conclusion. Your conclusion should restate your thesis and summarise the key points you have used to prove this thesis. Finish with a key point as a final impactful statement.  Similar to your introduction, your conclusion should be approximately 10% of the total assignment word length. If your assessment task asks you to make recommendations, you may need to allocate more words to the conclusion or add a separate recommendations section before the conclusion. Use the checklist below to check your conclusion is doing the right job.

Conclusion checklist 

• Have you referred to the assignment question and restated your argument (or thesis statement), as outlined in the introduction?
• Have you pulled together all the threads of your essay into a logical ending and given it a sense of unity?
• Have you presented implications or recommendations in your conclusion? (if required by your task).
• Have you added to the overall quality and impact of your essay? This is your final statement about this topic; thus, a key take-away point can make a great impact on the reader.
• Remember, do not add any new material or direct quotes in your conclusion.

This below example demonstrates the different elements of a concluding paragraph.

1) It is evident, therefore, that not only do employees need to be trained for working in the Australian multicultural workplace, but managers also need to be trained.  2)  Managers must ensure that effective in-house training programs are provided for migrant workers, so that they become more familiar with the English language, Australian communication norms and the Australian work culture.  3)  In addition, Australian native English speakers need to be made aware of the differing cultural values of their workmates; particularly the different forms of non-verbal communication used by other cultures.  4)  Furthermore, all employees must be provided with clear and detailed guidelines about company expectations.  5)  Above all, in order to minimise communication problems and to maintain an atmosphere of tolerance, understanding and cooperation in the multicultural workplace, managers need to have an effective knowledge about their employees. This will help employers understand how their employee’s social conditioning affects their beliefs about work. It will develop their communication skills to develop confidence and self-esteem among diverse work groups. 6) The culturally diverse Australian workplace may never be completely free of communication problems, however,   further studies to identify potential problems and solutions, as well as better training in cross cultural communication for managers and employees,   should result in a much more understanding and cooperative environment. 

1  Reference to thesis statement – In this essay the writer has taken the position that training is required for both employees and employers . | 2-5 Structure overview – Here the writer pulls together the main ideas in the essay. | 6  Final summary statement that is based on the evidence.

Note: The examples in this document are taken from the University of Canberra and used under a CC-BY-SA-3.0 licence.

Writing paragraphs

Paragraph writing is a key skill that enables you to incorporate your academic research into your written work.  Each paragraph should have its own clearly identified topic sentence or main idea which relates to the argument or point (thesis) you are developing.  This idea should then be explained by additional sentences which you have paraphrased from good quality sources and referenced according to the recommended guidelines of your subject (see the chapter Working with Information ). Paragraphs are characterised by increasing specificity; that is, they move from the general to the specific, increasingly refining the reader’s understanding. A common structure for paragraphs in academic writing is as follows.

Topic Sentence 

This is the main idea of the paragraph and should relate to the overall issue or purpose of your assignment is addressing. Often it will be expressed as an assertion or claim which supports the overall argument or purpose of your writing.

Explanation/ Elaboration

The main idea must have its meaning explained and elaborated upon. Think critically, do not just describe the idea.

These explanations must include evidence to support your main idea. This information should be paraphrased and referenced according to the appropriate referencing style of your course.

Concluding sentence (critical thinking)

This should explain why the topic of the paragraph is relevant to the assignment question and link to the following paragraph.

Use the checklist below to check your paragraphs are clear and well formed.

Paragraph checklist

• Does your paragraph have a clear main idea?
• Is everything in the paragraph related to this main idea?
• Is the main idea adequately developed and explained?
• Do your sentences run together smoothly?
• Have you included evidence to support your ideas?
• Have you concluded the paragraph by connecting it to your overall topic?

Writing sentences

Make sure all the sentences in your paragraphs make sense. Each sentence must contain a verb to be a complete sentence. Avoid sentence fragments . These are incomplete sentences or ideas that are unfinished and create confusion for your reader. Avoid also run on sentences . This happens when you join two ideas or clauses without using the appropriate punctuation. This also confuses your meaning (See the chapter English Language Foundations for examples and further explanation).

Use transitions (linking words and phrases) to connect your ideas between paragraphs and make your writing flow. The order that you structure the ideas in your assignment should reflect the structure you have outlined in your introduction. Refer to transition words table in the chapter English Language Foundations.

Paraphrasing and Synthesising

Paraphrasing and synthesising are powerful tools that you can use to support the main idea of a paragraph. It is likely that you will regularly use these skills at university to incorporate evidence into explanatory sentences and strengthen your essay. It is important to paraphrase and synthesise because:

• Paraphrasing is regarded more highly at university than direct quoting.
• Paraphrasing can also help you better understand the material.
• Paraphrasing and synthesising demonstrate you have understood what you have read through your ability to summarise and combine arguments from the literature using your own words.

What is paraphrasing?

Paraphrasing is changing the writing of another author into your words while retaining the original meaning. You must acknowledge the original author as the source of the information in your citation. Follow the steps in this table to help you build your skills in paraphrasing (see Table 19.4 ).

Table 19.4 Paraphrasing techniques

Example of paraphrasing

Please note that these examples and in text citations are for instructional purposes only.

Original text

Health care professionals   assist people often when they are at their most  vulnerable . To provide the best care and understand their needs, workers must demonstrate good communication skills .  They must develop patient trust and provide empathy   to effectively work with patients who are experiencing a variety of situations including those who may be suffering from trauma or violence, physical or mental illness or substance abuse (French & Saunders, 2018).

Poor quality paraphrase example

This is a poor example of paraphrasing. Some synonyms have been used and the order of a few words changed within the sentences however the colours of the sentences indicate that the paragraph follows the same structure as the original text.

Health care sector workers are often responsible for vulnerable  patients.   To understand patients and deliver good service , they need to be excellent communicators .  They must establish patient rapport and show empathy if they are to successfully care for patients from a variety of backgrounds  and with different medical, psychological and social needs (French & Saunders, 2018).

A good quality paraphrase example

This example demonstrates a better quality paraphrase. The author has demonstrated more understanding of the overall concept in the text by using the keywords as the basis to reconstruct the paragraph. Note how the blocks of colour have been broken up to see how much the structure has changed from the original text.

Empathetic   communication is a vital skill for health care workers.   Professionals in these fields   are often responsible for patients with complex medical, psychological and social needs. Empathetic   communication assists in building rapport and gaining the necessary trust   to assist these vulnerable patients  by providing appropriate supportive care (French & Saunders, 2018).

The good quality paraphrase example demonstrates understanding of the overall concept in the text by using key words as the basis to reconstruct the paragraph.  Note how the blocks of colour have been broken up, which indicates how much the structure has changed from the original text.

What is synthesising?

Synthesising means to bring together more than one source of information to strengthen your argument. Once you have learnt how to paraphrase the ideas of one source at a time, you can consider adding additional sources to support your argument. Synthesis demonstrates your understanding and ability to show connections between multiple pieces of evidence to support your ideas and is a more advanced academic thinking and writing skill.

Follow the steps in this table to improve your synthesis techniques (see Table 19.5 ).

Table 19.5 Synthesising techniques

Example of synthesis

There is a relationship between academic procrastination and mental health outcomes.  Procrastination has been found to have a negative effect on students’ well-being (Balkis, & Duru, 2016). Yerdelen, McCaffrey, and Klassens’ (2016) research results suggested that there was a positive association between procrastination and anxiety. This was corroborated by Custer’s (2018) findings which indicated that students with higher levels of procrastination also reported greater levels of the anxiety. Therefore, it could be argued that procrastination is an ineffective learning strategy that leads to increased levels of distress.

Topic sentence | Statements using paraphrased evidence | Critical thinking (student voice) | Concluding statement – linking to topic sentence

This example demonstrates a simple synthesis. The author has developed a paragraph with one central theme and included explanatory sentences complete with in-text citations from multiple sources. Note how the blocks of colour have been used to illustrate the paragraph structure and synthesis (i.e., statements using paraphrased evidence from several sources). A more complex synthesis may include more than one citation per sentence.

Creating an argument

What does this mean.

Throughout your university studies, you may be asked to ‘argue’ a particular point or position in your writing. You may already be familiar with the idea of an argument, which in general terms means to have a disagreement with someone. Similarly, in academic writing, if you are asked to create an argument, this means you are asked to have a position on a particular topic, and then justify your position using evidence.

What skills do you need to create an argument?

In order to create a good and effective argument, you need to be able to:

• Read critically to find evidence
• Plan your argument
• Think and write critically throughout your paper to enhance your argument

For tips on how to read and write critically, refer to the chapter Thinking for more information. A formula for developing a strong argument is presented below.

A formula for a good argument

What does an argument look like?

As can be seen from the figure above, including evidence is a key element of a good argument. While this may seem like a straightforward task, it can be difficult to think of wording to express your argument. The table below provides examples of how you can illustrate your argument in academic writing (see Table 19.6 ).

Table 19.6 Argument

Editing and proofreading (reviewing)

Once you have finished writing your first draft it is recommended that you spend time revising your work.  Proofreading and editing are two different stages of the revision process.

• Editing considers the overall focus or bigger picture of the assignment
• Proofreading considers the finer details

As can be seen in the figure above there are four main areas that you should review during the editing phase of the revision process. The main things to consider when editing include content, structure, style, and sources. It is important to check that all the content relates to the assignment task, the structure is appropriate for the purposes of the assignment, the writing is academic in style, and that sources have been adequately acknowledged. Use the checklist below when editing your work.

Editing checklist

• Have I answered the question accurately?
• Do I have enough credible, scholarly supporting evidence?
• Is my writing tone objective and formal enough or have I used emotive and informal language?
• Have I written in the third person not the first person?
• Do I have appropriate in-text citations for all my information?
• Have I included the full details for all my in-text citations in my reference list?

There are also several key things to look out for during the proofreading phase of the revision process. In this stage it is important to check your work for word choice, grammar and spelling, punctuation and referencing errors. It can be easy to mis-type words like ‘from’ and ‘form’ or mix up words like ‘trail’ and ‘trial’ when writing about research, apply American rather than Australian spelling, include unnecessary commas or incorrectly format your references list. The checklist below is a useful guide that you can use when proofreading your work.

Proofreading checklist

• Is my spelling and grammar accurate?
•  Are they complete?
• Do they all make sense?
• Do they only contain only one idea?
• Do the different elements (subject, verb, nouns, pronouns) within my sentences agree?
• Are my sentences too long and complicated?
• Do they contain only one idea per sentence?
• Is my writing concise? Take out words that do not add meaning to your sentences.
• Have I used appropriate discipline specific language but avoided words I don’t know or understand that could possibly be out of context?
• Have I avoided discriminatory language and colloquial expressions (slang)?
• Is my referencing formatted correctly according to my assignment guidelines? (for more information on referencing refer to the Managing Assessment feedback section).

This chapter has examined the experience of writing assignments.  It began by focusing on how to read and break down an assignment question, then highlighted the key components of essays. Next, it examined some techniques for paraphrasing and summarising, and how to build an argument. It concluded with a discussion on planning and structuring your assignment and giving it that essential polish with editing and proof-reading. Combining these skills and practising them, can greatly improve your success with this very common form of assessment.

• Academic writing requires clear and logical structure, critical thinking and the use of credible scholarly sources.
• A thesis statement is important as it tells the reader the position or argument you have adopted in your assignment. Not all assignments will require a thesis statement.
• Spending time analysing your task and planning your structure before you start to write your assignment is time well spent.
• Information you use in your assignment should come from credible scholarly sources such as textbooks and peer reviewed journals. This information needs to be paraphrased and referenced appropriately.
• Paraphrasing means putting something into your own words and synthesising means to bring together several ideas from sources.
• Creating an argument is a four step process and can be applied to all types of academic writing.
• Editing and proofreading are two separate processes.

Academic Skills Centre. (2013). Writing an introduction and conclusion . University of Canberra, accessed 13 August, 2013, http://www.canberra.edu.au/studyskills/writing/conclusions

Balkis, M., & Duru, E. (2016). Procrastination, self-regulation failure, academic life satisfaction, and affective well-being: underregulation or misregulation form. European Journal of Psychology of Education, 31 (3), 439-459.

Custer, N. (2018). Test anxiety and academic procrastination among prelicensure nursing students. Nursing education perspectives, 39 (3), 162-163.

Yerdelen, S., McCaffrey, A., & Klassen, R. M. (2016). Longitudinal examination of procrastination and anxiety, and their relation to self-efficacy for self-regulated learning: Latent growth curve modeling. Educational Sciences: Theory & Practice, 16 (1).

Writing Assignments Copyright © 2021 by Kate Derrington; Cristy Bartlett; and Sarah Irvine is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License , except where otherwise noted.

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21 Awesome Author’s Purpose Activities 

December 6, 2022 //  by  Lauren Jannette

Get ready to read! These exciting activities help students build skills in reading comprehension, creative writing, and critical thinking. Give your students instructions for each activity, and watch as they get excited about reading! Grab a selection of joke books, reference books, and maybe a picture of a book or two. Then read the different types of texts to figure out why the author wrote the book!

1. P.I.E. Chart

Before you start your author’s purpose lessons, plan a review with students. Go over categories of purpose: Persuade, Inform, and Entertain. Then have them fill in which genres of literature go under each category. Make miniature versions for a handy graphic organizer. 

Learn more: Indulgy

2. Author’s Purpose Printable Worksheet

This printable author’s purpose worksheet is perfect for 1st, 2nd, and 3rd-grade students. Have your students read the book covers and color each according to the author’s reason for writing the book!

Learn more: The Moffat Girls

3. Author’s Purpose Game

A great interactive author’s purpose activity! After your kids have picked their piece, spin the spinner and determine why the author wrote their short story. If they guess right, they get to move ahead. If they’re wrong, they go back to the number of spaces they spun.

Learn more: Room Recess

4. Reading Comprehension Worksheet

Start the week off with this easy activity. Choose a book from your classroom library. After reading a passage, have students complete the exercises. The worksheet is a chance for students to demonstrate their comprehension of the passage.

Learn more: Fourth & Ten

5. Scavenger Hunt

A fun and interactive activity for students of all ages! Send your kids on a scavenger hunt at your local library to find books fitting each category. This great alternative to worksheets makes learning active and exciting!

Learn more: Use My Mind Save Your Time

6. Not “As Easy as P.I.E.”

This activity is a harder task for students. To create this graphic organizer, students begin by deciding the author’s purpose. They then have to uncover the author’s thesis ideas and supporting evidence. This type of writing assignment is great for middle school students.

Learn more: Cultivating Critical Readers

7. Author’s Purpose Recipe Card

Perfect for small-group learning! Have your students read aloud texts of different genres. Then have them write down the details listed on the recipe. Follow the instructions closely. Finish by “cooking up” the main ideas to discover the reasons authors wrote their books. 

Learn more: The Simple Classroom

8. Task Cards

This task card set is the perfect introduction to the topic of the author’s purpose. Read the description on each card. Then have your students choose the correct category for each one. Turn it into a partner vs. partner game for even more fun!

Learn more: Staying Cool in the Library

9. Digital Task Cards

If you’re teaching digitally, this resource is for you. These task cards make quizzing simple, easy, and fun! As students take the quiz, they receive detailed information to help plan their next lessons. Have students use the examples on task cards to create their own!

Learn more: Book Units Teacher

10. Anchor Chart

Help your students remember the key points of an author’s purpose with this poster. It clearly outlines the author’s and reader’s jobs. Have students create their own mini anchor charts to refer to throughout the year. An awesome addition to your classroom writing center!

Learn more: The Classroom Key

11. Color By Code

Kids love coloring and finding hidden messages! This printable worksheet combines both for a fun author’s purpose activity. Do the first few together. Then have your students pair off and complete the rest by themselves. Have learners come back together afterward to discuss their decisions.

Learn more: The Tahoe Teacher

12. The Checklist

Give your students a selection of reading passages for this activity. As they read the passages, have them complete the checklist to find out why the author wrote what they did. Ask older students to write an analytical paragraph for each passage explaining their choice.

Learn more: Read Like a Rock Star

13. Easy As P.I.E. Song

This is perfect for younger elementary students. Make up a tune and teach your kids the lyrics. Sing it at the beginning of each lesson about the author’s purpose to make sure they remember. Ask them to pick a book for each stanza and hold it up when they sing it!

Learn more: Blog Lovin’

14. P.I.E. Plates

These easy-to-create anchor charts are perfect for students of all ages. Grab a paper plate and divide it into sections. Label each section with each type of author’s purpose and its characteristics. Pin book titles to each category throughout the year!

Learn more: Teach Junkie

15. Flip Book

Write book titles on pieces of construction paper. Create the outer cover for each flip book of P.I.E. Have your kids sort and glue the books into the correct categories. Add a new page for every book your kids read during the year!

Learn more: Upper Elementary Snapshots

16. Start at the Beginning

Ask your kids about their writing. Why do they write? Make a list of their reasons and the types of writing they do. Then sort each one into a corresponding author’s purpose category.

Learn more: Use My Mi nd Save Your Time

17. Purpose Puzzle

Entertain your puzzle lovers with this activity! Cut and laminate the pieces for each author’s purpose. Help your students put the correct pieces together. Add more categories, details, and descriptions to challenge older students.

Learn more: Teach Starter

18. Upper-Level Student Worksheet

Integrate this worksheet into your older students’ author’s purpose activities. The comprehensive worksheet has students provide evidence for their choice about the author’s motivations. A great way to start reading reflection activities!

Learn more: Christian Homeschool Hub

19. Sort Books

A simple way for kids to visualize the author’s purpose is to sort the books themselves! Grab a stack of books or a scholastic book magazine. Then place each book in the correct category. Divide the books into two piles and make it a race!

20. Multiple Choice Questions

Start your students off with this easy exercise. Read the short passages provided and then have them decide the author’s intent for writing. The additional questions are a great way to test their reading comprehension skills.

Learn more: Unmisravle

21. Sentence Writing Game

Create task cards containing different people, places, and things. Mix them up and place them face down. Then have your kids spin the spinner and pick up a card. Have everyone write a sentence using the topic and image! The funniest sentence wins a prize!

H 1 . Introduction

This handbook is a brief yet comprehensive reference for you to consult as you write papers and other assignments for a college course. You can refer to it as you draft paragraphs and polish sentences for clarity, conciseness, and point of view. You can read it to learn how to identify and revise common sentence errors and confused words. You can use it to help you edit your writing and fine-tune your use of verbs, pronouns, punctuation, and mechanics. And you can have it open as you integrate and cite quotations as well as other source material in your papers in MLA or APA style.

Designed as a reference tool, the handbook is organized to help you get answers to your questions. You do not need to read the entire handbook to get helpful information from it. For example, if your instructor has noted that you need to work on comma splices, you can refer to Sentence Errors , before you turn in a final draft of your writing. If you know you frequently misuse commas, refer to Punctuation , and check your sentences against the advice there. And if you, like many writers, can’t remember which punctuation marks go inside and outside quotation marks, refer to Quotations . Becoming familiar with the handbook and the various topics will allow you to use it efficiently.

H 2 . Paragraphs and Transitions

Paragraphs help readers make their way through prose writing by presenting it in manageable chunks. Transitions link sentences and paragraphs so that readers can clearly understand how the points you are making relate to one another. (See Editing Focus: Paragraph and Transitions for a related discussion of paragraphs and transitions. See Evaluation: Transitions for a related discussion of transitions in multimodal compositions.)

Effective Paragraphs

Paragraphs are guides for readers. Each new paragraph signals either a new idea, further development of an existing idea, or a new direction. An effective paragraph has a main point supported by evidence, is organized in a sensible way, and is neither too short nor too long. When a paragraph is too short, it often lacks enough evidence and examples to back up your claims. When a paragraph is too long, readers can lose the point you are making.

Developing a Main Point

A paragraph is easier to write and easier to read when it centers on a main point. The main point of the paragraph is usually expressed in a topic sentence . The topic sentence frequently comes at the start of the paragraph, but not always. No matter the position, however, the other sentences in the paragraph support the main point.

Supporting Evidence and Analysis

All the sentences that develop the paragraph should support or expand on the main point given in the topic sentence. Depending on the type of writing you are doing, support may include evidence from sources—such as facts, statistics, and expert opinions—as well as examples from your own experience. Paragraphs also may include an analysis of your evidence written in your own words. The analysis explains the significance of the evidence to the reader and reinforces the main point of the paragraph.

In the following example, the topic sentence is underlined. The supporting evidence discussed through cause-and-effect reasoning comes in the next three sentences. The paragraph concludes with two sentences of analysis in the writer’s own words.

underline Millions of retired Americans rely on Social Security benefits to make ends meet after they turn 65. end underline According to the Social Security Administration, about 46 million retired workers receive benefits, a number that reflects about 90 percent of retired people. Although experts disagree on the exact numbers, somewhere between 12 percent and 40 percent of retirees count on social security for all of their income, making these benefits especially important (Konish). These benefits become more important as people age. According to Eisenberg, people who reach the age of 85 become more financially vulnerable because their health care and long-term care costs increase at the same time their savings have been drawn down. It should therefore come as no surprise that people worry about changes to the program. Social Security keeps millions of retired Americans out of poverty.

Opening Paragraphs

Readers pay attention to the opening of a piece of writing, so make it work for you. After starting with a descriptive title, write an opening paragraph that grabs readers’ attention and alerts them to what’s coming. A strong opening paragraph provides the first clues about your subject and your stance. In academic writing, whether argumentative, interpretative, or informative, the introduction often ends with a clear thesis statement , a declarative sentence that states the topic, the angle you are taking, and the aspects of the topic the rest of the paper will support.

Depending on the type of writing you’re doing, you can open in a variety of ways.

• Open with a conflict or an action. If you’re writing about conflict, a good opening may be to spell out what the conflict is. This way of opening captures attention by creating a kind of suspense: Will the conflict be resolved? How will it be resolved?
• Open with a specific detail, statistic, or quotation. Specific information shows that you know a lot about your subject and piques readers’ curiosity. The more dramatic your information, the more it will draw in readers, as long as what you provide is credible.
• Open with an anecdote. Readers enjoy stories. Particularly for reflective or personal narrative writing, beginning with a story sets the scene and draws in readers. You may also begin the anecdote with dialogue or reflection.

The following introduction opens with an anecdote and ends with the thesis statement, which is underlined.

Betty stood outside the salon, wondering how to get in. It was June of 2020, and the door was locked. A sign posted on the door provided a phone number for her to call to be let in, but at 81, Betty had lived her life without a cell phone. Betty’s day-to-day life had been hard during the pandemic, but she had planned for this haircut and was looking forward to it: she had a mask on and hand sanitizer in her car. Now she couldn’t get in the door, and she was discouraged. In that moment, Betty realized how much Americans’ dependence on cell phones had grown in the months she and millions of others had been forced to stay at home. underline Betty and thousands of other senior citizens who could not afford cell phones or did not have the technological skills and support they needed were being left behind in a society that was increasingly reliant on technology end underline .

Closing Paragraphs

The conclusion is your final chance to make the point of your writing stick in readers’ minds by reinforcing what they have read. Depending on the purpose for your writing and your audience, you can summarize your main points and restate your thesis, draw a logical conclusion, speculate about the issues you have raised, or recommend a course of action, as shown in the following conclusion:

Although many senior citizens purchased and learned new technologies during the COVID-19 pandemic, a significant number of older people like Betty were unable to buy and/or learn the technology they needed to keep them connected to the people and services they needed. As society becomes increasingly dependent on technology, social service agencies, religious institutions, medical providers, senior centers, and other organizations that serve the elderly need to be equipped to help them access and become proficient in the technologies essential to their daily lives.

Transitions

Transitional words and phrases show the connections or relationships between sentences and paragraphs and help your writing flow smoothly from one idea to the next.

A paragraph flows when ideas are organized logically and sentences move smoothly from one to the next. Transitional words and phrases help your writing flow by signaling to readers what’s coming in the next sentence. In the paragraph below, the topic sentence and transitional words and phrases are underlined.

underline Some companies court the public by mentioning environmental problems and pointing out that they do not contribute to these problems. end underline underline For example end underline , the natural gas industry often presents natural gas as a good alternative to coal. underline However end underline , according to the Union of Concerned Scientists, the drilling and extraction of natural gas from wells and transporting it through pipelines leaks methane, a major cause of global warming (“Environmental Impacts”). underline Yet end underline leaks are rarely mentioned by the industry. By taking credit for problems they don’t cause and being silent on the ones they do, companies present a favorable environmental image that often obscures the truth.

Transitional Words and Phrases

Following are some transitional words and phrases and their functions in paragraphs. Use this list when drafting or revising to help guide readers through your writing. (See Editing Focus: Paragraphs and Transitions for another discussion on transitions.)

H 3 . Clear and Effective Sentences

This section will help you write strong sentences that convey your meaning clearly and concisely. See Editing Focus: Sentence Structure for a related discussion and practice on effective sentences.

The most emphatic place in a sentence is the end. To achieve the strongest emphasis, end with the idea you want readers to remember. Place introductory, less important, or contextual information earlier in the sentence. Consider the differences in these two sentences.

Less Emphatic Angel underline needs to start now end underline if he wants to have an impact on his sister’s life. More Emphatic If Angel wants to have an impact on his sister’s life, he underline needs to start now end underline .

Concrete Nouns

General nouns name broad classes or categories of things ( man, dog, city ); concrete nouns refer to particular things ( Michael, collie, Chicago ). Concrete nouns provide a more vivid and lively reading experience because they create stronger images that activate readers’ senses. The examples below show how concrete nouns, combined with specific details, can make writing more engaging.

All General Nouns Approaching the library, I see underline people end underline and underline dogs end underline milling about underline outside end underline , but no subjects to write about. I’m tired from my underline walk end underline and go inside. Revised with Concrete Nouns Approaching underline Brandon Library end underline , I see underline skateboarders end underline and underline bikers end underline weaving through underline students end underline who talk in underline clusters end underline on the underline library steps end underline . A friendly underline collie end underline waits for its owner to return. Subjects to write about? Nothing strikes me as especially interesting. Besides, my heart is still pounding from the walk up the hill. I wipe my sweaty underline forehead end underline and go inside.

Active Voice

Active voice refers to the way a writer uses verbs in a sentence. Verbs have two “voices”: active and passive. In the active voice , the subject of the sentence acts—the subject performs the action of the verb. In the passive voice , the subject receives the action, and the object actually becomes the subject. Although some passive sentences are necessary and clear, a paper full of passive-voice constructions lacks vitality and becomes wordy.

Active-voice verbs make something happen. By using active verbs wherever possible, you will create stronger, clearer, and more concise sentences.

Passive Voice On the post-training survey, the anti-harassment tutorial underline was rated end underline highly informative underline by end underline employees. Revised in Active Voice On the post-training survey, underline employees end underline underline rated end underline the anti-harassment tutorial highly informative.

Conciseness

Concise writing considers the importance of every word. Editing sentences for emphasis, concrete nouns, and active voice will help you write clearly and precisely, as will the following strategies. To be concise, eliminate wasted words and filler— not ideas, information, description, or details that will interest readers or help them follow your thoughts. (For more on conciseness, see Editing Focus: Sentence Structure .)

Use Action Verbs

Using action verbs is one of the most direct ways to cut unneeded words. Whenever you find a phrase like the ones below, consider substituting an action verb.

Cut Unnecessary Words and Phrases

Eliminate words and phrases that do not add meaning. Consider the following sentences, which say essentially the same thing.

Wordy In almost every situation that I can think of, with few exceptions, it will make good sense for you to look for as many places as possible to cut out needless, redundant, and repetitive words and phrases from the papers, reports, paragraphs, and sentences you write for college assignments. (49 words) Concise Whenever possible, cut needless words and phrases from your college writing. (11 words)

The wordy sentence is full of early-draft language in three chunks. The first chunk comes at the beginning of the sentence. Notice how In almost every situation that I can think of, with few exceptions, it will make good sense for you to look for as many places as possible is reduced to Whenever possible in the concise sentence.

The second chunk of the wordy sentence is needless, redundant, and repetitive. The concise version reduces those four words to needless because the words have the same meaning. The third chunk of the wordy sentence comes at the end. Notice how papers, reports, paragraphs, and sentences you write for college assignments is reduced to your college writing. The meaning, although expanded to all writing, remains the same.

The following phrases are common fillers that add nothing to meaning. They should be avoided.

• a person by the name of
• for all intents and purposes
• in a manner of speaking
• more or less

Some common filler phrases have single-word alternatives, which are preferable.

Avoid there is/there are and it is

Starting a sentence with there is, there are, or it is can be useful to draw attention to a change in direction. However, starting a sentence with one of these phrases often forces you into a wordy construction. Wordiness means the presence of verbal filler; it does not mean the number of words, the amount of description, or the length of a composition. (For more on these constructions, see Editing Focus: Sentence Structure .)

Wordy underline There is often uncertainty about whether or not employees end underline are required to turn on their cameras during online meetings, and underline there are end underline some employees underline who end underline don’t. However, underline it is the expectation of employers end underline that cameras underline be end underline turned on. Concise underline Employees are often uncertain whether they end underline must turn on their cameras during online meetings, and underline some don’t end underline . However, underline employers expect end underline cameras to be turned on.

Parallelism

Within a sentence, parallelism —the repetition of a word or grammatical construction— creates symmetry and balance, makes an idea easier to remember, and sounds pleasing to the ear. In the first example below, the parallelism is established by the repetition of the phrase beginning with who . In the second example, the parallelism is created by the underlined nouns.

Unparallel After 25 years, the battle over the reintroduction of wolves continues between environmental activists, underline who support it end underline , and underline hunters and people who own cattle ranches and are opposed end underline . Parallel After 25 years, the battle over the reintroduction of wolves continues between environmental activists, underline who support it end underline , and cattle ranchers and hunters, underline who oppose it end underline . Unparallel Exercises that improve core strength include underline crunches end underline , underline leg lifts end underline , and underline when you do push-ups and planks end underline . Parallel Exercises that improve core strength include underline crunches end underline , underline leg lifts end underline , underline push-ups end underline , and underline planks end underline .

Varying the length and structure of sentences makes your writing more interesting to read.

Simple Sentences

A simple sentence has one idea expressed in a single main clause (also known as an independent clause). A main clause contains a subject and a predicate and can stand alone as a sentence. A simple sentence can be short or long, as shown in the examples below. The phrases in the long sentence add information, but the sentence remains a simple sentence nonetheless because it has only one clause.

The underline coronavirus end underline double underline spread end double underline around in the world in 2020. School-age underline children end underline and college underline students end underline double underline were pushed end double underline into virtual learning environments in March 2020, with schools closing for unspecified lengths of time.

Compound Sentences

A compound sentence contains two or more main clauses that are equally important to the meaning of the sentence. (A main clause contains a subject and a predicate and can stand alone as a sentence.) You can create compound sentences in the following ways:

Compound Sentence Using a Coordinating Conjunction

Create a compound sentence by using a coordinating conjunction — for, and, nor, but, or, yet, or so (fanboys)— to join main clauses . To remember the coordinating conjunctions, use the mnemonic device fanboys.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic, and underline many end underline double underline were forced end double underline to close. underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic, yet underline many end underline double underline survived end double underline the downturn.

Compound Sentence Using a Semicolon

A semicolon can join two main clauses that are closely related in meaning. When using a semicolon, you must have a complete sentence before and after it.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic ; underline many end underline double underline were forced end double underline to close.

Compound Sentence Using a Semicolon and Transitional Word or Phrase

A transitional words or phrases such as however, in fact, meanwhile, therefore, consequently, as a result, instead, or furthermore indicates the relation of two or more equally important ideas in the main clauses.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic ; however , underline many end underline double underline survived end double underline the downturn.

Complex Sentences

A complex sentence contains one main clause (a clause that contains a subject and a predicate and can stand alone as a sentence) and one or more subordinate clauses (also known as dependent clauses). Subordinate clauses begin with a subordinating word or phrase such as although, because, even if, when, whenever, since, as though, whether, as long as, until, or while. The main clause expresses the main idea of the sentence, and the subordinate clause expresses the less important idea. Like a main clause, a subordinate clause has a subject and verb; however, unlike a main clause, it cannot stand alone as a sentence. A subordinate clause punctuated as a sentence is a type of sentence fragment. The subordinate clauses in the following sentences are underlined.

underline Although the federal government provided financial assistance end underline , the money came too late for many businesses. underline When schools and universities shut down in March of 2020 end underline , students had to learn at home, underline a situation that proved challenging for many households end underline .

Compound-Complex Sentences

A compound-complex sentence contains two or more main clauses (clauses that contain subjects and predicates and can stand alone as sentences) and one or more subordinate clauses (clauses that begin with a subordinating word such as although, because, even if, when, whenever, since, as though, whether, as long as, until, and while ). A compound-complex sentence is an effective structure to use when you want to express three or more ideas in a single sentence. The example sentence has two main clauses (double underline) and three subordinate clauses (single underline).

underline When school districts reopened end underline , double underline parents had to decide end double underline underline whether they wanted their children to attend classes in person end underline , double underline and they had to be ready for classes to move online end double underline underline if there were outbreaks of the coronavirus in their community. end underline

H 4 . Sentence Errors

These four common sentence errors can make your writing hard to read: fragments, comma splices, run-on sentences, and mixed constructions.

Sentence Fragments

A sentence fragment is a group of words that lacks a subject, a verb, or both, or it is a subordinate clause (a clause that begins with a subordinating word such as although, because, since, and so on) punctuated as though it were a sentence by itself. Although most are grammatical errors, sentence fragments can be used judiciously in conventional writing so long as the purpose is clear to readers and the fragment is clearly intended.

Unintentional Sentence Fragments

Often a sentence fragment follows a complete sentence and expands on it, as illustrated in the examples below (fragments are underlined). You can correct most fragment errors by attaching the fragment to the sentence to which it belongs or by rewriting the fragment as a complete sentence.

Sentence Fragment People think that they will be happy if they are well off. underline That money will make everything better. end underline Revised by Attaching the Fragment to a Complete Sentence People think that they will be happy if they are well off underline and end underline that money will make everything better. Sentence Fragment Psychologist David Myers explains how students have increasingly chosen to attend college to make more money. Thus underline further explaining his point of people’s desire to use money to gain happiness. end underline Revised by Attaching the Fragment to a Complete Sentence Psychologist David Myers explains how students have increasingly chosen to attend college to make more money, underline thus further explaining his point of people’s desire to use money to gain happiness. end underline Sentence Fragment Although income grew, people’s happiness did not. underline With rich people reporting that even though they had plenty of money, their happiness had not changed much. end underline Revised by Adding a Verb Although income grew, people’s happiness did not. underline Rich people reported end underline that even though they had plenty of money, their happiness had not changed much. Sentence Fragment For many people, increased income is being spent on the things that people are unable to pay less for. underline Things like taxes, childcare, transportation, and housing. end underline Revised by Adding a Subject and a Verb For many people, increased income is being spent on things that people are unable to pay less for. underline These include end underline taxes, childcare, transportation, and housing.

Intentional Sentence Fragments

Intentional sentence fragments force quick reading, inviting readers to stitch meaning to together. Intentional fragments are most common in creative writing and advertising.

The rabbit darted out of the shadows. underline A flash of movement. end underline The dog lunged and strained at the leash.

Comma Splices

A comma splice is a common error that occurs when two complete sentences are joined by a comma. You can correct a comma splice by adding a coordinating conjunction ( for, and, nor, but, or, yet, or so), adding a period and creating two sentences, adding a coordinating conjunction and creating a compound sentence, or subordinating one clause and creating a complex sentence.

Comma Splice The author sheds light on the financial sacrifice many mothers make , they take care of their children without compensation and often lose professional status. Revised with a Coordinating Conjunction The author sheds light on the financial sacrifice many mothers make, underline for end underline they take care of their children without compensation and often lose professional status.

Comma Splice Many college students see their education as the way to become wealthy , some are sacrificing happiness to pursue high-paying careers. Revised with a Period Many college students see their education as the way to become wealthy . S ome are sacrificing happiness to pursue high-paying careers.

Comma Splice Psychologist David Myers conducted multiple surveys asking people about their attitudes about money , the results revealed that people felt they needed more regardless of how much they had. Revised with a Semicolon Psychologist David Myers conducted multiple surveys asking people about their attitudes about money ; the results revealed that people felt they needed more regardless of how much they had.

Comma Splice Love cannot be paid for , it is a gift that parents give because they love their children. Revised with a Semicolon and Transitional Word or Phrase Love cannot be paid for ; underline indeed end underline , it is a gift that parents give because they love their children.

Comma Splice Students are choosing majors to enable them to earn more money , they are under the misconception that earning money guarantees happiness. Revised with a Subordinate Clause Students are choosing majors to enable them to earn more money underline because end underline they are under the misconception that earning money guarantees happiness.

Run-on Sentences

In a run-on sentence , two or more complete sentences are not separated by any punctuation. Like comma splices, most run-on sentences can be revised in one or more of the following ways: adding a coordinating conjunction ( for, and, nor, but, or, yet, or so ), adding a period and creating two sentences, separating the sentences with a semicolon, separating the sentences with a semicolon and transitional word or phrase (such as on the other hand, however, consequently, and so on), or turning the less important sentence into a subordinate clause starting with a subordinating word such as although, because, if, when, since , and so on.

Run-on Sentence The DNR eventually designated the area as crucial habitat the protection came too late to save the nesting birds. Revised with a Comma and a Coordinating Conjunction The DNR eventually designated the area as crucial habitat , underline but end underline the protection came too late to save the nesting birds. Run-on Sentence Most people realize that being wealthy won’t just happen many college students choose a major that will ensure they make money. Revised with a Period Most people realize that being wealthy won’t just happen . Many college students choose a major that will ensure they make money. Run-on Sentence Parents do not expect any financial reward they care for their children out of love and responsibility. Revised with a Semicolon Parents do not expect any financial reward ; they care for their children out of love and responsibility. Run-on Sentence The average American family’s expenses have risen faster than incomes they have saved less than prior generations. Revised with a Semicolon and Transitional Word or Phrase The average American family’s expenses have risen faster than incomes ; underline as a result end underline , they have saved less than prior generations. Run-on Sentence College students have the opportunity to choose any major they tend to choose those that offer immediate opportunities to earn money when they graduate. Revised with a Subordinate Clause underline Although end underline college students have the opportunity to choose any major underline , end underline they tend to choose those that offer immediate opportunities to earn money when they graduate.

Mixed Sentence Constructions

A mixed sentence contains parts that do not fit together because of grammar or meaning. In the following example, the writer needs to revise either the second part to fit with the first part or the first part to fit with the second. (See Editing Focus: Mixed Sentence Constructions for more on mixed sentence constructions.)

Mixed Sentence underline By starting my general studies classes last semester end underline underline gave me the opportunity to take classes in my major this fall end underline . Second Part Revised By starting my general studies classes last spring, underline I had end underline the opportunity to take classes in my major this fall. First Part Revised underline Starting end underline my general studies classes last spring gave me the opportunity to take classes in my major this fall.

Just because . . . doesn’t mean Constructions. Just because . . . doesn’t mean constructions are common in speech but should be avoided in writing.

Just because underline Just because end underline I want to be a doctor underline doesn’t mean end underline I will get into medical school. Revised Simply wanting to be a doctor doesn’t guarantee admission to medical school. Revised Although I want to be a doctor, I will need to work hard to get into medical school.

H 5 . Words and Language

The English language is rich and always evolving, offering you many ways and words to express yourself in writing and speech.

Language Varieties

English is not one language but many, made up of regional and social dialects. In addition, groups speak using specialized language among themselves that can be difficult for outsiders to understand. As a writer, be aware of the audience for your writing. Use language that your readers will understand directly or from context.

English dialects are distinctive versions of the language used in geographical regions and/or by particular social or ethnic groups. Standard American English, the English spoken by newscasters, is one such dialect, as are African American Vernacular English, Creole, Appalachian English, and others. English dialects have many features in common, but each has particulars of grammar, vocabulary, and pronunciation. (For an in-depth discussion of dialects and academic writing, see Spotlight on … Variations of English .)

Groups of people with similar skills and interests often develop slang that allows them to express ideas quickly and vividly. Slang also signals knowledge about a particular topic, such as meme culture, music, sports, and more. Slang is generally considered too casual for most academic writing, but it may be appropriate for personal essays. In your papers, be aware of your purpose and audience when choosing to use slang. Avoid using slang that your readers are unlikely to understand.

Technical Expressions

Experts in many professional fields use specialized and technical expressions that allow them to communicate efficiently and clearly with each other. Such language is often incomprehensible for nonexperts and should be avoided in writing for general readers. (For tips on writing about a technical topic for an audience of nonspecialists, see Spotlight on … Discipline-Specific and Technical Language .)

Biased Language

Biased words and expressions exclude or demean people on the basis of gender, sex, sexual orientation, age, ethnicity, social class, or physical or mental traits.

Biased Language Based on Sex and Gender

English includes words and expressions that are considered biased based on sex and gender, such as mankind, businessman, chairman, fireman, and so on. These are commonly replaced by gender-neutral words such as humanity, businessperson, chair or chairperson, and firefighter. (See Spotlight on … Bias in Language and Research for more on language bias.)

In addition, the English pronoun he has traditionally been used as the gender-neutral pronoun. For example, the construction A underline doctor end underline should have a caring attitude toward underline his end underline patients was once common but is now widely viewed as gender biased because many doctors are not men. For a discussion of the pronoun he used as the gender-neutral pronoun, see Pronouns .

Labels and Stereotypes

Be sensitive to labels and stereotypes that may insult a group of people you are writing about. Avoid labels that don’t put people first, such as cancer victim and wheelchair-bound. Don’t make assumptions about entire groups of people that promote stereotypes, such as teenagers are rebellious, elderly people don’t hear well, conservatives are rich, or women are more emotional than men . (See Spotlight on … Bias in Language and Research for more on language bias.)

Exact Words

As a general rule, use plain, direct words in your writing. Avoid reaching for a word that sounds fancy or impressive, especially if you are unsure about the meaning. If you use a word that is only vaguely familiar to you, look it up in a dictionary to ensure you are using it correctly. (You can type the word and “def” to get a definition.) Doing so has the added benefit of building your vocabulary.

Words Commonly Confused

The words in the following list are commonly confused or misused by writers. As you write, consult this list or use a reliable online tool, such as Merriam-Webster , to check the meanings and usage of words you’re unsure of. Keep a list of words that cause you trouble as you become aware of them. Then, after you draft a document, do a search for the words on your list. (For a discussion of homonyms, homographs, and homophones, see Editing Focus: Words Often Confused .)

H 6 . Point of View

Point of view refers to the vantage point from which a story, event, report, or other written work is told. The point of view in which you write depends on the genre in which you are writing. For example, you will likely use first person in personal narrative writing. For most academic writing, you’ll use third person. (See Editing Focus: Characterization and Point of View for a related discussion of point of view in narrative writing.)

First Person

In the first-person point of view, the writer or narrator ( I, we ) is present in the writing. First person is commonly used in personal writing genres, such as literacy narratives, memoirs, and profiles, as well as in fiction.

After midnight—my paper started, my exam studied for—I leave the library and head back to my apartment. In the dark, I listen closely when I hear footsteps behind me, and I step to the edge of the sidewalk to let a man pass. At my door, I fumble for my key, open the door, turn on the light, and step inside. I am safe, ready to eat, read a bit, and return to my paper.

Second Person

Second-person point of view is used occasionally when an outsider ( you ) becomes part of a story. It should not be confused with a writer or speaker using “you” when directly addressing an audience ( you ). Nor should it be confused with giving instructions ( drive forward, add one cup of brown sugar, close the door ) or with its similar use in textbooks such as this one. However, second person is not considered appropriate in most academic writing.

Writers often slip into second person when they intend to write in third person. In the example below, the writer starts in third person and shifts by accident to second person. To check your sentences for second person, search your documents for you , and revise as needed.

Shift from Third Person to Second Person The federal government should raise the minimum wage because it has the responsibility to ensure underline people end underline earn a wage underline you end underline can live on. The current minimum wage, $7.25 per hour, is not enough to pay underline rent end underline , let alone support a family. Many people cannot lift themselves out of poverty. A higher minimum wage can help you. Revised The federal government should raise the minimum wage because it has the responsibility to ensure underline workers end underline earn a wage underline they end underline can live on. The current minimum wage, $7.25 per hour, is not enough to pay underline a single person’s end underline rent, let alone support a family. Many people cannot lift themselves out of poverty. A higher minimum wage can help them.

Third Person

The third-person point of view ( he, she, it, they ) is customary for fiction and for academic writing, such as research papers, reports, visual and textual analysis papers, argumentative essays, and the like. Third-person point of view emphasizes the information instead of the writer.

The hikers and other passive trail users argue that mountain bikes should not be allowed on narrow trails traditionally traveled by foot and horse. underline They end underline point out that the bikes’ wide, treaded tires cause erosion, that the bikers’ high speeds startle hikers and horses, and that underline their end underline presence on trails disrupts the tranquility that hikers and bird watchers seek.

H 7 . Verbs

In a sentence, a verb expresses an action, an occurrence, or a state of being.

Subject-Verb Agreement

In many sentences, making the verb agree with the subject is straightforward: underline I end underline underline run end underline every day. My underline sister end underline underline runs end underline every other day. Sometimes our underline brother end underline underline joins end underline us, and underline all end underline of us underline run end underline together. However, subject-verb agreement gets tricky in the following circumstances. (See Editing Focus: Subject-Verb Agreement for more on subject-verb agreement.)

Agreement with Compound Subjects

Two or more subjects joined by and take a plural verb in most sentences:

underline Yoga and meditation end underline double underline are end double underline effective activities for relieving stress.

However, when the parts of the subject form a single idea or unit, the verb is singular:

underline Macaroni and cheese end underline double underline is end double underline my favorite meal.

When compound subjects are joined by or or nor, the verb agrees with the word closest to it:

Either your aunts or your underline mother end underline double underline remembers end double underline where your great-grandmother’s grave is located. Neither the image nor the underline words end underline double underline convey end double underline the message of the advertisement clearly.

Agreement When Words Come between Subject and Verb

The verb must agree with the subject even when words and phrases come between them:

The underline cost end underline of the flights double underline is end double underline prohibitive. A underline box end underline of invitations with stamps and return addresses double underline was end double underline on the desk.

Agreement When the Verb Comes Before the Subject

The verb must agree with the subject, even when it comes before the subject:

double underline Are end double underline underline James and Tamara end underline at the front of the line? There double underline were end double underline three underline people end underline ahead of us in line. Under the table double underline are end double underline a underline newspaper end underline and a underline magazine end underline .

Agreement with Everyone and Other Indefinite Pronouns

An indefinite pronoun is general; it does not refer to a specific person, place, or thing. Most indefinite pronouns take a singular verb, but not all. Those that take a singular verb include anybody, anyone, anything, each, everybody, everyone, everything, nobody, no one, nothing, one, somebody, someone, and something .

underline Everyone end underline in the class double underline has prepared end double underline a research proposal. underline Nobody end underline among the accused suspects double underline admits end double underline to the crime.

The following indefinite pronouns take a plural verb: both, few many, others, and several.

underline Several end underline of the students in the class double underline have proposed end double underline researching hurricanes. underline Both end underline of the suspects double underline deny end double underline committing the crime.

Several indefinite pronouns take a singular or plural verb depending on whether the word they refer to is singular or plural. These include all, any, enough, more, most, neither, none, and some.

underline Most end underline of the class double underline has proposed end double underline researching a topic related to climate change. ( Most refers to class. ) underline Most end underline of the students in the class double underline have proposed end double underline researching a topic related to climate change. ( Most refers to students. ) underline Neither end underline the students underline nor end underline the teachers double underline have proposed end double underline a field trip. ( Neither/nor refers to students and teachers .)

Agreement with Collective Nouns

Collective nouns such as audience, band, class, crowd, family, group, or team can take a singular or a plural verb depending on the context. When the group acts as a single unit, which is the most common construction, use a singular verb:

The underline band end underline double underline rehearses end double underline every day.

When the group acts individually, use a plural verb, or to avoid confusion, add the word members and use a plural verb.

The underline jury end underline double underline do not agree end double underline on a verdict. The underline jury end underline members double underline do not agree end double underline on a verdict.

Agreement with Words Such as News and Statistics

Some nouns that end in -s , such as athletics, economics, measles, news, physics, politics, and statistics seem plural but are usually regarded as singular in meaning. In most situations, these words take a singular verb:

Day after day, the underline news end underline double underline was end double underline bad. underline Statistics end underline double underline fulfills end double underline a math requirement for many college majors.

When a word like economics, politics, or statistics refers to a specific situation, use a plural verb:

The underline economics end underline of the situation double underline are end double underline hard to comprehend.

Agreement with Titles and Words Used as Words

Whether singular or plural in form, titles and words used as words take singular verbs:

Directed by Spike Lee, underline Da 5 Bloods end underline double underline centers end double underline around four veterans returning to Vietnam to find the remains of their squad leader and the fortune they hid together. underline Children end underline double underline is end double underline the plural form of child .

Tense expresses the time of a verb’s action—the past, present, or future. Tense comes naturally in speech, but it can be tricky to control in writing. The following guidelines will help you choose the appropriate tense for your writing and use it consistently. (See Editing Focus: Verb Tense Consistency for a related discussion of consistent verb tense.)

Verb Tense in Narrative Writing

Personal experience stories, such as literacy narratives, memoirs, personal essays, or profiles, can be written in either the past or the present tense. Although the most natural way to tell a story about a past experience is to write in the past tense, the present tense can draw readers into the story and give the illusion that the experience is happening as they are reading it. In the following examples, the writer describes driving with her Native American grandfather to a tribal conference. Notice the difference between the past and present tense.

Narrative Writing Using Past Tense I double underline sat end double underline silently next to Grandfather and double underline watched end double underline him slowly tear the thin white paper from the tip of the cigarette. He double underline gathered end double underline the tobacco in one hand and double underline drove end double underline the van with the other. I double underline memorized end double underline his every move as he double underline went end double underline through the motions of the prayer, which double underline ended end double underline when he double underline blew end double underline the tobacco out the window and into the wind. Narrative Writing Using Present Tense I double underline sit end double underline silently next to Grandfather and double underline watch end double underline him slowly tear the thin white paper from the tip of the cigarette. He double underline gathers end double underline the tobacco in one hand and double underline drives end double underline the van with the other. I double underline memorize end double underline his every move as he double underline goes end double underline through the motions of the prayer, which double underline ends end double underline when he double underline blows end double underline the tobacco out the window and into the wind.

Verb Tense in Academic Writing

Academic disciplines differ in their tense preferences for signal phrases used in formal essays and reports to introduce and discuss evidence. A signal phrase is a verb that tells readers the words or ideas that follow come from another source. Signal phrases include words such as argues, asserts, claims, comments, denies, discusses, implies, proposes, says, shows, states, and suggests. (For more discussion and a more extensive list of signal phrases, see Editing Focus: Integrating Sources and Quotations .)

If you are writing for a course in English, a foreign language, or a related discipline and using MLA documentation style, you generally will use the present tense or the present perfect tense in signal phrases.

Present Tense The film critic Manohla Dargis double underline claims end double underline that . . . Present Perfect Tense The film critic Manohla Dargis double underline has claimed end double underline that . . .

When you are analyzing a work of literature, common practice is to use the literary present tense in discussing both the work of the author and the action that occurs in the work:

Being cool double underline is end double underline key to the lives of the speakers in “We Real Cool,” a poem by Gwendolyn Brooks. Brooks double underline uses end double underline short lines and stanzas in which speakers double underline list end double underline what it means to be cool: dropping out of school, staying out late, playing pool, drinking, carousing, and so on. Being cool double underline unites end double underline the speakers, and they double underline celebrate end double underline their lifestyle, even as they double underline acknowledge end double underline in the final line of the poem that their coolness double underline may cause end double underline them to die young.

(For more on literary present tense, see Editing Focus: Literary Works Live in the Present .)

If you are writing for a course in history, art history, philosophy, religion, or a related discipline in the humanities, you generally will use the present tense or the present perfect tense in signal phrases.

Present Tense The historian Eduardo Galeano double underline argues end double underline that . . . Present Perfect Tense The historian Eduardo Galeano double underline has argued end double underline that . . .

On the other hand, if you are writing for a course in the social sciences, such as psychology, political science, or economics; a course in the natural sciences, such as biology, chemistry, or physics; or a technical field such as engineering, you will generally use past tense or present perfect tense for most signal phrases.

Past Tense The study double underline found end double underline that individuals who identify as transgender . . . (past tense) Present Perfect Tense: Several recent studies double underline have found end double underline that individuals who identify as transgender . . .

Verb Tense Consistency

Whichever tense you choose, be consistent throughout a piece of writing. You may need to shift tenses to indicate actual changes in time, but the governing tense should remain constant. (See Editing Focus: Verb Tense Consistency for a related discussion of consistent verb tense.)

Inconsistent Blinking back tears, I double underline clutched end double underline my two-year-old son to my chest, double underline kiss end double underline his forehead, and double underline will gather end double underline my things. It double underline is end double underline 2003, and I double underline was end double underline headed to active duty in Iraq with the National Guard. I double underline hug end double underline my spouse, my mom, my dad, my brothers, and my grandma. Then I double underline turn end double underline and double underline climbed end double underline on the bus that double underline takes end double underline me to a future that, in all honesty, double underline was end double underline terrifying to me. Consistent Blinking back tears, I double underline clutched end double underline my two-year-old son to my chest, double underline kissed end double underline his forehead, and double underline gathered end double underline my things. It double underline was end double underline 2003, and I double underline was end double underline headed to active duty in Iraq with the National Guard. I double underline hugged end double underline my spouse, my mom, my dad, my brothers, and my grandma. Then I double underline turned end double underline and double underline climbed end double underline on the bus that double underline would take end double underline me to a future that, in all honesty, double underline was end double underline terrifying to me.

Irregular Verbs

Most verbs are regular and form the past tense and past participle forms by adding -d or -ed.

• I bake/I baked/I have baked
• She discovers/she discovered/she has discovered
• They shovel/they shoveled/they have shoveled

Some verbs, however, are irregular and form the past tense and participle in another way. Below are a few of the approximately 200 irregular verbs in English. For a comprehensive list of irregular verbs, see this list .

• begin/began/begun
• bring/brought/brought
• buy/bought/bought
• do/did/done
• drive/drove/driven
• fall/fell/fallen
• go/went/gone
• have/had/had
• is/was/been
• lead/led/led
• hide/hid/hidden
• ring/rang/rung
• run/ran/run
• see/saw/seen
• sing/sang/sung
• sit/sat/sat
• shake/shook/shaken
• speak/spoke/spoken
• take/took/taken
• wear/wore/worn
• write/wrote/written

Verbs have three moods: indicative, imperative, and subjunctive. Mood can be said to indicate a speaker’s attitude or intention.

Indicative Mood

Use the indicative mood to state a fact or an opinion or to ask a question:

Thousands of women currently double underline serve end double underline in the military. I double underline think end double underline college tuition double underline is end double underline expensive. The weather double underline was end double underline awful for much of the winter but double underline will improve end double underline soon. double underline Have end double underline you double underline submitted end double underline your request for time off?

Imperative Mood

Use the imperative mood to give instructions and commands. The subject, you , is often implied but not stated:

double underline (You) Use end double underline the online form to request time off. double underline (You) Submit end double underline your request for time off by Friday. double underline You must submit end double underline your request on time.

Subjunctive Mood

Use the subjunctive mood to express wishes, suggestions, or requirements or to state hypothetical or unlikely conditions:

The rules state that every member double underline be end double underline present for the vote. I wish you double underline were end double underline here to see the exhibition. The governing board could be more effective if all members double underline were end double underline active. Students who failed the class would have passed double underline had end double underline they double underline completed end double underline all assignments.

H 8 . Pronouns

A Pronouns is a word used in place of a noun. Some pronouns are I, you, he, she, we, they, who, and everyone . The noun a pronoun replaces or refers to is its antecedent . (See Editing Focus: Pronouns for a related discussion of pronouns.)

Pronoun Reference

A pronoun should refer to a clear and specific antecedent.

Clear Antecedent All nine underline members end underline of the school board voted in favor of changing the district’s mascot. underline They end underline explained their reasoning during the meeting. ( They refers clearly to members. ) Unclear Antecedent In Smith’s essay, underline she end underline explains why many American families have less money saved and more debt than families in the 1970s. Revised In underline her end underline essay, underline Smith end underline explains why many American families have less money saved and more debt than families in the 1970s.

Problems with pronoun reference occur in the following situations:

Vague this, that, which, or it . The pronouns this, that, which, and it should not refer to words expressing an idea, an event, or a situation.

Vague Reference The school board voted to change the district’s mascot without holding special meetings with the public. underline This end underline made some community members angry. ( Are community members angry about the vote or about the lack of special meetings? ) Revised The school board voted to change the district’s mascot without holding special meetings with the public. underline Their decision to avoid public discussion before the vote end underline made some community members angry.

Indefinite it, they, or you . The pronouns it, they, and you should have a definite antecedent in a sentence.

Indefinite it Crittenden explains that mothers are taken for granted and disrespected, even though our society calls underline it end underline the most important job in the world. Revised Crittenden explains that mothers are taken for granted and disrespected, even though our society calls underline motherhood end underline the most important job in the world. Indefinite they Japan has considerable wealth compared to Ireland, but underline they end underline have a low subjective well-being index. Revised Japan has considerable wealth compared to Ireland, but underline Japanese citizens end underline have a low subjective well-being index. Indefinite you The federal government should raise the minimum wage to ensure underline you end underline earn a wage underline you end underline can live on. Revised The federal government should raise the minimum wage to ensure underline workers end underline earn a wage underline they end underline can live on.

Pronoun-Antecedent Agreement

In many sentences, making a pronoun agree with its antecedent is straightforward: My underline neighbors end underline gave me the keys to underline their end underline apartment. However, pronoun-antecedent agreement gets tricky in the following circumstances.

Agreement with Generic Nouns and Indefinite Pronouns

Generic nouns refer to a type of person or job someone performs, such as athlete, child, scientist, doctor, or hairdresser. Indefinite pronouns include words such as anyone, each, everyone, everything, many, most, and none.

All generic nouns and most indefinite pronouns are singular in meaning. Traditionally, these words took the singular pronouns he/him/his because English does not have a gender-neutral third-person pronoun that refers to people: Everyone has his own opinion or A doctor needs to show that he cares about his patients.

More recently, writers have been replacing he/him/his or his/her with they/them/their when the person’s gender is unknown or unimportant or when the person has indicated a preference for non-gendered pronouns:

Everyone has underline their end underline own opinion. A doctor needs to show that underline they end underline care about underline their end underline patients.

These plural pronouns are increasingly accepted and intentionally used by writers, teachers, and editors. Many prominent publications and style guides indicate that the plural pronoun should replace binary or singular ones in most cases. If using a plural pronoun does not fit the situation (such as in a paragraph where the pronoun they is also used several times to indicate a group), try rewriting the sentence in either of these ways:

Remove the pronoun. Everyone has underline an end underline opinion. Make the antecedent plural. underline People end underline have their own opinions. underline Doctors end underline need to show that they care about their patients.

Collective nouns such as audience, band, class, crowd, family, group, or team can take a singular or plural pronoun depending on the context. When the group acts as a single unit, which is the most common construction, use a singular pronoun. When the group members act individually, use a plural pronoun. If using the plural sounds awkward, add the word members so that the plural is clear.

The band went through underline its end underline complete playlist. The band loaded underline their end underline instruments on the bus. The band underline members end underline loaded underline their end underline instruments on the bus.

Pronoun Case

Pronouns have three cases: subjective, objective, and possessive. Pronouns change case according to their function in a sentence.

Subjective case pronouns function as subjects: I, we, you, he/she/it, they, who/whoever :

Antonio and underline I end underline share an apartment downtown in a neighborhood underline we end underline like.

Objective case pronouns function as objects: me, us, you, him/her/it, them, whom/whomever :

The manager gave underline us end underline a tour of the building.

Possessive case pronouns show ownership: my/mine, our/ours, your/yours, his/her/hers/its, their/theirs, whose :

underline Our end underline friends live in the building too.

Pronoun case gets tricky in the circumstances explained below.

Case in Compound Structures

Compound subjects use subjective case pronouns. Compound objects use objective case pronouns.

Subjective Case underline Antonio end underline and underline I end underline have occasional disagreements about the dishes. Objective Case Occasional disagreements about the dishes come up between underline Antonio end underline and underline me end underline .

Case After than or as

In a comparison, the case of the pronoun indicates which words have been left out:

Antonio cares more about having a clean kitchen than underline I end underline [do]. Sometimes I think Antonio cares more about a clean kitchen than [he cares about] underline me end underline .

Who or Whom

Use the subjective case who in place of a subject—whether it is the subject of the sentence or the subject of a clause:

underline Who end underline is going to the concert? (subject of sentence) Give the tickets to underline whoever end underline can use them. (subject of clause) She is the person underline who end underline is best qualified for the job. (subject of clause) She is the person underline who end underline I think is best qualified for the job. (subject of clause; the intervening words “I think” don’t change the subject or verb of the clause)

Use the objective case whom in place of an object, whether it is the object of a verb, preposition, or clause:

I don’t know underline whom end underline to ask. (object of verb) To underline whom end underline should I give the extra concert tickets? (object of preposition) Give the tickets to underline whomever end underline you choose. (object of clause)

We or us with a Noun

Use we with a subject. Use us with an object.

underline We end underline citizens must vote in order to make our voices heard. (subject) Legislators need to hear from underline us end underline citizens. (object)

Case Before or After an Infinitive

Use the objective case before and after an infinitive (the to form of a verb: to run, to walk, to eat ):

The agent asked Antonio and underline me end underline to write a review. We agreed to give underline him end underline a positive review.

Case Before a Gerund

Generally, use the possessive case of a pronoun before a gerund (the -ing form of a verb used as a noun: gentle underline snoring end underline , elegant underline dining end underline ):

He grew tired of underline their end underline partying late into the night. The rental agreement depends on underline your end underline approving the lease terms.

H 9 . Punctuation

This section covers the major marks of punctuation: commas, apostrophes, semicolons, colons, periods, question marks, exclamation points, dashes, and parentheses. (For using brackets and ellipses, see Quotations .)

Commas alert readers to brief pauses within sentences.

Commas with Main Clauses

Use a comma before a coordinating conjunction ( for, and, nor, but, or, yet, or so) joining main clauses:

Businesses in the metropolitan area are growing underline , and end underline unemployment is down. Many job seekers use online sites like Indeed.com underline , but end underline a few still send traditional cover letters and résumés through the mail. A solution must be determined soon underline , or end underline the problem will continue.

Commas with Introductory Information

Use a comma after an introductory element at the start of a sentence:

underline After class is over , end underline we should get lunch and review our notes. underline Shuffling his feet nervously , end underline he waited for the train. underline However end underline , the circumstances have not changed.

Commas with Nonessential and Essential Information

(See Editing Focus: Commas with Nonessential and Essential Information for a related discussion of commas.)

Nonessential information refers to information that is usually not necessary to the basic meaning of a sentence. Nonessential information is set off by commas. In the following sentence, the word original tells readers which labs no longer meet the needs of the teachers and students. The underlined information adds information but does not change the meaning of the sentence and thus is nonessential to the basic meaning:

The original technical education labs underline , which were installed 50 years ago , end underline no longer meet the needs of the teachers and students.

Essential information , on the other hand, is necessary to the meaning of the sentence. In following example, the word original is no longer part of the sentence; the underlined words convey necessary information about the labs:

The technical education labs underline that were installed 50 years end underline ago no longer meet the needs of the teachers and students.

You can test whether information is nonessential by removing the information. If the meaning of the sentence is unchanged, the information is nonessential. If the meaning becomes too general or changes, the information is essential. In the sentence above, only the labs installed 50 years ago, as opposed to other labs, no longer meet the needs of teachers and students. Note, also, the use of which with nonessential information and that with essential information.

Commas Around Nonessential Information

Place commas around information that is not essential to the meaning of a sentence:

The entire technology department underline , which consists of nine teachers and five staff members , end underline has contributed to a report on the needed updates to the technical education labs. The technology department chair underline , who teaches welding , end underline wrote the final report. Updates to the labs will begin in June underline , when school is not in session end underline .

No Commas Around Essential Information

Do not place commas around essential information:

According to the technical education teachers, the labs need equipment underline that students are likely to encounter in the workplace end underline . Faculty underline who teach auto mechanics end underline have requested updates to their lab. The teachers are concerned about the labs underline because students are not learning the skills they need end underline . The amount of lab space underline that needs to be updated end underline is substantial. The department has consulted the industry expert underline Stacy James end underline .

Serial (Oxford or Harvard) Commas

For clarity, use a comma between items in a series:

He studied all the notes , emails , memos , and reports related to the data breach.

Be aware, however, that certain style manuals, such as the AP Stylebook, do not use the serial comma, also called the Oxford or Harvard comma.

Commas with Numbers, Dates, Titles with Names, and Addresses

The sign gave the city’s population as 122 , 887. Nobel Prize winner Toni Morrison died on August 5 , 2019. Diana Wong , M.D. , is a practicing obstetrician. The mailing address for the Smithsonian Institution is 600 Maryland Avenue SW , Washington , D.C. , 20002.

Common Comma Errors

Misplaced commas can make sentences choppy and obscure the intended meaning.

No Comma after a Subject or a Verb

Anyone who was still at the party underline , end underline left when the band stopped playing. The party ended underline , end underline after the band stopped playing.

No Comma after a Conjunction Connecting Parts of a Compound Subject, Verb, or Object

Some musicians in the band underline , end underline and many of the guests danced until midnight. (compound subject) The band stopped after two hours underline , end underline and took a well-deserved break. (compound verb) Guests enjoyed the music underline , end underline and the dancing. (compound object)

No Comma after a Series

The band played 80s rock underline , end underline punk , and new wave , all night long.

No Comma before an Indirect Quotation

Online reviews say underline , end underline that the band is the best in the area.

Apostrophes

An apostrophe has two functions. It indicates possession, and it forms contractions.

Apostrophes to Show Possession

Use an apostrophe and -s to indicate possession with a singular noun or an indefinite pronoun:

underline Jack ’ s end underline brother is my underline sister ’ s end underline coworker. In their family, underline everyone ’ s end underline favorite dessert is ice cream.

If the ’s in a singular noun is pronounced, add apostrophe -s :

The underline business ’ s end underline inconsistent hours caused customers to go elsewhere. Los underline Angeles ’ s end underline airport, LAX, is one of the busiest in the United States.

If the ’s is not pronounced in a singular noun, some writers choose to add an apostrophe alone; however, MLA, APA, and Chicago use the apostrophe and s in these cases:

David underline Myers ’ end underline book, The Pursuit of Happiness , was published in 1992. David underline Myers ’s end underline book, The Pursuit of Happiness , was published in 1992.

When the noun is plural and ends in -s , place the apostrophe after the final -s :

American underline households ’ end underline incomes have grown since the 1970s because more women have entered the workforce. These underline families ’ end underline expenses have risen too.

When the noun is plural and does not end in -s, add an apostrophe and -s:

Social underline media ’ s end underline effect on contemporary life cannot be underestimated. During the pandemic, parents’ stress grew as they helped with their underline children ’ s end underline schooling.

Apostrophes to Form Contractions

Contractions are common in speech and in informal writing. Use an apostrophe in contractions:

When I say I underline can ’ t end underline , I mean I underline won ’ t end underline . underline It ’ s end underline the best option under the circumstances. “ underline You ’ re end underline the best friend anyone can have,” Mikayla said. underline They ’ re end underline driving to their favorite hangout spot.

Common Apostrophe Errors

Apostrophes are not used to form plural nouns, singular verbs, or personal or relative pronouns.

Not in Plural Nouns

How many hotel underline rooms end underline [not room’s ] should be reserved for the wedding? The Lewises and the Riveras [not Lewis’s and Rivera’s or Lewis’ and Riveras’ ] have confirmed their reservations.

Not with Verbs Ending in -s

Nikki underline runs end underline [not run’s ] every day. Jamal underline walks end underline [not walk’s ] to work.

Not with Possessive Personal Pronouns or Relative Pronouns

The book is underline yours end underline [not your’s ]. The dog was barking and wagging underline its end underline [not it’s ] tail. underline Whose end underline [not who’s ] apartment is this?

Other Punctuation

The semicolon joins main clauses (a clause that contains a subject and a predicate and can stand alone as a sentence). A semicolon is also used to separate items in a series that contain commas.

Use a semicolon to join main clauses that are closely related in meaning and that are not joined by a coordinating conjunction ( for, and, nor, but, or, yet, or so ).

Originally built in 1928, the school had been remodeled multiple times underline ; end underline the result was an architectural mashup.

Use a semicolon to join main clauses that are connected by a transitional word or phrase such as for example, however, therefore, indeed, or after all :

The governor has proposed increased funding to K-12 public schools underline ; however, end underline the legislature must approve the budget.

Use a semicolon between items in a series that contain internal commas:

The candidates for the award are Michael, who won the essay competition ; Sasha, the top debater; and Giselle, who directed several student productions.

A colon introduces lists, summaries, and quotations. A colon also separates titles from subtitles.

A colon can introduce a list:

Successful athletes have the following qualities underline : physical ability, mental toughness, commitment, and optimism end underline .

A colon can also introduce a summary or an explanation, which may or may not be a main clause (a clause that contains a subject and a predicate and can stand alone as a sentence):

The team had one goal left before the end of the season underline : to win the state championship end underline .

Book titles often include a subtitle. A colon separates the subtitle from the title:

Forcing the Spring : Inside the Fight for Marriage Equality

End Punctuation

A sentence ends with a period, a question mark, or an exclamation point.

A period ends declarative (statement) and imperative (command) sentences:

The administration canceled classes . Do not attempt to drive to school this morning .

A question mark ends a direct question and indicates uncertainty in dates:

Where is Times Square ? She asked, “What time is it ? ”

An exclamation point ends an emphatic or emotional sentence:

“What a mess ! ” she blurted out. “Stop ! That hurts ! ” he shouted.

Dashes and Parentheses

Dashes and parentheses enclose nonessential information in a sentence.

Use a dash or dashes to set off nonessential information, to indicate a contrast or a pause, or to mark a change of direction.

We did not notice the rain at first — it began so softly — but soon we were soaked. Nothing is as exciting as seeing a snowy owl in a winter farm field — except maybe seeing two snowy owls.

Use parentheses to enclose nonessential information such as explanations, asides, examples, and dates.

He graduated with high honors ( magna cum laude ) and found a job immediately. The city of Madison ( home of the University of Wisconsin ) is the state capital of Wisconsin.

H 10 . Mechanics

Capital letters.

Use capital letters in the following situations.

• Capitalize the first word of a sentence: The weather is rainy today.
• Capitalize proper nouns and proper adjectives: Monday, New Orleans, Mexico, Florida, Halloween, United States Constitution, Department of Education, University of Texas, Native American, Islam, Italian, Freudian.
• Capitalize titles that precede a person’s name: Dr. Atul Gawande, Senator Tammy Baldwin. [But: Atul Gawande, a doctor; Tammy Baldwin, a senator]

Many online resources, such as this one , list words that should be capitalized. You can also consult a dictionary, such as Merriam-Webster , to determine whether to capitalize a word.

Titles of Works

Titles of books, articles, stories, plays, poems, films, and other works are handled differently depending on the documentation style you are using. The guidelines here follow MLA style.

Capitalization in Titles and Subtitles

Capitalize the first and last words in a title and subtitle and other important words. Do not capitalize articles ( a, an, the ), coordinating conjunctions ( for, and, nor, but, or, yet, or so ), or prepositions ( above, with, of, in, through, beyond, under ) unless they are the first or last words in the title or subtitle.

• Forcing the Spring: Inside the Fight for Marriage Equality (book)
• Judas and the Black Messiah (film)
• “American Military Performance in Vietnam: Background and Analysis” (article)

Italics for Titles of Long Works

Use italics for long works that are published, produced, or released separately from other works. These include books, long poems, plays, movies, videos, published speeches, periodicals (newspapers, magazines, and academic and professional journals), websites, long musical works, works of visual art, computer software, TV or radio programs and series, and pamphlets.

• Four Fish: The Future of the Last Wild Food (book)
• The New Yorker (periodical)
• The Los Angeles Times (newspaper)
• American Idiot (album)
• Parasite (film)
• Saturday Night Live (TV program)

Quotation Marks for Titles of Shorter Works

Put quotation marks around the titles and subtitles of individual shorter works or those that are published or released within larger works. These include articles in periodicals (newspapers, magazines, and academic and professional journals), pages or works on a website, short stories, short poems, essays, songs, episodes of TV or radio programs and series, book chapters, and unpublished speeches.

• “Living with a Visionary” (article in a magazine)
• “A World of Fields and Fences” (work on a website)
• “New York Day Women” (short story)
• “Corson’s Inlet” (short poem)
• “Return from ISIS” (TV episode)

H 11 . Quotations

A quotation reproduces the exact written or spoken words of a person or an author, which may include a group. (See Editing Focus: Quotations for a related discussion of direct quotations and Editing Focus: Integrating Sources and Quotations for help with integrating quotations from sources.)

Quotations from Written or Spoken Sources

Put quotation marks around quotations from a written or spoken source.

Quoting a Source

When quoting the words of a source, introduce quoted material with a signal phrase so that readers know the source and purpose of the quotation. Place the quotation inside double quotation marks. When using parenthetical citations, note that the sentence period comes after the parentheses. If you include the author’s name in your signal phrase, give only the page number in parentheses (first example). If you do not give the author’s name in your signal phrase, give the name in parentheses (second example):

In Walden , Thoreau sets forth one individual’s antidote against the “ lives of quiet desperation ” led by the working class in mid-nineteenth-century America (5).

Walden sets forth one individual’s antidote against the “ lives of quiet desperation ” led by the working class in mid-nineteenth-century America (Thoreau 5).

Abraham Lincoln wrote “ that government of the people, by the people, for the people, shall not perish from the earth ” in his Gettysburg Address.

Quoting or Writing Dialogue

When quoting or writing dialogue between speakers, including characters in a fictional work, place their words in double quotation marks, and start a new paragraph for each speaker:

“ It’s good to see you—I guess, ” Brayden said, as Christopher walked up to the door. “ I thought you were gone for good. ” “ I missed you too much, ” Christopher said, looking down at his feet.

Single and Double Quotation Marks

Put single quotation marks around a quotation within a quotation, using double quotation marks around the full quotation:

Kennedy writes that after a year of teambuilding work, including improvements in communication, evaluation, and small-group quarterly meetings, morale among staff members “ improved from ‘ average ’ to ‘ excellent ’ ” (17).

Long Quotations

Introduce a long quotation (four typed lines in MLA style; 40 or more words in APA style) with a signal phrase that names the author and ends with a colon. Indent this entire block quotation one-half inch. If you quote more than one paragraph, indent the first line of each subsequent paragraph one-half inch. Do not use quotation marks. Note that the sentence period comes before the parenthetical citation:

In her memoir, Twenty Years at Hull-House , reformer Jane Addams recounts vivid stories of child labor:

public domain text The visits we made in the neighborhood constantly discovered women sewing upon sweatshop work, and often they were assisted by incredibly small children. I remember a little girl of four who pulled out basting threads hour after hour, sitting on a stool at the feet of her Bohemian mother, a little bunch of human misery. For even for that there was no legal redress, for the only child labor law in Illinois, with any provision for enforcement, had been secured by the coal miners’ unions, and was confined to the children employed in the mines. (199) end public domain text

Poetry Quotations

When you quote one, two, or three lines from a poem, use the following format, putting quotation marks around the line or group of lines and separating the lines with a slash:

The 17th-century writer Aphra Behn (1640–1689) wrote humorous poems about love and heartbreak, including “Love’s Power,” which opens with “ Love when he Shoots abroad his Darts / Regards not where they light ” (1-2).

When you quote more than three lines from a poem, set them off from your text. Indent the quotation one-half inch, and do not use quotation marks. Note that the sentence period comes before the parenthetical citation.

In the poem “The Character,” Aphra Behn (1640–1689) uses the familiar alternate rhyme scheme, also known as ABAB: Such Charms of Youth, such Ravishment Through all her Form appear’d, As if in her Creation Nature meant, She shou’d a-lone be ador’d and fear’d. (1-4)

Altering Quotations

When you alter a quotation to fit into your sentence, you must indicate the change you made.

An ellipsis [. . .] indicates that you have omitted words from a quotation. In the example below, the writer omitted words from the middle of the sentence.

In her memoir, Twenty Years at Hull-House , reformer Jane Addams explains that there were no enforceable laws against small children helping their mothers with sweatshop sewing work, and that “the only child labor law in Illinois . . . had been secured by the coal miners’ unions, and was confined to the children employed in the mines” (199).

If you omit the end of a sentence or a complete sentence, include the sentence period:

The author explains as follows: “Damage to the Broca’s area of the brain can affect a person’s ability to comprehend spoken language . . . . A person may understand speech relatively well when the sentence grammar is simple and the content familiar but may struggle when the grammar and content are more complex” (Hollar-Zwick 45).

Use brackets [ ] to indicate a change you have made to a quotation:

Abruzzi cited the study, noting that “ [ t ] he results provide hope to patients [ with muscular dystrophy ] .”

Punctuating Quotations

Place the period inside quotation marks if no source is cited:

The meteorologist said, “ Today’s weather will be sunny and mild .”

If you are citing a source in parentheses, place the quotation marks at the end of the quotation, followed by the citation and the sentence period:

In Twenty Years at Hull-House , Jane Addams recalls vivid images of child labor: “ I remember a little girl of four who pulled out basting threads hour after hour, sitting on a stool at the feet of her Bohemian mother, a little bunch of human misery ” (199) .

(See Long Quotations and Poetry Quotations above for exceptions to this rule.)

Commas go inside quotation marks:

“ Tomorrow’s weather will be cool and rainy ,” the meteorologist said.

Colons and Semicolons

Colons and semicolons go outside quotation marks:

The sign read “ Closed ”: No more films would be shown at the theater. (Note: Use a capital letter if a complete sentence follows the colon.)

Question Marks and Exclamation Points

Question marks and exclamation points go inside quotation marks if they are part of the quotation:

“ Would you like a sandwich ?” asked Adelaide.

Question marks and exclamation points go outside quotation marks if they are not part of the quotation:

“I can’t believe you haven’t read “ The Lottery ”!

H 12 . Index and Guide to Documentation

Although formal differences exist among the conventions for documenting sources, the underlying principle of all documentation systems is the same: When borrowing words, facts, or ideas from someone else, writers must indicate that the material is borrowed. They do this by providing a citation in the text of their paper that points readers to detailed publication information about the source of the material, usually at the end of the paper but sometimes in footnotes. The following examples are in MLA style:

Citation in the Text Describing Martin Luther King, Jr.’s visit to India, underline Isabel Wilkerson end underline notes that King was taken aback by the suggestion that Black Americans were the equivalent of the Dalits in the Indian caste system underline (22) end underline . Works-Cited Entry Wilkerson, Isabel. Caste: The Origins of Our Discontents. Penguin, 2020.

Documentation Styles by Discipline

Each discipline has its own authority or authorities that provide rules about issues such as spelling of technical terms, preferred punctuation, and editing mechanics, as well as documentation style. In addition, if you write for publication in a magazine, professional journal, book, or website, the publisher will have a “house” style, which may vary in some details from the conventions listed in the authoritative guidelines for the discipline in which you are writing. Below are the sources of style manuals for various disciplines. Always check with your instructor about which style to use in a class.

Index to MLA Documentation Models

The models, listed numerically, provide examples of in-text citations and works-cited entries (MLA). The models themselves are located in Handbook Section 13 (H13).

In-Text Citation Models

• Two or more works by the same author
• Two authors
• Three or more authors
• Authors with the same last name
• Organization, government, corporation, or association as author
• Unknown author
• Work in more than one volume
• Work with no page or other reference numbers
• One-page or entire work
• Source quoted in another source (indirect quotation)

Poetry and verse plays

Fiction and prose plays

• Two or more works in the same citation
• Sacred text

Endnotes and Footnotes (MLA)

Format of the list of works cited (mla), authors and contributors (mla).

• Book: one author
• Book: two authors
• Book: three or more authors
• Book: two or more works by the same author
• Author and editor
• Author and translator
• Author and illustrator
• Work by an organization, a government, a corporation, or an association

Articles in Journals, Magazines, and Newspapers (MLA)

• Basic format for a journal article in a database
• Editorial or letter to the editor

Books and Parts of Books (MLA)

• Basic entry for a book
• Book, anthology, or collection with an editor
• Work in an anthology or chapter in an edited collection
• Two or more works in an anthology or edited collection
• Revised or later edition
• Multivolume work
• One volume of a multivolume work
• Book in a series
• Republished work
• Introduction, preface, foreword, or afterword
• Published letter
• Conference paper

Websites and Parts of Websites (MLA)

• Basic format for a short work or page on a website
• Short work or page on a website
• Entire website

Social Media (MLA)

• Basic format for a social media post
• Social media post
• Online forum post
• Online comment

Personal Communication (MLA)

• Text message
• Personal letter

Video, Audio, and Other Media Sources (MLA)

• Online video

Original work

Reproduction

Personal interview

• Video game, software, or app

Other Sources (MLA)

• Live lecture, speech, address, or reading
• Live performance
• Letter in an archive
• Dissertation

Index to APA Documentation Models

The models, listed numerically, provide examples of in-text citations and reference entries (APA). The models themselves are located in Handbook Section 14 (H14).

In-Text Citation Models (APA)

• Work with no page numbers
• Entire work
• Personal communication

Format of the References List (APA)

Authors (apa).

• Three to twenty authors

Articles in Journals, Magazines, and Newspapers (APA)

• Basic format for an article in an academic journal

Without DOI or URL

Database or print

• Published interview

Books and Parts of Books (APA)

• Print book or e-book
• Article in an edited book, anthology, or collection
• Translated or reprinted book
• Revised edition
• Report or publication by a government agency or other organization

Web Sources (APA)

• Basic format for a page or work on a website
• Page or work on a website

Social Media (APA)

Video, audio, and other media sources (apa).

• Music recording
• Painting or other visual artwork
• Map, photograph, or other visual

H 13 . MLA Documentation and Format

MLA style is the preferred form for documenting research sources in English and other humanities disciplines. The following are general features of MLA style:

• All material borrowed from sources is cited in the text of a paper by the author’s name and page number (if available).
• A works-cited list at the end of a paper provides full publication data for each source cited in the text of the paper.
• Additional explanatory information provided by the writer (but not from external sources) goes in either footnotes or endnotes. These notes are optional.

The instruction in this section follows the MLA Handbook , 8th edition (2016). For more information on MLA style, see this site . For examples of student papers in the textbook using MLA documentation style, see Section 4 in Chapters 5, 7, 9, 12, and 16.

MLA In-Text Citations

In-text citations feature author names, page numbers, and sometimes titles, depending on what information is available. The Index located in H12 provides a listing of the models that are included below.

1. One author

When you quote, paraphrase, or summarize a source, include the last name of the source’s author, if known, in a signal phrase or in parentheses at the end of your sentence. Provide the page or pages on which the original material appeared. Do not include the word page or the abbreviations p. or pp. Use a hyphen [-] to indicate a number range (See Spotlight on … Citation for more on quoting, paraphrasing, and summarizing sources):

Becker points out that Joe Biden’s views on same-sex marriage changed during a personal visit to a family while he was vice president (285-86). While he was vice president, Joe Biden’s views on same-sex marriage changed during a personal visit with a family (Becker 285-86).

2. Two or more works by the same author

If you cite two or more works by the same author in your paper, give the title of the specific work in your sentence or a short version of the title in parentheses:

According to Lewis Thomas in Lives of a Cell , many bacteria become dangerous only if they manufacture exotoxins (76). According to Lewis Thomas, many bacteria become dangerous only if they manufacture exotoxins ( Lives 76). Many bacteria become dangerous only if they manufacture exotoxins (Thomas, Lives 76).

See Model 18 for how to cite two works by the same author in the works-cited list.

3. Two authors

If you cite a work with two authors, include both authors’ names in a signal phrase or in parentheses:

In the preface to Half the Sky , Kristof and WuDunn explain their focus on the issues of sex trafficking and sex work, violence against women, and maternal mortality (xxi). In the preface to Half the Sky , the authors explain their focus on the issues of sex trafficking and sex work, violence against women, and maternal mortality (Kristof and WuDunn xxi).

4. Three or more authors

For works with more than two authors, give the last name of the first author followed by “et al.”:

Of the survey respondents, twenty-two percent described themselves as concerned about future job prospects (Pronkowski et al. 9).

5. Authors with the same last name

When authors of different sources have the same last name, include their initials:

Since the legalization of marijuana for recreational use, frequent use among adults has risen (J. T. Greene 21; M. Greene 30).

6. Organization, government, corporation, or association as author

When no author is given for a work published by a corporation, a government, an organization, or an association, indicate the group’s name in a signal phrase or in parentheses:

The United States Forest Service describes its mission as “sustain[ing] the health, diversity, and productivity of the nation’s forests and grasslands to meet the needs of present and future generations” (8).

7. Unknown author

When the author of a work is unknown, use the work’s title in a signal phrase or a shortened version of the title in parentheses and a page number if available. Put quotation marks around article titles, and put book or journal titles in italics:

In a pointed 2020 editorial, “Don’t Let the Games Begin,” The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated. In a pointed 2020 editorial, The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated (“Don’t Let”).

8. Work in more than one volume

If you cite only one volume of a multivolume work, give the page number in parentheses. If you cite more than one volume of a multivolume work, give the volume number for each citation before the page number, and follow it with a colon and one space:

Hill notes that Sir Arthur Conan Doyle’s The Adventure of the Dancing Men was first published in the Strand Magazine and later in Collier’s Weekly (1: 332).

9. Work with no page or other reference numbers

When the work has no page numbers, give the author’s name in a signal phrase or in parentheses. If the source has paragraph, chapter, or section numbers, use them with the abbreviations par., ch., or sec. :

Chen reports that the number of Americans seeking help with mental health rose during the pandemic that began in 2020. (ch. 2) The number of Americans seeking help with mental health rose during the pandemic that began in 2020 (Chen, ch. 2).

For an audio or a video recording, give the start and stop times for the segment you are citing shown on the player in hours (if available), minutes, and seconds:

It is well known that maternity leave is available in countries around the world, including Norway, which popularized its policy in a comic YouTube video showing a pregnant woman on skis announcing the start of her one-year paid leave (01:48-02:07).

10. One-page work or entire work

When you cite a work that is one page long or an entire work, such as a book, website, single-page article, tweet, video, or film, you do not need to cite a page or give a reference number:

In Da 5 Bloods, director Spike Lee connects the Civil Rights movement to the war in Vietnam through the music, montages of the era, and characters’ stories.

11. Source quoted in another source (indirect quotation)

When a quotation or any information in your source is originally from another source, try to track down the original source. If you cannot find it, use the abbreviation “qtd. in”:

The group, which has researched global health including access to food, sounded the alarm about a potential “worldwide food crisis” in the early 2000s (qtd. in Sing 32).

12. Literary works

For poems, provide line numbers for reference, and include line or lines in the first reference:

In “The Character,” Aphra Behn describes a lovely young woman, starting with her eyes: “Her Eyes all sweet, and languishingly move” (line 4).

Cite verse plays using act, scene, and line numbers, separated by periods: ( Hamlet 4.4.31-39)

When citing a prose literary work available in various editions, provide additional information after the page number, such as the chapter, act, or scene number, for readers who may be consulting a different edition. Use a semicolon to separate the page number from this additional information: (331; ch. 5) or (78; act 2).

13. Two or more works in the same citation

When you cite more than one work in parentheses, use a semicolon between them:

Americans who resisted or ignored civil defense are often portrayed as heroic people who chose not to build fallout shelters or as marginalized people who could not afford them (Garrison 57; Mechling and Mechling 109).

14. Sacred text

When you cite passages from the Bible or another sacred text such as the Qur’an, give the title of the edition you are consulting the first time you refer to it. Then give the book (abbreviate the title if it is longer than four letters), chapter, and verse, separated by periods:

Several times in the New Testament of the Bible, Jesus comments on wealth, telling his disciples, “And again I say unto you, It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God” ( King James Version, Matt. 19.24).

Endnotes and Footnotes

Writers use notes to offer comments, explanations, or additional information that cannot easily be integrated into the rest of a paper. Use notes to cite several sources within a single context if a series of in-text citations will detract from the readability of the text.

Text with Superscript

The standard ingredients for guacamole include avocados, lemon juice, onion, tomatoes, coriander, salt, and pepper. 1 Hurtado’s poem, however, gives this traditional dish a whole new twist.

1. For variations see Beard 314, Egerton 197, Eckhardt 92, and Kafka 26. Beard’s version, which includes olives and green peppers, is the most unusual.

A note may be placed as a footnote at the bottom of the page on which the in-text citation appears or on a separate page of endnotes at the end of the paper. This should be titled “Notes” or “Endnotes” and appear between the last page of the paper and the works-cited list. Include all sources given in notes in the works-cited list.

MLA Works Cited

Each source cited in the text of your paper refers readers to the list of works cited, a complete list of all the sources you quoted, paraphrased, or summarized. Every source cited in the text of your paper must be included in the works-cited list, and every source in the works-cited list must be cited in the text of your paper.

After the last page of the paper, start a new page with the centered title “Works Cited” at the top. Create an entry for each source using the following guidelines and examples:

• Begin each entry at the left margin, and indent subsequent lines one-half inch. (In Microsoft Word, you can also highlight the entire page when you are finished and select “Hanging” from the Special options on the Indentation section of the Paragraph menu.)
• Alphabetize the entries according to authors’ last names. If two or more authors have the same last name, alphabetize by first name or initial. Alphabetize sources with unknown authors by the first word of the title, excluding a, an, or the.
• Double-space the entire page.

Core Elements (MLA)

Each entry in the list of works cited consists of core elements:

• Author. Who is responsible for the work?
• Title. What is the work called?

Publication information. Where can the work be found so that others can consult it? Publication information includes the date of publication and any larger work, which MLA calls a “container,” in which a shorter work is published, such as a journal, magazine, newspaper, database, streaming service, and so on.

A note on access dates. Although access dates for online sources are not required, MLA acknowledges that an access date can indicate the version of a source you consulted. If you add an access date, place it at the end of the works-cited entry in this format: “Accessed 4 Apr. 2020.” Ask your instructors whether they require access dates.

Authors and Contributors for Books and Articles (MLA)

• Authors. Give the author’s last name, a comma, the author’s first name and any middle name or middle initial, and then a period. For works with more than one author, an organization as an author, or an unknown author, see the models below.
• Contributors. People who contributed to the work in addition to the author are called contributors. Refer to them by their role in a phrase such as “adapted by,” “directed by,” “edited by,” “illustrated by,” “introduction by,” “narrated by,” “performance by,” and “translated by.” (See Models 19, 20, 21, 30, and 58 for examples.)

15. Book: one author

Sotomayor, Sonia. My Beloved World. Vintage Books, 2013.

16. Book: two authors

Kristoff, Nicholas D., and Sheryl WuDunn. Half the Sky: Turning Oppression into Opportunity for Women Worldwide. Alfred A. Knopf, 2009.

17. Book: three or more authors

Barlow, David H., et al. Abnormal Psychology: An Integrative Approach. 8th ed., Cengage Learning, 2017.

18. Book: two or more works by the same author

When you cite two works by the same author, use three hyphens in place of the author’s name, and alphabetize the works by title:

Trethewey, Natasha. Memorial Drive: A Daughter’s Memoir. Ecco, 2020.

---. Native Guard: Poems. Mariner Books, 2007.

19. Book author and editor

Add the editor’s name after the title:

Hemingway, Ernest. Conversations with Ernest Hemingway , edited by Matthew J. Bruccoli, UP of Mississippi, 1986.

20. Book author and translator

Add the translator’s name after the title:

Ferrante, Elena. My Brilliant Friend. Translated by Ann Goldstein, Europa Editions, 2012.

If you are citing the work of the translator, place the translator’s name in the author position:

Goldstein, Ann, translator. My Brilliant Friend. By Elena Ferrante, Europa Editions, 2012.

21. Book author and illustrator

Add the illustrator’s name after the title. If you are citing the work of the illustrator, place the illustrator’s name in the author position, as shown in the preceding example:

Fasler, Joe. Light in the Dark: Writers on Creativity, Inspiration, and the Artistic Process. Illustrated by Doug McLean, Penguin Books, 2017.

22. Work by an organization, a government, a corporation, or an association

If the author and publisher are not the same, start with the author:

United States Department of Veterans Affairs, Veterans Health Administration. Healthy Living Resource Guide. Government Printing Office, 2020.

If the author and the publisher are the same, give the title of the work in place of the author, and list the organization as the publisher:

MLA Handbook. 8th ed., Modern Language Association of America, 2016.

“This Is Who We Are.” U.S. Forest Service, United States Department of Agriculture, Mar. 2019, www.fs.usda.gov/sites/default/files/This-is-Who-We-Are.pdf.

23. Unknown author

If no author is given, start with the title.

“The Most Beautiful Battalion in the Army.” Grunt Magazine , 1968, pp. 12-15.

Articles, reviews, editorials, and other short works are published in journals, newspapers, and magazines. They appear in print, on databases, and on websites (though often through a paywall). As a student, you are likely to access many articles and other short research sources primarily through databases available through your library.

24. Basic format for a journal article in a database

Author’s Last Name, First Name. “Title of Article.” Title of Journal , volume number, issue number, Date of Publication, page numbers. Title of Database , DOI or URL.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr . or PhD . End with a period.
• Title of the article. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title. Put the title of the article in quotation marks. End with a period inside the closing quotation mark.
• Title of the journal. Put the title of the journal in italics. Capitalize all significant words in the title. End the title with a comma.
• Volume and issue numbers. Use the abbreviations vol. and no. followed by the number and a comma.
• Publication date. Give the month or season and the year of publication, if available. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, or July.
• Page numbers. Give p . (singular) or pp. (plural) and the page number or numbers of the article, followed by a period.
• Title of the database. Put the database title in italics, followed by a comma.
• Location. Give a DOI if available, and end with a period. If there is no DOI, give a URL, preferably a permalink, without http://.

25. Article in an academic journal

Daddis, Gregory A. “Out of Balance: Evaluating American Strategy in Vietnam, 1968–72.” War & Society, vol. 32, no. 3, Oct. 2013, pp. 252-70. EBSCOhost, doi:10.1179/0729247313Z.00000000026.

Daddis, Gregory A. “Out of Balance: Evaluating American Strategy in Vietnam, 1968–72.” War & Society, vol. 32, no. 3, Oct. 2013, pp. 252-70.

Squires, Scot. “Do Generations Differ When It Comes to Green Values and Products?” Electronic Green Journal, no. 42, 2019, escholarship.org/uc/item/6f91213q.

The journal in the example numbers issues only, so no volume number is given.

26. Article in a weekly or biweekly magazine

To cite an article in a weekly or biweekly magazine, give the author, title of the article, title of the magazine, publication date (day, month, year), and page numbers. If you found the article through a database, add the title of the database and a DOI or URL. If you found the article online, add the URL.

Sanneh, Kelefa. “The Color of Money.” The New Yorker, 8 Feb. 2021, pp. 26-31. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=aph&AN=148411685&site=ehost-live&scope=site.

Sanneh, Kelefa. “The Color of Money.” The New Yorker, 8 Feb. 2021, pp. 26-31.

Ferrer, Ada. “My Brother’s Keeper.” The New Yorker, 22 Feb. 2021, www.newyorker.com/magazine/2021/03/01/my-brothers-keeper.

27. Article in a monthly or bimonthly magazine

To cite an article in a monthly or bimonthly magazine, give the author, title of the article, title of the magazine, publication month and year, and page numbers. If you found the article through a database, add the title of the database and a DOI or URL. If you found the article online, add the URL.

Sneed, Annie. “Giant Shape-Shifters.” Scientific American, Sept. 2017, pp. 20-22. EBSCOhost, doi:10.1038/scientificamerican1017-20.

Sneed, Annie. “Giant Shape-Shifters.” Scientific American, Sept. 2017, pp. 20-22.

Stewart, Jamila. “A Look Inside the Black Designers of Canada Initiative.” Essence, July 2020, www.essence.com/fashion/black-designers-of-canada-digital-index/.

To cite a comment on an article, see Model 54.

28. Article in a newspaper

To cite an article in a newspaper, give the author, title of the article, title of the newspaper, publication date (day, month, year), and the page numbers. If you found the article through a database, add the title of the database and a DOI or a URL. If you found the article online, add the URL.

Krueger, Alyson. “When Mom Knows Best, on Instagram.” The New York Times, 27 Nov. 2019, pp. B1-B4. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType =aph&AN=139891108&site=ehost-live&scope=site.

Krueger, Alyson. “When Mom Knows Best, on Instagram.” The New York Times, 27 Nov. 2019, pp. B1-B4.

Smith, Doug. “They’re Building Affordable Housing for the Homeless—Without Government Help.” Los Angeles Times, 10 Feb. 2021, www.latimes.com/california/story/2021-02-10/theyre-building-affordable-housing-for-the-homeless-without-government-help.

29. Editorial or letter to the editor

An editorial may or may not have an author’s name attached to it. If it does, give the author’s name first. If it does not, start with the title. In both situations, add the designation Editorial or Letter to the Editor after the title.

“For Better Elections, Copy the Neighbors.” Editorial. The Wall Street Journal, 16 Feb. 2021, www.wsj.com/articles/for-better-elections-copy-the-neighbors-11613518448.

To cite a review of a book, film, television show, or other work, give the name of the reviewer and title of the review, add Review of before the title of work being reviewed, and give the name of the work’s author, director, or creator after the title.

Girish, Devika. “Refocusing the Lens on Race and Gender.” Review of Test Pattern, directed by Shatara Michelle Ford. The New York Times, 18 Feb. 2021, www.nytimes.com/2021/02/18/movies/test-pattern-review.html.

Use the following guidelines for books and parts of books, such as a selection from an anthology, an article in a collection, a published letter, and so on.

31. Basic entry for a book

Author’s Last Name, First Name. Title of Book. Publisher, Year of Publication.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr. or PhD. End with a period.
• Title of the book. Put the book’s title in italics. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title, even if the book’s cover does not use conventional capitalization. End the title with a period.
• Publisher. List the publisher’s name without words such as “Inc.” or “Company.” Shorten “University Press” to “UP.” End with a comma.
• Year of publication. Provide the publication date, and end with a period.

32. Print book

Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. Vintage Books, 2010.

33. E-book formatted for a specific reader device or service

Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. Kindle ed., Vintage Books, 2010.

34. Book, anthology, or collection with an editor

Add the abbreviation ed. or eds. (if more than one) after the editor’s first name:

Lunsford, Andrea, ed. Reclaiming Rhetorica: Women in the Rhetorical Tradition. U of Pittsburgh P, 1995.

35. Work in an anthology or chapter in an edited collection

After the author and title of the work, give the title of the anthology or edited collection, name of the editor, publication information, and page numbers of the work:

Royster, Jacqueline Jones. “To Call a Thing by Its True Name: The Rhetoric of Ida B. Wells.” Reclaiming Rhetorica: Women in the Rhetorical Tradition, edited by Andrea Lunsford, U of Pittsburgh P, 1995, pp. 167-84.

36. Two or more works in an anthology or edited collection

When you cite two or more selections from the same anthology or edited collection, list the anthology separately under the editor’s name. In the entries for the selections you cite, include the editor’s name and the page numbers on which the selections appear:

Lipscomb, Drema R. “Sojourner Truth: A Practical Public Discourse.” Lunsford, pp. 227-46.

Royster, Jacqueline Jones. “To Call a Thing by Its True Name: The Rhetoric of Ida B. Wells.” Lunsford, pp. 167-84.

37. Revised or later edition

For a book published in an edition other than the first, give the edition number after the title:

Strunk, William, Jr., and E. B. White. The Elements of Style, 4th ed., Pearson, 2019.

38. Multivolume work

For a book published in more than one volume, give the total number of volumes after the title:

Klinger, Leslie S. The New Annotated Sherlock Holmes. 2 vols., W. W. Norton, 2005.

39. One volume of a multivolume work

Klinger, Leslie S. The New Annotated Sherlock Holmes. Vol. 2, W. W. Norton, 2005.

When each volume of a multivolume set has an individual title, list the volume’s full publication information first, followed by series information (number of volumes, dates). When separate volumes were published in different years, give inclusive dates:

Churchill, Winston S. Triumph and Tragedy. Houghton Mifflin, 1953. Vol. 6 of The Second World War. 6 vols. 1948-53.

However, if the volume you are using has its own title, you may cite the book without referring to the other volumes as if it were an independent publication.

40. Book in a series

Add the title of the series at the end of the entry:

Thaiss, Christopher. Language across the Curriculum in the Elementary Grades. WAC Clearinghouse, 2011, wac.colostate.edu/books/landmarks/thaiss/. Landmark Publications in Writing Studies.

41. Republished book

Give the original publication date after the title and the date the book was republished after the publisher:

Evans, Elizabeth E. G. The Abuse of Maternity. 1875. Arno, 1974.

42. Sacred text

Give the complete title of the version you consulted followed by the name of the editor and/or translator, the edition, the publisher, and the publication date:

The Bible. Authorized King James Version . Edited by Robert Carroll and Stephen Prickett, Oxford UP, 2008.

The Koran. Translated by N. J. Dawood, rev. ed., Penguin Books, 2015.

43. Introduction, preface, foreword, or afterword

Start with the author of the introduction, preface, foreword, or afterword, followed by a description of the work you are citing, such as “Foreword.” Give the author of the work after the title:

Offill, Jenny. Foreword. Mrs. Dalloway, by Virginia Woolf, Penguin Classics, 2021, pp. vii-xiv.

44. Published letter

Roosevelt, Theodore. Letter to Upton Sinclair. 15 Mar. 1906. Theodore Roosevelt: Letters and Speeches, edited by Louis Auchincloss, 2004, pp. 310-11.

45. Conference paper

Killi, Stainer, and Andrew Morrison. “Could the Food Market Pull 3D Printing Appetites Further?” Industry 4.0—Shaping the Future of the Digital World: Proceedings of the 2nd International Conference on Sustainable & Smart Manufacturing, edited by Paulo Bartolo et al., CRC Press, 2021, pp. 197-203.

Use the following guidelines for works that are published only online and do not have an overarching publication, such as a journal, newspaper, magazine, or database.

46. Basic format for a short work or page on a website

Author’s Last Name, First Name. “Title of Short Work.” Title of Website, Publisher, Publication Date, URL.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr . or PhD. End with a period.
• Title of the short work. Put the title in quotation marks. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title. End with a period inside the closing quotation mark.
• Title of the website. Put the title of the website in italics. Capitalize all significant words in the title. End the title with a comma.
• Publisher. If the publisher of the website is different from the title of the website (as shown in Model 48), give it next, followed by a comma. If they are the same (as shown in Model 47), give only the title of the website.
• Publication date. Give the day, month, and year the work was posted, if available. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, and July.
• URL. Give the URL, without “http://.”

47. Short work or page on a website

Shetterly, Margot Lee. “Katherine Johnson Biography.” NASA , 24 Feb. 2020, www.nasa.gov/content/katherine-johnson-biography.

If the source you are citing has no author listed, start with the title. If the page has no title, give the name of the site and a descriptive label, such as “Home page” or “Blog post.”

48. Blog post

Blazich, Frank A. “The Cold Morning of the Day After.” Smithsonian Voices , Smithsonian Magazine, 5 Feb. 2021, www.smithsonianmag.com/blogs/national-museum-american-history/2021/02/05/cold-morning-day-after/.

49. Entire website

Beinecke Rare Book and Manuscript Library. Yale U, 2021, beinecke.library.yale.edu/.

If the website lists an editor, give the person’s name as you would an author, followed by a comma and ed.

“Coronavirus.” Wikipedia. Wikimedia Foundation, 22 Feb. 2021, en.wikipedia.org/wiki/Coronavirus.

Social media include posts made to various platforms and forums, comments made by individuals to posts, and online articles.

51. Basic format for a social media post

Author. “Text of untitled post” or “Title of post” or Descriptive label. Title of Site , Date of Post, Time of Post, URL.

• Author. Give the author’s handle and name. End with a period.
• Text, title, or description of post. Match the capitalization exactly, add quotation marks, and end with a period inside the closing quotation mark.
• Title of the social media site. Put the title of the site in italics, ending with a comma.
• Publication date and time. Give the day, month, year, and time of the post. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, and July.

52. Social media post

@Holleratcha (James Holler). “People go out and vote tomorrow!” Twitter, 2 Nov. 2020, 2:08 p.m., twitter.com/holleratcha/status/1270432672544784384.

Death Valley National Park. “What does it mean to protect something you love?” Facebook, 23 Feb. 2021, 5:01 p.m., www.facebook.com/DeathValleyNPS/posts/4108808255810092.

See Model 54 for how to cite a comment.

53. Online forum post

@Duckpond318. “Turkeys in the arboretum.” Reddit, 15 Mar. 2021, 11:22 a.m., www.reddit.com/r/Wildlife/comments/lqlbo3/turkeys_in_the_arboretum/. Accessed 4 Feb. 2021.

54. Online comment

AKJersey. Comment on “Can We Stop Fighting about Charter Schools?” The New York Times, 22 Feb. 2021, www.nytimes.com/2021/02/22/opinion/charter-schools-democrats.html#commentsContainer.

Use the following guidelines to cite email, text messages, and letters that you sent or received.

Roberts, Jeffrey. “Study results.” Received by Kenneth Berg, 21 Oct. 2020.

56. Text message

Igoe, Beverlee. Text message. Received by Alison McGrath, 2 Apr. 2020.

57. Personal letter

Atwood, Margaret. Letter to the author. 11 Mar. 2007.

Use the following guidelines to cite various media sources.

Begin with the title, followed by the director, the studio, and the year released.

Casablanca. Directed by Michael Curtiz, Warner Brothers, 1942.

You may also cite other contributors and their roles after the title (as illustrated below). If your paper is concerned with a particular person’s work on a film, such as the director, an actor, or someone else, begin with that person’s name and arrange all other information accordingly. For a film you stream, add the title of the streaming service and the URL:

Moonlight. Directed by Barry Jenkins, performances by Mahershala Ali, Naomie Harris, and Trevante Rhodes. A24, 2016. Netflix, www.netflix.com/watch/80121348?trackId=13752289&tctx=8%2C.

59. Online video

NASA. “Apollo 11 Moonwalk – Original NASA EVA Mission Video.” 20 July 1969. YouTube, 17 July 2014, www.youtube.com/watch?v=S9HdPi9Ikhk.

60. Television series or episode

The Good Place. Michael Schur, creator. NBC, 2016-20.

Streamed TV episode

“Jason Mendoza.” The Good Place, season 1, episode 4, NBC, 2016. Netflix, www.netflix.com/watch/80191852?trackId=13752289&tctx=%2C%2C.

61. Advertisement

XOFLUZA. Flu medication advertisement. The New Yorker, 8. Feb. 2021, pp. 5-6.

General Motors. “Will Ferrell Super Bowl Ad.” YouTube, 3 Feb. 2021, www.youtube.com/watch?v=mdsPvbSpB2Y&t=24s.

62. Cartoon or comic

Davis, Jim. “Garfield.” Cartoon. Courier [Findlay, OH], 17 May 1996, p. 18.

If the source you cite appears in a local newspaper, as it does here, give the city and state in brackets after the name of the newspaper if the city is not part of the newspaper’s name.

Gauld, Tom. “Waiting for Godot to Join the Zoom Meeting.” You’re All Just Jealous of My Jetpack, 31 Jan. 2021, myjetpack.tumblr.com/.

63. Painting or other visual artwork

Rivera, Diego. Detroit Industry Murals. 1932-33. Detroit Institute of Art.

If the city is not part of the name of the museum, add it after museum. For example, if the work you viewed was at the Museum of Modern Art in New York City, you would end the entry as follows: Museum of Modern Art, New York.

Neel, Alice. Elenka. 1936. Alice Neel: People Come First, by Kelly Baum and Randall Griffey, The Metropolitan Museum of Art, 2021, p. 142.

Basquiat, Jean-Michel. Untitled. 1983. Museum of Modern Art, www.moma.org/collection/works/63997?artist_id=370&page=1&sov_referrer=artist. Accessed 24 Sept. 2020.

64. Map, chart, or diagram

Everglades National Park. National Geographic Society Maps, 2019.

“Map: Expedition of Lewis and Clark.” National Park Service, 2 Jan. 2018, nps.gov/subjects/travellewisandclark/map.htm.

65. Sound recording

Sound recordings include songs, albums, and spoken word. If you stream a sound recording or watch a performance online, add the name of the streaming service, such as Spotify, Apple Music, or Amazon Music, after the date. If you access the recording online, add the name of the website and the URL after the date.

Prince. Purple Rain. Warner Brothers, 1984.

The Supremes. “Baby Love.” Where Did Our Love Go, Motown, 1964. Spotify.

Gorman, Amanda. “The Hill We Climb.” 20 Jan. 2021, YouTube, www.youtube.com/watch?v=LZ055ilIiN4.

The Road to Higher Ground. Hosted by Jonathan Overby. WPR, 9 Jan. 2021.

If you listened to the radio program online, add the URL after the date.

67. Podcast

McEvers, Kelly, host. “This Is Not a Joke.” Embedded, season 9, episode 2, NPR, 7 Nov. 2019, Apple Podcasts.

If you listened to the podcast on the web, add the URL instead of the podcast service.

68. Interview

Wilkerson, Isabel. Interview. Fresh Air, NPR, 4 Aug. 2020.

Sowell, Thomas. Interview. Hoover Institution , 3 Jan. 2015, www.wsj.com/video/uncommon-knowledge-thomas-sowell-basic-economics/51837CB6-9FF2-305AE55D179A.html.

Wong, Diana. Personal interview. 12 Sept. 2020.

69. Video game, software, or app

Houser, Dan, et al., writers. Grand Theft Auto V. Rockstar Games, 2013. Xbox 360.

70. Live lecture, speech, address, or reading

Diaz, Shanna. “Your Dazzling Brain: The Symphony of Sleep.” Community Lecture Series, University of New Mexico Health Science and the City of Albuquerque, 13 Mar. 2018, Albuquerque Academy.

71. Live performance

Hamilton. By Lin-Manuel Miranda, directed by Thomas Kail, 11 Mar. 2018, CIBC Theater, Chicago.

If you watch a video of a performance online, cite it as you would cite an online video.

72. Letter in an archive

Mucklestone, Ada. Letter to Maj. Gen. Ralph J. Olson. 6 Nov. 1958. Wisconsin Historical Society, Madison, Alphabetical Subject File, 1950-66, 1715, Box 13.

73. Dissertation

Park, Eun Jung. Korean American Artists and the 1992 Los Angeles Riots. 2013. U of California, San Diego, PhD dissertation. ProQuest, www.proquest.com/doc-view/1425303659.

Boothby, Daniel W. The Determinants of Earnings and Occupation for Young Women. 1978. U of California, Berkeley, PhD dissertation.

74. Pamphlet

“Facts about Fallout.” Civil Defense Administration, 1961.

MLA Paper Format

Follow your instructor’s formatting guidelines or those indicated here. For sample papers with MLA format and works-cited pages, visit this site .

• Margins. Use one-inch margins on all sides.
• Spacing. Double-space throughout the paper, including the works-cited page.
• Paragraph format. Indent paragraphs one-half inch.
• Page numbers. Start numbering on the first page of your paper and continue to the end of the works-cited page. Place page numbers in the upper-right corner, and add your last name before the page number: “Coleman 3.”
• Identifying information. Put your name, your instructor’s name, the course title, and the date in the left corner of the first page of the body of the paper, not in the header. Double-space this information.
• Title. Center the title on the first page. Do not use italics, boldface, all capitals, or quotation marks. Do not add extra space below the title.
• Long quotations and quotations from poetry. See Quotations for how to cite long quotations and poetry quotations.

H 14 . APA Documentation and Format

Disciplines in the social sciences—psychology, sociology, anthropology, political science, economics, social work, and often education—use the APA name-and-date system of documentation. APA style highlights authors and dates of publication because timeliness of published material is of primary importance in these disciplines. The following are general features of APA style:

• All material borrowed from sources is cited in the text of a paper by the author’s name, date of publication, and page numbers (if available).
• A list of references at the end of a paper provides full publication data for each source cited in the text of the paper.

The instruction in this section follows the Publication Manual of the American Psychological Association, 7th edition (2020). For more information on APA style, visit this site . For examples of student papers in the textbook using APA documentation style, see Section 4 in Chapters 6, 8, and 15.

In-text citations feature author names, dates of publication, and page numbers, depending on what information is available. The Index located in H12 provides a listing of the models that are included below.

75. One author

When you quote, paraphrase, or summarize a source, include the last name of the source’s author, if known, in a signal phrase or in parentheses at the end of your sentence. Give the publication date after the author’s name. Provide the page or pages on which the original material appeared preceded by p. or pp. See Spotlight on … Citation .

According to Thomas (1974), many bacteria become dangerous only if they manufacture exotoxins (p. 76). Many bacteria become dangerous only if they manufacture exotoxins (Thomas, 1974, p. 76).

If you cite two or more works by the same author, published in the same year, use letters after the year to distinguish them: (Gallivan, 2019a, 2019b, 2019c).

76. Two authors

Smith and Hawkins (1990) confirmed that bacteria producing exotoxins are harmful to humans (p. 17). The study confirmed that bacteria producing exotoxins are harmful to humans (Smith & Hawkins, 1990, p. 17).

77. Three or more authors

The results indicate that alcohol use rose during the period of the study (Dominic et al., 2021, p. 16).

78. Authors with the same last name

When authors of different sources have the same last name, include their initials: Since the legalization of marijuana for recreational use, frequent use among adults has risen (J. T. Greene, 2019, p. 21; M. Greene, 2020, p. 30).

When authors of the same source have the same name, do not include their initials: (Kim & Kim, 2018, p. 47).

79. Organization, government, corporation, or association as author

When citing a well-known organization, government agency, corporation, or association, introduce an abbreviation of the name in the first reference and use it in subsequent references:

On multiple occasions, the Department of Veterans Affairs (VA, 2018) reported that formal efforts to reintegrate combat veterans into civilian life were beneficial.

80. Unknown author

When the author of a work is unknown, use the work’s title in a signal phrase, or put the title in parentheses. Put quotation marks around article titles, and put book or journal titles in italics:

In a pointed editorial, The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated (”Don’t Let the Games Begin,” 2020). In its pointed editorial, “Don’t Let the Games Begin” (2020), The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated.

81. Two or more works in the same citation

When you cite more than one work in parentheses, put the works in the same order that they appear in your list of references, and use a semicolon between them:

Americans who resisted or ignored civil defense were later cast as heroic people who chose not to build fallout shelters or as marginalized people who could not afford them (Garrison, 2006; Mechling & Mechling, 1991).

82. Work with no page numbers

If the work you are citing has no page numbers, help readers find the quotation by providing a heading, a section name, and/or a paragraph number (using the abbreviation para. or paras. ):

According to the National Institute of Mental Health (NIMH, 2019), research on PTSD includes gene research and brain imaging technologies (Next Steps for PTSD Research section, para. 6).

For audio or visual works, give the time stamp of the beginning of the source: (Wong, 2020, 34:16).

83. Source quoted in another source (indirect quotation)

When a quotation or any information in your source is originally from another source, try to track down the original source. If you cannot find the original, use the words “as cited in”:

The research collective, which has studied global health including access to food, sounded the alarm about a potential “worldwide food crisis” in the early 2000s (as cited in Sing, 2018, p. 32).

84. Entire work

When you cite an entire work, you do not need to give a page number. See Models 79 and 80. When you mention an entire website, link to the website directly or give the URL. You do not need to include the website in the references list:

The Department of Veterans Affairs maintains a website for PTSD, which contains resources and help for families and healthcare providers as well as veterans (https://www.ptsd.va.gov/).

85. Personal communication

Because personal communications such as emails, letters, personal interviews, and the like cannot be found by other researchers, cite them in the text only:

During our interview, Morales explained that she had quit her job to help her children with their schooling (personal communication, January 4, 2021).

APA References

Each source cited in the text of your paper refers readers to the list of references, a complete list of all the sources you quoted, paraphrased, or summarized. Every source cited in the text of your paper must be included in the references list, and every source in the references list must be cited in the text of your paper.

After the last page of your paper, start a new page with the centered, boldfaced title References at the top. Create an entry for each source using the following guidelines and examples.

• Alphabetize the entries according to authors’ last names. If two or more authors have the same last name, alphabetize by the initials of their first and middle names. Alphabetize sources with unknown authors by the first word of the title, excluding a, an, or the.

Core Elements (APA)

Each entry in the list of references consists of core elements:

• Date of publication. When was the work published?
• Publication information. Where can the work be found so that others can consult it?

Sometimes core elements are unknown or missing. In such cases, the entry in the reference list entry must be adapted:

• No author? If the source has no known author, cite it by the title. See Models 90 and 98.
• No date of publication? If the source has no publication date, write n.d . instead of the publication date. See Model 110.
• No title? If the work has no title, put a brief description in square brackets.
• No publication information? If the source is a personal communication that only you have a record of, cite the source in your text, not in the references, because it cannot be retrieved by other readers. See “Personal communication” above.

A note on retrieval dates: APA recommends adding a retrieval date for sources that are not archived or are likely to change over time, such as a developing news story. If you add a retrieval date, place it at the end of the references entry in this format: “Retrieved April 4, 2020, from https://www.nytimes.com.” Ask your instructors if they require retrieval dates.

Give the author’s last name, comma, and first and middle initials if available. For works with more than one author, put a comma and an ampersand (&) before the final author’s name, even when there are two authors.

86. One author

Milanovic, B. (2016). Global inequality: A new approach for the age of globalization. Harvard UP.

87. Two authors

Kristoff, N. D., & WuDunn, S. (2009). Half the sky: Turning oppression into opportunity for women worldwide. Alfred A. Knopf.

88. Three to twenty authors

Provide last names and initials for up to and including 20 authors.

Barlow, D. H., Durand, V. M., & Hofmann, S. G. (2017). Abnormal psychology: An integrative approach. Cengage Learning.

For more than 20 authors, include the first 19 authors’ names, insert an ellipsis, and then add the final author’s name.

89. Work by an organization, a government, a corporation, or an association

Works published by organizations often have the same author and publisher, which is frequently the title of a website. When the author and publisher are not the same, give the author and the title of the website:

National Institute of Mental Health. (2020). Post-traumatic stress disorder. U.S. Department of Health and Human Services, National Institutes of Health. https://www.nimh.nih.gov/health/publications/post-traumatic-stress-disorder-ptsd/index.shtml.

When the author and the publisher or title of the website are the same, omit the latter:

Centers for Disease Control and Prevention. (2021, February 17). Variants of the virus. https://www.cdc.gov/coronavirus/2019-ncov/variants/index.html.

90. Unknown author

If no author is given, start with the title:

The most beautiful battalion in the army. (1968). Grunt magazine, 12-15.

91. Two or more works by the same author

List two or more works by the same author (or the same author team listed in the same order) chronologically by year in the reference list, with the earliest first. Arrange works published in the same year alphabetically by title, placing lowercase letters after the publication dates:

Bandura, A. (1969). Principles of behavior modification. Holt, Rinehart, and Winston.

Bandura, A. (1977a). Self-efficacy: Toward a unifying theory of behavioral change. Psychological Review, 84, 191-215.

Bandura, A. (1977b). Social learning theory. Prentice Hall.

Articles, reviews, editorials, and other short works are published in journals, newspapers, and magazines, and they appear in print, on databases, and on websites (though often through a paywall). As a student, you are likely to access many articles and other short research sources primarily through databases available through your library.

92. Basic format for an article in an academic journal

Author’s Last Name, Initials. (Date of Publication). Title of article. Title of Journal, Volume (number), Pages. DOI or URL.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr. or PhD. End with a period.
• Date of Publication. In parentheses, give the year of publication, a comma, and the month or season of publication. End with a period outside the closing parentheses.
• Title of the article. Give the full title and any subtitle, separating them with a colon. For articles and book chapters, do not use quotation marks or italicize the title. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Title of the journal. Put the journal title in italics. Capitalize all significant words in the title. End the title with a comma.
• Volume and issue numbers. Italicize the volume number, and follow it with the issue number in parentheses (not italicized). End with a comma.
• Page numbers. Give inclusive page numbers without p. or pp . End with a period.
• DOI or URL. Provide a DOI (if available) or a URL. Include “http://,” and do not add a period at the end. The preferred format for a DOI is “https://doi.org/” followed by the number. You may encounter older formats for DOI; if so, change them to this format. If the article is online and does not have a DOI, give the URL instead.

93. Article in an academic journal

Gawande, A. A. (2017, April). It’s time to adopt electronic prescriptions for opioids. Annals of Surgery, 265 (4), 693-94. https://doi.org/10.1097/SLA.0000000000002133

Squires, S. (2019). Do generations differ when it comes to green values and products? Electronic Green Journal, 42 . http://escholarship.org/uc/item/6f91213q

The online journal in the example numbers issues only, so no volume number or page numbers are given.

Lowther, M. A. (1977, Winter). Career change in mid-life: Its impact on education. Innovator, 8 (7), 9-11.

An older journal article you consult in print may not have a DOI. In that case, end with the page numbers.

94. Article in a magazine

For a magazine article you read on a database or online, give the DOI if the article has one; otherwise give the URL. For a magazine article you consulted in print, end the entry after the page number unless a DOI is provided.

Sneed, A. (2017, September 19). Giant shape-shifters. Scientific American, 317 (4), 20. https://doi.org/10.1038/scientificamerican1017-20

Sneed, A. (2017, September 19). Giant shape-shifters. Scientific American, 317 (4), 20.

Myszkowski, S. (2018, October 10). On the trail of missing American Indian women. The Atlantic. https://www.theatlantic.com/health/archive/2018/10/trail-missing-american-indian-women/571657/

95. Article in a newspaper

For a newspaper article that you read on a database or in print, end the entry after the page numbers. For a newspaper article that you read online, give the URL instead of page numbers.

Krueger, A. (2019, November 27). When mom knows best, on Instagram. The New York Times, B1-B4.

Healy, J. (2021, January 12). Tribal elders are dying from the pandemic, causing a cultural crisis for American Indians. The New York Times. https://www.nytimes.com/2021/01/12/us/tribal-elders-native-americans-coronavirus.html

96. Blog post

Blazich, F. A. (2021, February 5). The cold morning of the day after. Smithsonian Voices. https://www.smithsonianmag.com/blogs/national-museum-american-history/2021/02/05/cold-morning-day-after/

97. Published interview

Beard, A. (2013, May). Life’s work: An interview with Maya Angelou. Harvard Business Review. https://hbr.org/2013/05/maya-angelou

98. Editorial or letter to the editor

An editorial may or may not have an author’s name attached to it. If it does, give the author’s name first. If it does not, start with the title. In both situations, add Editorial or Letter to the Editor in square brackets after the title.

For better elections, copy the neighbors [Editorial]. (2021, February 16). The Wall Street Journal. https://www.wsj.com/articles/for-better-elections-copy-the-neighbors-11613518448

To cite a review of a book, film, television show, or other work, begin with the reviewer’s last name, followed by the first and middle (if any) initials. In parentheses, add the year, followed by the title, month, and day of the review. Then in square brackets, add Review of the and the type of work being reviewed, followed by the title and the name of the author, director, or creator and their role. Then give the publication in which the review appeared, ending with a period, and the URL:

Girish, D. (2021, February 18). Refocusing the lens on race and gender [Review of the film Test Pattern, by S. M. Ford, Dir.]. The New York Times. https://www.nytimes.com/2021/02/18/movies/test-pattern-review.html

Use the following guidelines for books and parts of books, such as a selection from an anthology, a chapter in a collection, a published conference paper, and so on.

100. Basic entry for a book

Author’s Last Name, Initials. (Year of Publication). Title of book. Publisher.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr . or PhD . End with a period.
• Year of publication. In parentheses, give the year of publication, ending with a period outside the closing parentheses.
• Title of the book. Put the book’s title in italics. Give the full title and any subtitle, separating them with a colon. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Publisher. Give the publisher’s name as shown on the work, omitting words such as Inc. or Company.

101. Print book or e-book

Aronson, L. (2019). Elderhood: Redefining aging, transforming medicine, reimagining life. Bloomsbury Publishing.

Use the same format for an e-book when the content is the same. If you consult a book that has a DOI, provide it after the publisher, using the format “https://doi.org/” followed by the number. (If you encounter older formats for DOI, change them to this format.) If you read a book online, give the URL.

102. Book, anthology, or collection with an editor

Schaefer, C. E., & Reid, S. E. (Eds.). (2001). Game play: Therapeutic use of childhood games (2nd ed.) . Wiley.

103. Article or chapter in an edited book, an anthology, or a collection

Burks, H. F. (2001). Using the imagine game as a projective technique. In C. E. Schaefer & S. E. Reid (Eds.), Game play: Therapeutic use of childhood games (2nd ed., pp. 39-66). Wiley.

104. Translated or reprinted book

Freud, S. (1950). The interpretation of dreams (A. A. Brill, Trans.). Modern Library. (Original work published 1900)

105. Revised edition

Strunk, W., Jr., & White, E. B. (2019). The elements of style (4th ed.). Pearson.

106. One volume of a multivolume work

Waldrep, T. (Ed.). (1988). Writers on writing (Vol. 2). Random House.

107. Report or publication by a government agency or other organization

National Institute of Mental Health. (2020). Post-traumatic stress disorder. U.S. Department of Health and Human Service, National Institutes of Health.

If you consulted the publication online, include the URL after the publisher. See Model 89.

108. Conference paper

Killi, S., & Morrison, A. (2021). Could the food market pull 3D printing appetites further? In J.D. da Silva Bartolo, F. M. da Silva, S. Jaradat, & H. Bartolo (Eds.), Industry 4.0—shaping the future of the digital world: Proceedings of the 2nd International Conference on Sustainable & Smart Manufacturing (pp. 197-203). CRC Press.

Use the following guidelines for works published only online that do not have an overarching publication, such as a journal, newspaper, or magazine.

109. Basic format for a page or work on a website

Author’s Last Name, Initials. (Publication Date). Title of work. Title of website. URL.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr. or PhD . End with a period.
• Date of publication. In parentheses, give the year of publication and a comma, followed by the month and the day. End with a period outside the closing parentheses.
• Title of the work. Put the title of the work in italics. Give the full title and any subtitle, separating them with a colon. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Title of the website. Give the title of the website and end with a period. If the author and the website title are the same, you can omit the title of the site.
• URL. Copy and paste the URL from your browser window.

110. Page or work on a website

Shetterly, M. L. (2020, February 24). Katherine Johnson biography. NASA. https://www.nasa.gov/content/katherine-johnson-biography

U.S. Department of Veterans Affairs. (n.d.). What is PTSD? National Center for PTSD. https://www.ptsd.va.gov/understand/what/index.asp

If the source you are citing has no author listed, start with the title. See Model 90.

Coronavirus. (2021, February 22). In Wikipedia. https://en.wikipedia.org/wiki/Coronavirus

When you cite a social media post as a source, use labels in square brackets to indicate the type of post and whether images were attached to it.

112. Social media post

Holler, J. [@holleratcha]. (2020, November 2). Everyone get out and vote tomorrow! [Tweet]. Twitter. http://twitter.com/holleratcha/status/1270432672544784384

Death Valley National Park. (2021, February 23). What does it mean to protect something you love? [Images attached] [Status update]. Facebook. www.facebook.com/DeathValleyNPS/posts/4108808255810092.

113. Online forum post

National Aeronautics and Space Administration [NASA]. (2020, November 14). We’re engineers, astronaut trainers, and other specialists working to launch humans on commercial spacecraft from U.S. soil! Ask us anything about the NASA SpaceX Crew-1 mission! [Online forum post]. Reddit. https://www.reddit.com/r/space/comments/jsx91g/were_engineers_astronaut_trainers_and_other/

When you cite nonprint sources, such as visual and multimedia sources, use labels in square brackets to indicate the type of source, such as a film, a TV episode, a song, a painting, a photograph, and so on.

When you cite a film that you saw in a theater or streamed, you do not need to specify how you watched it.

Jenkins, B. (Director). (2016). Moonlight [Film]. A24.

115. Online video

For an online video, give the name of the person or organization that uploaded it as the author:

TED. (2017, February 27). Sue Klebold: My son was a Columbine shooter. This is my story [Video]. YouTube. https://www.youtube.com/watch?v=BXlnrFpCu0c

116. Television program

Schur, M., Miner, D., Sackett, M., & Goddard, D. (Executive Producers). (2016-20). The good place [TV series]. Fremulon; 3 Arts Entertainment; Universal Television; NBC.

Mande, J. (Writer), & Benz, P. (Director). (2016, September 29). Jason Mendoza (Season 1, Episode 4) [TV series episode]. In M Schur, D. Miner, M. Sackett, & D. Goddard (Executive Producers), The good place. Fremulon; 3 Arts Entertainment; Universal Television; NBC.

117. Music recording

For an artist whose music is available only through a website, include the URL. If the artist’s music is available on multiple platforms, you do not need to specify how you accessed it.

Prince. (1984). Purple rain [Album]. Warner Brothers.

The Supremes. (1964). Baby love [Song]. On Where did our love go. Motown.

Overby, J. (Host). (2021, January 9). The road to higher ground: World music with African roots and more. WPR.

119. Podcast

McEvers, K. (Host). (2019, November 7). This is not a joke (Season 9, Episode 9) [Audio podcast episode]. In Embedded. NPR.

120. Painting or other visual artwork

For a work of visual art, give the location of the museum or gallery. If you saw the work online, add the URL after the location:

Rivera, D. (1932-33). Detroit industry murals [Painting]. Detroit Institute of Art, Detroit, MI, United States.

Basquiat, J-M. (1983). Untitled [Painting]. Museum of Modern Art, New York, NY, United States. https://www.moma.org/collection/works/63997?artist_id=370&page=1&sov_referrer=artist

121. Map, photograph, infographic, or other visual

If the work you consulted names an author, start with the author. If there is no author, start with the title and a description of the work in square brackets, such as [Map], [Photograph], [Infographic], [Diagram], or another appropriate descriptor:

Expedition of Lewis and Clark [Map]. (2018). National Park Service. http://nps.gov/subjects/travellewisandclark/map.htm

122. Video game, software, or app

Benzies, L., & Sarwar, I. (2017). Grand theft auto V [Video game]. Rockstar Games. https://www.rockstargames.com/games/V

APA Paper Format

Follow your instructor’s formatting guidelines or those indicated here. For sample papers showing APA paper format, see this site .

• Title page. Give the title of the paper in bold, centered. Then, on separate lines and not boldfaced, give your name, academic department, name of your college or university, course number and name, instructor’s name, and the due date, all centered. Repeat only the title on the first page of the text of your paper.
• Spacing. Double-space throughout the paper, including the references page.
• Headings. Give headings for the major sections of your paper, such as Method, Results or Findings, and Discussion . Put the headings in bold and center them on the page. Put the next level of headings in bold and place them flush left.
• Page numbers. Start numbering on the title page of your paper and continue to the end of the references page. Place page numbers in the upper-right corner.
• Long quotations. See Quotations for how to cite long quotations.

H 15 . Further Reading

MLA Handbook , 8th ed., Modern Language Association of America, 2016.

MLA Handbook, 9 th ed., Modern Language Association of America, 2020.

Publication Manual of the American Psychological Association , 7th ed., American Psychological Association, 2020.

H 16 . Works Cited

Addams, Jane. Twenty Years at Hull-House. Digital Public Library of America , 1910, dp.la/primary-source-sets/theodore-dreiser-s-sister-carrie-and-the-urbanization-of-chicago/.

Becker, Jo. Forcing the Spring: Inside the Fight for Marriage Equality. Penguin Press, 2014.

Behn, Aphra. “The Character.” The Works of Aphra Behn. Edited by Montague Summers, vol. 6, Project Gutenberg , 2014, www.gutenberg.org/files/45777/45777-h/45777-h.htm#Page_113.

Behn, Aphra. “Love’s Power.” The Works of Aphra Behn. Edited by Montague Summers, vol. 6, Project Gutenberg, 2014, www.gutenberg.org/files/45777/45777-h/45777-h.htm#Page_113.

Brooks, Gwendolyn. “We Real Cool.” Blacks , Third World Press, 1994.

Da 5 Bloods. Directed by Spike Lee. Netflix, 2020.

Eisenberg, Richard. “How to Fix Social Security for Vulnerable Americans.” Forbes , 5 July 2018, www.forbes.com/sites/nextavenue/2018/07/05/how-to-fix-social-security-for-vulnerable-americans/.

“Environmental Impacts of Natural Gas.” Union of Concerned Scientists, 19 June 2014, www.ucsusa.org/resources/environmental-impacts-natural-gas.

Garrison, Dee. Bracing for Armageddon: Why Civil Defense Never Worked. Oxford UP, 2006.

Hollar-Zwick, Carol. Me, Hemorrhage: Recovery from a Ruptured Arteriovenous Malformation. Amazon, 2020.

The King James Bible. Project Gutenberg, 1989, www.gutenberg.org/files/10/10-h/10-h.htm#The_Gospel_According_to_Saint_Matthew.

Konish, Lorie. “Some Retirees Get by on Just Social Security. Experts Disagree on How Many.” CNBC, 10 Feb. 2020, www.cnbc.com/2020/02/10/some-retirees-live-on-social-security-experts-disagree-on-how-many.html.

Mechling, Elizabeth Walker, and Jay Mechling. “The Campaign for Civil Defense and the Struggle to Naturalize the Bomb.” Western Journal of Speech Communication, vol. 55, no. 2, Spring 1991, pp. 105-33.

Myers, David. “The Funds, Friends, and Faith of Happy People.” American Psychologist , vol. 55, no. 1, Jan. 2000, pp. 56-67.

“This Is Who We Are.” U.S. Forest Service, United States Department of Agriculture, Mar. 2019, http://www.fs.usda.gov/sites/default/files/This-is-Who-We-Are.pdf.

Thomas, Lewis. Lives of a Cell: Notes of a Biology Watcher. Penguin Books, 1978.

Thoreau, Henry David. Walden. Project Gutenberg, 1995, http://www.gutenberg.org/files/205/205-h/205-h.htm.

University of Agder. “Sorry (not sorry).” YouTube , 6 Feb. 2021, http://www.youtube.com/watch?v=Mi3JQa1ynDw.

Wilkerson, Isabel. Caste: The Origins of Our Discontents. Random House, 2020.

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Book Review: Brathwaite flexes his writing chops and expands Black literary canon with debut 'Rage'

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There was a class at my university called Black Arts, Black Power. Lester Fabian Brathwaite’s “Rage” would fit snugly right into that syllabus.

With an extensive writing portfolio already under his belt working for publications like “Out,” Brathwaite's debut book is part memoir, part academic review of culture and society, part philosophical musings of a queer Black millennial man who was born in Guyana and grew up in New York. It fits comfortably alongside the works of other greats to whom it pays homage, like Huey P. Newton, James Baldwin and Nina Simone — the latter being apparent by the book's full title: “Rage: On Being Queer, Black, Brilliant ... and Completely Over It."

No doubt Brathwaite is a great writer, but he’s also a great thinker.

In a chapter largely focused on muscular dysmorphia, he makes a shockingly persuasive — if bracingly cavalier — argument for bodily autonomy that invokes trans rights, women’s rights, drug use and bodybuilding.

“Rage” is conceptually heavy and multilayered, but with casual syntax and regular use of pop icons and common people, places and things as touchstones. At the same time, there’s a touch of high-brow, with several literary references and famous turns of phrases thoughtfully employed to bring new light to old ideas — and sometimes turn an idea on its head.

With a teaspoon of empathy and an open mind, you’ll find that any differences between the author and the reader melt away because the heart of what Brathwaite is saying is universal.

That said, “Rage” is anything but demure. The Table of Contents is peppered with profanities and even a chapter titled “I Hate the Gays.” Readers will either be turned off here before ever buying the book, or tempted to know more about this self-described “hateful child who grew into an even more hateful adult” — said, like most reflections in the book, with a protective layer of comedy around a kernel of truth.

But being off-putting is part of Brathwaite’s shtick, one readers have not only allowed but praised time and again with arguably more upsetting works (looking at you, “Lolita”).

Still, the writing can admittedly be annoyingly abrasive, like with its overuse of the f-slur and other choices that I personally didn’t love. But in the end, Brathwaite really grew on me. He wholeheartedly owns these pieces of himself. He reclaims words and is ready to live wildly, make mistakes and then grow from them.

And the tender moments hit harder for it, whether Brathwaite is describing his mother’s burial on his 14th birthday or the fifth-grade teacher who took him to Boston for being her top student.

Is “Rage” a little thick? Yes, at times, for sure. But it’s more like academic-lite, broken up with comedic relief, romantic exploits and, as Brathwaite loves to say, debauchery. If you find the starting pace a bit slow, rest assured it ramps up — quickly.

AP book reviews: https://apnews.com/hub/book-reviews

Donna Edwards, The Associated Press

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