essay on art and culture of telangana

Society, Culture, Heritage, Arts and Literature of Telangana

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• 5.4 Southern Kingdoms and the Delhi Sultanate Political Formations UNIT 5 DECCAN KINGDOMS* Structure 5.0 Objectives 5.1 Introduction 5.2 Geographical Setting of the Deccan 5.3 The Four Kingdoms 5.3.1 The Yadavas and the Kakatiyas 5.3.2 The Pandyas and the Hoysalas 5.3.3 Conflict Between the Four Kingdoms 5.4 Southern Kingdoms and the Delhi Sultanate 5.4.1 First Phase: Alauddin Khalji’s Invasion of South 5.4.2 Second Phase 5.5 Administration and Economy 5.5.1 Administration 5.5.2 Economy 5.6 Rise of Independent Kingdoms 5.7 Rise of the Bahmani Power 5.8 Conquest and Consolidation of the Bahmani Power 5.8.1 First Phase: 1347-1422 5.8.2 Second Phase: 1422-1538 5.9 Conflict Between the Afaqis and the Dakhnis and their Relations with the King 5.10 Central and Provincial Administration under the Bahmani Kingdom 5.11 Army Organization under the Bahmani Kingdom 5.12 Economy 5.13 Society and Culture 5.14 Summary 5.15 Keywords 5.16 Answers to Check Your Progress Exercises 5.17 Suggested Readings 5.18 Instructional Video Recommendations 5.0 OBJECTIVES After going through this Unit, you should be able to: * Prof. Ahmad Raza Khan and Prof. Abha Singh, School of Social Sciences, Indira Gandhi National Open University, New Delhi. The present Unit is taken from IGNOU Course 110 EHI-03: India: From 8th to 15th Century, Block 7, Units 26 & 28. • assess the geographical influences on the polity and economy of the Deccan, Deccan Kingdoms • understand the political set-up in South India, • examine the conflicts among the Southern kingdoms, • evaluate the relations of the Southern kingdoms with the Delhi Sultanate, • know their administration and economy, • understand the emergence of new independent kingdoms in the South, • appraise the political formation and its nature in Deccan and South India, • understand the emergence of the Bahmani kingdom, • analyze the conflict between the old Dakhni nobility and the newcomers (the Afaqis) and how it ultimately led to the decline of the Bahmani Sultanate, and • evaluate the administrative structure under the Bahmanis. [Show full text]
• Nimatullahi Sufism and Deccan Bahmani Sultanate Volume : 4 | Issue : 6 | June 2015 ISSN - 2250-1991 Research Paper Commerce Nimatullahi Sufism and Deccan Bahmani Sultanate Seyed Mohammad Ph.D. in Sufism and Islamic Mysticism University of Religions and Hadi Torabi Denominations, Qom, Iran The presentresearch paper is aimed to determine the relationship between the Nimatullahi Shiite Sufi dervishes and Bahmani Shiite Sultanate of Deccan which undoubtedly is one of the key factors help to explain the spread of Sufism followed by growth of Shi’ism in South India and in Indian sub-continent. This relationship wasmutual andin addition to Sufism, the Bahmani Sultanate has also benefited from it. Furthermore, the researcher made effortto determine and to discuss the influential factors on this relation and its fruitful results. Moreover, a brief reference to the history of Muslims in India which ABSTRACT seems necessary is presented. KEYWORDS Nimatullahi Sufism, Deccan Bahmani Sultanate, Shiite Muslim, India Introduction: are attributable the presence of Iranian Ascetics in Kalkot and Islamic culture has entered in two ways and in different eras Kollam Ports. (Battuta 575) However, one of the major and in the Indian subcontinent. One of them was the gradual ar- important factors that influence the development of Sufism in rival of the Muslims aroundeighth century in the region and the subcontinent was the Shiite rule of Bahmani Sultanate in perhaps the Muslim merchants came from southern and west- Deccan which is discussed briefly in this research paper. ern Coast of Malabar and Cambaya Bay in India who spread Islamic culture in Gujarat and the Deccan regions and they can Discussion: be considered asthe pioneers of this movement. [Show full text]
• 5. from Janapadas to Empire MODULE - 1 Ancient India 5 Notes FROM JANAPADAS TO EMPIRE In the last chapter we studied how later Vedic people started agriculture in the Ganga basin and settled down in permanent villages. In this chapter, we will discuss how increased agricultural activity and settled life led to the rise of sixteen Mahajanapadas (large territorial states) in north India in sixth century BC. We will also examine the factors, which enabled Magadh one of these states to defeat all others to rise to the status of an empire later under the Mauryas. The Mauryan period was one of great economic and cultural progress. However, the Mauryan Empire collapsed within fifty years of the death of Ashoka. We will analyse the factors responsible for this decline. This period (6th century BC) is also known for the rise of many new religions like Buddhism and Jainism. We will be looking at the factors responsible for the emer- gence of these religions and also inform you about their main doctrines. OBJECTIVES After studying this lesson, you will be able to explain the material and social factors (e.g. growth of agriculture and new social classes), which became the basis for the rise of Mahajanapada and the new religions in the sixth century BC; analyse the doctrine, patronage, spread and impact of Buddhism and Jainism; trace the growth of Indian polity from smaller states to empires and list the six- teen Mahajanapadas; examine the role of Ashoka in the consolidation of the empire through his policy of Dhamma; recognise the main features– administration, economy, society and art under the Mauryas and Identify the causes of the decline of the Mauryan empire. [Show full text]
• English Revenue Sector Telangana Report No.5 of 2018 CHAPTER II VALUE A E TAX AN CENTRAL SALES TAX 2.1 Tax Administration Value Added Tax and Central Sales Tax Act and Rules framed thereunder are administered at the Government level by Principal Secretary of Revenue Department. The Commissioner of Commercial Taxes CCT) is the Head of the Commercial Tax wing of the Revenue Department assisted by two Additional Commissioners ACCT) and four %oint Commissioners %C). In field, the CCT is assisted by 17 Deputy Commissioners DC), 33 Assistant Commissioners AC). There are 12 ,T-s and 91 Circles in the State functioning under the administrative control of DCs. They administer the relevant tax laws and rules under Telangana Value Added Tax 2005 VAT Act) and Central Sales Tax Act 1956 CST Act). 2urther, there is an Inter State Investigation 3ing IST) headed by a %oint Commissioner within Enforcement wing, which assists CCT in cross verification of interstate transactions. 2.2 Internal Audit The Department did not have a dedicated Internal Audit 3ing that would plan and conduct audit in accordance with a scheduled audit plan. Each ,T-5circle is audited by audit teams consisting of five members headed by either CTOs or Deputy CTOs. The DC CT) would monitor the reports of internal audit. CCT intimated that 120 audit observations were outstanding at the end of 7arch 2017. 2.3 Results of Audit In 2016-17, the assessment files, refund records and other connected documents of the Commercial Taxes Department were test checked. Instances of underassessment of Sales Tax/ VAT and other irregularities involving 1,100.30 crore in 1,055 cases were observed. [Show full text]
• 03404349.Pdf UA MIGRATION AND DEVELOPMENT STUDY GROUP Jagdish M. Bhagwati Nazli Choucri Wayne A. Cornelius John R. Harris Michael J. Piore Rosemarie S. Rogers Myron Weiner a ........ .................. ..... .......... C/77-5 INTERNAL MIGRATION POLICIES IN AN INDIAN STATE: A CASE STUDY OF THE MULKI RULES IN HYDERABAD AND ANDHRA K.V. Narayana Rao Migration and Development Study Group Center for International Studies Massachusetts Institute of Technology Cambridge, Massachusetts 02139 August 1977 Preface by Myron Weiner This study by Dr. K.V. Narayana Rao, a political scientist and Deputy Director of the National Institute of Community Development in Hyderabad who has specialized in the study of Andhra Pradesh politics, examines one of the earliest and most enduring attempts by a state government in India to influence the patterns of internal migration. The policy of intervention began in 1868 when the traditional ruler of Hyderabad State initiated steps to ensure that local people (or as they are called in Urdu, mulkis) would be given preferences in employment in the administrative services, a policy that continues, in a more complex form, to the present day. A high rate of population growth for the past two decades, a rapid expansion in education, and a low rate of industrial growth have combined to create a major problem of scarce employment opportunities in Andhra Pradesh as in most of India and, indeed, in many countries in the third world. It is not surprising therefore that there should be political pressures for controlling the labor market by those social classes in the urban areas that are best equipped to exercise political power. [Show full text]
• GOVERNMENT of TELANGANA ABSTRACT Public Services GOVERNMENT OF TELANGANA ABSTRACT Public Services – Formation /Reorganization of New Districts, Revenue Divisions and Mandals in Telangana State – Re-organization of Circles/Divisions/Sub- Divisions/Mandals in all cadres - Orders – Issued. PANCHAYAT RAJ & RURAL DEVELOPMENT (PR.I) DEPARTENT G.O.Ms.No.71 Dt:11.10.2016 Read the following:- 1. G.O.Ms.No.5, PR&RD(Estt.I) Dept. Dt:16.01.2015 and subsequent amendments, G.O.Ms.No.45, dt:23.5.2015, G.O.Ms.No.59, dt:31.7.2015 and G.O.Ms.No.6, dt:13.01.2016. 2. G.O.Ms.No.221 to 250, Revenue (DA-CMRF) Department, dt:11.10.2016 3. G.O.Ms.No.144, Finance (HRM.I) Department, dt:11.10.2016 4. From the E-in-C, PR, Hyderbad Letter No.B-II/Reorg.district/ 338/2016, Dt.17.9.2016, Dt:29.9.2016 & Dt:08.10.2016. ORDER: In the reference first read above Government have issued orders rationalising the PRI, PIU & Q C wings for effective implementation of works programme in PRED to achieve the targets of the Govt. 2. In the reference second read above Government of Telangana have issued notifications for formation/reorganization of Districts, Divisions and Mandals in the State of Telangana for better administration and development of areas concerned. 3. In the reference 3rd read above, Government have issued orders re- distributing cadre strength among (30) districts. 4. In the reference fourth read above the Engineer-in-Chief, PR has submitted proposals for re-organization of PRED to be co-terminus with the new districts jurisdiction and to change the nomenclature of Superintending Engineer, PR as Regional officer and Executive Engineer of the District Office as District Panchayat Raj Engineer (DPRE). [Show full text]
• Committee for Consultations on the Situation in Andhra Pradesh COMMITTEE FOR CONSULTATIONS ON THE SITUATION IN ANDHRA PRADESH REPORT December 2010 THE COMMITTEE CHAIRPERSON Shri Justice B N Srikrishna (Retd.) Former Judge, Supreme Court of India MEMBER SECRETARY Shri Vinod Kumar Duggal, IAS (Retd.) Former Home Secretary, Government of India MEMBERS Prof (Dr.) Ranbir Singh Vice Chancellor, National Law University, Delhi Dr. Abusaleh Shariff Chief Economist /Senior Fellow, National Council of Applied Economic Research, Delhi Prof (Dr.) Ravinder Kaur Department of Humanities and Social Sciences, IIT, Delhi The Inter State Council Secretariat (ISCS) provided full secretarial assistance including technical and budgetary support to the Committee C O N T E N T S VOLUME - I Prologue i Approach and Methodology iv Acknowledgements xii List of Tables, Figures, Appendices xvii Abbreviations xxix Chapter 1 Developments in Andhra Pradesh-A Historical Background 1 Chapter 2 Regional Economic and Equity Analysis 63 Chapter 3 Education and Health 125 Chapter 4 Water Resources, Irrigation and Power Development 177 Chapter 5 Public Employment Issues 245 Chapter 6 Issues Relating to Hyderabad Metropolis 295 Chapter 7 Sociological and Cultural Issues 341 Chapter 8 Law & Order and Internal Security Dimensions 423 Chapter 9 The Way Forward 425 VOLUME - II Appendices 1-173 Index 174 “In ages long past a great son of India, the Buddha, said that the only real victory was one in which all were equally victorious and there was defeat for no one. In the world today that is the only practical victory; any other way will lead to disaster”. Pt. Jawaharlal Nehru speaking on „Disputes and Discord‟ in the United Nations General Assembly on October 3, 1960 Prologue It has not been an easy task. [Show full text]
• Polavaram: a Disaster in the Making and a Coastal Andhra Sin Polavaram: A Disaster in the Making and a Coastal Andhra Sin By Gautam Pingle - HYDERABAD Published: 10th February 2014 09:36 AM http://www.newindianexpress.com/states/andhra_pradesh/Polavaram-A-Disaster- in-the-Making--a-Coastal-Andhra- Sin/2014/02/10/article2048570.ece#.UvhTJfuHPgE THE AP State Reorganisation Bill2013, as approved by the Union cabinet on February 7, has given the Polavaram irrigation project an orange (not green) light. It gives 397 inundation villages in Bhadrachalam and Palvancha divisions in Khammam district to Seemandhra. It also says the future Telangana government is “deemed to consent” to Polavaram _ a measure the Supreme Court will strike down. Polavaram is supposed to irrigate huge acreage, stabilise the Godavari Delta for the second and third crops and divert Godavari water to further stabilise the Krishna Delta for three crops. It also hopes to provide drinking and irrigation water to north coastal Andhra. The reservoir will inundate 397 tribal villages and flood thousands of acres of valuable forest land. Nearly 2.5 lakh tribal people will be displaced from their homes in Bhadrachalam alone. It will create a problem five times bigger than the Narmada Sagar dam where only 60,000 tribal people were displaced. Chhattisgarh and Odisha have moved the Supreme Court against the project and tribal displacement. The Union ministry of environment and forests, on February 8, 2011, directed the state not to start construction and to reduce the dam’s height to minimise inundation. But the Seemandhra’s contention is that reducing the height of the dam will prevent diversion of Godavari water to the Krishna Delta. [Show full text]
• Component-I (A) – Personal Details Component-I (A) – Personal details: Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Outlines of Indian History Module Name/Title Mahajanapadas- Rise of Magadha – Nandas – Invasion of Alexander Module Id I C/ OIH/ 08 Pre requisites Early History of India Objectives To study the Political institutions of Ancient India from earliest to 3rd Century BCE. Mahajanapadas , Rise of Magadha under the Haryanka, Sisunaga Dynasties, Nanda Dynasty, Persian Invasions, Alexander’s Invasion of India and its Effects Keywords Janapadas, Magadha, Haryanka, Sisunaga, Nanda, Alexander E-text (Quadrant-I) 1. Sources Political and cultural history of the period from C 600 to 300 BCE is known for the first time by a possibility of comparing evidence from different kinds of literary sources. Buddhist and Jaina texts form an authentic source of the political history of ancient India. The first four books of Sutta pitaka -- the Digha, Majjhima, Samyutta and Anguttara nikayas -- and the entire Vinaya pitaka were composed between the 5th and 3rd centuries BCE. The Sutta nipata also belongs to this period. The Jaina texts Bhagavati sutra and Parisisthaparvan represent the tradition that can be used as historical source material for this period. The Puranas also provide useful information on dynastic history. A comparison of Buddhist, Puranic and Jaina texts on the details of dynastic history reveals more disagreement. This may be due to the fact that they were compiled at different times. Apart from indigenous literary sources, there are number of Greek and Latin narratives of Alexander’s military achievements. They describe the political situation prevailing in northwest on the eve of Alexander’s invasion. [Show full text]
• Indian Tourism Infrastructure INDIAN TOURISM INFRASTRUCTURE InvestmentINDIAN TOURISM INFRASTRUCTUREOppor -tunities Investment Opportunities & & Challenges Challenges 1 2 INDIAN TOURISM INFRASTRUCTURE - Investment Opportunities & Challenges Acknowledgement We extend our sincere gratitude to Shri Vinod Zutshi, Secretary (Former), Ministry of Tourism, Government of India for his contribution and support for preparing the report. INDIAN TOURISM INFRASTRUCTURE - Investment Opportunities & Challenges 3 4 INDIAN TOURISM INFRASTRUCTURE - Investment Opportunities & Challenges FOREWORD Travel and tourism, the largest service industry in India was worth US$234bn in 2018 – a 19% year- on-year increase – the third largest foreign exchange earner for India with a 17.9% growth in Foreign Exchange Earnings (in Rupee Terms) in March 2018 over March 2017. According to The World Travel and Tourism Council, tourism generated ₹16.91 lakh crore (US$240 billion) or 9.2% of India’s GDP in 2018 and supported 42.673 million jobs, 8.1% of its total employment. The sector is predicted to grow at an annual rate of 6.9% to ₹32.05 lakh crore (US$460 billion) by 2028 (9.9% of GDP). The Ministry has been actively working towards the development of quality tourism infrastructure at various tourist destinations and circuits in the States / Union Territories by sanctioning expenditure budgets across schemes like SWADESH DARSHAN and PRASHAD. The Ministry of Tourism has been actively promoting India as a 365 days tourist destination with the introduction of niche tourism products in the country like Cruise, Adventure, Medical, Wellness, Golf, Polo, MICE Tourism, Eco-tourism, Film Tourism, Sustainable Tourism, etc. to overcome ‘seasonality’ challenge in tourism. I am pleased to present the FICCI Knowledge Report “Indian Tourism Infrastructure : Investment Opportunities & Challenges” which highlights the current scenario, key facts and figures pertaining to the tourism sector in India. [Show full text]
• 6. Water Quality ------61 6.1 Surface Water Quality Observations ------61 6.2 Ground Water Quality Observations ------62 7 Version 2.0 Krishna Basin Preface Optimal management of water resources is the necessity of time in the wake of development and growing need of population of India. The National Water Policy of India (2002) recognizes that development and management of water resources need to be governed by national perspectives in order to develop and conserve the scarce water resources in an integrated and environmentally sound basis. The policy emphasizes the need for effective management of water resources by intensifying research efforts in use of remote sensing technology and developing an information system. In this reference a Memorandum of Understanding (MoU) was signed on December 3, 2008 between the Central Water Commission (CWC) and National Remote Sensing Centre (NRSC), Indian Space Research Organisation (ISRO) to execute the project “Generation of Database and Implementation of Web enabled Water resources Information System in the Country” short named as India-WRIS WebGIS. India-WRIS WebGIS has been developed and is in public domain since December 2010 (www.india- wris.nrsc.gov.in). It provides a ‘Single Window solution’ for all water resources data and information in a standardized national GIS framework and allow users to search, access, visualize, understand and analyze comprehensive and contextual water resources data and information for planning, development and Integrated Water Resources Management (IWRM). Basin is recognized as the ideal and practical unit of water resources management because it allows the holistic understanding of upstream-downstream hydrological interactions and solutions for management for all competing sectors of water demand. The practice of basin planning has developed due to the changing demands on river systems and the changing conditions of rivers by human interventions. [Show full text]
• Fairs and Festivals, (17 Karimnagar) PRG. 179.17 (N) 750 KARIMNAGAR CENSUS OF INDIA 1961 VOLUME II ANDHRA PRADESH PART VII - B (17) F AIRS AND FESTIV (17. Karimnagar District) A. CHANDRA SEKHAR OF THE INDIAN ADMINISTRATIVE SERVICE Superintendent of Census Operations, Andhra Pradesh Price: Rs. 5.25 P. or 12 Sh. 3 d. or $ 1.89 c. 1961 CENSUS PUBLICATIONS, ANDHRA PRADESH (All the Census Publications of this State bear Vol. No. II) PART I-A (i) General Report (Chapters I to V) PART I-A (ii) General Report (Chapters VI to IX) PART I-A (iii) Gen'eral Report (Chapters eX to Xll) PART I-B Report on Vital Statistics PART I-C Subsidiary Tables PART II-A General Population Tables PART II-B (i) Economic Tables (B-1 to B-IV) PART II-B eii) Economic Tables (B-V to B-IX] PART II-C Cultural and Migration Tables PART III Household Economic Tables PART IV-A Report on Housing and Establishments (with Subsidiary Tables) PART IV-B Housing and Establishment Tables PART V-A Special Tables for Scheduled Castes and Scheduled Tribes PART V-B Ethnographic Notes on Scheduled Castes and Scheduled Tribes PART VI Villag~ Survey Monographs (46) PART VII-A (1) l PART VlI-A (2) ~ ... Handicrafts Survey Reports (Selected Crafts) I PART VII-A (3) J PART VII-B (1 to 20) ... Fairs and Festivals (Separate Book for each District) PART VIII-A Administration Report-Enumeration l }- (Not for sale) PART VIII-B Administration Report-Tabulation J PART IX State Atlas PART X Special Report on Hyderabad City District Census Handbooks (Separate Volume for each District) I 1. [Show full text]

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Know about the Unique Telangana Culture and Tradition

Telangana culture and tradition is a lot different than the other Indian states. It existed even before the new state was formed on June 2 in 2014. Hyderabad, the capital of this amazing state is a cultural hub.

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When this region was a part of the Hyderabad State, it was called ‘Telinga’ to distinguish the telugu-speaking region from the Marathi-speaking region. Over time, the word telinga changed to Telangana and this is how the 29th state of India got its name. The cultural history of this vibrant state is almost 5,000-year-old. The state has an array of arts, cultures, traditions and religions.

Continue reading to know more about the traditions, heritage, society, art and culture of Telangana here.

The Diverse Art and Culture of Telangana

Telangana is one of those Indian states that are rich in creative art forms. The Golconda style is one of the most developed art forms in this region. It involves the use of two classic colors, white and gold. The Hyderabad style is another art form that emerged during the 17th century under the Nizam’s rule. It is also called Deccani style and is a lot similar to the Vijayanagara paintings.

Dokra is another art form that involves skilled artisans who use the metal brass to make intricate figurines of gods/goddesses, idols of elephants, horses, and various other animals. The art and culture of Telangana is also strongly influenced by its neighboring states. The Bidri art originating in Bidar, Karnataka is widely used here to make buttons, jewelry boxes, hookahs and many other things.

The Unique Music and Dance Forms of Telangana

The state has the perfect amalgamation of Carnatic and folk music. Kancherlu Gopanna, who is popularly known as Bhakta Ramadasu, was one of the most popular Carnatic music composers. He was also an ardent devotee of Lord Rama. During the Telangana agitation, the folk songs of this region played a very important role. People would listen to these and get motivated to fight with a spirit of unity. You can only gain a firsthand experience of the soulful music of Telangana here. So, why wait? Book cheap last minute flights to Hyderabad and get ready to hear the traditional rhythms.

There are a lot of variations in Telangana culture and tradition when it comes to dance. The men in the region typically perform the ‘Perini Thandavam’, which means ‘dance of warriors. It depicts the dance of warriors in the presence of an idol of Lord Shiva just before heading out for a battle. Bonalu is one of the most widely celebrated festivals in Telangana. The devotees take part in spirited dancing during its procession. Book cheap flights to Hyderabad and experience the vibe and grandeur of this state during your visit.

The Beautiful Languages of Telangana

One of the most unique things about the culture of Telangana is that the people here speak a number of languages. Until 1948, Urdu was the official language of the state. And this is the reason why most of the educated elite individuals living in this region were Urdu-speakers.

Now around 76 per cent of the population speaks Telugu, 12 per cent speak Urdu while the remaining 12 per cent speak an array of other languages.

The popular Hyderabadi dialect or Hyderabadi Hindi, which is a mixture of Urdu and Hindi is also widely spoken in Hyderabad. This is also said to be amongst the most fascinating languages around the world.

Also Read: South Indian Culture: Exploring Diversity in Art, Architecture, Language, Food, & More

The Different Religions of Telangana State

The most beautiful thing about the culture and traditions of Telangana is the peaceful co-existence of different religions. It is widely believed that Buddhism was the most dominant religion in the state until the 6th century. At present, Hinduism is the most followed religion here, followed by Islam and Christianity. Lord Shiva, Vishnu, Hanuman and Ganapati are the main deities in this region.

The Vugra Narasimha Swamy Temple in Yadagirigutta and the Thousand Pillar Temple at Warangal are the oldest ones in Telangana. Thousands of devotees from all across the country throng these places every year.

The Colorful and Rich Traditional Dresses of Telangana

Telangana is known worldwide for its high-quality cotton production. The women in the state typically wear churidars, langa voni, and saris. Ikat, Pochampally silk, and Gadwal saris are the most used here. But now, young women mostly prefer fusion or western dresses as these are more convenient to wear.

Following Telangana culture and tradition , men in the region wear Pancha or Dhoti on festivals or special occasions. The males here also prefer to wear t-shirts, jeans, blazers etc. Under the Nizam’s rule, Hyderabadi Sherwani was widely worn by nobles. Now it is worn by grooms and guests during weddings around the state.

The Mouth-Watering Telangana Cuisine

If you are not in Telangana, you can book business class flights to Hyderabad and travel here to enjoy the lip-smacking delicacies. It is a mix of different cuisines and offers a wide range of options for the foodies.

Jowar, millet and bajra are widely used in the preparation of the scrumptious Telugu cuisine. The delicious and popular Hyderabadi cuisine was curated during the Qutub Shahi and Nizam rules. Its flavors are widely infused by the Turkish, Mughal, Persian, Telugu and Marathwada cuisines.

You should definitely try Pacchi Pulusu, Sarva Pindi, and Gutti Vankaya curry from the Telugu cuisine and Hyderabadi Biryani, Chicken 65, Baghare Baigan, Mirchi ka Salan and Double ka Meetha from the Hyderabadi cuisine.

The Colorful Festivals of Telangana

As this vibrant state is home to many religions, it also celebrates an array of amazing festivals. Bathukamma, part of the Dussehra festivities, is a unique festival celebrated here. The Hindu women in Telangana widely take part in its preparations. According to the lunar calendar, it falls between September and October. This forms a major part of the Telangana culture and tradition.

Bonalu is also a popular festival, which is celebrated on a large scale. Not just these, even Christmas, Ramadan, Eid, and Easter are observed with equal excitement in Telangana.

Just book cheap India tickets from USA or any other country in the world and fly to this beautiful state to become a part of the celebrations.

Famous Personalities of Telangana India

Zakir Husain: Former President of India

P.V. Narasimha Rao: Former Prime Minister of India

Sania Mirza: Tennis player

Shabana Azmi: Legendary Bollywood actor

Mohammad Azharuddin: Legendary cricketer

Explore the Telangana Culture and Tradition at these Places

Charminar: The spectacular Charminar is one of the most iconic parts of Telangana culture and tradition. Built in 1591 by Muhammad Quli Qutb Shah, a ruler from the Qutb Shahi dynasty, the monument is known for its intricate architecture. You can also visit the popular Laad Bazaar to shop for traditional jewelry as it is nearby.

Birla Temple: Also known as Birla Mandir, this was constructed in 1976 by Swami Ranganathananda of Ramakrishna Mission. It took nearly 10 years to be constructed. The structure is built on a 280 ft high hill, Naubath Pahad. It is visited by thousands of devotees annually.

Falaknuma Palace: Now converted into a 5-star hotel, this spectacular palace speaks volumes about the art and culture of Telangana. The scorpion-shaped structure is known for its distinct Palladian architectural style.

Also Read: Telangana Cuisine beyond Hyderabadi Dishes

Chowmahalla Palace: The former residence of the Nizams of Hyderabad, this palace displays the luxurious lives the royal family of the region lived. Now converted into a museum, you can find an array of weaponry, paintings, cutlery, sculptures, and various other artifacts on display. A number of cars belonging to the Nizams are also on exhibit here.

The Telangana culture and tradition is not only unique but also diverse. The people of this vibrant state have been living in harmony since centuries and take pride in its heritage.

You can book cheap flights to Hyderabad through Indian Eagle travel and explore more about its glorious culture during your visit. So, why wait? Plan your itinerary today.

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Culture of Telangana

Table of Contents

Telangana Culture

Telangana’s culture is a fusion of South Indian and Persian traditions, resulting in a diverse and rich heritage. The region is known for its artistic mediums, literature, food, poetry, cinema, festivals, and dances. Telangana has a history of about 5,000 years and has been a meeting place for diverse languages and cultures, making it a prime exemplar of India’s composite culture, pluralism, and inclusivity. The state is celebrated for its Ganga-Jamuna Tehzeeb, which symbolizes syncretism. Telangana’s cuisine is a blend of fragrant spices and herbs, influenced by Persian, Mughlai, Marathwada, Telugu, and Turkish cuisines. The region is also famous for its artistic creations, including the Golconda and Hyderabad styles of art. Telangana’s cultural history is almost 5,000 years old, and the state is home to various arts, cultures, traditions, and religions. The major religions in Telangana are Hinduism and Islam, and the region is known for its festivals like Bathukamma, Dasara, Ugadi, Sankranthi, Milad un Nabi, and Ramadan.

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Cultural Heritage of Telangana

Telangana, located in the southern part of India, boasts a distinctive cultural legacy that marries South Indian traditions with Persian elements. Renowned for its vibrant literature, diverse culinary flavors, poetry, film industry, and dance forms, Telangana’s cultural fabric has been woven over a history of approximately 5,000 years, influenced significantly by dynasties such as the Qutb Shahis and Asaf Jahi. The region is famous for its Ganga-Jamuna Tehzeeb, which emphasizes inclusiveness and a pluralistic society. In the realm of art, Telangana is known for its unique Golconda and Hyderabad styles, which skillfully integrate indigenous and international artistic methods. The region also stands out for its array of festivals, including Bathukamma, Dasara, and Ramadan, and is distinguished by its Warangal and Hyderabadi culinary specialties. This diverse amalgamation of cultural elements positions Telangana as a vital contributor to India’s rich cultural tapestry.

History of Telangan Culture

The history of Telangana’s culture is a fascinating blend of diverse influences over thousands of years. This region in southern India is known for its rich tapestry of customs and traditions shaped by historical events and various dynasties.

Key points in Telangana’s history include:

• Ancient Era : Telangana’s culture began developing over 5,000 years ago. During this time, it was influenced by major civilizations that flourished in the Indian subcontinent.
• Dynastic Influence : The culture of Telangana was significantly shaped by the rule of various dynasties, notably the Kakatiyas, the Qutb Shahis, and the Asaf Jahi (Nizams). Each dynasty left its mark, contributing to the region’s unique cultural identity.
• Persian Influence : The Qutb Shahi and Nizam eras introduced Persian culture, which blended with local traditions. This fusion is evident in Telangana’s architecture, language, and cuisine.
• Religious Diversity : Over the centuries, Telangana has been a melting pot of Hindu, Islamic, and Buddhist cultures, each adding to the region’s rich cultural fabric.
• Arts and Literature : The region has a strong tradition in arts, literature, and poetry, influenced by both local and foreign styles.
• Festivals and Cuisine : Telangana is known for its colorful festivals like Bathukamma and Bonalu, and its distinctive cuisine that includes both traditional Telugu and Hyderabadi flavors.

Telangana Languages

Telangana, a state in India, is known for its linguistic diversity. The main languages spoken here are Telugu and Urdu, which are also the official languages. Telugu is the most widely spoken, used by the majority of the population. In addition to these, other languages like Hindi, Marathi, and Lambadi are also spoken by various communities in the region. This mix of languages reflects the rich culture of Telangana.

Religion of Telangana

Telangana is a state in India with a population of over 35 million people. The major religions of the people of Telangana are Hinduism and Islam, with 85.09% and 12.69% of the population following these religions, respectively. Christianity and Buddhism are also present in the state, with 1.27% and 0.09% of the population following these religions, respectively. Telangana has a rich cultural heritage that includes literature, food, poetry, cinema, festivals, and dances. The region is known for its Ganga-Jamuna Tehzeeb, which celebrates pluralism and inclusivity. Telangana’s cuisine is influenced by Persian, Mughlai, Marathwada, Telugu, and Turkish cuisines, resulting in a unique culinary culture. The region is known for its festivals like Bonalu Festival, Bathukamma Festival, Ugadi Festival, Dasara Festival, Makar Sankranti, Guru Purnima, Sri Rama Navami Festival, Hanuman Jayanti Festival, Raakhi Pournami, Vinayaka Chaviti Festival, Nagula Chaviti, Ramzan, and Moharram. Telangana’s cultural history is almost 5,000 years old, and the state is home to various arts, cultures, traditions, and religions.

Festivals of Telangana

Telangana is a state in India that is known for its vibrant and diverse festivals. The festivals of Telangana are marked with well-defined rituals, legends, customs, and characterized by colors. The calendar in Telangana has a multi-hued tapestry of celebrations with innumerable festivals. The celebrations of Telangana are unique to themselves as they are customized per the lore and legend of the region. Some of the famous festivals of Telangana are Bathukamma Festival, Bonalu Festival, Dussehra, Ganesh Chaturthi, and more. Bathukamma Festival is a festival of colorful flowers, one of the famous festivals of Telangana, and is celebrated before the onset of winter during half monsoon. Bonalu is a grand tribute to Goddess Mahakali, celebrated during July-August. The Telangana people celebrate Dasara with great enthusiasm, and it is a ten-day festival that marks the victory of good over evil. Telangana is also known for its unique cuisine, which is highlighted during its festivals. The festivals of Telangana provide a platform for artisans to showcase their crafts, promoting and preserving these arts. The festivals of Telangana give an insight into the tradition and culture of the area, making it a unique and vibrant state in India.

Folk Dance of Telangana

Telangana, an Indian state, is celebrated for its colorful and varied folk dance traditions. Telangana culture dance is a vital part of Telangana’s cultural identity and are showcased during numerous festivals and special events. Among the renowned folk dances are Mathuri, Lambadi, Perini Sivatandavam, Dappu Dance, and Oggu Katha.

Mathuri, a tribal dance with origins in Mathura, is a festive dance involving both male and female performers. Lambadi, a Telangana culture dance and Andhra Pradesh, is performed by the Lambadi tribes, known for their semi-nomadic lifestyle. Perini Sivatandavam, a historic dance form linked to Lord Shiva, is characterized by male dancers performing to the sounds of bells, conches, and drums.

Dappu Dance, named after the ‘Dappu’, a musical instrument known for its rhythmic melodies, holds a significant place in Telangana’s dance culture. Oggu Katha, an age-old folk theater tradition, involves storytelling of Hindu mythologies, often accompanied by songs that praise Hindu deities. These folk dances not only add to the cultural richness of Telangana but are also visually captivating, reflecting the state’s deep-rooted traditions and artistic heritage.

Music of Telangana

Telangana’s music represents a harmonious fusion of varied folk melodies and the classical Carnatic genre, showcasing the area’s deep-rooted cultural legacy. The region is home to renowned folk tunes such as Oggukatha, Sarada Kala, and Suvvi Paatalu, which are composed using a variety of raagas like Bouli, Mohana, Bhupala, Neelambari, Janjhuti, and Anandabhairavi, and are often set to rhythmic patterns like Aadi, Khanda, Eka, and Rupaka.

These folk songs of Telangana play a vital role in various local celebrations, encompassing themes from romance to epic narratives, and from spiritual Jangam kathas to community-based Jamidika kathas and Baikani songs. A key feature of these songs is their straightforward and relatable lyrics, making them accessible and enjoyable to all, including those who cannot read.

The musical landscape of Telangana is also shaped by its diverse societal influences, including the patronage of its rulers who had a keen interest in culinary arts, culture, and literature. The Dhoom-Dham, a notable cultural expression, reflects the statehood movement’s history, often focusing on societal struggles and adapting traditional theater and art forms to contemporary contexts.

Telangana Literature

Telangana has a long history of about 5,000 years and is known for its rich literary heritage. The region has been a key center for culture and literature. A famous work by Suravaram Pratapa Reddy, “Golconda Kavulu,” lists 354 poets from Telangana, highlighting its strong tradition in poetry and literature.

Many famous writers and poets are from Telangana, such as Maqdhoom Mohiuddin, Kaloji Narayana Rao, Dasarathi Krishnamacharyulu, and C. Narayana Reddy. They have contributed greatly to Telugu literature, which includes various forms like poems, stories, plays, and songs.

The literary history in Telangana goes back to the first millennium, with the oldest known works from the 11th century. Early poets like Bammera Pothana, Kancherla Gopanna, Malliya Rechana, and Gona Budda Reddy are part of this history. In recent times, poets like Kaloji Narayana Rao, Dasarathi Krishnamacharyulu, and C. Narayana Reddy have added to the region’s literary richness.

Cuisine of Telangana

Telangana’s culinary landscape is a rich tapestry of tastes, drawing influences from South Indian, Persian, Mughlai, and Marathwada culinary traditions. Telangana culture food is distinctive, characterized by an array of unique dishes and ingredients. Important Telangana culture foods:

• Sarva Pindi: This is a savory rice flour pancake, enhanced with chana dal, ginger, garlic, sesame seeds, curry leaves, and green chilies.
• Malidalu: Similar to Sarva Pindi, this dish is primarily made from millet.
• Sakinalu: A favored rice flour snack, commonly prepared during the Makar Sankranti festival.
• Garijalu: Known for its sweet filling, this dish can also be prepared using tamarind.
• Pachi Pulusu: An uncooked, tangy dish made with tamarind, chili, and onions, typically served with hot rice and Pappu (dal).
• Golichina Mamsam: This spicy, deep-fried non-vegetarian dish is a testament to the region’s love for bold flavors.
• Hyderabadi Biryani: A renowned dish from Hyderabad, it combines rice and meat, infused with an array of spices and a hint of saffron.
• Jonna, Ragi, Sajja Rotte: These millet-based foods are staples in the local diet.

Tamarind stands out as a important ingredient, lending a unique sourness to many Telangana culture food. The cuisine also frequently incorporates sesame seeds, peanuts, dry coconut, red chilies, and asafoetida, enriching both vegetarian and non-vegetarian meals. This diverse use of ingredients underlines the rich food culture of Telangana, reflecting its varied cultural influences.

Art And Crafts of Telangana

Telangana stands out for its dynamic arts and crafts scene, a testament to its diverse cultural background and skilled artisans. The region’s celebrated crafts, including Bidriware, Dokra Metal Crafts, Cheriyal Paintings, Pembarthi Metal Crafts, and Telia Rumal, are renowned for their intricate designs, vibrant hues, and detailed craftsmanship. These artistic creations are not only emblematic of Telangana’s rich cultural legacy but also play a vital role in bolstering its economy and cultural development.

In addition to its crafts, Telangana is also famous for its array of unique dance styles. These include Perini Thandavam, Gusadi, Kuchipudi, Lambadi, Bhamakalpam, and Gollakalapam. Each dance form contributes to the rich tapestry of the state’s artistic expression, further enhancing its cultural identity.

Bidri Craft

Bidri craft is a unique art form originating from the Telangana region. It involves the use of bamboo and other natural fibers to create intricate designs and patterns. The craft is known for its simplicity and elegance, making it a popular choice for both home decor and fashion accessories.

Banjara Needle Crafts

Banjara Needle Crafts are a traditional art form practiced by the Banjara or Gypsy community in Telangana. These crafts include handmade fabrics adorned with rich embroidery and mirror works. The designs are colorful and intricate, reflecting the rich cultural heritage of the Banjara community.

Dokra Metal Crafts

Dokra, also known as bell-metal craft, is a popular art form in the Jainoor Mandal region of the Adilabad district in Telangana. The craft involves creating intricate designs and figures using a combination of copper, zinc, and lead. Dokra crafts are known for their detailed and elaborate designs, making them highly sought after in the international market.

Nirmal Arts

Nirmal arts encompass both decorative and utilitarian items, and are known for their unique earthiness and vibrant hues. The art form is practiced in the Nirmal town of the Adilabad district in Telangana, and the products are made using traditional techniques to create masterpieces.

Bronze Castings

Bronze castings from Telangana are famous worldwide for their amazing idols crafted with skilled artistry, perfect measurements, and artistic symbolism. The craft involves creating molds for solid casting of icons using various coatings of clays, which helps in rendering fine curves to the cast image.

Sculpture of Telangana

Telangana boasts a distinguished heritage in sculpture and a dynamic arts and crafts sector. A notable discovery in the Siddipet district of Telangana is the unearthing of a granite relief sculpture of Vijaya, Lord Vishnu’s gatekeeper, believed to be over 1,000 years old. This remarkable find sheds new light on the region’s artistic legacy and cultural practices, standing out as one of the most significant in Telangana’s history.

The state is also renowned for its array of traditional arts and crafts. Prominent among these are the Bidri craft, Dokra metal works, bronze castings, and Nirmal paintings, each exemplifying Telangana’s deep-rooted artistic traditions and skilled craftsmanship. These diverse artistic forms add rich layers to Telangana’s cultural landscape, underscoring its role as a center of creative and historical importance.

Architecture of Telangaga

Telangana’s architecture, situated in the Deccan plateau, mirrors its rich historical and cultural background. The state has developed unique regional forms of Indian architectural styles, evident in both Hindu temple designs and Indo-Islamic structures. Notable architectural achievements in Telangana date back to the Chalukya and Kakatiya dynasties, around the 10th to 12th centuries. During this era, remarkable structures like the Thousand Pillar Temple, Alampur Temples, and Warangal Fort were erected. Additionally, Telangana houses a variety of architectural styles including colonial, neoclassical, and art deco, reflecting its diverse historical influences. These architectural wonders continue to attract global tourists, showcasing Telangana’s rich cultural heritage and artistic contributions.

Cultural Sites of Telangana

Telangana has a variety of historical sites that showcase its rich cultural diversity and history. Famous cultural sites of Telangana include:

• Hyderabad: As the capital of Telangana, Hyderabad is a treasure trove of historical sites. Landmarks like the Charminar, Golconda Fort, and Chowmahalla Palace stand as testaments to the city’s historical and cultural richness.
• Warangal: This city is renowned for its historical significance and cultural richness. Attractions such as Warangal Fort, Thousand Pillar Temple, and Bhadrakali Temple are highlights of its heritage.
• Alampur: Known for its ancient temples, Alampur houses significant religious sites like the Jogulamba Temple, Navabrahma Temple, and Sangameshwara Temple, showcasing the region’s spiritual legacy.
• Ramappa Temple: Situated in Palampet, Telangana, this UNESCO World Heritage Site is famed for its detailed carvings and represents the pinnacle of Kakatiya dynasty architecture.
• Charminar: Standing in the center of Hyderabad, the Charminar is an emblematic structure famous for its distinctive architecture, symbolizing the cultural essence of the city.

These cultural sites are not just historical landmarks but also draw global visitors, highlighting Telangana’s rich cultural heritage and artistic excellence.

FAQs on Culture of Telangana

What is the main culture of telangana.

Telangana's culture is a fusion of South Indian and Persian traditions, resulting in a diverse and rich cultural heritage. The region is known for its literature, food, poetry, cinema, festivals, and dances.

What is the main dress of Telangana?

The main dress of Telangana is the traditional attire worn during festivals and special occasions. For women, it is the Saree, and for men, it is the Kurta and Dhoti.

What is so special about Telangana?

Telangana is known for its rich cultural heritage, diverse arts and crafts, vibrant festivals, and historical landmarks such as the Charminar and Golconda Fort.

Which God is famous in Telangana?

The most famous God in Telangana is Lord Venkateswara, whose temple in Tirumala is one of the most visited pilgrimage sites in the world.

What is Telangana's famous temple?

The most famous temple in Telangana is the Bhadrachalam Temple, dedicated to Lord Rama. It is a major pilgrimage site and is known for its beautiful architecture and scenic location.

Who is the folk goddess of Telangana?

The folk goddess of Telangana is Muthyalamma, who is worshipped by the people of the region for her protection and blessings.

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Telangana Culture

While Telugu is the predominant language with 76% of the people speaking it, Urdu (12%) and other languages (12%) are also quite common in this region Before 1948, Urdu was the official language of the princely state of Hyderabad and it was the common dialect among the elite of Telangana.

However, Telugu became the official language and was introduced as the medium of instruction in schools and colleges after Hyderabad joined the Indian Union, following which the use of Urdu among non-Muslim was reduced.

Clothing and fabrics

Saree is the most common clothing for women in Telangana even as langa voni, salwar kameez and churidaar are quite popular among unmarried women in the state.

Pochampally and Gadwal sarees are famous for their unique design, texture even as traders on the ancient silk route used to buy these merchandise as they were symbols of luxury and elegance at that time.

For men, dhoti (aka Pancha) is the traditional attire. But the Hyderabadi sherwani, the dress worn by the Nizams, is a ready fit on occasions like family ceremonies and gala functions.

Two types of cuisines in Telangana

Telangana has two types of food preparation - Telugu and Hyderabadi.

An extension of South Indian recipe, Telugu cuisine is made up of spicy food ingredients. Millet and roti dominate the meal variety along with jowar and bajra which feature most in the regular menu of a Telangana family.

Due to its proximity with Maharashtra, Chhattisgarh and northwest Karnataka, Deccan plateau foods have made inroads in Telangana menu table.

Telangana has some unique dishes such as jonna rotte (sorghum), sajja rotte (penisetum), or uppudi pindi (broken rice). A gravy or curry is called koora and pulusu (sour) in based on Tamarind. A deep fry reduction of the same is called vepudu. Kodi pulusu and mamsam (meat) vepudu are popular dishes in meat.

Sakinalu (aka Chakinalu), one of the most popular savouries in Telangana, is cooked during Makara Sankranti festival. This is a deep-fried snack made of rice flour, sesame seeds and flavoured with ajwain (carom seeds or vaamu in Telugu). These savouries are harder and spicier than the Telangana varieties.

An amalgamation of Persian, Mughlai, Telugu and Turkish cuisines, the Hyderabadi menu was developed by the Qutb Shahi dynasty and the Nizams. It has a mix of rice, wheat and meat dishes peppered with spices and herbs.

The Hyderabadi cuisine has city specific specialties like Hyderabad (biryani and haleem), Aurangabad (Naan Qalia), Gulbarga (Tahari) and Bidar (Kalyani Biryani).

Dry coconut, tamarind and red chillies, besides spices, are the main ingredients that make Hyderabadi cuisine stand apart from north Indian recipes.

Architecture of Talangana

Kakatiyas built Thousand Pillar temple achieved new heights in architectural splendour.

However, this majestic temple was destroyed by the invading Tughlaq dynasty from the north. Despite having thousand pillars, a devotee can have clear view of the god from any part of the temple without any hindrance.

Alampur style: All the nine temples in Alampur are dedicated to Lord Shiva and these structures dating back to 7th century CE were built by Badami Chalukyas who patronised art and architecture.

Despite the passage of centuries, these majestic temples exemplify the rich architecture of Telangana which amalgamated northern and western styles in temple construction.

However, they do not reflect the Dravidian style as is the case with Telangana state comprising coastal Telangana and Rayalaseema. The shikharas of these temples have a curvilinear form and are adorned with the miniature architectural devices. The plans and decoration similar to that of the rock cut temples.

The Alampur Navabhrama temples reflect adept skills in architecture and sculptural carvings.

Classical dance in Telangana

It is said that warriors used to enact this dance before the idol of Lord Siva while going to the battlefield during the rule of Kakatiyas.

The Kakatiya dynasty ruled Telangana and parts of Telangana for nearly two centuries with their capital in Warangal. This classical dance invokes 'Prerana' (inspiration) and is dedicated to Lord Shiva.

Carnatic music, folk arts

Kancherla Gopanna, popular as Bhakta Ramadasu or Bhadrachala Ramadasu, was a 17th century devotee of Lord Rama and a pioneer in composing ragas for the Carnatic music. He is one of the earliest vaggeyakaras (who compose both lyrics and sets them into musical style rendition) in Telugu language.

A number of folk songs had played vital role in the Telangana movement especially during the conduct of Dhoom Dham, a cultural event held as part of year-long statehood agitation. The state has a rich tradition in classical music, painting and folk arts such as burrakatha, shadow puppet show, and perini shiva tandavam, gusadi dance and kolatam.

This folklore is common among the Yadav and Karuma Golla communities who have dedicated themselves to singing ballads in praise of Lord Shiva, more popular as Mallikarjuna in Telangana regions.

Always on a journey, the community people narrate the stories of their caste gods in a ballad-style presentation earning the kudos of the audience. Two narrators transform themselves as mythological and legendary characters to enact a play-like rendition which makes Oggu Katha a lively ballad in Telangana.

Most of the singers worship Komrelly Mallanna temple as the presiding deity is their favourite and inspires them to carry on with their vocation.

Cultural treasure house

The Salar Jung Museum with collections from the huge property of the Salar Jung family is one of the three largest national museums of the country. Located at Darushifa on the southern banks of Musi river in Hyderabad, Salar Jung houses the biggest one-man collections of antiques in the world.

It is a well-known museum throughout India for its rare collections of artefacts, numismatics and invaluable objects of bygone eras that shed much light on the greatness of Indian civilisations.

The other museums are Nizam Museum, City Museum in Hyderabad and Birla Science Museum.

But Hyderabad has Ramoji Film City which is the world's largest production base for motion pictures. Also, with adoption of new techniques in film making, Telugu films are reaching out beyond their traditional markets.

Now overseas rights of Telugu films are being sold at exorbitant prices in the US, England, Malaysia and Singapore. At Ramoji Film City, a whole range of facilities for film shooting with a number of custom-built studios, production and film labs, among others, are offered under one integrated provider cutting down cost without compromising on quality.

Most of the south Indian language films are shot at this picturesque locale as the Film City goes the extra mile to woo producers and filmmakers for patronage.

Festivals of Telangana

Much grandeur and joy accompany festivals which are eagerly awaited by Telanganites. People visit temples, follow rituals at home and worship their favourite deities on religious occasions.

Some of the popular festivals are Ugadi, Dasara, Makara Sankranti, Guru Purnima, Sri Rama Navami, Hanuman Jayanti, Raakhi Pournami, Vinayaka Chaviti, Nagula Panchami, Krishnashtami, Deepavali, Mukkoti Ekadasi, Karthika Purnima and Ratha Saptami.

Regional festivals like Bonalu in Hyderabad, Batukamma (all over Telangana), Yedupayala Jatara in Medak and Sammakka Saralamma in Warangal district have thousands of followers with many flocking to these places on such occasion from neighbouring districts.

Culture of other states

Assam travel, history of india, telangana travel.

Discover Telangana Culture

Telangana Culture is a rich and diverse amalgamation of various customs, traditions, beliefs, and practices that have evolved over several centuries. This cultural heritage encompasses art, dance, music, literature, cuisine, festivals and religious beliefs that are unique to the region. Telangana’s history can be traced back to ancient times when it was ruled by dynasties such as the Satavahanas and Kakatiyas. The cultural influences of these dynasties can still be seen in the region today.

The traditional dance forms of Telangana are renowned for their grace and beauty. Performed during festivals and special occasions, these dances reflect the region’s rich cultural heritage. Music is another integral part of Telangana culture with an array of musical instruments like Dappu, Nadaswaram, Tambura and Veena being used in performances. The cuisine in Telangana is famous for its spicy taste with dishes such as Biryani being popular across India. Overall, Telangana culture reflects the diversity that exists within India while also showcasing its unique identity through its art forms and traditions.

Key Takeaways

• Telangana has a rich and diverse culture dating back to Satavahanas, Kakatiyas, and Qutb Shahis dynasties, with traditional dance forms, music, and cuisine being integral parts of it.
• Festivals like Bonalu, Bathukamma, and Ugadi showcase the cultural significance of Telangana, while traditional handicrafts like Dokra metal casting, Pembarthi brassware, and Cheriyal scroll painting reflect the distinct style and use of indigenous materials.
• Telugu language and literature are significant components of Telangana’s literary tradition, with famous Telugu poets and writers contributing significantly to it.
• While traditional customs and traditions are being adapted and evolved due to societal changes, there is a deep-seated appreciation for local customs and traditions, with festivals providing continuity while reflecting contemporary times.

Learn more about Tuluva Dynasty

Historical Overview of Telangana Culture

The historical overview of Telangana culture traces the evolution of its unique traditions, customs, and values that have been shaped by various dynasties and rulers over centuries. Telangana has a rich cultural heritage that dates back to the time of the Satavahanas who ruled the region from 230 BCE to 220 CE. During this period, Buddhism flourished in Telangana, leaving behind several monuments such as stupas and chaityas.

Over time, there were several evolutionary changes in Telangana’s culture due to the influence of various dynasties such as Kakatiyas, Vijayanagara Empire, Qutb Shahis, Mughals and the British. The Kakatiya dynasty (1083–1323) played a significant role in shaping Telangana’s culture by introducing many architectural marvels such as Warangal Fort and Thousand Pillar Temple. Similarly, during the reign of Qutb Shahis (1518-1687), Hyderabad city emerged as a center for art, literature and architecture.

The cultural significance of Telangana can be seen in its diverse range of festivals such as Bonalu (worshiping Goddess Mahakali), Bathukamma (celebrating female empowerment) and Ugadi (Telugu New Year). These festivals showcase not only religious beliefs but also reflect social unity among people from different castes and religions. With such a rich history behind it, traditional dance forms like Perini Sivatandavam have become an integral part of Telangana’s cultural identity.

Traditional Dance Forms

This section will delve into the traditional dance forms of Telangana, namely Kathakali, Kuchipudi, and Perini Shivatandavam . These dance forms are an integral part of Telangana’s cultural heritage and are widely practiced by both professionals and amateurs alike. Each dance form has its unique style, music, costume, and makeup that make them distinct from each other.

Kathakali is a traditional dance form from the Indian state of Telangana that combines music, dance, and acting to tell stories from Hindu mythology. This art form has a long history and evolution, dating back to the 17th century when it originated in Kerala. Kathakali means “story-play”in Malayalam, the language spoken in Kerala. It is one of the oldest theatre forms in India and has been recognized as one of the eight classical dance forms by the Sangeet Natak Akademi.

Kathakali performances are characterized by elaborate makeup and costumes that add to its dramatic effect. The performers spend hours getting ready for their roles, which involve intricate facial painting and dressing up in heavy attire with detailed accessories. The makeup consists of vivid colors that signify various characters such as green for heroes or gods, red for demons or evil characters, black for women or forest dwellers, and yellow for peace-loving characters like sages.

The costumes are equally elaborate with flowing skirts made of silk accompanied by jewelry pieces like anklets, bangles, earrings, necklaces etc., made of gold or silver. In summary, Kathakali’s unique style incorporates a blend of storytelling through music and dance while being visually stunning with its elaborate makeup and costumes.

Moving on to Kuchipudi…

Originating from the Indian state of Andhra Pradesh, Kuchipudi is a classical dance form that combines storytelling through music and dance with intricate footwork and facial expressions. The name ‘Kuchipudi’ is derived from a village in Andhra Pradesh where this art form was originally performed by Brahmin men. Unlike other classical dances, Kuchipudi involves both male and female dancers, and traditionally narrates mythological stories from Hindu epics like Ramayana and Mahabharata.

Kuchipudi’s unique style lies in its emphasis on gracefulness, fluidity of movement, and precise footwork. Dancers move their feet to create rhythmic patterns while also using hand gestures known as mudras to convey emotions or tell stories. Kuchipudi dance costumes are also an important component of this art form. Male dancers usually wear dhoti (a traditional Indian garment) with a shirt or vest while female dancers wear colorful sarees adorned with jewelry. Overall, Kuchipudi has evolved into a complex art form that requires years of training to master its techniques but ultimately provides dancers with a platform to express themselves creatively through storytelling.

Moving onto the next section about ‘perini shivatandavam’, this dance form is another example of Telangana’s rich cultural heritage that has been preserved over centuries.

Perini Shivatandavam

One of the distinguishing features of Perini Shivatandavam is its incorporation of vigorous movements and poses, inspired by the ancient martial art form known as ‘Kalaripayattu’. This dance form originated in Telangana and was performed exclusively by male dancers. The performance usually begins with an invocation to Lord Shiva, followed by a series of intricate steps that depict his Tandava dance.

The Perini dance tradition was popularized during the reign of the Kakatiya dynasty in Telangana. The dance was performed to invoke courage and prepare warriors for battle. Today, it is considered one of the most dynamic forms of Indian classical dance and is often performed at cultural events across India. As we move on to explore the topic of music and musical instruments in Telangana culture, it is important to note how closely intertwined they are with the Perini Shivatandavam performance.

Music and Musical Instruments

Music and musical instruments play a significant role in Telangana culture, showcasing the diverse range of traditional and modern music genres. The evolution of Telangana music is rooted in classical Indian music but has been influenced by the region’s unique history and culture. Folk songs from various communities such as Lambadi, Banjara, Golla, and Kuruma add to the richness of Telangana’s musical heritage.

The region also boasts a vast array of musical instruments that are used in performances and festivals. Some popular ones include the dappu (a percussion instrument), tasha (drum), harmonium (keyboard-like instrument), sarangi (stringed instrument), flute, and saxophone. In recent times, musicians have started fusing traditional instruments with modern genres like rock, jazz, and hip hop to create new sounds that appeal to younger audiences.

Telangana cuisine is another aspect that showcases the rich cultural diversity of this region.

Telangana cuisine is a rich blend of Mughlai and Telugu culinary traditions. Hyderabadi Biryani, a popular dish made with basmati rice, meat, and aromatic spices, is a hallmark of the region’s cuisine. Other traditional dishes that are widely enjoyed in Telangana include Telangana Style Pulusu (a tangy stew), Sarva Pindi (a savory pancake made from rice flour), and Makki ki Roti (a flatbread made from maize flour).

Hyderabadi Biryani

Hyderabadi Biryani is a popular rice dish that originated in the Indian city of Hyderabad and is traditionally made with basmati rice, spices, and meat. The dish has become an iconic representation of the culture and cuisine of Telangana. The origin and history of Hyderabadi Biryani can be traced back to the time when Mughal Emperor Aurangzeb appointed Nizam-ul-Mulk as the governor of Hyderabad in the late 17th century. It was during this period that Hyderabadi Biryani was created by blending Mughlai and Iranian cuisine with local Telugu flavors.

The unique taste of Hyderabadi Biryani comes from its spice variations, which include cardamom, cinnamon, bay leaves, cloves, coriander powder, cumin seeds, saffron, mint leaves, and green chilies. The meat used in the preparation can be chicken or lamb cooked with caramelized onions along with yogurt for tenderness. Additionally, it is layered with fried onions and served with raita (yogurt-based side dish), mirchi ka salan (spicy chili pepper curry), or bagara baingan (eggplant curry). This mouth-watering dish has gained immense popularity worldwide due to its unique blend of spices and flavors that represent Telangana’s rich culinary heritage.

Telangana-style Pulusu is another traditional dish that reflects the unique flavor profile of Telangana cuisine without using any personal pronouns or steps in this paragraph transition.

Telangana Style Pulusu

One traditional dish that showcases the diverse flavors of Indian cuisine is Telangana Style Pulusu. This tangy and spicy stew is made with tamarind, vegetables, and spices. The dish has been a staple in Telangana culture for generations and has several variations across the region. Traditional pulusu recipes include ingredients such as drumsticks, brinjal, onion, tomato, and chili peppers.

The preparation of pulusu involves simmering the vegetables in a tamarind-based broth until they are cooked to perfection. The use of spices such as fenugreek seeds, cumin seeds, mustard seeds, curry leaves, turmeric powder adds depth to the flavor profile. Some variations also include coconut milk or jaggery for added sweetness. Telangana Style Pulusu makes for an excellent accompaniment with rice or roti and is perfect for those who like their food tangy and spicy. Moving on from this traditional delicacy to another one – sarva pindi and makki ki roti – we explore more about the diversity in Telangana’s culinary treasures.

Sarva Pindi and Makki ki Roti

Sarva Pindi and Makki ki Roti are two traditional Telangana delicacies that have been passed down through generations of the Telugu-speaking people. These dishes showcase the unique culinary traditions of Telangana, which is known for its spicy and flavorful cuisine. Sarva Pindi is a savory pancake made from rice flour, chana dal, onions, green chilies, and spices. This dish is typically prepared during breakfast or as an evening snack in Telangana households. On the other hand, Makki ki Roti is a flatbread made from cornmeal and served with various vegetarian or non-vegetarian curries.

The cultural significance of food in Telangana cannot be overstated. Traditional dishes like Sarva Pindi and Makki ki Roti are not only delicious but also represent the rich heritage of this region. Food plays an essential role in festivals such as Sankranti, where people prepare these dishes to share with family and friends. Moreover, these delicacies reflect the agricultural practices of Telangana as they use locally grown ingredients to create mouth-watering flavors that are distinct to this region. Moving forward to our next section about festivals…

The state of Telangana in India is known for its vibrant and colorful festivals that reflect the rich cultural heritage of the region. Bonalu, Bathukamma, and Ugadi are three of the most important festivals celebrated in Telangana. Bonalu is a Hindu festival dedicated to Goddess Mahakali, while Bathukamma is a floral festival honoring Goddess Gauri. Ugadi marks the beginning of a new year according to the Hindu lunar calendar and is celebrated with great enthusiasm by people across Telangana.

Bonalu, a vibrant and colorful festival celebrated in Telangana, is dedicated to the worship of Goddess Mahakali. It is usually observed during the months of July-August and is particularly significant for women who offer prayers for the prosperity and well-being of their families. The festival starts with the Ghatam procession where women carry pots filled with rice, curd, and jaggery on their heads while dancing to traditional music. These offerings are then presented to the goddess in her various forms such as Pochamma, Yellamma, Maisamma among others.

The festival has deep roots in Telangana’s religious traditions and is believed to have originated from an ancient practice where people used to offer food grains to Goddess Mahakali as a way of thanking her for protecting them from epidemics. Bonalu also reflects the cultural diversity of Telangana as it brings people from different communities together who participate in the festivities with great enthusiasm. The next subtopic will be about Bathukamma which shares similar characteristics with Bonalu but has its unique features that make it distinct.

Celebrated during the months of September-October, Bathukamma is a floral festival in which women make colorful flower arrangements and offer them to Goddess Gauri. The festival marks the beginning of winter and is celebrated with great enthusiasm and fervor in Telangana. Women dress up in traditional attire, sing folk dance around Bathukammas (flower stacks), and immerse them in water bodies.

The cultural significance of Bathukamma lies in its association with nature worship and agriculture. The festival celebrates the abundance of nature, particularly flowers, which are an integral part of Telangana’s culture. It also symbolizes the close relationship between humans and nature, highlighting the importance of preserving our environment for future generations. This vibrant celebration has become an important aspect of Telangana’s identity, reflecting its rich cultural heritage that dates back centuries ago.

As we move into discussing Ugadi next, it is important to note that this festival holds immense significance for people from different regions across India.

Ugadi, also known as the Telugu New Year, is a traditional festival that is observed with great enthusiasm by people from various regions of India. The word ‘Ugadi’ is derived from two Sanskrit words – ‘yuga’ meaning age and ‘adi’ meaning beginning. Ugadi marks the beginning of a new era or cycle and is celebrated on the first day of Chaitra month in the Hindu calendar (usually falls in March or April).

Ugadi celebrations vary across different regions but generally involve cleaning and decorating homes, preparing special dishes, visiting temples, exchanging gifts with loved ones, and wearing new clothes. One of the most important traditions associated with Ugadi is Panchanga Sravanam, which involves listening to predictions for the upcoming year based on calculations made by astrologers. Overall, Ugadi symbolizes hope, prosperity, and new beginnings for individuals and communities alike. As we move into discussing clothing and attire in Telangana culture, it is worth noting that Ugadi plays an important role in shaping fashion trends as people often wear traditional outfits during this festival.

Clothing and Attire

Traditional Telangana clothing and attire has a rich cultural significance that reflects the region’s history and social customs. There is a great deal of diversity in the traditional weaves and fabrics used, which are often made by skilled artisans using age-old techniques. For example, Dharmavaram silk is known for its intricate designs and vibrant colors, while Pochampally Ikat features bold geometric patterns.

Despite this strong tradition of traditional clothing, there has also been a rise in modern fusion styles that incorporate elements from both Western fashion and traditional Telangana dress. This includes outfits such as kurtas paired with jeans or skirts, as well as sarees with contemporary prints or embellishments. These modern interpretations allow individuals to express their unique sense of style while still honoring their cultural heritage.

Art and handicrafts have long been important aspects of Telangana culture, influencing not just fashion but also home decor, jewelry-making, and more. From hand-woven rugs to intricately carved woodwork pieces to delicate silver filigree jewelry, these crafts reflect the skill and creativity of local artisans. By preserving these traditions through ongoing support for these industries and education about their importance to the region’s identity, it is possible to ensure that future generations continue to appreciate the beauty of Telangana culture in all its forms.

Art and Handicrafts

Clothing and attire are significant aspects of any culture, as they represent the collective identity and values of a community. In Telangana, traditional clothing is a reflection of the state’s rich cultural heritage. However, clothing is not the only form of expression in Telangana; art and handicrafts also play an essential role in preserving the state’s cultural legacy.

Artisanal techniques have been passed down through generations in Telangana. These techniques involve using indigenous materials such as clay, wood, metal, and cloth to create beautiful works of art that showcase the region’s distinct style. One such example is Dokra metal casting that dates back to ancient times when artisans made figurines depicting various gods and goddesses from molten brass.

Other popular handicrafts include Pembarthi brassware, Cheriyal scrolls, Bidriware crafts, and Nirmal paintings. Each craft has its unique style that reflects the creativity of Telangana’s skilled artisans. The state government has set up various institutions to promote these crafts by providing training to budding artists and organizing exhibitions both nationally and internationally.

Art and handicrafts are integral parts of Telangana culture that bear testimony to its rich history. Through artisanal techniques using indigenous materials, skilled artisans continue to produce exquisite pieces of artwork that showcase their creativity while preserving their heritage for future generations to appreciate. Moving forward into the next section about literature let us explore how language plays an equally important role in shaping a culture as much as its visual arts do.

The literary tradition of Telangana is rich and diverse, with Telugu literature being a significant component. Telugu is one of the oldest languages in India, with a history that dates back at least 1,500 years. The language has been used by famous poets and writers to create works that reflect the cultural, social, and political climate of their times.

Telugu Literature

One of the most notable contributions of Telangana to the literary world is its rich tradition of Telugu literature. Telugu literature has evolved over time with changes in language, style, and themes. The early period of Telugu literature saw the emergence of works such as Nannaya’s Mahabharata and Palkuriki Somanatha’s Basava Purana, which were written in a mix of Sanskrit and Telugu. Later on, during the Kakatiya dynasty (12th-14th century), works such as Manucharitra by Allasani Peddana and Panduranga Mahatyam by Pingali Suranna were written entirely in Telugu.

In modern times, Telugu literature has seen adaptations to contemporary themes such as social issues, politics, and human relationships. Some popular authors who have contributed to this evolution include Kaloji Narayana Rao, Dasarathi Krishnamacharyulu, and Sri Sri. Their works reflect the changing societal norms and perspectives of their times while still maintaining the essence of traditional Telugu literature. With these evolutionary changes in mind, it is worth exploring some famous telugu poets and writers who have contributed significantly to this rich literary tradition.

Famous Telugu Poets and Writers

Renowned for their contributions to the rich literary tradition of Telugu, famous poets and writers have left an indelible mark on the evolution of Telugu literature, spanning from the early period to modern times. Their influential works are a testament to their talent and skill in capturing the essence of Telangana culture through poetry and prose. Some of the most notable names in Telugu literature include:

• Nannaya Bhattaraka: Considered one of the pioneers of Telugu literature, Nannaya is credited with translating the Mahabharata into Telugu during the 11th century.
• Allasani Peddana: A prominent poet and writer during the Vijayanagara Empire, Peddana’s works are known for their intricate language and vivid imagery.
• Gurajada Appa Rao: A social reformer and writer, Gurajada is widely recognized for his play Kanyasulkam which satirized dowry system prevalent in society at that time.

These writers were part of various literary movements that shaped Telugu literature including Vemana movement, Adikavi Nannaya University Movement, etc. These movements brought about significant changes in style and content while preserving traditional values that continue to resonate with readers today.

These writers have greatly enriched Telugu literature with their creative expression and intellectual depth. Their works continue to be cherished by readers who appreciate the beauty and significance of this rich literary tradition. The evolution of this language has been influenced by numerous factors over time as we shall see next – telugu language and its significance…

Telugu Language and Its Significance

Telugu language has a rich history and significance, being one of the Dravidian languages spoken in India. Its origin dates back to over 2000 years ago, with its earliest known written text being found on inscriptions dating back to the 6th century CE. Over time, Telugu language evolved into a distinct language with its own unique grammar and vocabulary. It is the official language of the state of Andhra Pradesh and Telangana and is also widely spoken in other Indian states such as Karnataka, Tamil Nadu, Maharashtra, and Odisha.

In modern times, Telugu has become an important language for literature, media, education and commerce. The advent of technology has further popularized the usage of this language through various online platforms like social media. Apart from India, significant populations of Telugu speakers can be found in countries like the United States, Australia and Canada. The impact of Telugu culture on these communities is evident through their continued use of their mother tongue even while living abroad. Understanding the history behind this ancient language allows us to appreciate its cultural significance even more deeply as we delve into religious beliefs and practices next.

Religious Beliefs and Practices

Religious beliefs and practices are deeply ingrained in the culture of Telangana, with a diverse range of traditions and customs observed across different communities. The state is home to several religions such as Hinduism, Islam, Christianity, Buddhism, and Jainism. Each religion has its own set of ritualistic practices and spiritual beliefs that have been passed down through generations. Temples, mosques, churches, and other places of worship are an integral part of the state’s landscape.

For Hindus in Telangana, rituals play a significant role in their daily lives. From performing puja (worship) at home to visiting temples during festivals such as Bonalu or Bathukamma, religious observances are a way of life for many. Similarly, Muslims offer prayers five times a day and observe fasts during Ramadan. Christians too celebrate Christmas and Easter with great fervor. Besides these major religions, smaller communities such as Buddhists who reside in Adilabad district also follow their own unique set of customs.

Despite the adherence to traditional religious practices in Telangana, there have been some contemporary influences that have led to adaptation over time. One example is the adoption of yoga among people from various faiths due to its health benefits. Moreover, many people now prefer celebrating festivals with eco-friendly measures in mind by avoiding plastic decorations or fireworks that cause pollution. Such changes reflect how even traditional practices can evolve with time while still holding onto their core values and beliefs.

Contemporary Influence and Adaptation

Contemporary societal changes in Telangana have led to the adaptation and evolution of traditional religious practices while still holding onto core values and beliefs. The influence of globalization and modernization has created a shift towards a more open-minded, inclusive society that is willing to embrace change while still preserving its cultural heritage. As the region becomes more connected with the rest of the world, Telangana’s culture is also becoming more dynamic, diverse, and adaptive.

• The influence of globalization on Telangana’s culture can be seen in various aspects such as fashion, music, food, and entertainment. Traditional clothing styles are being replaced by modern outfits designed for comfort and style. Music genres like hip-hop and pop are gaining popularity among younger generations who seek out new experiences beyond their cultural boundaries.
• Modernization has brought about significant changes in the way people relate to each other within families and communities. While traditional values like respect for elders remain strong, there is an increasing emphasis on individualism and personal freedom. This shift towards individualism has resulted in changing attitudes towards marriage, dating, gender roles, education, career choices – all contributing to shaping a new Telanganite identity.
• Despite these changes wrought by globalization and modernization on Telangana’s culture over time , there remains a deep-seated appreciation for local customs and traditions that continue to shape daily life across the state . From festivals like Bathukamma , Bonalu , Ugadi , to religious events like Maha Shivaratri or Ram Navami – these celebrations provide continuity between past generations’ values systems while ushering in new ways of celebrating them that reflect contemporary times.
• In conclusion 21st-century Telangana reflects both continuity as well as adaptation when it comes to its cultural practices . Its ability to evolve whilst retaining core values makes it unique amongst Indian states; ready for what tomorrow may hold whilst honoring where it came from yesterday – which can be seen in the current societal changes, influenced by globalization and modernization.

Learn more about Main Crops of Telangana

Frequently Asked Questions

1. What is the population of Telangana and how has it impacted the culture?

The population of Telangana has grown rapidly over the years, which has had a significant impact on its cultural landscape. This growth has brought about various changes to the region’s traditions, customs, and social norms.

2. Are there any famous Telanganites who have influenced the culture significantly?

Influential Telanganites have made significant cultural contributions to the region. Notable figures include poet and writer Kaloji Narayana Rao, singer Ghantasala Venkateswara Rao, and revolutionary leader Komaram Bheem, among others. Their impact on Telangana’s culture is widely recognized and celebrated.

3. What is the role of women in Telangana culture and how has it evolved over time?

The role of women in Telangana has evolved over time, from being confined to domestic duties to participating actively in social and economic activities. Their importance is recognized for the empowerment of the society.

4. How has modernization and globalization affected traditional Telangana culture?

The impact of technology and changing societal norms has led to significant changes in traditional culture across the world. Telangana culture is no exception, as modernization and globalization have influenced its customs, values, beliefs, and practices.

5. What are some lesser-known rituals and customs that are still practiced in Telangana?

Several traditional practices in Telangana hold cultural significance, such as the Bathukamma festival and Bonalu procession. Lesser-known customs include Gollakalapam, a dance form to appease goddess Durga, and Chindu Yakshaganam, a musical performance blending mythological stories with social issues.

Telangana, a state in southern India, has a rich cultural heritage that is steeped in history and tradition. The culture of Telangana is deeply influenced by its historical past, with the region being ruled by dynasties such as the Satavahanas, Kakatiyas, and Qutb Shahis. This has resulted in a unique blend of Hindu and Islamic traditions, which can be seen in various aspects of Telangana’s culture.

One of the most prominent features of Telangana’s culture is its traditional dance forms such as Perini Sivatandavam, Lambadi and Chindu Bhagavatham. These dance forms are characterized by their intricate footwork and graceful movements that reflect the region’s ancient martial arts practices. Similarly, Telangana’s music scene also reflects this rich cultural tapestry through instruments such as Veena,Violin Tabla etc.

In terms of cuisine , Hyderabadi biryani stands out as one of the most popular dishes from the region along with other delicacies such as Mirchi ka Salan (a spicy curry made with chilli peppers) and Haleem (a meat-based stew). Festivals like Bonalu,Jathara or Sammakka Sarakka Jathara,give people an opportunity to celebrate their religious beliefs while showcasing their vibrant cultural identity through colourful rituals.

The artistry and craftsmanship of Telanganites can be seen through their handicrafts industry that includes famous Bidriware (ornamental metal work), Nirmal paintings ,woodcarving etc. Literature too occupies an important place in Telugu literary canon with eminent authors like Kaloji Narayana Rao,Tummala Kshetrayya,Pingali Suranna,Bhakta Ramadas etc., having hailed from this land.

Overall,Telangana’s culture is marked by its unique blend of history, religion,and artforms. The region’s cultural traditions have been passed down through generations and continue to be celebrated today through various festivals, dances, music, literature etc. And with the influence of modernization and globalization,the culture has evolved to adapt new trends without losing its essence making it one of the prominent cultures in India that stands as a testimony to the rich heritage of the country.

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Traditions and Culture Of Telangana

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Table of Contents

During the Mughal and Nizam eras, Telangana's culture was influenced by both South Indian culture and Persian traditions that were embraced. As a result, Telugu culture is deeply rooted in the social fabric, giving it a very rich culture. Telangana is a vibrant, artistic state specialising in literature, food, poetry, films, festivals, and dance.

Telangana Culture And Tradition

Telangana, a state in southern India, has many tourist sites highlighting its fascinating past, rich cultural heritage, stunning natural surroundings, and modern advancements. Here are some details about Telangana culture:

• Traditional of Telangana. Skilled Artisans Creating Intricate Lacquerware
• Folk dances. Graceful and Expressive Dance Performances
• Telangana Festivals. Cultural and Traditional Festival
• Telangana Art and Crafts. Intricate and Vibrant Crafts
• Cuisine of Telangana. Spicy and Flavourful Food
• Pochampally Ikat. A Well- Known Handicraft From Telangana
• Kakatiya Kala Thoranam. Historically Significant & A Well- Liked Tourist Destination
• Medaram Jatara. One of the Biggest Tribal Celebrations in the World
• Telangana Rangoli. Rangoli Patterns in the Intricate and Vibrant Tradition
• Golconda Fort. A UNESCO World Heritage Site
• Salar Jung Museum. A Treasury of Artwork and Artefacts
• Kondapalli Toys. Toys Made of Brilliant and Vibrant Wood
• Telugu Language. The Official Language of Telangana
• Perini Natyam.Traditional Dance Style, Executed With Power and Grace
• Bathukamma Dance. Dancing in Rhythmic Pattern

1. Traditional of Telangana | Skilled Artisans Creating Intricate Lacquerware

Telangana people actively observe some holidays, including Bathukamma and Bonalu, which feature bright floral arrangements and holy ceremonies. The area is renowned for its distinctive artistic expressions, such as Burrakatha storytelling and Perini dancing. Hyderabadi biryani and Mirchi ka Salan are only some of the spicy and savoury dishes that make up Telangana's cuisine. Traditional Telangana highlights diverse and vibrant culture.

2. Folk Dances | Graceful and Expressive Dance Performances

Telangana is renowned for its captivating folk dances of Telangana and rich cultural heritage. One such dance style is the Perini, performed by male dancers and distinguished by its quick movements. The Lambadi tribe performs the rhythmic and vibrant dance known as Lambadi, commonly called Banjara. A tribal dance called Dhimsa, complemented by traditional music, highlights the rich traditions of the tribal people. Telangana's cultural richness and aesthetic manifestations are reflected in these folk dances.

3. Telangana Festivals | Cultural and Traditional Festivals

During the floral festival of Bathukamma, women make lovely floral arrangements and give prayers. The festival of Bonalu, which honours the goddess Mahankali, has colourful processions and rituals. On June 2nd, Telangana Formation Day is observed to honour the establishment of the state. Diwali, Eid, and Christmas are other well-known holidays illustrating the region's religious and cultural diversity. These Telangana festivals unite people in joyful celebrations that promote harmony and unity.

4. Telangana Art and Crafts | Intricate and Vibrant Crafts

The area is renowned for its complex handloom weaving, which results in stunning textiles like Pochampally sarees and Gadwal silk. Another essential skill is the creation of Kondapalli toys using materials that are easily accessible locally. These artistic expressions showcase Telangana art and crafts and rich cultural history.

5. The Cuisine of Telangana | Spicy and Flavourful Food

Telangana cuisine is a delicious fusion of solid flavours and fragrant spices. It is renowned for its signature foods, such as Hyderabadi Biryani, a flavorful rice dish prepared with meat, saffron, and various spices. A well-liked side dish is mirchi ka Salan, a hot and tangy curry of green chillies, peanuts, and tamarind. Haleem, a hearty stew of meat and lentils, and Sarva Pindi, a savoury pancake made of rice flour, are two more classic dishes.

6. Pochampally Ikat | A Well- Known Handicraft From Telangana

The elaborate patterns and vivid colours of Pochampally Ikat, a traditional textile art style from Telangana, India, have made it famous. Before weaving on the loom, the threads are resist-dyed in this age-old weaving method, producing one-of-a-kind, captivating patterns. Pochampally Ikat is a prized piece of global cultural history that continues to enthral creators and lovers.

7. Kakatiya Kala Thoranam | A Well- Liked Tourist Destination

The Kakatiya Kala Thoranam, situated in Telangana, is a magnificent ancient gateway representing the Kakatiya dynasty's extensive architectural legacy. This magnificent building, embellished with elaborate carvings and themes, showcases the area's cultural and aesthetic quality and draws tourists and history buffs.

8. Medaram Jatara | One of the Biggest Tribal Celebrations in the World

In Telangana, India, a well-known tribal celebration called Medaram Jatara is celebrated once every two years to honour the goddess Sammakka Saralamma. One of the largest tribal gatherings in the world takes place at Medaram, where millions of devotees from all regions congregate to commemorate this grand occasion.

9. Telangana Rangoli | Rangoli Patterns in the Intricate and Vibrant Telangana Tradition

The captivating art form known as Telangana Rangoli features elaborate and vivid designs that are particular to the area's cultural heritage. Artists deftly produce these ornamental motifs during festivals and celebrations using rice flour or coloured powders. Telangana Rangoli is a prime example of the artistic skill and imagination firmly ingrained in the state's traditions.

10. Golconda Fort | A UNESCO World Heritage Site

A stunning historical wonder, Golconda Fort is located in Telangana and is a UNESCO World Heritage Site. This massive stronghold, close to Hyderabad, served as the Qutb Shahi dynasty's mediaeval capital. Numerous tourists are attracted to enjoy its fascinating history and the attractiveness of its magnificent architecture, exquisite palaces, and acoustic wonders, such as the famed Fateh Darwaza.

11. Salar Jung Museum | A Treasury of Artwork and Artefact

The Salar Jung Museum in Telangana, India, is a veritable gold mine of artwork and artefacts. It was founded in 1951 and now holds an outstanding collection of artwork, textiles, and relics from diverse cultures. It provides a fascinating look into the varied cultural heritage of India and beyond with its more than a million exhibits.

12. Kondapalli Toys | Toys Made of Brilliant and Vibrant Wood

Kondapalli Toys are famous for their brilliance and vivid colours and are made in Telangana, India. These hand-carved toys are made of softwood and feature a variety of figures and animals, exhibiting the extraordinary talents of regional craftspeople. These age-old toys have cultural importance and never cease mesmerising people with their allure and skill.

13. Telugu Language | The Official Language of Telangana

Most Telangana's citizens speak and love the state's official language, Telugu. The language is crucial in maintaining the region's cultural identity because it has a long literary history. Telugu script is employed in literature, the media, and everyday communication and is a fundamental aspect of Telangana tradition.

14. Perini Natyam | Telangana's Traditional Dance Style

A traditional dance style from Telangana, India, is called Perini Natyam. It was once performed by warrior men before combat and is known for its power and grace. This traditional dance has just been revived and has rhythmic footwork, expressive gestures, and a fascinating narrative while highlighting the area's artistic talent and cultural legacy.

15. Bathukamma Dance | A Rhythmic Dance Pattern

The Bathukamma festival is celebrated in Telangana, India, and features the vibrant and upbeat folk dance known as the Bathukamma Dance. To honour the goddess, Gauri, women make cone-shaped floral arrangements and dance in circles around them while singing traditional melodies. This energetic dance honours the nature, unity, and spirit of females.

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Frequently asked questions about the culture of telangana.

Q1. What are the major cultural festivals celebrated in Telangana? A1. The Indian state of Telangana has some significant cultural events that highlight its illustrious history and traditions. Bathukamma, a floral festival held during Navratri; Bonalu, a Hindu festival honouring the goddess Mahakali; and Sankranti, a harvest festival, are a few well-known celebrations. Milad-un-Nabi, Bonalu Jathara, and Sammakka Sarakka Jathara are other significant events to celebrate. These gatherings of people from all backgrounds give an insight into Telangana's rich cultural diversity and promote harmony and joy among the locals.

Q2. Can you provide an overview of the traditional dance forms of Telangana? A2. Telangana has a wide variety of traditional dance styles that showcase its multiculturalism. Popular dance styles include Kolatam, a group dance performed with sticks; Perini Sivatandavam, a furious dance representing Lord Shiva's cosmic dance; and Lambadi, performed by the Lambada community, which is distinguished by bright costumes and rhythmic motions.

Q3. Are there any unique art forms or handicrafts that represent Telangana's culture? A3. Telangana is renowned for its distinctive crafts and art forms reflecting its rich cultural past. The well-known Telangana painting is one example of this; it is famous for its vivid colours and meticulous detailing and frequently illustrates mythological and folk themes. Other prominent handicrafts include Pembarthi brassware, renowned for its elegant designs, and Bidriware, a metal craft distinguished by silver inlays on black metal. These ancient craftsmanship-based art forms and handicrafts are prized for their beauty and serve as a reminder of Telangana's cultural heritage.

Q4. How does Telugu literature contribute to the cultural heritage of Telangana? A4. Telangana's cultural legacy has been significantly shaped by Telugu literature. It promotes and preserves the area's unique stories, poetry, and historical accounts while showcasing its language and literary heritage. Telugu literature conveys and celebrates the region's rich cultural past and works as a storehouse for the region's cultural identity.

Q5. Can you tell me about the traditional attire and jewellery worn in Telangana? A5. Telangana's traditional clothing is a reflection of its rich cultural heritage. Women frequently wear Pochampally, Gadwal, and Dharmavaram sarees, which feature elaborate patterns and vivid hues. Usually, men choose the conventional dhoti and kurta. Telangana is renowned for its distinctive jewellery, including lac bangles, Guttapusala haram, jada billalu, and vaddanam, that gives beauty and appeal to traditional clothing. Guttapusala haram is a long necklace comprising pendants that resemble coins.

Q6. What are some famous music genres or instruments associated with Telangana's culture? A6. The diverse genres and instruments that comprise Telangana's rich musical legacy are included. "Golla Suddulu," which features the folk music and dancing of the shepherd community, is one well-known musical style. An example of narrative art is "Burrakatha," which blends dance, music, and narration. The region's musical traditions have been improved by using instruments such as the "Dappu," a percussion instrument, and the "Tella Poniki," a stringed instrument.

Q7. Are there any historical or architectural landmarks that signify Telangana's culture?| A7. Numerous historical and architectural sites in Telangana symbolise the state's vibrant culture. The well-known Charminar in Hyderabad, the Warangal Thousand-Pillar Temple, along with the forts at Golconda and Bhongir all serve as examples of the region's historical significance and architectural prowess, inspiring admiration in visitors for Telangana's rich cultural history.

Q8. How does Telangana's cuisine reflect its cultural diversity? A8. Telangana's cuisine features a delicious fusion of flavours and culinary techniques representing the state's cultural diversity. Telangana's cuisine is influenced by the geography and history of the area, and dishes like Hyderabadi Biryani, Mirchi ka Salan, Gongura Chutney, and Sarva Pindi, which combine Telugu, Mughlai, along with Deccani culinary traditions, provide a gastronomic tour of the region's rich culture.

Q9. Are there any specific rituals or customs observed in Telangana's cultural practices? A9. Rituals and customs that showcase the area's traditions are deeply ingrained in Telangana's cultural activities. "Bathukamma," a floral celebration where ladies arrange flower stacks and carry out dancing routines, is one such tradition. "Bonam," in which women serve a special feast to the goddess, is another prominent ceremony. The traditional rites "Gauri Puja," "Dhulikatta Bonalu," and "Samakka Sarakka Jatara" are a few others that are practised and show off Telangana's religious and cultural heritage.

Q10. How can tourists or visitors engage with and experience the cultural richness of Telangana? A10. Explore Telangana's historical sites, such as the Charminar and the Warangal Fort, attend traditional celebrations, like Bathukamma and Bonalu, visit art galleries and museums that feature the region's arts and crafts, sample the varied local cuisine, and take part in cultural events and performances that highlight the music, dance, and traditions of the area.

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Art forms of Telangana

Art forms of Telangana:-

There are more than 160 folk Art forms of Telangana or Telugu land. Telangana has larger number of art forms performed by traditional artist communities. Most of them have “Tyaagam” tradition, that is a right to get cash and kind from respective communities. Some classical Art forms of Telangana received the royal patronage and attained finesse. However, the art forms of the innumerable communities spread across the length and breadth of the Telangana its distinct identity. While the Kakatiya rule led to evolution of dance forms such as Perini Sivatandavam,  also known as ‘dance of warriors’, the commoners, faced with the challenges of daily life developed traditions of story-telling coupled with solutions to tide over them through Golla Suddulu, Oggu Kathalu and Gotralu etc. Several art forms like above mingled and new forms emerged. The ubiquitous ‘Dhoom Dham’ is one such evolved and composite art form.  They generally were about the struggle and exploitation. People adopted the old sensibilities of theatre and art changing the content as per the case and place. A variant of Yakshagana, Chindu Bhagavatham is performed widely across Telangana. It is a theater art form that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form. The word ‘Chindu’ in Telugu means ‘jump’. As their presentation is interspersed with leaps and jumps, it gained the name of Chindu Bhagavatam. Most of the stories narrated are from ‘Bhagavatam’. Qawali, Ghazals and Mushairas evolved under the patronage of Qutub Shahi and the Asafjahi rulers in and around the capital city of Hyderabad.

Until the encroachment of electronic media these narratives and arts were the only source of recreation and education for the village folks. Each community had its own sub-community to narrate the stories or genealogies of the dominant community or caste. The sub-caste storytellers visit villages and narrate their stories. These storytellers are spread across the Telangana mostly in Nizamabad, Medak, Karimnagar, Warangal, Khammam Nalgonda and Mahabubnagar districts. These stories tellers were dependent on the dominant communities for survival. Some of these important narrative communities are:

• Addamsingvallu
• Veedhi Bhagavatulu
• Budige Jangaalu
• Chinduvallu
• Dasarivallu
• Ganjikootivallu
• Gollasuddulavallu
• Kakipadigelavallu
• Koonapulivallu
• Maladasarulu
• Pichukakuntlu
• Pondavulavallu
• Sharadagallu

Apart from these, there are also the non-caste specific teams such as batukamma teams, burrakatha teams, kolatam teams, and yakshganam teams. Depending on their traditional training the performance patterns and methods of presentation vary a great deal.

Methods of presentation of Art forms of Telangana:-

• Short narratives (meant for a single presentation, e.g. Ellamma katha, Mallanna katha).
• Long narratives (presented over a period of 3 to 30 days, e.g. Katamaraju katha).
• Narratives presented by means of pictures (e.g. Kakipadigela stories, Pandavulavalla stories).
• Narratives presented through clay and wooden figures (e.g. Mandechula stories).
• Stories rendered by two lead narrators (e.g. Oggu).
• Four or more narrators donning various roles on the spot (e.g. yakshaganam).

7.Single narrator, usually to the accompaniment of one or two musical instruments (e.g. Budige Jangam)

• A group of actors performing at a street corner (e.g. veedhi bhagavatam).
• A group of singers making a presentation clapping or striking sticks against each other as they go round and round (e.g. batukamma, kolatam).

Current scenario:-

A quick examination of this oral literature gives an immense pride to the patrons and to the storytellers. But in the modern era, it has been seen as ‘primitive’ traditions. However, these stories emerge as a new area of knowledge in the twentieth century as embodying the entire panorama of traditional cultures, often carried through oral transmission, through performance and through material artifacts by the so-called ‘primitive people.’ But given the situation, due modernisation and globalisation oral literature and oral stories of these communities are disappearing. The oral stories are not alive because the listeners are dead. These storytellers are hardly seen in this modern era. However, Some thinker has a different story to tell. These oral traditions were neglected, side-lined and oppressed for the last six decades till 2000 because the rulers could not identify themselves with these rural art forms and appreciate the culture and sensibility of Telanganites. But during the Telangana movement and after emergence of the state, the greatest revival of these art forms have taken place. There was and is a cultural renaissance. Perini, Oggu Katha, Chindi Yakshagaanam, Hari Katha, Burra Katha, Sharda Kathalu have gained prominence again.

A compendium of tales, legends and stories:-

Some of the tales, legends and stories listed below are derived from the Ramayana, the Mahabharata and other all India epics and puranas but they are often characterized by a significant variation on the original stories. Some are pure extensions of the epic and puranic tales. According to an estimate there are also at least thirty caste-specific puranas in Telangana. The origin of these puranas and non-derivative narratives is difficult to trace but it may be conjectured that they originated in the prehistoric past and have been transmitted orally from generation to generation, mainly through the medium of the narrative communities. There are also legends describing the glory and valour of local heroes and village deities as do those of the presiding deities of certain temples where fairs are held annually. Chirutala, yaksha (yakshaganam), oggu, natakam, and Jangam (mentioned in parentheses against some of the following entries) denote the main narrative modes of those particular stories. The entries that have no parenthetical explanation may be understood to yield to a wide variety of presentation styles.

• Akkalabhairavi katha
• Anumula Brahmareddy katha
• Aremarateela charitra (yaksha)
• Balasanyasamma
• Balavati katha
• Batukamma katha
• Bayyabai katha
• Beerappa katha
• Challapuramma katha
• Dangneya (natakam)
• Desinguraju katha (Jangam)
• Dharmangada (yaksha)
• Edla Ramadasu charitra
• Ektang katha
• Ellamma katha
• Gavunada Bhallana charitra
• Gowramma katha
• Guruvunu Minchina Shishyudu
• Harabandiraju
• Jiyyarani katha
• Kalinga Maharaju katha
• Kambhojaraju katha (yaksha, Jangam)
• Kanakadurgamma
• Kanakatara (natakam)
• Kanthamati charitra (yaksha)
• Katamaraju katha
• Kollapuri Lakshmi
• Kondala Raya charitra (Jangam)
• Lakshmidevamma katha
• Madalasa Parinayamu (yaksha)
• Madanakamaraju katha
• Mallanna katha (yaksha, oggu)
• Mandata charitra (yaksha)
• Matapuranamu katha
• Maya Subhadra (yaksha, natakam)
• Mohini Rukmangada (chirutala)
• Mugguru Marateelu
• Myravana (chirutala, yaksha)
• Nagadi Kooturu
• Nalla Thangal katha (Jangam)
• Nallapochamma katha
• Patala Homam
• Peddadasu charitra
• Poleramma katha
• Pundmeeka charitra
• Radhabhai Kaloji katha
• Raja Nalaneela
• Rambha Rampala charitra (chirutala)
• Renuka Yuddam
• Rukmabhai charitra (yaksha)
• Sanyasamma katha (Jangam)
• Sookshmanarayana (natakam)
• Sri Lakshmamma katha (Jangam)
• Stree Sahasamu
• Veera Timmamma katha
• Vichitra Maharaju
• Virata Jangam katha (Jangam)

Patam katha:-

Patam means paintings. Patam katha are scroll narratives narrating stories of the Ramayana, the Mahabharata and the Puranas. Sometimes contemporary issues are also incorporated with mythological stories. There are around 12 forms of Patam katha.

Hari katha:-

Literally meaning the stories of Lord Vishnu, the art form composed of storytelling and poetry narrates the stories of Narayana and Puranic stories.

Oggu Katha:-

With its roots set way back in history, it is generally performed by the Kuruma and the Yadava communities of Telangana who moved from place to place, narrating the stories of their caste gods. They tell the stories of Renuka Yellamma, Beerappa, Mallana and other rural deities. The tradition is also supported with certain dance moves, patnam (floor paintings) and is culminated with certain fetes or vinyasams.

Burra katha:-

Unlike Harikatha that is a tradition of the elite and educated, Buraktha is common people’s art form. It is known by different name in different regions; in Telangana, it is known as tamboorakatha, tandana katha and saradakatha. Most of the stories are kind of tributary to the freedom fighters. Bura is a musical instrument, a primitive form of mrudangam. The narratives, mostly derived from Ramayan and Mahabharat are told using the instrument.

Gurram Vallu:-

Attached to the Malas and the narratives recite the gotras and genealogy of the Malas.

Chiruthala Ramayanam:-

They recite episodes of the Ramayana while playing Chirutha

Gaurajetty puranam:-

It is a community related oral tradition related to Gaura community

A large majority of these tales and legends are not available in recorded form—written, taped or filmed—and therefore the need to record, compile and preserve them before they are lost forever. Some research has certainly gone into this aspect of the Telangana culture as is evidenced by these scholarly works: Bigicharla Krishna Reddy’s Janapada Nrityakala, Nayani Krishnakumari’s Janapada Geya Gathalu: Nrusastra Vignanamu, G.V.S. Mohan’s Janapada Vignana Vyasavali, Mikkilineni Radhakrishna Murthy’s Teluguvari Janapada Kalaroopalu, Biruduraju Ramaraju’s Janapada Geya Sahityamu, and R.V.S. Sundaram’s Andhrula Janapada Vignanamu. Although these studies are significant as critical analyses of the folk art forms, they cannot be said to have done much by way of recording and rendering in Telugu or English the tales and legends as highly readable texts.  Therefore for the purpose of preserving these narrative arts the surviving members of the communities practising them should be located and their cooperation should be enlisted in recording the narratives on audio tapes and VCDs. After recording, these narratives should be transcribed and reduced to readable texts in Telugu and possibly even translated into English so as to give them an all India currency. Finally the materials so obtained should be carefully documented with detailed introduction to each of them and archived.

Architecture of Art forms of Telangana:-

Architecture in Telangana covers the monuments that were built in the later half of 10th Century to 12th Century. In this time, the Chalukyas and Kakatiyas rule the region which is now known as Telangana, the newly formed state in India with Hyderabad as its capital. During the rule of Kakatiya Dynasty and the Chalukyas of Badami, the art and architecture of Telangana reached at its height. In this time, some of the architectural monuments like Thousand Pillar Temple, Alampur Temples, Ramappa Temple and many other temples. The temples of Telangana and the forts like Warangal Fort and Bhongir Fort were built during the time of Nizams and Mughals. During the rule of Golconda Kings, the Golconda fort was made where one can see the excellence of artistic beauty of Mughal times.

Carved Pillar at Thousand Pillar Temple:-

Architecture in Telangana Temples of Alampur:-

There are a total of nine temples in Alampur. These temples are the example of rich architecture of Chalukya times. All of them are dedicated to Lord Shiva. These temples date back to the 7th century A.D. These temples were built by the Badami Chalukya rulers who were great patrons of art and architecture. Even after a time span of several hundred years, these grand temples still stand firm reflecting the rich architectural heritage of the country. The temples are symbolic features of the Northern and Western Indian styles of architecture. They do not reflect the Dravidian style of architecture as is generally common with the temples in this region. The shikharas of all these temples have a curvilinear form and are adorned with the miniature architectural devices. The plans and decoration similar to that of the rock cut temples. Alampur Navabhrama Temples are historically important and reflect remarkable architectural skills.

Warangal Fort:-

Warangal Fort appears to have existed since at least 13th century CE. This fort was built during the time of later half of Kakatiya rule. Warangal Fort was build during the time of Rudramadevi and Prataparudra. Warangal Fort had the gateways, square bastions and additional circular earthen walls prior to the death of Prataprudra n 1323.

Salar Jung Museum:-

Salar Jung Museum is the carrier of Indian art of Nizam rule. Salar Jung Museum is an art museum located at Darushifa, on the southern bank of the Musi River in the city of Hyderabad. The collection of the museum was sourced from the property of Salar Jung family. Salarjung Museum is the third largest museum in India housing the biggest one-man collections of antiques in the world.

Sculpture:-

Ramappa Temple:

It lies in a valley at Palampet village of Venkatapur Mandal, in erstwhile Mulug Taluq of Warangal district, a tiny village long past its days of glory in the 13th and 14th centuries. An inscription in the temple dates it to the year 1213 and said to have been built by a General Recherla Rudra, during the period of the Kakatiya ruler Ganapati Deva. This medieval temple is a Shivalaya (where Shiva is worshipped) and named after the sculptor Ramappa. It is the only temple in the world named after its sculptor/architect. Its presiding deity, Ramalingeswara, is the form of Shiva and a personal god of the Avatar of Vishnu, Rama. The history says that it took 40 years to build this temple. Planned and sculpted by Ramappa, the temple was built on the classical pattern of being lifted above the world on a high star-shaped platform. Intricate carvings line the walls and cover the pillars and ceilings. Starting at its base to its wall panels, pillars and ceiling are sculpted figures drawn from Hindu mythology.The roof (garbhalayam) of the temple is built with bricks, which are so light that they are able to float on water.

Telangana Talli:-

Telangana Talli is a symbolic mother goddess for the people of Telangana. It was adopted by the people of the regions in Telangana as a representation of the Goddess similar to Telugu Talli. The statue is distinct, with a bathukamma in one hand and corn in the other. Byroju Venkataramana Chary designed Telangana Talli statue. He was awarded by Chief Minister K Chandra Shekhar Rao on the eve of independence day in year 2015 for his dedication. He hails from Nirmal city of Adilabad district.

Telangana Martyrs Memorial:-

Telangana Martyrs Memorial also called as Gun Park is a monument built for 369 students who died during 1969 agitation for a separate Telangana state. Telangana Martyrs Memorial day would be observed on 2 June every year in all the districts of Telangana State.It is situated near the Public Gardens, Hyderabad. The monument, also called ‘Gun Park’ because of government use of guns against demonstrators, is symbolic for Telangana agitation, and a focus for political activity highlighting issues relating to the Telangana region. The monument was designed and built by Aekka Yadagiri Rao, a “nationally acclaimed sculptor,” and former JNTU Professor of Sculpture.

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Exploring the Vibrant Folk Dance of Telangana: A Cultural Journey

• Culture of Indian States
• Folk Dances

Table of contents

1. mathuri dance, 2. lambadi dance, 3. bonalu dance, 4. bathukamma dance, 5. koya dance, 6. perini (a semi-classical ) dance, 7. dappu dance, 8. gussadi dance.

Folk dances in Telangana are highly colorful and an integral part of the cultural heritage of the state, manifestation of people’s ways of life and value system. By their lively rhythm and colorful clothes Telangana’s folk dances transmit the region’s range of communities and their creative tapestry. These dances are not just performances of happiness, festivity, and tranquility in the entire community, rather they are a manifestation of all these principles. Cultural euphoria of Telangana is greatly fortified by the unique importance of each dance form which carries with it the intensity of the rhythm in Gussadi, the gracefulness in the dance steps of Perini Shivatandavam and the cheerful beats in the Lambadi dance. The history, importance and unique features of the Telangana folk dances will be discussed in the introduction of the article because the folk dances are a key element of the cultural identity of the state.

The Mathuri Dance is a classic Indigenous regional dance form originating from the state of Telangana, India. It is particularly performed by women and it has its unique graceful and rhythmical pieces. Mathiri Dance is a dance form which includes the celebration of festive occasions, weddings and other social events, depicting the cultural inclination of Telangana area. It is the tendency of dancers to put on varied traditional costumes as well as accessories that include jewelry making the dance more visually attractive.

A dance essentially articulates with its music played by the instruments like dappu (which is a kind of drum), and also singing. Mathuri Dance movement has intricacy and expression needs of storytelling and remarks on society. This folk dance is a cultural expression as well as a means of community bonding so that it shows the various rituals and beliefs of Telangana region. Through their festive dances, Mathuri Dance keeps preserving the cultural fabric of Telangana where people proudly showcase their ethnicity and customs.

The Lambadi Dance, which is popularly called the Banjara Dance as well, is a traditional dance form developed by the Lambadi or Banjara tribe that is abundant in the states of Telangana, Andhra Pradesh, Karnataka, and some regions of Maharashtra in India. Dancing is one of the unique activities for the Lambadi people, and it is always a part of their cultural heritage performed at the festive seasons and celebrations. Lambadi Dance is known for the energetic and rhythmic steps accompanied by joyful music and singing. Dancers, generally female, wear multicolor traditional costumes embroidered with mirror work, beads and similar embellishments symbolizing Indian heritage by Lambadis. The dance movements of Lambadi Dance are nimble and superbly stylized, usually related to daily life, natural surroundings or folklore tales. That is a mix of hard footwork, hand gestures and the swaying of a dance body. The sight looks surreal for the audience. Through a variety of traditional instruments, like the dholak (a drum), harmonium and a few times, the brass plates, the Lambadi dance music is played. Among the songs sung at the Lambadi dance, there are those that are in the Lambadi language and the theme that is expressed is love, music, and social bonding.

Theinging played by the Lambadi community is the tool of cultural display and maintenance. In it, they transfer from one generation to the other their traditions and stories. Via the exciting and rich tradition the Lambadi have always enjoyed, the kumbi folk dance continues to play the role of re-awakening the Dutch settlers of their rich identity and inheritance.

Bonalu is a Telugu folk dance adored in the Telangana part of India and being a most important part of Bonalu festival observed to commend and honor the Hindu goddess Mahakali. It is adored predominantly as an element of veneration and rejoice where it is performed predominantly by women. Women of Bonalu festival balance a pot of offerings decorated with almonds onhead their head, while they dance to the music in which traditional beats are rhythmic. The dance forms are exemplified by soft music moves, delicate hand movement designs and sways of the body causing a bewitching and happy environment. Bonalu dance sounds trippy with traditional music from the dappu drums coupled with cymbals and flute. The songs used during the dance were mostly to praise the gods and goddesses and pray for them to bless them with wealth and healthy family and themselves.

Folk dance is the iconic cultural expression of Mahakali puja as well as celebration during the occasion of Bonalu festival. It is the means of local people’s connectivity within the cultural values. With those vivaciously demonstrated rituals, the Bonalu Dance captures the legacy of the Telangana area next to the soul of its performers and onlookers.

Bathukamma is a traditional folk dance, especially prominent during the Bathukamma Festival, performed in the Telangana region from India. Rama Navami is one of the most auspicious and significant celebrations, observed during Navratri seasons. The deity of giver life and fertility is revered, called Goddess Gauri or Parvati. Women place colorful flower arrangements in a semi-circle called Bathukamma or on top of each other (Tupakamma) during the occasion. Such a series of flower piles is then being transferred to the center of a community and served with singing, dancing, and rituals. The circle of women, who perform the dance around the imperishable stack of Bathukamma , becomes the scene of the whole celebration. They sing the traditional Gauri hymns and do rhythmic dance movements which also have a traditional instrumentation. Clapping and music are the often accompanying elements. The dance embodies the good-looking and the fertility of nature, and the fact that the women have a great spirit.

Bathukamma Dance, a meaningful ceremony which represents togetherness and respect to Mother Nature, is the embodiment of community unison as well as the symbol of cultural traditions and worshiping Goddess Gauri. This dance form not only brightens up the cultural landscape of the festival with its colorful costumes but also spreads a joyous and jubilant atmosphere among the members who perform as well as for the people who are watching bringing the dance as an inherent art form of the culture of Bathukamma in Andhra Pradesh.

Koya Dance is an ancient folk dance art form, from the Koyas, a tribal community which is from Telangana, in South India. This dance is an integral element of the feast in the traditions of the Koya who perform this dance during the events, public ceremonies and social gatherings. Koya Style is defined by its fast and keen steps which are usually done to the music and the singing. It usually revolves around a specific pace that every dancer takes. People dressed in multi-colored garments with beads and ornaments embedded acting as a lovely sight in an aesthetic performance is not an irrelevant observation. The gestures of Koya dance are narrated stories based on plants, animals, rituals, and regular life of the tribe members. This entails a lot of pounding in the feet, emphatic hand waves and vivacious bodily moves which all have a great power to enrapture the spectator.

Koya dancer’s Music is performed by a traditional instrumental ensemble comprising drums, flutes, and strings which enhances the festive mood of the performance. Lyrics sung for traditional dance commonly reflect the pre-colonial past, folklore/legends, and cultural belonging. Koya Dance is one of the powerful expressive cultures that brings the community together and also is a way of preserving the cultural heritage of the Koya tribe. On account of its lively presentation, this folk dance has become a strong compass that provides a platform to the Koya people to express their local traditions and customs to the wider society in Telangana.

Perini dance is an indigenous folk dance in semi classic style that appeared between 10th and 14th centuries around the Kakatiya dynasty in present-day Telangana of India. Creative step dance was initially choreographed by the male dancers only for the purpose of worshiping the Hindu god Shiva, the dancer. The Kakatiyas dynasty was predominant in the tenth and eleventh century. It was in this period that the Pilani dance became very famous. Perini is the name of a vigorous warrior spirit embraced by life and death, which shows the complicatedness of a man and his profound determination to be a great warrior. The dance style is characterized with complex footwork, beats, body motions that are danced with great flair and elegance. On stage, dancers generally wear traditional form of clothing decorated with various ornaments, in their turn, contributing a visual aesthetic to the whole performance.

Perini dance music is the drum, cymbals, and flutes played which make a lively and exciting environment that can keep the attention of the participants. The always-gone songs are normally used to praise Lord Shiva and depict episodes from the Hindu mythology during this dance.

Recently, rehabilitation regarding Perini dance form was applied to save this diverse culture and history. The male dancer in Sipsi used to be the lone performer in this dance, but now women have also joined in on it, thereby expanding its scope and making it an irresistibly attractive form of semi-classical dance form of Telangana region.

Dappu dance, besides being a respected performing art form of the Telangana state of India, has also been a dance form, which has been known to be associated with a specific instrument known as Dappu (a type of drum). In this case, the dance is a feminine art form that is mostly practiced by men especially during festivities, ceremonies and social functions. Dappu dance, marked for its fast and rhythmic steps, beats of the Dappu is further added to it. Members of a dance usually walked in a circle or a line and moved in a closely grouped synchronous pattern that was blended with patterns from the martial arts and gymnastics.

The fundamental characteristic that sets Dappu dance apart is the rigorous and active movements of the dance, which are filled with details of footwork, hand gestures, and body movements. It is common in Indian classical dance forms to see the dancers wearing traditional attire like dhotis, turbans and not forgetting the colorful scarves and jewelry decorations that add to the overall catchy appearance of the performances.

Music for the Dappu Dance is ensured by the Dappu drum that is played with fantastic skill and scale by the dancers. The beat of the drums that is steady and fast paces the tension leading to audience participation and pleasure. The Dance of Dappu (Dappu

Dance) is not just an expressive outlet for and community heart-connection, but also a celebration of the unique culture of the Telangana province. The vital part played by this folk dance upkeep is a testimony to the continuation of culture, social cohesion and a sense of identity by the practitioners and spectators of the event.

The name of the dance is Gussadi. It is a traditional folk dance being performed in the region of Telangana India by the Lambadi community who are also known as the Banjaras community. It is a male-dominated dance and performed at different revelry events during festivals, marriage, and social occasions. It is Gussadi Dance that is famous for its vigorous and lively beats, accompanied by the sound created by traditional musical instruments such as dholak (type of drum), flute, and harmonium. Dancers usually create either a circle or line and do moves that correspond and are synchronized with each other. Acrobatic motions and leaps are often brought in as well.

In Gussadi Dance, the dance steps are very energetic and filled with high speed footwork, interesting hand gestures and loud dances . Dance performers frequently put on different bright native costumes with bells, beads, and embroidery that are rich and many-colored, being a part of the stunning performance. Music for the Gusadi Dance is created by live musicians with traditional instruments playing folk songs and tunes and this produces a merry and happy atmosphere. The organizing and syncing of the rhythmic beats as well as the melody will stimulate both participation and pleasure from the audience of the performance.

Basically, Gussadi Dance carries a cultural impact amongst the Lambadi or Banjara people as it depicts celebration and unity within the community. Folk dance serves as a living art form to portray age-old traditions, maintain social fabrics and glorify the cultural heritage of Telangana area through constant live presentations.

The folk dances of Telangana vivify the cultural background of the state, thus standing as lively performances of traditions, celebrations, and communal oneness. And from the elegant Mathuri Dance to the spirited Lambadi Dance each of them is reflecting their own stories, customs, and beliefs that are a part of Telangana’s long history. The dances, which are performed on different occasions, such as during festivals, weddings or social gatherings, remain the keys in conserving and propagating the diverse and rich cultural landscape of the region. Their colorful attire, percussive tones and mesmerising performances has been making people wonder and the state’s cultural past keeps thriving. These dances with lively gestures and merry movements not only entertain people but also inspire a sense of pride and belonging among Telangana, thus becoming a unique element that denotes the state’s cultural identity.

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Early and Medieval Telangana: Archaeological and Historical Perspectives

2019, Dept. of Heritage Telangana, Govt. of Telangana

This is an introduction to the edited volume titled 'Telangana through the ages: Perspectives from Early and Medieval Periods.

Related Papers

Dept. of Heritage Telangana, Govt. of Telangana

Shrikant Ganvir , Hemant Dalavi , Harshada Wirkud

This edited book titled 'Telangana Through Ages: Perspectives from Early and Medieval Periods' is the proceedings of the Second International Seminar organised by the Department of Heritage Telangana held at Hyderabad in January 2018 (Convener and General Editor: Smt. N. R. Visalatchy, I. Po.S., Director, Department of Heritage Telangana, Govt. of Telangana ). It comprises 18 articles throwing light on different aspects of archaeological investigations, art-historical traditions, coinage, inscriptions, medieval history and architecture, heritage studies, water management, etc.

swetha sri kankati

Telangana, as a geographical and political entity was born on June 2, 2014 as the 29th and the youngest state in Union of India. However, as an economic, social, cultural and historical entity it has a glorious history of at least two thousand five hundred years or more. Megalithic stone structures like cairns, cists, dolmens and menhirs found in several districts of Telangana show that there were human habitations in this part of the country thousands of years ago. Remnants of iron ore smelting found at many places demonstrate the hoary roots of artisanship and tool making in Telangana for at least two thousand years. The reference to Asmaka Janapada, part of present Telangana, as one of the 16 Janapadas in ancient India proves that there existed an advanced stage of society. One of the first five disciples of the Buddha, Kondanna is a typical name from Telangana and though there is no exact information about his native place, the earliest known Buddhist township of Kondapur in Medak district is believed to be after him. The Buddha himself famously acknowledged that it was Kondanna who understood him properly. The Buddhist sources say that Bavari, a Brahmin from Badanakurti in Karimnagar sent his disciples to all the way to north India to learn Buddhism and spread the message in this region. Megasthenes, who visited India in the 4th century BCE, wrote that there were 30 fortified towns of Andhras and a majority of them were in Telangana. In the historical age, Telangana had given rise to mighty empires and kingdoms like the Satavahanas, Vakatakas, Ikshvakus, Vishnukundins, Chalukyas, Kakatiyas, Qutb Shahis and Asif Jahis. The emergence and flourishing of these powerful political formations is in itself a proof of existence of a sturdy economic, social and cultural structure. Thus Telangana has been a vibrant social entity by the time of the Buddha and continued to be so for the next two and a half millennia. Endowed with such rich cultural heritage, despite the attempts by historians and scholars from Andhra region to obfuscate and erase its history, Telangana always retained and fought for its self respect and self rule. Due to the official efforts to ignore, erase, belittle and look down Telangana history and turn it into an appendage or a footnote, particularly during 1956-2014, much of Telangana history is either not properly researched or not recorded even if it was studied. Telangana rose again and secured its political identity now and is in the process of resurrecting its own glorious past. Here is an attempt to reconstruct the history of Telangana, the wonderful musical instrument with a thousand strings. Prehistory (Up to 1000 BCE) Even though extensive exploration has not been done, particularly subjected to neglect after 1956, the archaeological department under the Nizams' government had done tremendous work in discovering the traces of pre-historical human habitations in Telangana. These studies found that human habitations in parts of Telangana can be seen from the Paleolithic age consistently. Either the same locations or extended locations showed people continued to live and develop through the later stages of Mesolithic, Neolithic and Metal ages. Excavations discovered stone tools, microliths, cists, dolmens, cairns and menhirs. All the ten districts of Telangana showed these traces even when a proper, scientific and official research and excavations have not been done and thanks to the efforts of either the first generation researchers before 1950s or individual amateur explorations.

Epigraphica Telanganica

Gautam Pingle

The problem with the history of Telangana (as it is to an extent with that of India generally) is that the earlier the period under review the scarcer are the basic documents and sources. This has to do with the destruction of records in the turbulent periods due to invasion and conquest. Successive rulers may not have had the same interest or allocated funds to preserve the sources of history of their predecessors in power. It is largely under British rule in India that the indigenous sources – Hindu, Jain, Buddhist and Muslim – were systematically sought out and published. The British interest stemmed from their desire to learn about the country and people that they happened to rule. In the case of Telangana, official sources of its history emerge with Mughal invasion and conquest. For the earlier periods, we have to rely on accounts by travellers and oral stories of the rulers and conditions in the land. Considerable evidence is also available from the epigraphs - both in stone and copper - that were spread across the region. However, the availability of epigraphical evidence is scattered in various publications of the central and state agencies. The purpose of this set of volumes is to bring together all the published sources of epigraphs concerning Telangana so as to enable scholars to access them easily.

Journal of Humanities,Music and Dance

Raju Balgoori

It is now an increasingly recognized fact that in early India, the pace of historical change varied from region to region, and even the process of change was not quite identical everywhere. To a large extent this divergence is explained by the obvious influence exerted by the ecology of each region on its socio-economic pattern in the ancient period. Peddapalli and Jagitial districts located in the northern region of the Indian state of Telangana. These districts lie to the south of mighty river Godavari. By virtue of its proximity to the river Godavari, These districts has been the cradle of culture and civilization through centuries dating back to the early phases of the dawn of history. . The recent archaeological operations at Dhulikatta and Peddabankur in Peddapalli district, and Kotilingala in Jagitial district have thrown ample light on the history of the Satavahanas in these districts. The present paper deals with the early historical culture, early historical religious arch...

kavya shivaling

karen leonard

Chandramouli Navuluri

Dr. MCR HRD IT, Govt of Telangana

Gajjala Vasanta Lakshmi

However, the availability of epigraphical evidence is scattered in various publications of the central and state agencies. The purpose of this set of volumes is to bring together all the published sources of epigraphs concerning Telangana so as to enable scholars to access them easily.

The Journal of Asian Studies

Christian Haskett

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All The Rage? We Need To Make Room Again For Anger In Art

For a long time, contemporary art was the rage room of a conformist society. now, it is filled with educational purposes. where have all the angry artists gone.

Fallen Angel painting by Alexandre Cabanel

HAMBURG — They have angry stomachs, and angrier arms, angry wrists, angry fingertips.

And when the artists are in their studios , alone with themselves and their rumbling frenzy, they don't paint, but beat, throw, and whip their red onto the canvas, splash a squeaking green, or large amounts of black — every brushstroke, as you’d expect, is filled with anger.

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It is the cliché of the modern artist : bad-tempered, edgy and highly snappish, because in the end, had they been calm, relaxed, optimistic, they would have become dental technicians or yoga instructors with neatly trimmed beards.

But that is not the case: the artist wants to lose his temper, explore their anger, unleashed and uncontrolled. Art is a mess , and it has to be heartfelt, disturbing for the public, disturbing for the artists themselves.

Seems a little outdated, right? It’s a cliché, as I said. But there is some truth in it.

'Set fire to the libraries!'

With no anger , with no rage towards a life that feels alienating and urgently needs to be changed, modern art would never have come into being. This anger had a beautiful element to it: it was productive, in its own way.

At the beginning of the 20th century, painters, architects, musicians, theater people and writers were already joining forces to clear the path from everything that smelled like tradition — all in the name of a bright, glowing future. In 1909, the "Futurist Manifesto" was published on the front page of the Figaro , a tirade that no editor-in-chief would print today — filled with hatred, stirring unrest. They demanded the destruction of all existing morals. "Set fire to the libraries!" they urged readers. "Take pickaxes and hammers! Undermine the foundations of the venerable cities!" No more reflection and beauty : "Art needs violence, cruelty."

Fragmented texts, crazy screaming, lots of nakedness.

Since then, countless artists have been enthusiastic about futurism, especially the Surrealists and Dadaists. Happenings, action art and pop art — all artistic movements that strived to break boundaries and tried to shock and scandalize the public — are somehow derivatives of the angry bourgeoisie that wrote the futurist manifesto. On the theater stage: fragmented texts, crazy screaming, lots of nakedness. In rock and punk : torn harmonies and perforated eardrums, smashed guitars, televisions flying out of windows. In fashion: ripped, worn fabrics, unbridled joy in ugliness. And anger, lots of refreshing anger.

Still Life with Stone and Car by Jimmie Durham on Hickson Road at The Rocks in Sydney, Australia

Bidgee/Wikipedia Commons

Museums neutralize the artists’ work

Violence was also considered acceptable or even necessary, at the time. The poet André Breton thought it was a fine thing to "go out into the street with revolvers in your fists and blindly shoot as many people as you can." Maybe this is why the avant-gardists' had a raging success: they practiced an uninhibitedness forbidden to anybody else.

They gave free rein to their evil feelings — and in doing so they provided the bourgeois, civilized society with perfect scapegoats to get mad at: outraged by all that blood, the excrement and especially by the artists' emotional insides. That was their role in society, the goal these angry artists were trying to achieve — to make the public boil with anger. Often, without resorting to violence. Think about the work of French-American sculptor Niki de Saint Phalle's practice: "Tirs", a series of shooting paintings, but peaceful and without serious consequences.

On one hand, it is nice that anti-art is now part of the canon. On the other hand, it is terrible.

Art was their way of venting social urges and anger. And the more hatred it received, the more it meant it was loved.

Today's museums are full of testimonies of absurd behavior, of provocation and arrogance. And it is not always easy for artists to see their once boiling emotions become well preserved, sterile exhibitions on white walls. On one hand, it is nice that their anti-art is now part of the canon. On the other hand, it is terrible because anger is now considered aesthetically valuable.

Museum institutions neutralize the artists’ work, turning toxic feelings into pleasure. And over the years, this has changed the role artists have in our societies.

Avant-garde or populist?

Today artists are no longer the unloved, mocked and misunderstood creatures they once were; instead, they are admired by many and looked up to as role models. Something has shifted in our social values: discipline and punctuality are no longer considered the main virtues of the working world; flexibility and, above all, creative thinking have now gained a lot of importance. The sociologists Luc Boltanski and Ève Chiapello call it the "new spirit of capitalism", a sort of creative mentality that sees market value in everything that is different and disruptive.

The artists' creativity has shaped our society in a very profound way and it has even become an ideal to aspire to. But what’s frequently overlooked is the way the artists’ edginess and anger have shaped society. I’m referring to a certain pride in being incoherent and always playing devil’s advocate: I rage, therefore I am.

Just as modern artists channeled their intense emotions in a free, outrageous manner, much of 21st-century society — particularly populist politicians , both on the left and right — are now doing the same.

The self-righteous anger, the arrogance — strikingly similar to today's anti-establishment parties.

Everything is someone else's fault, and it is crucial to always be dissatisfied with how things are going. This approach — which to us in Germany might sound like the platform of the AfD far-right party — comes directly from the avant-garde playbook. Politically, avant-garde artists were often on the left side of the political spectrum, but their emotional strategies — the self-righteous anger, the arrogance and the constant readiness to express outrage — are strikingly similar to today's anti-establishment parties.

A drawing depicting anger that was part of a study by Charles Le Brun called " A method to learn to design the passions".

Charles Le Brun/Wikipedia Commons

A second chance

Perhaps that is also the reason why art seems to be moving away from anger. The urge to always be unpredictable seems to be gone for good; today the art scene is focusing on remixing, remaking and recycling . And the old antagonistic approach artists used to have is also gone: being socially and ethically productive, working within a community, mindfulness and peace are all the rage now.

Even Marina Abramović is now preaching kindness

Marina Abramović, once so furious and radical, an artist who tore out her hair or had her stomach slit open for her art, who screamed so loudly that she almost collapsed, put her anger aside and is now preaching kindness. Counting grains of rice, walking slowly, meditation is her new art. Gone is the shouting — hours of silence have replaced them.

For a long time, art was the rage room of a conformist society. It was where people let off steam that couldn't find an outlet elsewhere. Now, it is becoming a safe space filled with educational purposes, and that’s because the world out there is undeniably filled with rage to the very brim.

And the artists? They seem to have lost their privilege to be furious: populists have taken their jobs and they are the ones in charge of scandal and madness now.

The question is: should artists reappropriate rage and give anger a second chance? Maybe it’s still what our societies need. Then, the museum would once again become a place of dispute and feud, hosting debates that disturb our false peace. Maybe, this way the rage that fills our societies could find a way to be channeled into art.

• Seeing Warhol In Tehran? The Saga Of Iran's Modern Art Museum ›
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World Tour Of Weird Livecams, From Namibian Zebras To A Florida Bubble Garden

Need a break from the hustle and bustle or the doom and gloom from zebras in their natural habitat to remotely blowing bubbles in a florida garden, there’s bound to be something for you in the thousands of livestreams available on earth — and even in orbit..

Livecam at Gondwana Namib Park, Namibia.

Updated September 21, 2024 at 4:10 p.m.*

Behold the internet's ultimate time suck: the livestream.

✉️ You can receive our Bon Vivant selection of fresh reads on international culture, food & travel directly in your inbox. Subscribe here .

In a world often filled with dreary news and unsettling events, the vast array of around-the-clock livestreams offers a welcome escape any time of the day or night. And worry not: if you've grown suspicious of online entertainment in these deepfake times, these livestreams are all certified 100% AI-free !

So whether it's watching zebras gallop in South Africa or witnessing terrible driving in Salem, Massachusetts, here is a round-up of some of the best — and most random — real-time feeds from around the globe.

Stop sign cam

WHERE : Salem, Massachusetts, USA

WHAT : A Twitch channel devoted to one camera hanging at a street intersection in Salem, Massachusetts, where viewers watch cars as they approach a stop sign. What makes the livestream enthralling to viewers is the astounding number of vehicles that roll right on down the street, blatantly disrespecting driving etiquette.

GIVE ME A LINK, ALREADY! OK, here goes

POTENTIAL SIDE EFFECTS : Road rage, an unexpected predilection for rules and order.

IF YOU LIKED THIS, YOU MAY ALSO LIKE : Las Vegas Cams , another outlet for watching people make scandalous decisions as the livestream includes a view of the famous Viva Las Vegas Wedding Chapel.

Zebras up close and personal

WHERE : Gondwana Namib Park, Namibia.

WHAT : A camera located at a waterhole where the local fauna, from zebras to ostriches, refresh themselves.

POTENTIAL SIDE EFFECTS : The feeling your household pets are slightly subpar.

IF YOU LIKED THIS, YOU MAY ALSO LIKE : The Brooks Falls Brown Bears webcam that records these Alaskan beasts in their native habitat.

Edit: T his part originally featured the Naledi Dam Webcam , which is, sadly, no longer live streamed.

Bubbles, everywhere!

WHERE : Florida, USA

WHAT : A whimsical couple have installed a backyard bubble machine that is not only hooked up to a livecam, but can be turned on by viewers with the click of a button.

POTENTIAL SIDE EFFECTS : Giddiness, an exaggerated sense of control.

IF YOU LIKED THIS, YOU MAY ALSO LIKE : The Watching Grass Grow Live Webcam , which provides more garden and demands less interaction.

The Pitch Drop Experiment

WHERE : Queensland, Australia

WHAT : The University of Queensland's school of physics and mathematics holds the Guinness World Record for longest running experiment: the Pitch Drop experiment, started in 1927 by a professor seeking to prove that pitch, a derivative of tar, can act as a fluid at room temperature. Only six drops have fallen from his pitch funnel in 86 years — all while no one was watching. This livecam aims to change those odds.

POTENTIAL SIDE EFFECTS : Excruciating impatience.

IF YOU LIKED THIS, YOU MAY ALSO LIKE : Bulbcam , where you can watch a lightbulb that's been glowing for 120 years. Brilliant.

Serenity at a Thai Yacht Club

WHERE : Koh Samui, Thailand

WHAT : A camera sitting on the small, serene private beach of the Crystal Bay Yacht Club. The soft white sands, mesmerizing ocean ripples and palm trees gently swaying in the light breeze make for some hypnotic viewing.

POTENTIAL SIDE EFFECTS : An overwhelming sense of tranquility. Or aggressive wanderlust.

IF YOU LIKED THIS, YOU MAY ALSO LIKE : The famous Copacabana beach in Rio De Janeiro, where the city, mountains and water meet.

Cold but cool

WHERE : Norway

WHERE: Skarsvåg, North Cape

WHAT : According to the channel, Skarsvåg is the northernmost fishing village in the world. The camera pans across the town, from evening scenes of the tranquil harbor to daytime panoramic views of where the mountains meet the sea.

POTENTIAL SIDE EFFECTS : An urge to slip into some fishing boots and book a flight to Norway.

IF YOU LIKED THIS, YOU MAY ALSO LIKE : The livestream of the main street in downtown Telluride , a quaint historic town in Colorado.

Out of this world

WHERE : Outer space

WHAT : Real-time footage of brave astronauts floating about their daily lives at the International Space Station.

POTENTIAL SIDE EFFECTS : The sudden realization that you are but a finite speck in a vast and senseless universe, and that astrophysics is much more fun in practice.

IF YOU LIKED THIS, YOU MAY ALSO LIKE : The Northern Lights Webcam , which monitors the aurora borealis live from Churchill, Canada .

*Originally Dec. 5, 2021, this article was updated Sept. 20 18, 2024 with updated links and reworked introduction.

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VO2 Max: The Best New Way To Measure Fitness — And Predict Life Expectancy

Perfect storm for lebanon war: hezbollah disarray, netanyahu's total victory delusions, le weekend: trump & harris deepfake karaoke, warhol in dubai, toronto cat tour, how china is bringing its tech billionaires back into the communist party fold.