Zankoku na Tenshi no These
" Zankoku na Tenshi no These " (残酷な天使のテーゼ, Zankoku na Tenshi no Tēze ? , " A Cruel Angel's Thesis ") is the theme song of the popular anime TV series Neon Genesis Evangelion performed by Yoko Takahashi . It is used as the opening to the series, and two instrumental versions of it are played in the final episode, " Take care of yourself. " These are "The Heady Feeling of Freedom" and "Good, or Don't Be", scored for violin, piano, and guitar. "The Heady Feeling of Freedom" is a somber and reflective piece for bowed strings and guitar, while "Good, or Don't Be" is played to a light piano and guitar tone. A similar version can also be heard during the intermission between the two parts of Evangelion: Death and Rebirth .
The single was released on 25 October 1995 within the "Zankoku na Tenshi no These" (Single) with the catalog number KIDA-116 and it also reached a peak at rank 17 in the Oricon album database, appearing in the ranks 61 times.
Unlike what is commonly assumed, this song was written without any involvement from the series' creators. [1] Anno originally wanted to use an excerpt from Borodin's Polovtsian Dances in the opening, but the producers did not approve of this and instead decided to use a J-Pop song, which eventually resulted in the creation of "A Cruel Angel's Thesis". The lyricist, Neko Oikama, had next to no knowledge of the series. Oikama simply skimmed through a proposal of it (possibly Neon Genesis Evangelion Proposal ) and watched unfinished versions of two episodes on fast forward, only serving to broadly "fit" the anime after the fact. [2] [3] [4] Oikama took inspiration for the title from the manga A Cruel God Reigns . [5] She said the lyrics "become a legend" were originally "become a weapon". She was orientated that the series was "difficult and philosphical". Oikama described it as: "older women", "mothers" and "14-year-old boys and girls", and decided to make it about the perspective of a mother when her child "leaves the nest". [6] The original song included a male chorus, which was cut at director Hideaki Anno 's request in order to "emphasize maternal affection". [7] The writing process for Episode:01 took as long as six months, [8] and the opening sequence was not yet finished. [9] [10] Singer Yoko Takahashi was also brought in relatively haphazardly and had no knowledge of the series either, and would only see the opening featuring her voice when it aired on TV. [11] She had also first met Anno on the day of recording. [12]
- 1.1 TV Size
- 1.2 Full Size
- 4 External Links
- 5 References
TV Size [ ]
Full size [ ].
[13]
- During the instrumental break in the middle of the song, a chorus can be heard singing. The lyrics to the chorus are not in Japanese, nor in any other recognizable language. According to the January 1996 issue of Newtype magazine, the lyrics can be phonetically transliterated into Japanese as 「ファリィア。セタ(or セパ)メッソ。ファリィア。トゥスェ」 "Fariya. Seta (or sepa) messo. Fariya. Tuse" , and they are supposedly written in an untranslated language passed down from ancient times. One could entertain the possibility that they are written in the same language as that of the Dead Sea Scrolls . [14]
- American rapper Kanye West WP sampled this song in his unreleased song "Evangelica". Fellow rapper Albe Back later released the song on 13 October 2022. [15]
See Also [ ]
- " Zankoku na Tenshi no These 2009 VERSION "
- " Zankoku na Tenshi no These MATSURI SPIRIT "
External Links [ ]
- 「残酷な天使のテーゼ」MUSIC VIDEO(HDver.)/Zankoku na Tenshi no Te-ze“The Cruel Angel's Thesis” at King Records' YouTube channel
References [ ]
- ↑ "Producer Ootsuki said he allowed Anno to do whatever he wanted in the anime except for the theme music. Ootsuki was particular about the theme and handled the music staff by himself. No anime staff, even Anno, met the music staff, he said." - Yuko Miyamura, BS AnimeYAWA
- ↑ “My manager got the job, we had a quick meeting lasting about 30 minutes, skim-read the proposal and watched two episodes on fast-forward. And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours. Sorry to burst your bubble, guys!” https://soranews24.com/2015/01/08/a-cruel-angels-thesis-took-just-two-hours-to-write-says-evangelion-lyricist-neko-oikawa
- ↑ "I hadn't watch Eva and wrote it in 2 hours. I don't even know what the story is or who is fighting who." https://twitter.com/otakucalendarjp/status/1356542049751687171
- ↑ She also professed that she did not know much about Neon Genesis Evangelion when she first wrote the song, and she still has not watched the series. "It's a finished job, so [I'm] not really [interested]," she said. When she wrote the song, the anime had not been finished yet and she only had the proposal and the first two or three minutes to go by. "It wasn't even colored. I wrote the song, and my job was done. I wrote it in about two hours." - https://www.animenewsnetwork.com/interest/2021-02-03/lyricist-neko-oikawa-shares-how-she-was-scammed-out-of-her-evangelion-royalty-money/.169084
- ↑ https://web.archive.org/web/20160830224921/http://news.livedoor.com/article/detail/11939169
- ↑ https://www.sankei.com/west/news/161228/wst1612280011-n1.html
- ↑ Refrain of Evangelion OST Booklet , 2003
- ↑ 2nd JUNE interview
- ↑ Notenki Memoirs
- ↑ According to Hidenori Matsubara during the Animazement 2015 convention, "the song was created before they even got done with animation for the opening theme. Strangely enough, the song managed to go along with the opening animation."
- ↑ Yoko Takahashi Performs Neon Genesis Evangelion Theme, “A Cruel Angel’s Thesis,” to Excited Crowd at Anime Expo 2015 in LA
- ↑ —When was your first meeting with Mr. Anno? "It was on the day of recording. As I said earlier, when I entered the studio before anyone else to get ready, even while I couldn't afford, a man dressed in black and wearing sandals suddenly appeared. I didn't know who it was, but I just said hi, and he was actually Mr. Anno (Hideaki). It was a shocking encounter (laughs)." - Yoko Takahashi: EVANGELION FINALLY (2020)
- ↑ https://www.animelyrics.com/anime/eva/ngetnshi.jis
- ↑ http://www.mars.dti.ne.jp/~yato/eva/ura.htm
- ↑ https://genius.com/Al-be-back-evangelica-lyrics
- 2 Kaworu Nagisa
- 3 Rei Ayanami
Entertainment Anime & Manga Music
5 Things You May Not Know About Evangelion’s ‘A Cruel Angel’s Thesis’
Impress your friends at your next karaoke session with these little-known facts about the iconic anime song
August 2, 2024
“A Cruel Angel’s Thesis” might just be the most popular anime song of all time. In both Japanese and Western surveys, the opening theme from Hideaki Anno’s Neon Genesis Evangelion performed by Yoko Takahashi is often ranked at the very top by anime fans and karaoke goers. Even people who aren’t really into Japanese animated shows may have picked up the song’s famous opening lyrics, Zankoku na tenshi no you ni … (“Like a cruel angel …”) through pop culture osmosis. Yet for all of the song’s popularity, there are still some things about it that you may not know, like how …
1. Yoko Takahashi Still Practices the Song Daily
Neon Genesis Evangelion premiered nearly 30 years ago in 1995. People can change a lot in that time, especially singers. Their voices may not be what they used to be or they may not have the same range or lung capacity, but it’s OK because nobody expects them to sing exactly like they did three decades ago.
Except for Yoko Takahashi. She expects herself to perform “A Cruel Angel’s Thesis” during live performances just like she did in 1995 to transport the fans back in time to when they first encountered the show that most likely got them into anime. It’s why in past interviews, the singer has admitted to still practicing the song for up to two hours a day, focusing especially on the a cappella intro, which she finds particularly challenging.
2. The Song’s Title Was Inspired by an Incredibly Dark Manga
In interviews, the song’s lyricist, Neko Oikawa, claimed that the title “A Cruel Angel’s Thesis” was a nod to the comic book A Cruel God Reigns ( Zankoku na Kami ga Shihai Suru ). Created in 1992 by Moto Hagio, the manga is set in the US and tells the story of 15-year-old Jeremy who tries to murder his sexually abusive stepfather but ends up killing both his stepfather and his own mother.
The guilt eventually drives Jeremy into using drugs, which he affords by prostituting himself. Thankfully, none of that made its way into the final song, which, according to Oikawa, was inspired by the concept of “motherhood.”
3. Hideaki Anno Originally Wanted To Use Music From a Russian Opera for the Opening
There is a lot of symbolic imagery in Neon Genesis Evangelion, which fans of the show have analyzed again and again over the years. Hideaki Anno probably should have told them sooner not to waste their time. A lot of the visuals and plot points in Evangelion are, apparently, there simply because they seemed cool to him . Though in later interviews , Anno talked about finally embracing the complexities that fans saw in his creation, his approach to the original anime series was, basically, “No plans; just vibes.”
That’s possibly why, before contracting out the opening theme, he wanted to use something different and experimental to start off the show. His first choice was “Polovtsian Dances” from Act 2 of Alexander Borodin’s opera Prince Igor , the same song that opened the 2014 Winter Olympics in Sochi. The idea was ultimately shot down by the studio.
4. The Lyrics Were Slapped Together at the Last Minute
Neko Oikawa wasn’t closely involved with the making of Neon Genesis Evangelion. Her entire introduction to the project was a 30-minute meeting (without the music director, Hidetoshi Sato) and a screening of the first two episodes of the anime on fast-forward. After that, she was told to basically write whatever she wanted, as long as it felt “philosophical.” The writer admits it took her about two hours to complete the assignment.
5. There Are a Few Tricks to Singing the Song Perfectly
Yoko Takahashi was asked to sing the opening’s a cappella intro “in a child’s voice” or “like a teenager” (despite being 30 at the time). This, combined with some of Neko Oikawa’s difficult lyrics and the song’s tempo, provided a challenge to Takahashi, which she has learned to overcome over the decades. She then took all that she’s learned and put it into a 2021 instruction book of vocal exercises specifically for singing “A Cruel Angel’s Thesis” and “Soul’s Refrain” — the theme from Evangelion: Death and Rebirth — perfectly. She recommends that fans of the song first “practice at a slow tempo … Just slow down at first and pay attention to the melody of the a cappella.”
However, the most important piece of advice that Takahashi has for fans is to not get discouraged. The singer herself reportedly still feels nervous when performing the intro to Evangelion because it really is a difficult song. But, as she says , the sense of accomplishment you get when you get through the whole thing is more than worth the effort.
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A Cruel Angel's Thesis
A Cruel Angel's Thesis is the opening theme song for the series Neon Genesis Evangelion , composed by Hidetoshi Sato and sung by Yoko Takahashi . The lyrics are by Neko Oikawa while the arrangement is by Toshiyuki Omori. The song also has the distinction of taking first place in the JASRAC Awards. [1]
This song was written with relatively limited involvement from Hideaki Anno and the production staff, being handled by producer Toshimichi Otsuki . [2] Anno originally wanted to use an excerpt from Borodin's Polovtsian Dances in the opening, but the producers did not approve of this and instead decided to use a J-Pop song, which eventually resulted in the creation of this song by Neko Oikawa.
Oikawa apparently had very little knowledge of the show, which was under production at the time with the episodes not having been colored. According to tweets and interviews, Oikawa went through a proposal of the show (possibly Neon Genesis Evangelion Proposal ) and watched two unfinished episodes on fast-forward, only serving to broadly "fit" the anime after the fact [3] [4] The writing process for Episode 01 took as long as six months, [5] and the opening sequence was not yet finished. [6] [7] The original song included a male chorus, which was cut at director Hideaki Anno's request in order to "emphasize maternal affection". [8]
Oikawa states that she took inspiration for the title from the manga A Cruel God Reigns . [9] Among other statements, Oikawa said the lyrics "become a legend" were originally "become a weapon" and that she decided to make the song about the perspective of a mother when her child "leaves the nest." [10] Singer Yoko Takahashi was also brought in relatively haphazardly and had no knowledge of the series, and would only see the opening featuring her voice when it aired on TV. [11] She had also first met Anno on the day of recording. [12]
Original Japanese Lyrics: Neko Oikawa
Translation Notes
1 This was translated by Takayama Miyuki and these are the translator's notes:
- young boy, become the legend! : The word "shinwa" actually means "myth" ("legend" would be "densetsu"), but I think it sounds better as "legend."
- with surging, hot pathos : "Atsui" (hot) can also mean "intense, passionate." "Pathos" is "the quality or power in life or art of evoking a feeling of pity or compassion; pity; suffering; sorrow."
- Embracing this sky [universe] and shining : "Sora" (sky) is the reading given for the kanji for "uchuu" (universe).
- has any meaning : The kanji used for the "a" in "aeta" is not the normal kanji used in "au" (to meet). It's the first kanji in "ouse" (encounter, tryst) and has more of a connotation of meeting by fate or being brought together by fate, not just meeting. (Interestingly, a dictionary I have gives the meaning of "au," when written with this kanji, as "to meet (with drama or pathos)")
- for learning freedom : The "watashi wa sou" is probably "watashi wa sou omou." And "bible" in this case isn't referring to *the* Bible. "Bible" can also mean "guide book, how-to book, a book valued for its use as a reference," like in "a handyman's bible," or "a bird-watcher's bible."
2 This is the translation found on the U.S. release of Evangelion by ADV.
3 The instrumental section contains chanted non-Japanese lyrics in Yoko Takahashi 's version and a few others, while other versions of the song have a purely instrumental section. The January 1996 issue of Newtype magazine transcribed Takahashi's lyrics in this section as "Fariya. Seta(or sepa) messo. Fariya. Tuse." which they speculate is from the fictional language of the Dead Sea Scrolls. Alternatively, an EvaGeeks forum discussion suggests that the lyrics may be "Faria? Será mesmo? Faria? Eu sei!" which is in the Portuguese language. Since the word "Faria" is usually used in a similar way as the English word "would", those lines could be interpreted as someone doubting something or someone else. There has never been any official information on the actual lyrics or their meaning, if any.
- ↑ http://www.animenewsnetwork.com/news/2011-05-25/songs-from-evangelion-other-anime-win-jasrac-awards
- ↑ From the animania blog report on the March 28, 2005 NHK Anime Yawa talk show (translation by animania) - Otsuki said he allowed Anno to do whatever he wanted in the anime except for the theme music. Otsuki was particular about the theme and handled the music staff by himself, going as far as to claim that no anime staff, even Anno, met the music staff (apparently contradicted by Oikawa's statements). - Yuko Miyamura, BS AnimeYAWA
- ↑ “My manager got the job, we had a quick meeting lasting about 30 minutes, skim-read the proposal and watched two episodes on fast-forward. And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours. Sorry to burst your bubble, guys!” http://soranews24.com/2015/01/08/a-cruel-angels-thesis-took-just-two-hours-to-write-says-evangelion-lyricist-neko-oikawa
- ↑ "It wasn't even colored. I wrote the song, and my job was done. I wrote it in about two hours." Anime News Network interview with Neko Oikawa
- ↑ 2nd JUNE interview
- ↑ Notenki Memoirs
- ↑ According to Hidenori Matsubara during the Animazement 2015 convention, "the song was created before they even got done with animation for the opening theme. Strangely enough, the song manage to go along with the opening animation."
- ↑ Refrain of Evangelion OST Booklet, 2003.
- ↑ https://web.archive.org/web/20160830224921/http://news.livedoor.com/article/detail/11939169
- ↑ https://www.sankei.com/west/news/161228/wst1612280011-n1.html
- ↑ Yoko Takahashi Performs Neon Genesis Evangelion Theme, “A Cruel Angel’s Thesis,” to Excited Crowd at Anime Expo 2015 in LA
- ↑ —When was your first meeting with Mr. Anno? "It was on the day of recording. As I said earlier, when I entered the studio before anyone else to get ready, even while I couldn't afford, a man dressed in black and wearing sandals suddenly appeared. I didn't know who it was, but I just said hi, and he was actually Mr. Anno (Hideaki). It was a shocking encounter (laughs)." - Yoko Takahashi: EVANGELION FINALLY (2020)
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‘A Cruel Angel’s Thesis’ took just two hours to write says Evangelion lyricist Neko Oikawa
If you’ve ever been to karaoke with anyone who likes anime, chances are you know ‘A Cruel Angel’s Thesis’, the theme song to Neon Genesis Evangelion – it’s a karaoke classic. Since its original release, singer Yoko Takahashi has re-released the song, which is known as Zankoku na Tenshi no Tēze in Japanese, three times; it celebrates its 20th anniversary this year.
When Neko Oikawa, who wrote the lyrics to the hit song back in 1995, claimed this week that she only spent two hours on it , some fans weren’t too surprised. After all, history is full of hit songs that were supposedly written in mere minutes, from ‘(I Can’t Get No) Satisfaction’ to ‘Under Pressure’ to ‘My Sharona’.
What’s more impressive – especially when you consider how well ‘A Cruel Angel’s Thesis’ fits the series’ themes – is that the lyricist knew next to nothing about the show itself when she wrote it.
Oikawa was posting on Twitter in reference to Gainax co-founder Toshio Okada, who said in 2012 that he formed the anime studio (which went on to produce Neon Genesis Evangelion ) mainly as a way of escaping an awkward workplace situation – Okada had married a coworker, and then had an affair with another woman in the same company.
Writing on January 5, Oikawa suggested that the origins of ‘A Cruel Angel’s Thesis’ were similarly random, making it all sound rather slapdash:
“My manager got the job, we had a quick meeting lasting about 30 minutes , skim-read the proposal and watched two episodes on fast-forward . And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours . Sorry to burst your bubble, guys!”
Answering further questions from fans on Twitter, Oikawa also went into more detail about the process of writing the song. The lyricist never met with composer Hidetoshi Sato while creating the piece. Instead, Oikawa explained :
“The music was composed first. It was always that way with Evangelion songs. Once Toshiyuki Ōmori had more or less finished the arrangement, [singer] Yōko Takahashi laid down a temporary track singing the melody ‘la la la’, so it was really easy to work on [writing the lyrics].”
Perhaps it was Oikawa’s jokey tone, or the suggestion that her revelations would “burst the bubble” of legions of Evangelion fans, but Japanese netizens seemed unmoved, with comments including:
“It’s not even that good a song!” “The best songs are always written like that – inspiration strikes and you get it down in a few minutes.” “Why is she announcing this years and years later? No one cares.”
But we’re seriously impressed that after just one brief meeting and fast-forwarding through two episodes , Oikawa wrote lyrics that fit the show so well and have become an enduring classic. Koichi Sugiyama also famously claimed to have written the Dragon Quest Overture in five minutes – maybe there’s something in the (Japanese) water?
▼ Listen to ‘A Cruel Angel’s Thesis’ in the Neon Genesis Evangelion opening sequence.
https://www.youtube.com/watch?v=2puG7QiIpRA
Source: Hachima Kikou Featured image: Eva Armageddon Read the lyrics (with English translations) online at Evageeks wiki
- ( A Cruel Angel's Thesis • music • Neon Genesis Evangelion • theme music )
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The Meaning Behind The Song: A Cruel Angel’s Thesis by Yoko Takahashi
A Cruel Angel’s Thesis, performed by Yoko Takahashi, is the iconic theme song of the popular anime series, Neon Genesis Evangelion. Written by Neko Oikawa and composed by Hidetoshi Sato, this song has captured the hearts of millions of fans around the world. Its powerful lyrics and upbeat melody have made it a favorite among anime enthusiasts and music lovers alike.
Table of Contents
The song explores various themes and emotions, providing a deeper insight into the narrative of the anime. At its core, A Cruel Angel’s Thesis deals with the struggle between personal identity and the expectations and pressures of society. It conveys the universal message of finding strength within oneself, standing up against adversity, and embracing individuality.
The lyrics of the song are penned in Japanese, but translations into various languages have allowed a wider audience to appreciate its meaning. The opening lines talk about the “cruel angel’s thesis” that represents the difficulties one faces in life. It emphasizes the importance of facing challenges head-on and not succumbing to the pressures imposed by the world.
Throughout the song, there are references to the transient nature of existence, the battle between light and darkness, and the desire for freedom. These themes reflect the complex and philosophical nature of the anime series itself. The lyrics also touch upon the fragility of relationships and the hope for a better future.
Frequently Asked Questions about A Cruel Angel’s Thesis
1. who composed the song a cruel angel’s thesis.
The song was composed by Hidetoshi Sato. He expertly blended various musical elements, creating a unique and catchy melody that perfectly complements the lyrics of the song.
Already know this song's meaning? Watch this video to see 30 popular songs where everyone gets the meaning WRONG!
2. What is the significance of the song in Neon Genesis Evangelion?
A Cruel Angel’s Thesis is the opening theme song for the anime series Neon Genesis Evangelion. It sets the tone for the show, introducing viewers to the intense and thought-provoking storyline.
3. Can you provide a translation of the lyrics into English?
Certainly! Although translations may vary, here is a brief translation of the chorus: “The cruel angel’s thesis will soon take flight Through the window, with surging, hot pathos, if you betray your memories Embracing both the sky and the universe Thou shalt become a legend.”
4. Has the song received recognition or awards?
In 1997, A Cruel Angel’s Thesis won the “Best Song” award at the 14th Anime Grand Prix. Its popularity has transcended the anime community and has been praised for its unique sound and compelling lyrics.
5. Are there any covers or remixes of the song?
Yes, there have been numerous covers and remixes of A Cruel Angel’s Thesis. Many artists have put their unique spin on the song, showcasing their creativity and paying homage to the original masterpiece.
6. Has the song been performed live?
Yes, Yoko Takahashi, the original singer of A Cruel Angel’s Thesis, has performed the song live at various anime conventions and concerts. Her captivating performances have delighted fans worldwide.
7. What impact has the song had on popular culture?
A Cruel Angel’s Thesis has become an integral part of anime culture, often considered one of the greatest anime theme songs of all time. It has been covered by numerous artists, referenced in other media, and continues to inspire fans across generations.
8. Are there any other notable songs by Yoko Takahashi?
Yoko Takahashi has released several other songs apart from A Cruel Angel’s Thesis. Some notable tracks include “Tamashii no Refrain” and “Zankoku na Tenshi no Tēze ‘2009 VERSION.'”
9. What is the impact of A Cruel Angel’s Thesis on viewers?
The song has a powerful effect on viewers, evoking emotions and serving as a gateway to the deeper meaning and messages conveyed in Neon Genesis Evangelion. It has the ability to resonate with people on a personal level, fostering a strong connection between the series and its audience.
10. Are there any fan theories regarding the meaning of the song?
Yes, many fans have developed their theories about the meaning and symbolism behind A Cruel Angel’s Thesis. Some believe it represents the inner struggles of the main characters, while others interpret it as a metaphor for the human condition.
11. How has A Cruel Angel’s Thesis influenced other music?
The song’s impact extends beyond the realm of anime. It has inspired musicians and composers across genres, showcasing its lasting influence on the music industry as a whole.
12. Where can I listen to A Cruel Angel’s Thesis?
You can stream or purchase A Cruel Angel’s Thesis on various music platforms, such as Spotify, iTunes, and YouTube. Its iconic melody and meaningful lyrics await those who wish to experience this incredible piece of music.
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"The Cruel Angel's Thesis" (残酷な天使のテーゼ, Zankoku na Tenshi no Tēze), [1] also known as "A Cruel Angel's Thesis", [a] is a J-pop song performed by Japanese singer Yoko Takahashi. Toshiyuki Ōmori and Hidetoshi Satō composed the song, while Neko Oikawa wrote the lyrics.
4:05. "Zankoku na Tenshi no These" (残酷な天使のテーゼ, Zankoku na Tenshi no Tēze?, " A Cruel Angel's Thesis ") is the theme song of the popular anime TV series Neon Genesis Evangelion performed by Yoko Takahashi. It is used as the opening to the series, and two instrumental versions of it are played in the final episode, "Take care ...
2. The Song’s Title Was Inspired by an Incredibly Dark Manga. In interviews, the song’s lyricist, Neko Oikawa, claimed that the title “A Cruel Angel’s Thesis” was a nod to the comic book A Cruel God Reigns (Zankoku na Kami ga Shihai Suru). Created in 1992 by Moto Hagio, the manga is set in the US and tells the story of 15-year-old ...
A Cruel Angel's Thesis. A Cruel Angel's Thesis is the opening theme song for the series Neon Genesis Evangelion, composed by Hidetoshi Sato and sung by Yoko Takahashi. The lyrics are by Neko Oikawa while the arrangement is by Toshiyuki Omori. The song also has the distinction of taking first place in the JASRAC Awards. [1]
Writing on January 5, Oikawa suggested that the origins of ‘A Cruel Angel’s Thesis’ were similarly random, making it all sound rather slapdash: “My manager got the job, we had a quick meeting lasting about 30 minutes, skim-read the proposal and watched two episodes on fast-forward.
A blue wind is now. Knocking at the door to your heart, and yet. You are merely gazing at me. And smiling. Something gently touching. You're so intent on seeking it out. That you can't even see ...
高橋洋子「残酷な天使のテーゼ」羅馬拼音歌詞. [Intro] Zankoku na tenshi no you ni. Shounen yo shinwa ni nare. [Verse 1] Aoi kaze ga ima. Mune no doa wo tataite mo. Watashi dake ...
A Cruel Angel’s Thesis, performed by Yoko Takahashi, is the iconic theme song of the popular anime series, Neon Genesis Evangelion. Written by Neko Oikawa and composed by Hidetoshi Sato, this song has captured the hearts of millions of fans around the world. Its powerful lyrics and upbeat melody have made it a favorite among anime enthusiasts ...
The lyricist of A Cruel Angel's Thesis didn't check the story of NGE. She knew that the protagonist is a 14 y/o boy, but she felt it would be weird if a mature female singer sings from the boy's viewpoint. She wrote the lyrics from a mother's viewpoint. Hikaru Utada didn't check the scripts when she wrote songs for Rebuild.
And carve a path through history. Though I’ll take a stand. I’m still only human. The goddess you need can (not) be me. [Chorus] This was all a Cruel Angel’s Thesis from the start. Brought ...