creative writing full meaning

What Is Creative Writing? (Ultimate Guide + 20 Examples)

Creative writing begins with a blank page and the courage to fill it with the stories only you can tell.

I face this intimidating blank page daily–and I have for the better part of 20+ years.

In this guide, you’ll learn all the ins and outs of creative writing with tons of examples.

What Is Creative Writing (Long Description)?

Creative Writing is the art of using words to express ideas and emotions in imaginative ways. It encompasses various forms including novels, poetry, and plays, focusing on narrative craft, character development, and the use of literary tropes.

Table of Contents

Let’s expand on that definition a bit.

Creative writing is an art form that transcends traditional literature boundaries.

It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

In essence, creative writing lets you express ideas and emotions uniquely and imaginatively.

It’s about the freedom to invent worlds, characters, and stories. These creations evoke a spectrum of emotions in readers.

Creative writing covers fiction, poetry, and everything in between.

It allows writers to express inner thoughts and feelings. Often, it reflects human experiences through a fabricated lens.

Types of Creative Writing

There are many types of creative writing that we need to explain.

Some of the most common types:

• Short stories
• Screenplays
• Flash fiction
• Creative Nonfiction

Short Stories (The Brief Escape)

Short stories are like narrative treasures.

They are compact but impactful, telling a full story within a limited word count. These tales often focus on a single character or a crucial moment.

Short stories are known for their brevity.

They deliver emotion and insight in a concise yet powerful package. This format is ideal for exploring diverse genres, themes, and characters. It leaves a lasting impression on readers.

Example: Emma discovers an old photo of her smiling grandmother. It’s a rarity. Through flashbacks, Emma learns about her grandmother’s wartime love story. She comes to understand her grandmother’s resilience and the value of joy.

Novels (The Long Journey)

Novels are extensive explorations of character, plot, and setting.

They span thousands of words, giving writers the space to create entire worlds. Novels can weave complex stories across various themes and timelines.

The length of a novel allows for deep narrative and character development.

Readers get an immersive experience.

Example: Across the Divide tells of two siblings separated in childhood. They grow up in different cultures. Their reunion highlights the strength of family bonds, despite distance and differences.

Poetry (The Soul’s Language)

Poetry expresses ideas and emotions through rhythm, sound, and word beauty.

It distills emotions and thoughts into verses. Poetry often uses metaphors, similes, and figurative language to reach the reader’s heart and mind.

Poetry ranges from structured forms, like sonnets, to free verse.

The latter breaks away from traditional formats for more expressive thought.

Example: Whispers of Dawn is a poem collection capturing morning’s quiet moments. “First Light” personifies dawn as a painter. It brings colors of hope and renewal to the world.

Plays (The Dramatic Dialogue)

Plays are meant for performance. They bring characters and conflicts to life through dialogue and action.

This format uniquely explores human relationships and societal issues.

Playwrights face the challenge of conveying setting, emotion, and plot through dialogue and directions.

Example: Echoes of Tomorrow is set in a dystopian future. Memories can be bought and sold. It follows siblings on a quest to retrieve their stolen memories. They learn the cost of living in a world where the past has a price.

Screenplays (Cinema’s Blueprint)

Screenplays outline narratives for films and TV shows.

They require an understanding of visual storytelling, pacing, and dialogue. Screenplays must fit film production constraints.

Example: The Last Light is a screenplay for a sci-fi film. Humanity’s survivors on a dying Earth seek a new planet. The story focuses on spacecraft Argo’s crew as they face mission challenges and internal dynamics.

Memoirs (The Personal Journey)

Memoirs provide insight into an author’s life, focusing on personal experiences and emotional journeys.

They differ from autobiographies by concentrating on specific themes or events.

Memoirs invite readers into the author’s world.

They share lessons learned and hardships overcome.

Example: Under the Mango Tree is a memoir by Maria Gomez. It shares her childhood memories in rural Colombia. The mango tree in their yard symbolizes home, growth, and nostalgia. Maria reflects on her journey to a new life in America.

Flash Fiction (The Quick Twist)

Flash fiction tells stories in under 1,000 words.

It’s about crafting compelling narratives concisely. Each word in flash fiction must count, often leading to a twist.

This format captures life’s vivid moments, delivering quick, impactful insights.

Example: The Last Message features an astronaut’s final Earth message as her spacecraft drifts away. In 500 words, it explores isolation, hope, and the desire to connect against all odds.

Creative Nonfiction (The Factual Tale)

Creative nonfiction combines factual accuracy with creative storytelling.

This genre covers real events, people, and places with a twist. It uses descriptive language and narrative arcs to make true stories engaging.

Creative nonfiction includes biographies, essays, and travelogues.

Example: Echoes of Everest follows the author’s Mount Everest climb. It mixes factual details with personal reflections and the history of past climbers. The narrative captures the climb’s beauty and challenges, offering an immersive experience.

Fantasy (The World Beyond)

Fantasy transports readers to magical and mythical worlds.

It explores themes like good vs. evil and heroism in unreal settings. Fantasy requires careful world-building to create believable yet fantastic realms.

Example: The Crystal of Azmar tells of a young girl destined to save her world from darkness. She learns she’s the last sorceress in a forgotten lineage. Her journey involves mastering powers, forming alliances, and uncovering ancient kingdom myths.

Science Fiction (The Future Imagined)

Science fiction delves into futuristic and scientific themes.

It questions the impact of advancements on society and individuals.

Science fiction ranges from speculative to hard sci-fi, focusing on plausible futures.

Example: When the Stars Whisper is set in a future where humanity communicates with distant galaxies. It centers on a scientist who finds an alien message. This discovery prompts a deep look at humanity’s universe role and interstellar communication.

Watch this great video that explores the question, “What is creative writing?” and “How to get started?”:

What Are the 5 Cs of Creative Writing?

The 5 Cs of creative writing are fundamental pillars.

They guide writers to produce compelling and impactful work. These principles—Clarity, Coherence, Conciseness, Creativity, and Consistency—help craft stories that engage and entertain.

They also resonate deeply with readers. Let’s explore each of these critical components.

Clarity makes your writing understandable and accessible.

It involves choosing the right words and constructing clear sentences. Your narrative should be easy to follow.

In creative writing, clarity means conveying complex ideas in a digestible and enjoyable way.

Coherence ensures your writing flows logically.

It’s crucial for maintaining the reader’s interest. Characters should develop believably, and plots should progress logically. This makes the narrative feel cohesive.

Conciseness

Conciseness is about expressing ideas succinctly.

It’s being economical with words and avoiding redundancy. This principle helps maintain pace and tension, engaging readers throughout the story.

Creativity is the heart of creative writing.

It allows writers to invent new worlds and create memorable characters. Creativity involves originality and imagination. It’s seeing the world in unique ways and sharing that vision.

Consistency

Consistency maintains a uniform tone, style, and voice.

It means being faithful to the world you’ve created. Characters should act true to their development. This builds trust with readers, making your story immersive and believable.

Is Creative Writing Easy?

Creative writing is both rewarding and challenging.

Crafting stories from your imagination involves more than just words on a page. It requires discipline and a deep understanding of language and narrative structure.

Exploring complex characters and themes is also key.

Refining and revising your work is crucial for developing your voice.

The ease of creative writing varies. Some find the freedom of expression liberating.

Others struggle with writer’s block or plot development challenges. However, practice and feedback make creative writing more fulfilling.

What Does a Creative Writer Do?

A creative writer weaves narratives that entertain, enlighten, and inspire.

Writers explore both the world they create and the emotions they wish to evoke. Their tasks are diverse, involving more than just writing.

Creative writers develop ideas, research, and plan their stories.

They create characters and outline plots with attention to detail. Drafting and revising their work is a significant part of their process. They strive for the 5 Cs of compelling writing.

Writers engage with the literary community, seeking feedback and participating in workshops.

They may navigate the publishing world with agents and editors.

Creative writers are storytellers, craftsmen, and artists. They bring narratives to life, enriching our lives and expanding our imaginations.

How to Get Started With Creative Writing?

Embarking on a creative writing journey can feel like standing at the edge of a vast and mysterious forest.

The path is not always clear, but the adventure is calling.

Here’s how to take your first steps into the world of creative writing:

• Find a time of day when your mind is most alert and creative.
• Create a comfortable writing space free from distractions.
• Use prompts to spark your imagination. They can be as simple as a word, a phrase, or an image.
• Try writing for 15-20 minutes on a prompt without editing yourself. Let the ideas flow freely.
• Reading is fuel for your writing. Explore various genres and styles.
• Pay attention to how your favorite authors construct their sentences, develop characters, and build their worlds.
• Don’t pressure yourself to write a novel right away. Begin with short stories or poems.
• Small projects can help you hone your skills and boost your confidence.
• Look for writing groups in your area or online. These communities offer support, feedback, and motivation.
• Participating in workshops or classes can also provide valuable insights into your writing.
• Understand that your first draft is just the beginning. Revising your work is where the real magic happens.
• Be open to feedback and willing to rework your pieces.
• Carry a notebook or digital recorder to jot down ideas, observations, and snippets of conversations.
• These notes can be gold mines for future writing projects.

Final Thoughts: What Is Creative Writing?

Creative writing is an invitation to explore the unknown, to give voice to the silenced, and to celebrate the human spirit in all its forms.

Check out these creative writing tools (that I highly recommend):

Read This Next:

• What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
• What Is A Personal Account In Writing? (47 Examples)
• How To Write A Fantasy Short Story (Ultimate Guide + Examples)
• How To Write A Fantasy Romance Novel [21 Tips + Examples)

What is Creative Writing? A Key Piece of the Writer’s Toolbox

Not all writing is the same and there’s a type of writing that has the ability to transport, teach, and inspire others like no other.

Creative writing stands out due to its unique approach and focus on imagination. Here’s how to get started and grow as you explore the broad and beautiful world of creative writing!

What is Creative Writing?

Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its emphasis on narrative craft, character development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way.

Creative writing can take on various forms such as:

• short stories
• screenplays

It’s a way for writers to express their thoughts, feelings, and ideas in a creative, often symbolic, way . It’s about using the power of words to transport readers into a world created by the writer.

5 Key Characteristics of Creative Writing

Creative writing is marked by several defining characteristics, each working to create a distinct form of expression:

1. Imagination and Creativity: Creative writing is all about harnessing your creativity and imagination to create an engaging and compelling piece of work. It allows writers to explore different scenarios, characters, and worlds that may not exist in reality.

2. Emotional Engagement: Creative writing often evokes strong emotions in the reader. It aims to make the reader feel something — whether it’s happiness, sorrow, excitement, or fear.

3. Originality: Creative writing values originality. It’s about presenting familiar things in new ways or exploring ideas that are less conventional.

4. Use of Literary Devices: Creative writing frequently employs literary devices such as metaphors, similes, personification, and others to enrich the text and convey meanings in a more subtle, layered manner.

5. Focus on Aesthetics: The beauty of language and the way words flow together is important in creative writing. The aim is to create a piece that’s not just interesting to read, but also beautiful to hear when read aloud.

Remember, creative writing is not just about producing a work of art. It’s also a means of self-expression and a way to share your perspective with the world. Whether you’re considering it as a hobby or contemplating a career in it, understanding the nature and characteristics of creative writing can help you hone your skills and create more engaging pieces .

For more insights into creative writing, check out our articles on creative writing jobs and what you can do with a creative writing degree and is a degree in creative writing worth it .

Styles of Creative Writing

To fully understand creative writing , you must be aware of the various styles involved. Creative writing explores a multitude of genres, each with its own unique characteristics and techniques.

Poetry is a form of creative writing that uses expressive language to evoke emotions and ideas. Poets often employ rhythm, rhyme, and other poetic devices to create pieces that are deeply personal and impactful. Poems can vary greatly in length, style, and subject matter, making this a versatile and dynamic form of creative writing.

Short Stories

Short stories are another common style of creative writing. These are brief narratives that typically revolve around a single event or idea. Despite their length, short stories can provide a powerful punch, using precise language and tight narrative structures to convey a complete story in a limited space.

Novels represent a longer form of narrative creative writing. They usually involve complex plots, multiple characters, and various themes. Writing a novel requires a significant investment of time and effort; however, the result can be a rich and immersive reading experience.

Screenplays

Screenplays are written works intended for the screen, be it television, film, or online platforms. They require a specific format, incorporating dialogue and visual descriptions to guide the production process. Screenwriters must also consider the practical aspects of filmmaking, making this an intricate and specialized form of creative writing.

If you’re interested in this style, understanding creative writing jobs and what you can do with a creative writing degree can provide useful insights.

Writing for the theater is another specialized form of creative writing. Plays, like screenplays, combine dialogue and action, but they also require an understanding of the unique dynamics of the theatrical stage. Playwrights must think about the live audience and the physical space of the theater when crafting their works.

Each of these styles offers unique opportunities for creativity and expression. Whether you’re drawn to the concise power of poetry, the detailed storytelling of novels, or the visual language of screenplays and plays, there’s a form of creative writing that will suit your artistic voice. The key is to explore, experiment, and find the style that resonates with you.

For those looking to spark their creativity, our article on creative writing prompts offers a wealth of ideas to get you started.

Importance of Creative Writing

Understanding what is creative writing involves recognizing its value and significance. Engaging in creative writing can provide numerous benefits – let’s take a closer look.

Developing Creativity and Imagination

Creative writing serves as a fertile ground for nurturing creativity and imagination. It encourages you to think outside the box, explore different perspectives, and create unique and original content. This leads to improved problem-solving skills and a broader worldview , both of which can be beneficial in various aspects of life.

Through creative writing, one can build entire worlds, create characters, and weave complex narratives, all of which are products of a creative mind and vivid imagination. This can be especially beneficial for those seeking creative writing jobs and what you can do with a creative writing degree .

Enhancing Communication Skills

Creative writing can also play a crucial role in honing communication skills. It demands clarity, precision, and a strong command of language. This helps to improve your vocabulary, grammar, and syntax, making it easier to express thoughts and ideas effectively .

Moreover, creative writing encourages empathy as you often need to portray a variety of characters from different backgrounds and perspectives. This leads to a better understanding of people and improved interpersonal communication skills.

Exploring Emotions and Ideas

One of the most profound aspects of creative writing is its ability to provide a safe space for exploring emotions and ideas. It serves as an outlet for thoughts and feelings , allowing you to express yourself in ways that might not be possible in everyday conversation.

Writing can be therapeutic, helping you process complex emotions, navigate difficult life events, and gain insight into your own experiences and perceptions. It can also be a means of self-discovery , helping you to understand yourself and the world around you better.

So, whether you’re a seasoned writer or just starting out, the benefits of creative writing are vast and varied. For those interested in developing their creative writing skills, check out our articles on creative writing prompts and how to teach creative writing . If you’re considering a career in this field, you might find our article on is a degree in creative writing worth it helpful.

4 Steps to Start Creative Writing

Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start creative writing .

1. Finding Inspiration

The first step in creative writing is finding inspiration . Inspiration can come from anywhere and anything. Observe the world around you, listen to conversations, explore different cultures, and delve into various topics of interest.

Reading widely can also be a significant source of inspiration. Read different types of books, articles, and blogs. Discover what resonates with you and sparks your imagination.

For structured creative prompts, visit our list of creative writing prompts to get your creative juices flowing.

Editor’s Note : When something excites or interests you, stop and take note – it could be the inspiration for your next creative writing piece.

2. Planning Your Piece

Once you have an idea, the next step is to plan your piece . Start by outlining:

• the main points

Remember, this can serve as a roadmap to guide your writing process. A plan doesn’t have to be rigid. It’s a flexible guideline that can be adjusted as you delve deeper into your writing. The primary purpose is to provide direction and prevent writer’s block.

3. Writing Your First Draft

After planning your piece, you can start writing your first draft . This is where you give life to your ideas and breathe life into your characters.

Don’t worry about making it perfect in the first go. The first draft is about getting your ideas down on paper . You can always refine and polish your work later. And if you don’t have a great place to write that first draft, consider a journal for writing .

4. Editing and Revising Your Work

The final step in the creative writing process is editing and revising your work . This is where you fine-tune your piece, correct grammatical errors, and improve sentence structure and flow.

Editing is also an opportunity to enhance your storytelling . You can add more descriptive details, develop your characters further, and make sure your plot is engaging and coherent.

Remember, writing is a craft that improves with practice . Don’t be discouraged if your first few pieces don’t meet your expectations. Keep writing, keep learning, and most importantly, enjoy the creative process.

For more insights on creative writing, check out our articles on how to teach creative writing or creative writing activities for kids.

Tips to Improve Creative Writing Skills

Understanding what is creative writing is the first step. But how can one improve their creative writing skills? Here are some tips that can help.

Read Widely

Reading is a vital part of becoming a better writer. By immersing oneself in a variety of genres, styles, and authors, one can gain a richer understanding of language and storytelling techniques . Different authors have unique voices and methods of telling stories, which can serve as inspiration for your own work. So, read widely and frequently!

Practice Regularly

Like any skill, creative writing improves with practice. Consistently writing — whether it be daily, weekly, or monthly — helps develop your writing style and voice . Using creative writing prompts can be a fun way to stimulate your imagination and get the words flowing.

Attend Writing Workshops and Courses

Formal education such as workshops and courses can offer structured learning and expert guidance. These can provide invaluable insights into the world of creative writing, from understanding plot development to character creation. If you’re wondering is a degree in creative writing worth it, these classes can also give you a taste of what studying creative writing at a higher level might look like .

Joining Writing Groups and Communities

Being part of a writing community can provide motivation, constructive feedback, and a sense of camaraderie. These groups often hold regular meetings where members share their work and give each other feedback. Plus, it’s a great way to connect with others who share your passion for writing.

Seeking Feedback on Your Work

Feedback is a crucial part of improving as a writer. It offers a fresh perspective on your work, highlighting areas of strength and opportunities for improvement. Whether it’s from a writing group, a mentor, or even friends and family, constructive criticism can help refine your writing .

Start Creative Writing Today!

Remember, becoming a proficient writer takes time and patience. So, don’t be discouraged by initial challenges. Keep writing, keep learning, and most importantly, keep enjoying the process. Who knows, your passion for creative writing might even lead to creative writing jobs and what you can do with a creative writing degree .

Happy writing!

Brooks Manley

Creative Primer  is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.

My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!

Here’s my favorite journal for 2024: 

Gratitude Journal Prompts Mindfulness Journal Prompts Journal Prompts for Anxiety Reflective Journal Prompts Healing Journal Prompts Cognitive Behavioral Therapy Journal Prompts Mental Health Journal Prompts ASMR Journal Prompts Manifestation Journal Prompts Self-Care Journal Prompts Morning Journal Prompts Evening Journal Prompts Self-Improvement Journal Prompts Creative Writing Journal Prompts Dream Journal Prompts Relationship Journal Prompts "What If" Journal Prompts New Year Journal Prompts Shadow Work Journal Prompts Journal Prompts for Overcoming Fear Journal Prompts for Dealing with Loss Journal Prompts for Discerning and Decision Making Travel Journal Prompts Fun Journal Prompts

Inspiring Ink: Expert Tips on How to Teach Creative Writing

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Unpacking Creativity’s Big C and Little C

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What is Creative Writing?

Written by Scott Wilson

Creative writing is any kind of writing that employs creative literary or poetic techniques in the service of either fiction or non-fiction writing. It involves original composition and expressiveness of the individual author.

Ask ten creative writing professors what creative writing is, and you’ll get eleven different answers. Turn to the dictionary and the definition invokes invention and incorporation of imagination. But what are the limits of imagination? Where does invention begin?

Every sentence in every work ever written began as an act of creation in the mind of the writer.

Creative writing may be most easily defined by what it is not…

• Technical writing
• Professional or business writing
• Scholarly or academic writing

Creative writing is the entire body of the writer’s craft that falls outside the boundaries of the ordinary.

Yet you will find many entries in the canon of those fields that might also be considered creative writing. No one would consign Truman Capote’s groundbreaking In Cold Blood to the sterile cells of mere journalism. But that haunting novel is unquestionably also an important work of investigative reporting.

So, what is creative writing, if a non-fiction novel of a horrific quadruple murder falls into the same scope as a classic of American literature like To Kill a Mockingbird ?

It has to do with style and art. Creative writing goes to the heart of the individual expressiveness of the writer. It breaks the boundaries of the typical. That’s an exercise of artistic skill that can happen in any topic, toward almost any goal. And it’s the heart of what it is to be a writer, no matter what you write about.

Defining creative writing isn’t easy. Rooms full of the best authorities routinely disagree. But what is creative writing , isn’t the most interesting question to ask here. Instead, we would be best served by asking another:

Why Is Creative Writing Important?

Storytellers were plying their craft thousands of years before the written word was invented. The creative spark doesn’t belong to words. It may not even depend on language. It draws instead on a deep part of what it is to be human. Invention, imagination, the urge to create… these are all deep and vital parts of the human experience.

Creative writing is important because it is evocative.

That well of creativity flows forth in many arts and forms of expression. But in creative writing it has found a medium where it can be both preserved and shared. It’s a method of human connection that has no expiration date, no geographical or even cultural limit.

Writers touch the souls of their contemporaries first. But like Shakespeare, Wordsworth, and Lady Murasaki, their reach may also span generations.

Creative Writing Fuels Communication in All Forms of Writing

Although fiction is the first refuge of creative writing, that expressiveness serves the purposes of just about any kind of author.

The goals of most other forms of writing are focused on various kinds of literal communication. A journalist seeks to convey the facts and the context of important news stories. Technical writers need to communicate the details of operating programs and machinery, clearly describing all kinds of minute details with zero ambiguity. Business communications are created with a view toward clarity and concision—helping readers get the main points of the piece quickly and without confusion.

Creative writing can also help to serve these purposes.

Creative writing taps into a different level of communication. While it may, and often does, aspire to other goals like offering clarity and detail, it also goes toward developing emotional connection. The reader will take away more than mere words from a piece of creative writing.

Creative Writing is Important For Making Other Kinds of Writing Compelling

Just as importantly, creative writing entertains. In a story about the importance of algorithmic and high-frequency trading, all kinds of technical details must be absorbed to make sense of the issues. Both technological and economic concepts have to be introduced. In a comprehensive article about the subject, readers from outside the field could be expected to nod off about two pages in.

But put the story in the hands of Michael Lewis, and you get Flash Boys , a New York Times Best Seller.

It’s not important that Flash Boys did well because it was entertaining, however. It’s important because the market trends and activities it described have real impacts on many of the readers. Retirement funds, college savings, family investments… all are affected by the story Flash Boys tells. Today, millions of readers who would never otherwise have understood how their investments were being handled can make an informed assessment… thanks to creative writing.

How To Separate Creative Writing From Less Creative Forms of Writing

In general, it’s safe to say that a piece of writing is creative when it makes use of literary devices such as:

• Narrative development
• Imagination and invention

In Cold Blood passes this test due to Capote’s use of characterization, plot development, and world-building. It’s considered today to be a pioneering example of the non-fiction novel, a paragon of the creative writing world.

The original crime reports, local newspaper articles, and subsequent court documents detail the same events with the same participants. Yet they are not works of creative writing. The incident is described in dry, straightforward, technical language. The timeline is linear and offered without consideration of pace or drama.

Both Capote and the authors of those other articles and documents set out to inform. But Capote’s goal was also to captivate.

New Journalism Tells the Story of How Creative Writing Has an Important Role in Non-Fiction

Books like Wolfe’s The Right Stuff mixed truth and dramatization, documentation and invention, to tell larger stories about serious events. In dramatizing those stories, New Journalism writers also drew more readers and achieved broader awareness of the stories.

At the same time, long-form New Journalism pieces, deeply researched and documented, were able to report stories in depth in a way that traditional journalism often did not. By invoking plot, characterization, and narrative structures, the New Journalists could keep readers involved in long and complex issues ranging from crime to politics to culture.

New Journalism is important in defining what is creative writing because it is clearly an example of both creative and journalistic writing. It demonstrates the ways that creative writing can serve other forms of writing and other kinds of writers.

Of course, it’s also possible to come at the divide from the other shore. Categories of writing that are clearly creative in nature include:

• Novels and novellas
• Flash fiction and short stories
• Plays and film scripts

These works incorporate elements of storytelling that may not always be present in other forms of writing. A newspaper article will often have a setting, action, and characters; creative writing will offer plot, pacing, and drama in describing the same story.

What is Creative Writing Coursework Like in College Degree Programs?

All university students are exposed to basic coursework in English language and communication skills. These all go to the elementary aspects of writing—the ability to construct a sentence, a paragraph, a paper. They teach grammatical rules and other elements that make a work readable to any reader of the English language.

Even the general education requirements in college programs touch on creative writing, however. Students may be assigned to write essays that explore creative styles and imagination. They’ll be assigned to read novels and stories that are time-tested examples of the finest kinds of creative writing. And they’ll be asked to explore their impressions and feelings, and to exercise their imaginations and analyze the intent of the author.

Creative writing programs go beyond the basics to touch the imagination of the writer.

Creative writing exists just on the other side of those general English and literature courses. Students in creative writing classes will be asked to take the extra step of creating their own stories using the techniques they have learned.

In fact, they may be encouraged to break the same rules that were so laboriously learned in their regular English writing classes. Creative writing works to allow writers to tap into their own imagination and emotion to forge a deeper connection with readers.

Student Workshops Offer an Interactive Way of Learning What Creative Writing Is All About

Creative writing degrees will go much further into developing a sense of what creative writing is. they continue to include many reading assignments. but instructors also introduce concepts such as:.

Genre is the method used to categorize written works. Creative writing programs explore the tropes and expectations that exist for different genres and deconstruct them for better understanding.

Story structure and form

The structure and form of a novel and a short story are very different. Creative writing programs explore different formats and how they impact creative storytelling.

Plot is not a universal feature of creative writing, but a good plot can make or break a creative work. Classes look at the features and composition of plot, and also teach plotting.

Voice, tone, and creative expression all come out of the narration of a piece of creative writing. Creative writing courses explore both the textbook forms of narrative and show how to use it to serve plot and story.

Style and rhythm

One clear feature of creative writing in all genres is that it rests on a sense of rhythm and of styling that other types of writing ignore. Many courses found in creative writing degree programs explore the ways in which writing style serves story and hooks the reader.

In addition to formal classes, students will better learn why creative writing is important and the purposes it serves through workshops. These informal gatherings are designed to foster discussion, to present examples of different types of writing, and to critique and hone individual creative writing skills .

Through that process, creative writing degrees help students better identify what creative writing is and how to use it effectively.

Creativity is Important No Matter What Your Career Goals in Writing May Be

Creative writing training allows writers in any genre to develop more complete, more meaningful, and more memorable ways to get a point across. Using the skills and techniques learned in creative writing courses can inject humor, gravity, and other sensations into any piece of writing. And those very techniques can improve concision and clarity.

Figuring out what creative writing is and what it is not, is the first thing you should leave behind in a writing career. The dry definitions of the dictionary or droning English professors are the last place you should look.

Creative writing is the process of engaging your imagination and talent to serve the purpose of whatever piece of writing you are working on. And that’s why creative writing is important.

Save £500 when you enrol by 30th September!

• What Is Creative Writing? The ULTIMATE Guide!

At Oxford Royale Academy, we offer a range of summer school programmes that have become extremely popular amongst students of all ages. The subject of creative writing continues to intrigue many academics as it can help to develop a range of skills that will benefit you throughout your career and life.

Nevertheless, that initial question is one that continues to linger and be asked time and time again: what is creative writing? More specifically, what does it mean or encompass? How does creative writing differ from other styles of writing?

During our Oxford Summer School programme , we will provide you with in-depth an immersive educational experience on campus in the colleges of the best university in the world. However, in this guide, we want to provide a detailed analysis of everything to do with creative writing, helping you understand more about what it is and why it could benefit you to become a creative writer.

The best place to start is with a definition.

What is creative writing?

The dictionary definition of creative writing is that it is original writing that expresses ideas and thoughts in an imaginative way. [1] Some academics will also define it as the art of making things up, but both of these definitions are too simplistic in the grand scheme of things.

It’s challenging to settle on a concrete definition as creative writing can relate to so many different things and formats. Naturally, as the name suggests, it is all built around the idea of being creative or imaginative. It’s to do with using your brain and your own thoughts to create writing that goes outside the realms of what’s expected. This type of writing tends to be more unique as it comes from a personal place. Each individual has their own level of creativity, combined with their own thoughts and views on different things. Therefore, you can conjure up your own text and stories that could be completely different from others.

Understanding creative writing can be challenging when viewed on its own. Consequently, the best way to truly understand this medium is by exploring the other main forms of writing. From here, we can compare and contrast them with the art of creative writing, making it easier to find a definition or separate this form of writing from others.

What are the main forms of writing?

In modern society, we can identify five main types of writing styles [1] that will be used throughout daily life and a plethora of careers:

• Narrative Writing
• Descriptive Writing
• Persuasive Writing
• Expository Writing
• Creative Writing

Narrative writing refers to storytelling in its most basic form. Traditionally, this involves telling a story about a character and walking the readers through the journey they go on. It can be a long novel or a short story that’s only a few hundred words long. There are no rules on length, and it can be completely true or a work of fiction.

A fundamental aspect of narrative writing that makes it different from other forms is that it should includes the key elements of storytelling. As per UX Planet, there are seven core elements of a good story or narrative [2] : the plot, characters, theme, dialogue, melody, decor and spectacle. Narrative writing will include all of these elements to take the ready on a journey that starts at the beginning, has a middle point, but always comes to a conclusion. This style of writing is typically used when writing stories, presenting anecdotes about your life, creating presentations or speeches and for some academic essays.

Descriptive writing, on the other hand, is more focused on the details. When this type of writing is used, it’s focused on capturing the reader’s attention and making them feel like they are part of the story. You want them to live and feel every element of a scene, so they can close their eyes and be whisked away to whatever place or setting you describe.

In many ways, descriptive writing is writing as an art form. Good writers can be given a blank canvas, using their words to paint a picture for the audience. There’s a firm focus on the five senses all humans have; sight, smell, touch, sound and taste. Descriptive writing touches on all of these senses to tell the reader everything they need to know and imagine about a particular scene.

This is also a style of writing that makes good use of both similes and metaphors. A simile is used to describe something as something else, while a metaphor is used to show that something is something else. There’s a subtle difference between the two, but they both aid descriptive writing immensely. According to many writing experts, similes and metaphors allow an author to emphasise, exaggerate, and add interest to a story to create a more vivid picture for the reader [3] .

Looking at persuasive writing and we have a form of writing that’s all about making yourself heard. You have an opinion that you want to get across to the reader, convincing them of it. The key is to persuade others to think differently, often helping them broaden their mind or see things from another point of view. This is often confused with something called opinionative writing, which is all about providing your opinions. While the two seem similar, the key difference is that persuasive writing is built around the idea of submitting evidence and backing your thoughts up. It’s not as simple as stating your opinion for other to read; no, you want to persuade them that your thoughts are worth listening to and perhaps worth acting on.

This style of writing is commonly used journalistically in news articles and other pieces designed to shine a light on certain issues or opinions. It is also typically backed up with statistical evidence to give more weight to your opinions and can be a very technical form of writing that’s not overly emotional.

Expository writing is more focused on teaching readers new things. If we look at its name, we can take the word exposure from it. According to Merriam-Webster [4] , one of the many definitions of exposure is to reveal something to others or present them with something they otherwise didn’t know. In terms of writing, it can refer to the act of revealing new information to others or exposing them to new ideas.

Effectively, expository writing focuses on the goal of leaving the reader with new knowledge of a certain topic or subject. Again, it is predominately seen in journalistic formats, such as explainer articles or ‘how-to’ blogs. Furthermore, you also come across it in academic textbooks or business writing.

This brings us back to the centre of attention for this guide: what is creative writing?

Interestingly, creative writing is often seen as the style of writing that combines many of these forms together in one go. Narrative writing can be seen as creative writing as you are coming up with a story to keep readers engaged, telling a tale for them to enjoy or learn from. Descriptive writing is very much a key part of creative writing as you are using your imagination and creative skills to come up with detailed descriptions that transport the reader out of their home and into a different place.

Creative writing can even use persuasive writing styles in some formats. Many writers will combine persuasive writing with a narrative structure to come up with a creative way of telling a story to educate readers and provide new opinions for them to view or be convinced of. Expository writing can also be involved here, using creativity and your imagination to answer questions or provide advice to the reader.

Essentially, creative writing can combine other writing types to create a unique and new way of telling a story or producing content. At the same time, it can include absolutely none of the other forms at all. The whole purpose of creative writing is to think outside the box and stray from traditional structures and norms. Fundamentally, we can say there are no real rules when it comes to creative writing, which is what makes it different from the other writing styles discussed above.

What is the purpose of creative writing?

Another way to understand and explore the idea of creative writing is to look at its purpose. What is the aim of most creative works of writing? What do they hope to provide the reader with?

We can look at the words of Bryanna Licciardi, an experienced creative writing tutor, to understand the purpose of creative writing. She writes that the primary purpose is to entertain and share human experiences, like love or loss. Writers attempt to reveal the truth with regard to humanity through poetics and storytelling. [5] She also goes on to add that the first step of creative writing is to use one’s imagination.

When students sign up to our creative writing courses, we will teach them how to write with this purpose. Your goal is to create stories or writing for readers that entertain them while also providing information that can have an impact on their lives. It’s about influencing readers through creative storytelling that calls upon your imagination and uses the thoughts inside your head. The deeper you dive into the art of creative writing, the more complex it can be. This is largely because it can be expressed in so many different formats. When you think of creative writing, your instinct takes you to stories and novels. Indeed, these are both key forms of creative writing that we see all the time. However, there are many other forms of creative writing that are expressed throughout the world.

What are the different forms of creative writing?

Looking back at the original and simple definition of creative writing, it relates to original writing in a creative and imaginative way. Consequently, this can span across so many genres and types of writing that differ greatly from one another. This section will explore and analyse the different types of creative writing, displaying just how diverse this writing style can be – while also showcasing just what you’re capable of when you learn how to be a creative writer.

The majority of students will first come across creative writing in the form of essays . The point of an essay is to present a coherent argument in response to a stimulus or question. [6] In essence, you are persuading the reader that your answer to the question is correct. Thus, creative writing is required to get your point across as coherently as possible, while also using great descriptive writing skills to paint the right message for the reader.

Moreover, essays can include personal essays – such as writing a cover letter for work or a university application. Here, great creativity is needed to almost write a story about yourself that captivates the reader and takes them on a journey with you. Excellent imagination and persuasive writing skills can help you tell your story and persuade those reading that you are the right person for the job or university place.

Arguably, this is the most common way in which creative writing is expressed. Fictional work includes novels, novellas, short stories – and anything else that is made up. The very definition of fiction by the Cambridge Dictionary states that it is the type of book or story that is written about imaginary characters and events not based on real people and facts. [7] As such, it means that your imagination is called upon to create something out of nothing. It is a quintessential test of your creative writing skills, meaning you need to come up with characters, settings, plots, descriptions and so much more.

Fictional creative writing in itself takes on many different forms and can be completely different depending on the writer. That is the real beauty of creative writing; you can have entirely different stories and characters from two different writers. Just look at the vast collection of fictional work around you today; it’s the perfect way to see just how versatile creative writing can be depending on the writer.

Similarly, scripts can be a type of creative writing that appeals to many. Technically, a script can be considered a work of fiction. Nevertheless, it depends on the script in question. Scripts for fictional television shows, plays or movies are obviously works of fiction. You, the writer, has come up with the characters and story of the show/play/movie, bringing it all to life through the script. But, scripts can also be non-fictional. Creating a play or movie that adapts real-life events will mean you need to write a script based on something that genuinely happened.

Here, it’s a perfect test of creative writing skills as you take a real event and use your creative talents to make it more interesting. The plot and narrative may already be there for you, so it’s a case of using your descriptive writing skills to really sell it to others and keep readers – or viewers – on the edge of their seats.

A speech is definitely a work of creative writing. The aim of a speech can vary depending on what type of speech it is. A politician delivering a speech in the House of Commons will want to get a point across to persuade others in the room. They’ll need to use creative writing to captivate their audience and have them hanging on their every word. A recent example of a great speech was the one by Sir David Attenborough at the recent COP26 global climate summit. [8] Listening to the speech is a brilliant way of understanding how creative writing can help get points across. His speech went viral around the world because of how electrifying and enthralling it is. The use of many descriptive and persuasive words had people hanging onto everything he said. He really created a picture and an image for people to see, convincing them that the time is now to work on stopping and reversing climate change.

From this speech to a completely different one, you can see creative writing at play for speeches at weddings and other jovial events. Here, the purpose is more to entertain guests and make them laugh. At the same time, someone giving a wedding speech will hope to create a lovely story for the guests to enjoy, displaying the true love that the married couple share for one another. Regardless of what type of speech an individual is giving, creative writing skills are required for it to be good and captivating.

Poetry & Songs

The final example of creative writing is twofold; poetry and songs. Both of these formats are similar to one another, relying on creativity to deliver a combination of things. Poetry can take so many forms and styles, but it aims to inspire readers and get them thinking. Poems often have hidden meanings behind them, and it takes a great deal of imagination and creativity to come up with these meanings while also creating a powerful poem. Some argue that poetry is the most creative of all creative writing forms.

Songwriting is similar in that you use creativity to come up with lyrics that can have powerful meanings while also conjuring up a story for people. The best songwriters will use lyrics that stay in people’s minds and get them thinking about the meaning behind the song. If you lack imagination and creativity, you will never be a good songwriter.

In truth, there are so many other types and examples of creative writing that you can explore. The ones listed above are the most common and powerful, and they all do a great job of demonstrating how diverse creative writing can be. If you can hone your skills in creative writing, it opens up many opportunities for you in life. Primarily, creative writing focuses on fictional pieces of work, but as you can see, non-fiction also requires a good deal of creativity.

What’s needed to make a piece of creative writing?

Our in-depth analysis of creative writing has led to a point where you’re aware of this style of writing and its purpose, along with some examples of it in the real world. The next question to delve into is what do you need to do to make a piece of creative writing. To phrase this another way; how do you write something that comes under the creative heading rather than another form of writing?

There is an element of difficulty in answering this question as creative writing has so many different types and genres. Consequently, there isn’t a set recipe for the perfect piece of creative writing, and that’s what makes this format so enjoyable and unique. Nevertheless, we can discover some crucial elements or principles that will help make a piece of writing as creative and imaginative as possible:

A target audience

All creative works will begin by defining a target audience. There are many ways to define a target audience, with some writers suggesting that you think about who is most likely to read your work. However, this can still be challenging as you’re unsure of the correct demographic to target. Writer’s Digest makes a good point of defining your target audience by considering your main motivation for writing in the first place. [9] It’s a case of considering what made you want to start writing – whether it’s a blog post, novel, song, poem, speech, etc. Figuring out your motivation behind it will help you zero in on your target audience.

Defining your audience is vital for creative writing as it helps you know exactly what to write and how to write it. All of your work should appeal to this audience and be written in a way that they can engage with. As a simple example, authors that write children’s stories will adapt their writing to appeal to the younger audience. Their stories include lots of descriptions and words that children understand, rather than being full of long words and overly academic writing.

Establishing the audience lets the writer know which direction to take things in. As a result, this can aid with things like character choices, plot, storylines, settings, and much more.

A story of sorts

Furthermore, great works of creative writing will always include a story of sorts. This is obvious for works such as novels, short stories, scripts, etc. However, even for things like poems, songs or speeches, a story helps make it creative. It gives the audience something to follow, helping them make sense of the work. Even if you’re giving a speech, setting a story can help you create a scene in people’s minds that makes them connect to what you’re saying. It’s a very effective way of persuading others and presenting different views for people to consider.

Moreover, consider the definition of a story/narrative arc. One definition describes it as a term that describes a story’s full progression. It visually evokes the idea that every story has a relatively calm beginning, a middle where tension, character conflict and narrative momentum builds to a peak and an end where the conflict is resolved. [10]

Simplifying this, we can say that all works of creative writing need a general beginning, middle and end. It’s a way of bringing some sort of structure to your writing so you know where you are going, rather than filling it with fluff or waffle.

A good imagination

Imagination is a buzzword that we’ve used plenty of times throughout this deep dive into creative writing. Every creative writing course you go on will spend a lot of time focusing on the idea of using your imagination. The human brain is a marvellously powerful thing that holds the key to creative freedom and expressing yourself in new and unique ways. If you want to make something creative, you need to tap into your imagination.

People use their imagination in different ways; some will be able to conjure up ideas for stories or worlds that exist beyond our own. Others will use theirs to think of ways of describing things in a more creative and imaginative way. Ultimately, a good imagination is what sets your work apart from others within your genre. This doesn’t mean you need to come up with the most fantastical novel of all time to have something classified as creative writing. No, using your imagination and creativity can extend to something as simple as your writing style.

Ultimately, it’s more about using your imagination to find your own personal flair and creative style. You will then be able to write unique pieces that stand out from the others and keep audiences engaged.

How can creative writing skills benefit you?

When most individuals or students consider creative writing, they imagine a world where they are writing stories for a living. There’s a common misconception that creative writing skills are only beneficial for people pursuing careers in scriptwriting, storytelling, etc. Realistically, enhancing ones creative writing skills can open up many windows of opportunity throughout your education and career.

• Improve essay writing – Naturally, creative writing forms a core part of essays and other written assignments in school and university. Improving your skills in this department can help a student get better at writing powerful essays and achieving top marks. In turn, this can impact your career by helping you get better grades to access better jobs in the future.
• Become a journalist – Journalists depend on creative writing to make stories that capture audiences and have people hanging on their every word. You need high levels of creativity to turn a news story into something people are keen to read or watch.
• Start a blog – In modern times, blogging is a useful tool that can help people find profitable and successful careers. The whole purpose of a blog is to provide your opinions to the masses while also entertaining, informing and educating. Again, having a firm grasp of creative writing skills will aid you in building your blog audience.
• Write marketing content – From advert scripts to content on websites, marketing is fuelled by creative writing. The best marketers will have creative writing skills to draw an audience in and convince them to buy products. If you can learn to get people hanging on your every word, you can make it in this industry.

These points all demonstrate the different ways in which creative writing can impact your life and alter your career. In terms of general career skills, this is one that you simply cannot go without.

How to improve your creative writing

One final part of this analysis of creative writing is to look at how students can improve. It begins by reading as much as you can and taking in lots of different content. Read books, poems, scripts, articles, blogs – anything you can find. Listen to music and pay attention to the words people use and the structure of their writing. It can help you pick up on things like metaphors, similes, and how to use your imagination. Of course, writing is the key to improving; the more you write, the more creative you can get as you will start unlocking the powers of your brain.

Conclusion: What is creative writing

In conclusion, creative writing uses a mixture of different types of writing to create stories that stray from traditional structures and norms. It revolves around the idea of using your imagination to find a writing style that suits you and gets your points across to an audience, keeping them engaged in everything you say. From novels to speeches, there are many forms of creative writing that can help you in numerous career paths throughout your life.

[1] SkillShare: The 5 Types of Writing Styles with Examples

[2] Elements of Good Story Telling – UX Planet

[3] Simile vs Metaphor: What’s the Difference? – ProWritingAid

[4] Definition of Exposure by Merriam-Webster

[5] The Higher Purpose of Creative Writing | by Terveen Gill

[6] Essay purpose – Western Sydney University

[7] FICTION | meaning in the Cambridge English Dictionary

[8] ‘Not fear, but hope’ – Attenborough speech in full – BBC News

[9] Writer’s Digest: Who Is Your Target Reader?

[10] What is a Narrative Arc? • A Guide to Storytelling Structure

What is Creative Writing? (Definition + Tips for Getting Started)

by Ivy Shelden

on Aug 22, 2024

What is creative writing? And how do your favorite authors write such emotionally moving, beautifully descriptive prose?

This post will give you the answers you’re looking for.

As an avid reader and creative writer, I’ll help you understand creative writing, what it means, all its different forms, and how to get started penning your own creative work.

Ready to get started?

Let’s dig in.

What is Creative Writing? (& What it Isn’t )

At its heart, creative writing is all about storytelling and expression. It’s where imagination meets ink, and the human experience takes center stage. 

Through writing fiction, poetry, drama, and even creative non-fiction, writers have the freedom to explore and express thoughts, feelings, and experiences that are uniquely their own. 

In creative writing, the sky’s the limit — you could dive into the psyche of a Martian, sketch a dystopian future, or chronicle the life of a pebble. 

The main objective? 

To engage, to provoke thought, to entertain, and to evoke an emotional response in the reader.

Contrast this with technical writing or academic writing . 

These forms of writing have a different purpose and follow a different set of rules. 

For example, consider technical writing .

It’s used in fields like engineering or computer science to explain complex systems or processes in clear, straightforward language. 

Think user manuals, reports, or scientific articles. They’re about precision, consistency, and clarity rather than evoking emotions or telling stories.

Similarly, academic writing — the kind you’ll find in textbooks or scholarly articles — is typically analytical or persuasive, aiming to build a sound argument based on evidence and reasoning. 

Academic writing sticks to strict structures and formats, with the primary goal of informing or persuading rather than entertaining. 

If academic and technical writing is about precision, evidence, and clear communication, then creative writing is about exploration, expression, and emotional resonance. 

Exploring the Wide World of Creative Writing (Types & Genres)

So what are the different types of creative writing? Well, there are a lot — after all, human creativity is boundless. 

But here are the most common genres …

Fiction is all about imagining and crafting narratives that aren’t necessarily rooted in reality. 

Consider fiction writing in the form of a short story, novella, or novel. 

From the fantastical realms in Tolkien’s “The Lord of the Rings” to the dystopian future of Orwell’s “1984”, fiction lets you construct alternate realities or tweak the real one just a bit to explore the ‘what ifs’.

Poetry is the art of condensing emotions and ideas into the fewest possible words, while still stirring deep feelings in readers. 

Whether it’s a Shakespearean sonnet or a free verse poem like Whitman’s “Leaves of Grass”, poetry uses rhythm, rhyme, and imagery to create a visceral experience. 

Poetry can be a wonderful way to explore complex emotions, ideas, or to just play with language.

Non-fiction

Creative non-fiction is about spinning engaging tales from the fabric of real life. 

Examples of creative non-fiction are Frank McCourt’s “Angela’s Ashes” or thought-provoking essays like Virginia Woolf’s “A Room of One’s Own”. 

Non-fiction allows writers to explore the truth with a creative twist. 

It’s all about turning the lens of your unique perspective on the real world and sharing your insights in an engaging, artistic way.

Drama/Playwriting

Ever been moved by a performance on stage? 

Playwriting is the craft of creating stories meant to be performed. 

Think of the tragic elegance of Shakespeare’s “Hamlet” or the modern powerhouse of Lin-Manuel Miranda’s “Hamilton”. Playwriting combines dialogue, action, and stage direction to bring stories to life in a very physical and immediate way.

Screenwriting

This is the art of writing scripts for film or television. 

As a screenwriter, you’re responsible for creating the blueprint for visual storytelling. 

Picture the mind-bending twists of “Inception” or the heartwarming tale of “Finding Nemo”. 

Screenwriting involves crafting dialogue and visual directions that help bring the director’s vision to life.

Songwriting

From Bob Dylan to Taylor Swift, songwriting is a form of creative writing many of us engage with every day. 

Songs can tell stories, express emotions, or capture a moment in time, all set to a melody that often enhances the meaning and impact of the words.

Flash Fiction

This is a writing style of fictional literature characterized by its extremely short length. 

Flash fiction stories are usually under 1000 words, and they challenge the writer to tell a compelling story with a clear narrative in a very confined space.

Every genre of creative writing offers its unique challenges and rewards, and each one can help you grow and evolve as a writer. 

So go ahead, dip your toes into these different pools and see which one feels right for you. 

14 Creative Writing Tips to Unleash Your Inner Writer

Ready to let your creativity off the leash? Here are some tips to get you started on your creative writing journey.

1. Carve Out Dedicated Writing Time

A daily writing habit can help keep your creative writing skill sharp and your creative juices flowing. 

Even if it’s just a few minutes each day, consistency is key. 

This dedicated time can also act as a mental space where you allow yourself to create and explore ideas without the interruptions of everyday life.

2. Embrace Freewriting

Freewriting is like stretching before a workout — it warms up your creative muscles and helps you limber up. 

It’s about letting your thoughts flow freely, without judgement or restraint, and can lead to unexpected insights and story seeds. 

You may find that this practice also helps to reduce writing anxiety by shifting focus away from perfection and towards the process of creation.

3. Experiment with Different Genres

Trying out various genres of creative writing not only helps you discover your strengths and preferences, but also enhances your versatility as a writer. 

It can also lead to unexpected discoveries. 

Maybe you’ve always thought of yourself as a novelist, but find that you have a knack for poetry. 

Keeping an open mind and being willing to experiment can lead you to exciting new creative territories.

4. Master the Art of Observation

Great writers are great observers. 

Paying close attention to the world around provides a rich source of inspiration for your writing. 

Write down interesting conversations, striking scenery, or even unusual smells. 

These small details can lend authenticity and vibrancy to your stories. 

So, the next time you’re on a crowded subway or strolling through a quiet forest, keep your senses alert and your notebook handy!

5. Practice Descriptive Writing

Creative writing is as much about showing as it is about telling. 

Practicing descriptive writing brings your characters, settings, and scenes to life. 

Try to engage all the reader’s senses — sight, sound, smell, taste, and touch. 

This helps to create an immersive experience for your reader and make your writing more memorable.

6. Experiment with Writing Prompts

Writing prompts are a fantastic way to jumpstart your creativity, especially when you’re feeling stuck. 

They can take the form of a phrase, an image, or even a situation. 

Try writing a short piece based on a prompt and see where it takes you – it could lead you to a story idea you would never have thought of on your own.

7. Study Story Structure

Understanding the structure of a story — setup, confrontation, and resolution — is essential for crafting compelling narratives. 

Each part serves a specific function and propels the story forward. 

Read up on different narrative structures and consider how they could apply to your own writing. 

This foundational knowledge will serve you well no matter what genre you’re working in.

8. Create Complex Characters

Characters are the heart of any story. 

To create characters that feel real to your readers, they need to be fully fleshed out with their own desires, flaws, and contradictions. 

Invest time in character development, imagining your characters’ backgrounds, motivations, and fears. 

Remember, the most engaging characters are often the ones that readers can empathize with, even if they’re flawed.

9. Read Widely

The more you read, the more you’ll understand about different writing styles , narrative structures, and character development strategies . 

But don’t just stick to your favorite genres. 

Read widely — across different genres, cultures, and time periods. It will help broaden your perspectives, spark fresh ideas, and enrich your own writing.

10. Start a Writing Journal

A writing journal is the perfect place to store ideas, sketches, character descriptions, or just musings about the world. 

Over time, these entries can become a gold mine of inspiration for future writing projects. 

It’s also a great tool for tracking your writing progress and reflecting on your journey as a writer.

11. Seek Feedback and Support

Writing doesn’t always have to be a solitary pursuit. 

By engaging with writing communities, you can benefit from others’ experiences, receive constructive criticism, and also learn by critiquing others’ work. 

This shared camaraderie can be a significant source of motivation and growth.

12. Set Achievable Goals

If you want to get your writing published someday, you need to set tangible, achievable goals .

These could range from small, daily targets like writing a certain number of words, to larger aspirations such as completing a manuscript or getting published. 

Celebrating these milestones, no matter how small, will boost your confidence and drive to keep going.

13. Edit and Revise

Your first draft is just the beginning. 

Revisiting your work, reworking sections, and fine-tuning language are all part of the writing process. 

This is your chance to sharpen your narrative, enhance your characters, and ensure that your story is as compelling as possible. 

Remember, every great writer is also a great editor.

14. Embrace Failure and Persevere

Every writer, from Stephen King to J.K. Rowling has faced rejection and failure. 

Writing can be a journey of highs and lows, but every stumble is an opportunity to learn and grow. 

The most successful writers are those who persevere, who pick themselves up after rejections and setbacks, and who stay committed to refining their craft. 

Every word, every sentence, and every story you write is a step forward on your creative journey.

Follow the Ultimate Creative Writing Commandment

There’s one tip that is absolutely crucial to your creative writing journey…

The tip: Start writing . 

Like, today. 

Know that your writing doesn’t have to be perfect — but it does need to exist. 

Remember, there’s no right or wrong way to be creative. Your voice is uniquely yours, and the world needs to hear it.

So go ahead, let your imagination run wild, and let your creative work entertain and inspire. 

Happy writing!

This post was originally published on June 7th, 2023 by Ivy Shelden. It has been updated for clarity and comprehensiveness. 

Ivy Shelden

Ivy Shelden is Associate Editor at Smart Blogger. She is also a freelance writer, and loves to indulge in creative writing in her free time.

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Creative Writing 101: Everything You Need to Get Started

Creative writing: You can take classes in it, you can earn a degree in it, but the only things you really need to do it are your creative thinking and writing tools. Creative writing is the act of putting your imagination on a page. It’s artistic expression in words; it’s writing without the constraints that come with other kinds of writing like persuasive or expository. 

Write with originality Grammarly helps you refine your word choice Write with Grammarly

What is creative writing?

Creative writing is writing meant to evoke emotion in a reader by communicating a theme. In storytelling (including literature, movies, graphic novels, creative nonfiction, and many video games), the theme is the central meaning the work communicates. 

Take the movie (and the novel upon which it’s based) Jaws , for instance. The story is about a shark that terrorizes a beach community and the men tasked with killing the shark. But the film’s themes include humanity’s desire to control nature, tradition vs. innovation, and how potential profit can drive people in power to make dangerous, even fatal, decisions. 

A theme isn’t the only factor that defines creative writing. Here are other components usually found in creative writing:

• Connecting, or at least attempting to connect, with the reader’s emotions
• Writing from a specific point of view
• A narrative structure can be complex or simple and serves to shape how the reader interacts with the content.
• Using imaginative and/or descriptive language

Creative writing typically uses literary devices like metaphors and foreshadowing to build a narrative and express the theme, but this isn’t a requirement. Neither is dialogue, though you’ll find it used in most works of fiction. Creative writing doesn’t have to be fictional, either. Dramatized presentations of true stories, memoirs, and observational humor pieces are all types of creative writing. 

What isn’t creative writing?

In contrast, research papers aren’t creative writing. Neither are analytical essays, persuasive essays , or other kinds of academic writing . Similarly, personal and professional communications aren’t considered creative writing—so your emails, social media posts, and official company statements are all firmly in the realm of non-creative writing. These kinds of writing convey messages, but they don’t express themes. Their goals are to inform and educate, and in some cases collect information from, readers. But even though they can evoke emotion in readers, that isn’t their primary goal. 

But what about things like blog posts? Or personal essays? These are broad categories, and specific pieces in these categories can be considered creative writing if they meet the criteria listed above. This blog post, for example, is not a piece of creative writing as it aims to inform, but a blog post that walks its reader through a first-person narrative of an event could be deemed creative writing. 

Types of creative writing

Creative writing comes in many forms. These are the most common:

Novels originated in the eighteenth century . Today, when people think of books, most think of novels. 

A novel is a fictional story that’s generally told in 60,000 to 100,000 words, though they can be as short as 40,000 words or go beyond 100,000. 

Stories that are too short to be novels, but can’t accurately be called short stories, are often referred to as novellas. Generally, a story between 10,000 and 40,000 words is considered a novella. You might also run into the term “ novelette ,” which is used to refer to stories that clock in between 7,500 and 19,000 words. 

Short stories

Short stories are fictional stories that fall generally between 5,000 and 10,000 words. Like novels, they tell complete stories and have at least one character, some sort of conflict, and at least one theme. 

When a story is less than 1,000 words, it’s categorized as a work of flash fiction.

Poetry can be hard to define because as a genre, it’s so open-ended. A poem doesn’t have to be any specific length. It doesn’t have to rhyme. There are many different kinds of poems from cultures all over the world, like sonnets, haikus, sestinas, blank verse, limericks, and free verse. 

The rules of poetry are generally flexible . . . unless you’re writing a specific type of poem, like a haiku , that has specific rules around the number of lines or structure. But while a poem isn’t required to conform to a specific length or formatting, or use perfect grammar , it does need to evoke its reader’s emotions, come from a specific point of view, and express a theme. 

And when you set a poem to music, you’ve got a song. 

Plays, TV scripts, and screenplays

Plays are meant to be performed on stage. Screenplays are meant to be made into films, and TV scripts are meant to be made into television programs. Scripts for videos produced for other platforms fit into this category as well. 

Plays, TV scripts, and screenplays have a lot in common with novels and short stories. They tell stories that evoke emotion and express themes. The difference is that they’re meant to be performed rather than read and as such, they tend to rely much more on dialogue because they don’t have the luxury of lengthy descriptive passages. But scriptwriters have more than just dialogue to work with; writing a play or script also involves writing stage or scene directions.

Each type of script has its own specific formatting requirements. 

Creative nonfiction

Creative nonfiction covers all the kinds of creative writing that aren’t fiction. Here are some examples:

• Personal essays: A personal essay is a true story told through a narrative framework. Often, recollections of events are interspersed with insights about those events and your personal interpretations and feelings about them in this kind of essay. 
• Literary journalism: Think of literary journalism as journalism enhanced by creative writing techniques. These are the kinds of stories often published in outlets like The New Yorker and Salon. Literary journalism pieces report on factual events but do so in a way that makes them feel like personal essays and short stories. 
• Memoirs: Memoirs are to personal essays what novels are to short stories. In other words, a memoir is a book-length collection of personal memories, often centering around a specific story, that often works opinions, epiphanies, and emotional insights into the narrative. 
• Autobiographies: An autobiography is a book you write about yourself and your life. Often, autobiographies highlight key events and may focus on one particular aspect of the author’s life, like her role as a tech innovator or his career as a professional athlete. Autobiographies are often similar in style to memoirs, but instead of being a collection of memories anchored to specific events, they tend to tell the author’s entire life story in a linear narrative. 
• Humor writing: Humor writing comes in many forms, like standup comedy routines, political cartoons, and humorous essays. 
• Lyric essays: In a lyric essay, the writer breaks conventional grammar and stylistic rules when writing about a concept, event, place, or feeling. In this way, lyric essays are like essay-length poems. The reason they’re considered essays, and not long poems, is that they generally provide more direct analysis of the subject matter than a poem would. 

Tips for writing creatively

Give yourself time and space for creative writing.

It’s hard to write a poem during your lunch break or work on your memoir between calls. Don’t make writing more difficult for yourself by trying to squeeze it into your day. Instead, block off time to focus solely on creative writing, ideally in a distraction-free environment like your bedroom or a coffee shop. 

>>Read More: How to Create Your Very Own Writing Retreat

Get to know yourself as a writer

The more you write, the more in tune you’ll become with your strengths and weaknesses as a writer. You’ll identify the kinds of characters, scenes, language, and pieces you like writing best and determine where you struggle the most. Understanding what kind of writer you are can help you decide which kinds of projects to pursue. 

Challenge yourself 

Once you know which kinds of writing you struggle with, do those kinds of writing. If you only focus on what you’re good at, you’ll never grow as a writer. Challenge yourself to write in a different genre or try a completely new type of writing. For example, if you’re a short story writer, give poetry or personal essays a try. 

Need help getting started? Give one (or all!) of these 20 fun writing prompts a try .

Learn from other writers

There are lots of resources out there about creative writing. Read and watch them. If there’s a particular writer whose work you enjoy, seek out interviews with them and personal essays they’ve written about their creative processes. 

>>Read More: How to Be a Master Storyteller—Tips from 5 Experts 

Don’t limit yourself to big-name writers, either. Get involved in online forums, social media groups, and if possible, in-person groups for creative writers. By doing this, you’re positioning yourself to learn from writers from all different walks of life . . . and help other writers, too. 

I wrote something. Where do I go from here?

Give yourself a pat on the back: You did it! You finished a piece of creative writing—something many attempt, but not quite as many achieve. 

What comes next is up to you. You can share it with your friends and family, but you don’t have to. You can post it online or bring it to an in-person writing group for constructive critique. You can even submit it to a literary journal or an agent to potentially have it published, but if you decide to take this route, we recommend working with an editor first to make it as polished as possible. 

Some writers are initially hesitant to share their work with others because they’re afraid their work will be stolen. Although this is a possibility, keep in mind that you automatically hold the copyright for any piece you write. If you’d like, you can apply for copyright protection to give yourself additional legal protection against plagiarizers, but this is by no means a requirement. 

Write with originality

Grammarly can’t help you be more creative, but we can help you hone your writing so your creativity shines as brightly as possible. Once you’ve written your piece, Grammarly can catch any mistakes you made and suggest strong word choices that accurately express your message. 

Home › Study Tips › Creative Writing Resources For Secondary School Students

What Is Creative Writing? Is It Worth Studying?

• Published October 31, 2022

As loose as the definition of Creative Writing is, it’s not always easy to understand. Sure, writing a story is Creative Writing. What about poems or personal essays?

Also, how does Creative Writing even help one succeed in university and career life? We empower our Creative Writing summer school students to grasp the power of creative writing and how to use it.

How? By giving them access to personalised tutorials with expert Creative Writing tutors from prestigious universities such as the University of Oxford and Cambridge.

Creative Writing doesn’t have to be confusing or intimidating. In this article, we’ll take you through a simple explanation of what Creative Writing is and why it’s helpful and relevant.

What is Creative Writing? 

The simplest description of Creative Writing is what it’s not: it doesn’t revolve around facts like technical writing.

Technical Writing vs Creative Writing

You encounter technical writing in your daily life. You’ll find it in newspapers, journal articles, and textbooks. Do you notice how the presentation of accurate information is necessary in each of these mediums? 

Because the goal of technical writing is to explain or relay information as it is .  

But in creative writing, such is not the case. The primary goal of Creative Writing is not to present complex information for the sake of educating the audience. 

Instead, the goal is to express yourself. Should you want to share information via Creative Writing, the objective becomes persuading your readers to think about it as you do.

Hence, if you contrast Technical Writing and Creative Writing within this context,

• Technical Writing: share information without biases
• Creative Writing: self-expression of how one feels or thinks about said information.

If reducing personal opinion in Technical Writing is virtuous, in creative writing, it is criminal .

Self-Expression in Creative Writing

One must express oneself in Creative Writing to entertain, captivate, or persuade readers. Since Creative Writing involves one’s imagination and self-expression, it’s common for Creative Writers to say that they “poured a part of themselves” into their work. 

What are the different ways you can express yourself in Creative Writing?

Types of Creative Writing: 2 Major Types

The two major umbrellas of Creative Writing are Creative Nonfiction and Creative Fiction.

1. Creative Nonfiction

“Nonfiction” means writing based on actual events, persons, and experiences. Some forms of creative nonfiction include:

• Personal Essay – here, the writer shares their personal thoughts, beliefs, or experiences.
• Memoir – captures the writer’s memories and experiences of a life-changing past event.
• Narrative Nonfiction – a factual event written in a story format.

2. Creative Fiction

The bulk of Creative Writing literature is found under the Creative Fiction category, such as:

• Short Story – shorter than a novel, containing only a few scenes and characters.
• Novel – a full-blown plot line with multiple scenes, characters, and subplots.
• Poem – uses specific rhythm and style to express ideas or feelings
• Play – contains dialogue and stage directions for theatre performances.
• Screenplay – script to be used for film production (e.g. movies, video games.)

In short, Creative Fiction involves stories . Do you want more specific examples of Creative Writing? Then, you may want to read this article called “Creative Writing Examples.”

Why Is It Important to Learn Creative Writing? 

It’s essential to learn Creative Writing because of the following reasons:

1. Creative Writing is a valuable skill in school and work

As a student, you know well why Creative Writing is important. You submit written work in various situations, such as writing essays for assignments and exams. Or when you have to write a Personal Statement to apply for University. 

In these situations, your chances of getting higher grades depend on your ability to write creatively. (Even your chances of getting accepted into a top ranked creative writing university of your dreams!)

What about when you graduate? Do you use Creative Writing in your career? Convincing a recruiter to hire you via cover letters is an example of creative writing.

Once you’re hired, you’ll find that you need to write something up. It depends on your line of work and how often and complex your writing should be.

But mundane tasks such as writing an email response, coming up with a newsletter, or making a PowerPoint presentation involve creative writing.

So when you’ve practised your Creative Writing skills, you’ll find these tasks manageable. Even enjoyable! If you want to study creative writing at university, we put together what a-levels you need for creative writing .

2. Creative Writing enhances several essential skills.

Do you know that writing is thinking? At least that’s what the American Historian and two-time winner of the Pulitzer Prize, David McCullough said.

Many people find Creative Writing challenging because it requires a combination of the following skills:

• Observation
• Critical thinking and analysis
• Reasoning skills
• Communication

Many of these skills make you a valuable employee in many industries. In fact, Forbes reports that:

• Critical Thinking
• and Emotional Intelligence

are three of the Top 10 most in-demand skills for the next decade. That’s why Creative Writing is a valuable endeavour and if you take it at university there are some great creative writing degree career prospects .

3. Creative Writing Is Therapeutic 

Do you know that Creative Writing has a significant beneficial effect on your mental and emotional health? 

A 2021 study in the Counselling & Psychotherapy Research reports that Creative Writing brought significant health benefits to nine people who worked in creative industries. Writing helped them in their cognitive processing of emotional difficulty. 

Result? Improved mood and mental well-being. 

A plethora of studies over the decades found the same results. Expressing yourself via creative writing, especially by writing in your daily journal, is beneficial for your mental and emotional health. 

4. You may want to work in a Creative Writing-related Career

Creative employment in the UK grows 2x faster than the rest of the economy. In fact, did you know that jobs in the creative industry grew by 30.6% from 2011 to 2018? 

Compare that to the average UK growth of 10.1% during the same period, and you can see the potential. 

How about in the US? The Bureau of Labor Statistics estimates a 4% increase in employment for authors and writers from 2021 to 2031. Resulting in about 15,200 job openings yearly over the next 10 years.

The median yearly salary? It was at $69,510 as of May 2021. 

So if you’re considering a Creative Writing career, now would be a great time to do so!

How To Be A Creative Writer? 

You want to be a Creative Writer but don’t know where to start. Don’t worry! The best way to start is to learn from Creative Writing experts .

That’s why we ensure our Creative Writing summer school students have access to 1:1 personalised tutorials with expert Creative Writing tutors. 

Our Creative Writing tutors come from world-renowned universities such as the University of Cambridge and Oxford. So you’re in excellent hands!

Here you’ll learn creative writing tips and techniques , such as character creation and plot mapping. But the best part is, you’ll come out of the course having experienced what a Creative Writer is like!

Because by then, you’ll have a Written Portfolio to show for your efforts. Which you presented to your tutor and peers for receiving constructive feedback.

Another surefire way to start becoming a Creative Writer is by practising. Check out this article called “ Creative Writing Exercises .” You’ll begin building a writing routine if you practice these exercises daily. 

And trust us, every great writer has a solid writing routine!

Creative Writing is a form of self-expression that allows you to use your imagination and creativity. It can be in the form of personal essays, short stories, or poems. It is often used as an outlet for emotions and experiences. Start with creative writing by reading through creative writing examples to help get you in the mood. Then, just let the words flow daily, and you’re on the road to becoming an excellent Creative Writer!

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Writers' Treasure

Effective writing advice for aspiring writers

Creative Writing 101

Creative writing is any form of writing which is written with the creativity of mind: fiction writing, poetry writing, creative nonfiction writing and more. The purpose is to express something, whether it be feelings, thoughts, or emotions.

Rather than only giving information or inciting the reader to make an action beneficial to the writer, creative writing is written to entertain or educate someone, to spread awareness about something or someone, or to express one’s thoughts.

There are two kinds of creative writing: good and bad, effective and ineffective. Bad, ineffective creative writing cannot make any impression on the reader. It won’t achieve its purpose.

So whether you’re a novelist, a poet, a short-story writer, an essayist, a biographer or an aspiring beginner, you want to improve your craft. The question is: how?

When you write great fiction, poetry, or nonfiction, amazing things can happen. Readers can’t put it down. The work you wrote becomes a bestseller. It becomes famous. But you have to reach to that level… first .

The best way to increase your proficiency in creative writing is to write, write compulsively, but it doesn’t mean write whatever you want. There are certain things you should know first… it helps to start with the right foot.

To do exactly that, here we have a beginners’ guide from Writers’ Treasure on the subject:

• An Introduction to Creative Writing
• How to Get Started in Creative Writing in Just Three Steps
• Creative Writing vs. Technical Writing
• Fiction Writing 101: The Elements of Stories
• Poetry Writing: Forms and Terms Galore
• Creative Non-Fiction: What is it?
• Tips and Tricks to Improve Your Creative Writing
• Common Mistakes Made by Creative Writers

For novelists: do you want to write compelling opening chapters?

Are you an aspiring novelist? Will your novel see the light of day? For that, you will need to make the first chapter of your story as compelling as possible. Otherwise, readers won’t even pick up your novel. That chapter can be the make-or-break point that decides whether your novel is published or not. It’s because good editors know how you write from the first three pages… or sometimes even from the opening lines.

To solve this problem, I created a five-part tutorial on Writing Compelling Opening Chapters . It outlines why you need to write a compelling opening chapter, my personal favourite way of beginning it, what should be told and shown in it, general dos and don’ts, and what you need to do after having written it. Check it out for more.

Need more writing tips?

Sometimes you reach that stage when you outgrow the beginner stage of writing but feel that you’re not yet an expert. If I just described you, no worries– Writers’ Treasure’s writing tips are here. Whether you want to make your writing more readable, more irresistible, more professional, we’ve got you covered. So check out our writing tips , and be on your way to fast track your success.

I offer writing, editing and proofreading , as well as website creation services. I’ve been in this field for seven years, and I know the tools of the trade. I’ve seen the directions where the writing industry is going, the changes, the new platforms. Get your work done through me, and get fast and efficient service. Get a quote .

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Elements of Creative Writing

(3 reviews)

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Colin Rafferty, Professor, University of Mary Washington on 8/2/24

Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each... read more

Comprehensiveness rating: 5 see less

Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each genre. The included links to referred texts also builds in an automatic, OER-based anthology for students. Terms are not only defined clearly, but also their utility is explained--here's what assonance can actually do in a poem, rather than simply "it's repeated vowel sounds,"

Content Accuracy rating: 5

Calling the content "accurate" requires a suspension of the notion that art and writing aren't subjective; instead, it might be more useful to judge the content on the potential usefulness to students, in which case it' s quite accurate. Reading this, I often found myself nodding in agreement with the authors' suggestions for considering published work and discussing workshop material, and their prompts for generating creative writing feel full of potential. It's as error-free, if not more so, than most OER textbooks (which is to say: a few typos here and there) and a surprising number of trade publications. It's not unbiased, per se--after all, these are literary magazine editors writing the textbook and often explaining what it is about a given piece of writing that they find (or do not find) engaging and admirable--but unbiased isn't necessarily a quantity one looks for in creative writing textbooks.

Relevance/Longevity rating: 4

The thing about creative writing is that they keep making more of it, so eventually the anthology elements of this textbook will be less "look what's getting published these days" and more "look what was getting published back then," but the structure of the textbook should allow for substitution and replacement (that said, if UNI pulls funding for NAR, as too many universities are doing these days, then the bigger concern is about the archive vanishing). The more rhetorical elements of the textbook are solid, and should be useful to students and faculty for a long time.

Clarity rating: 5

Very clear, straightforward prose, and perhaps more importantly, there's a sense of each author that emerges in each section, demonstrating to students that writing, especially creative writing, comes from a person. As noted above, any technical jargon is not only explained, but also discussed, meaning that how and why one might use any particular literary technique are emphasized over simply rote memorization of terms.

Consistency rating: 4

It's consistent within each section, but the voice and approach change with each genre. This is a strength, not a weakness, and allows the textbook to avoid the one-size-fits-all approach of single-author creative writing textbooks. There are different "try this" exercises for each genre that strike me as calibrated to impress the facets of that particular genre on the student.

Modularity rating: 5

The three-part structure of the book allows teachers to start wherever they like, genre-wise. While the internal structure of each section does build upon and refer back to earlier chapters, that seems more like an advantage than a disadvantage. Honestly, there's probably enough flexibility built into the textbook that even the callbacks could be glossed over quickly enough in the classroom.

Organization/Structure/Flow rating: 5

Chapters within each genre section build upon each other, starting with basics and developing the complexity and different elements of that genre. The textbook's overall organization allows some flexibility in terms of starting with fiction, poetry, or nonfiction.

Interface rating: 4

Easy to navigate. I particularly like the way that links for the anthology work in the nonfiction section (clearly appearing at the side of the text in addition to within it) and would like to see that consistently applied throughout.

Grammatical Errors rating: 5

A few typos here and there, but you know what else generally has a few typos here and there? Expensive physical textbooks.

Cultural Relevance rating: 5

The anthology covers a diverse array of authors and cultural identities, and the textbook authors are not only conscious of their importance but also discuss how those identities affect decisions that the authors might have made, even on a formal level. If you find an underrepresented group missing, it should be easy enough to supplement this textbook with a poem/essay/story.

Very excited to use this in my Intro to CW classes--unlike other OERs that I've used for the field, this one feels like it could compete with the physical textbooks head-to-head. Other textbooks have felt more like a trade-off between content and cost.

Reviewed by Jeanne Cosmos, Adjunct Faculty, Massachusetts Bay Community College on 7/7/24

Direct language and concrete examples & Case Studies. read more

Direct language and concrete examples & Case Studies.

References to literature and writers- on track.

Relevance/Longevity rating: 5

On point for support to assist writers and creative process.

Direct language and easy to read.

First person to third person. Too informal in many areas of the text.

Units are readily accessible.

Process of creative writing and prompts- scaffold areas of learning for students.

Interface rating: 5

No issues found.

The book is accurate in this regard.

Cultural Relevance rating: 4

Always could be revised and better.

Yes. Textbook font is not academic and spacing - also not academic. A bit too primary. Suggest- Times New Roman 12- point font & a space plus - Some of the language and examples too informal and the tone of lst person would be more effective if - direct and not so 'chummy' as author references his personal recollections. Not effective.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

As far as I can tell, content is accurate, error free and unbiased.

The book is relevant and up-to-date.

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Topics are presented in logical, clear fashion.

Navigation is good.

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

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Last updated on Feb 14, 2023

10 Types of Creative Writing (with Examples You’ll Love)

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Savannah Cordova

Savannah is a senior editor with Reedsy and a published writer whose work has appeared on Slate, Kirkus, and BookTrib. Her short fiction has appeared in the Owl Canyon Press anthology, "No Bars and a Dead Battery". 

About Rebecca van Laer

Rebecca van Laer is a writer, editor, and the author of two books, including the novella How to Adjust to the Dark. Her work has been featured in literary magazines such as AGNI, Breadcrumbs, and TriQuarterly.

A lot falls under the term ‘creative writing’: poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is , it may be easier to understand what it does by looking at examples that demonstrate the sheer range of styles and genres under its vast umbrella.

To that end, we’ve collected a non-exhaustive list of works across multiple formats that have inspired the writers here at Reedsy. With 20 different works to explore, we hope they will inspire you, too. 

People have been writing creatively for almost as long as we have been able to hold pens. Just think of long-form epic poems like The Odyssey or, later, the Cantar de Mio Cid — some of the earliest recorded writings of their kind. 

Poetry is also a great place to start if you want to dip your own pen into the inkwell of creative writing. It can be as short or long as you want (you don’t have to write an epic of Homeric proportions), encourages you to build your observation skills, and often speaks from a single point of view . 

Here are a few examples:

“Ozymandias” by Percy Bysshe Shelley

Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.

This classic poem by Romantic poet Percy Shelley (also known as Mary Shelley’s husband) is all about legacy. What do we leave behind? How will we be remembered? The great king Ozymandias built himself a massive statue, proclaiming his might, but the irony is that his statue doesn’t survive the ravages of time. By framing this poem as told to him by a “traveller from an antique land,” Shelley effectively turns this into a story. Along with the careful use of juxtaposition to create irony, this poem accomplishes a lot in just a few lines. 

“Trying to Raise the Dead” by Dorianne Laux

 A direction. An object. My love, it needs a place to rest. Say anything. I’m listening. I’m ready to believe. Even lies, I don’t care.

Poetry is cherished for its ability to evoke strong emotions from the reader using very few words which is exactly what Dorianne Laux does in “ Trying to Raise the Dead .” With vivid imagery that underscores the painful yearning of the narrator, she transports us to a private nighttime scene as the narrator sneaks away from a party to pray to someone they’ve lost. We ache for their loss and how badly they want their lost loved one to acknowledge them in some way. It’s truly a masterclass on how writing can be used to portray emotions. 

If you find yourself inspired to try out some poetry — and maybe even get it published — check out these poetry layouts that can elevate your verse!

Song Lyrics

Poetry’s closely related cousin, song lyrics are another great way to flex your creative writing muscles. You not only have to find the perfect rhyme scheme but also match it to the rhythm of the music. This can be a great challenge for an experienced poet or the musically inclined. 

To see how music can add something extra to your poetry, check out these two examples:

“Hallelujah” by Leonard Cohen

 You say I took the name in vain I don't even know the name But if I did, well, really, what's it to ya? There's a blaze of light in every word It doesn't matter which you heard The holy or the broken Hallelujah 

Metaphors are commonplace in almost every kind of creative writing, but will often take center stage in shorter works like poetry and songs. At the slightest mention, they invite the listener to bring their emotional or cultural experience to the piece, allowing the writer to express more with fewer words while also giving it a deeper meaning. If a whole song is couched in metaphor, you might even be able to find multiple meanings to it, like in Leonard Cohen’s “ Hallelujah .” While Cohen’s Biblical references create a song that, on the surface, seems like it’s about a struggle with religion, the ambiguity of the lyrics has allowed it to be seen as a song about a complicated romantic relationship. 

“I Will Follow You into the Dark” by Death Cab for Cutie

 ​​If Heaven and Hell decide that they both are satisfied Illuminate the no's on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark

You can think of song lyrics as poetry set to music. They manage to do many of the same things their literary counterparts do — including tugging on your heartstrings. Death Cab for Cutie’s incredibly popular indie rock ballad is about the singer’s deep devotion to his lover. While some might find the song a bit too dark and macabre, its melancholy tune and poignant lyrics remind us that love can endure beyond death.

Plays and Screenplays

From the short form of poetry, we move into the world of drama — also known as the play. This form is as old as the poem, stretching back to the works of ancient Greek playwrights like Sophocles, who adapted the myths of their day into dramatic form. The stage play (and the more modern screenplay) gives the words on the page a literal human voice, bringing life to a story and its characters entirely through dialogue. 

Interested to see what that looks like? Take a look at these examples:

All My Sons by Arthur Miller

“I know you're no worse than most men but I thought you were better. I never saw you as a man. I saw you as my father.” 

Arthur Miller acts as a bridge between the classic and the new, creating 20th century tragedies that take place in living rooms and backyard instead of royal courts, so we had to include his breakout hit on this list. Set in the backyard of an all-American family in the summer of 1946, this tragedy manages to communicate family tensions in an unimaginable scale, building up to an intense climax reminiscent of classical drama. 

💡 Read more about Arthur Miller and classical influences in our breakdown of Freytag’s pyramid . 

“Everything is Fine” by Michael Schur ( The Good Place )

“Well, then this system sucks. What...one in a million gets to live in paradise and everyone else is tortured for eternity? Come on! I mean, I wasn't freaking Gandhi, but I was okay. I was a medium person. I should get to spend eternity in a medium place! Like Cincinnati. Everyone who wasn't perfect but wasn't terrible should get to spend eternity in Cincinnati.” 

A screenplay, especially a TV pilot, is like a mini-play, but with the extra job of convincing an audience that they want to watch a hundred more episodes of the show. Blending moral philosophy with comedy, The Good Place is a fun hang-out show set in the afterlife that asks some big questions about what it means to be good. 

It follows Eleanor Shellstrop, an incredibly imperfect woman from Arizona who wakes up in ‘The Good Place’ and realizes that there’s been a cosmic mixup. Determined not to lose her place in paradise, she recruits her “soulmate,” a former ethics professor, to teach her philosophy with the hope that she can learn to be a good person and keep up her charade of being an upstanding citizen. The pilot does a superb job of setting up the stakes, the story, and the characters, while smuggling in deep philosophical ideas.

Personal essays

Our first foray into nonfiction on this list is the personal essay. As its name suggests, these stories are in some way autobiographical — concerned with the author’s life and experiences. But don’t be fooled by the realistic component. These essays can take any shape or form, from comics to diary entries to recipes and anything else you can imagine. Typically zeroing in on a single issue, they allow you to explore your life and prove that the personal can be universal.

Here are a couple of fantastic examples:

“On Selling Your First Novel After 11 Years” by Min Jin Lee (Literary Hub)

There was so much to learn and practice, but I began to see the prose in verse and the verse in prose. Patterns surfaced in poems, stories, and plays. There was music in sentences and paragraphs. I could hear the silences in a sentence. All this schooling was like getting x-ray vision and animal-like hearing. 

This deeply honest personal essay by Pachinko author Min Jin Lee is an account of her eleven-year struggle to publish her first novel . Like all good writing, it is intensely focused on personal emotional details. While grounded in the specifics of the author's personal journey, it embodies an experience that is absolutely universal: that of difficulty and adversity met by eventual success. 

“A Cyclist on the English Landscape” by Roff Smith (New York Times)

These images, though, aren’t meant to be about me. They’re meant to represent a cyclist on the landscape, anybody — you, perhaps. 

Roff Smith’s gorgeous photo essay for the NYT is a testament to the power of creatively combining visuals with text. Here, photographs of Smith atop a bike are far from simply ornamental. They’re integral to the ruminative mood of the essay, as essential as the writing. Though Smith places his work at the crosscurrents of various aesthetic influences (such as the painter Edward Hopper), what stands out the most in this taciturn, thoughtful piece of writing is his use of the second person to address the reader directly. Suddenly, the writer steps out of the body of the essay and makes eye contact with the reader. The reader is now part of the story as a second character, finally entering the picture.

Short Fiction

The short story is the happy medium of fiction writing. These bite-sized narratives can be devoured in a single sitting and still leave you reeling. Sometimes viewed as a stepping stone to novel writing, that couldn’t be further from the truth. Short story writing is an art all its own. The limited length means every word counts and there’s no better way to see that than with these two examples:

“An MFA Story” by Paul Dalla Rosa (Electric Literature)

At Starbucks, I remembered a reading Zhen had given, a reading organized by the program’s faculty. I had not wanted to go but did. In the bar, he read, "I wrote this in a Starbucks in Shanghai. On the bank of the Huangpu." It wasn’t an aside or introduction. It was two lines of the poem. I was in a Starbucks and I wasn’t writing any poems. I wasn’t writing anything. 

This short story is a delightfully metafictional tale about the struggles of being a writer in New York. From paying the bills to facing criticism in a writing workshop and envying more productive writers, Paul Dalla Rosa’s story is a clever satire of the tribulations involved in the writing profession, and all the contradictions embodied by systemic creativity (as famously laid out in Mark McGurl’s The Program Era ). What’s more, this story is an excellent example of something that often happens in creative writing: a writer casting light on the private thoughts or moments of doubt we don’t admit to or openly talk about. 

“Flowering Walrus” by Scott Skinner (Reedsy)

I tell him they’d been there a month at least, and he looks concerned. He has my tongue on a tissue paper and is gripping its sides with his pointer and thumb. My tongue has never spent much time outside of my mouth, and I imagine it as a walrus basking in the rays of the dental light. My walrus is not well. 

A winner of Reedsy’s weekly Prompts writing contest, ‘ Flowering Walrus ’ is a story that balances the trivial and the serious well. In the pauses between its excellent, natural dialogue , the story manages to scatter the fear and sadness of bad medical news, as the protagonist hides his worries from his wife and daughter. Rich in subtext, these silences grow and resonate with the readers.

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Perhaps the thing that first comes to mind when talking about creative writing, novels are a form of fiction that many people know and love but writers sometimes find intimidating. The good news is that novels are nothing but one word put after another, like any other piece of writing, but expanded and put into a flowing narrative. Piece of cake, right?

To get an idea of the format’s breadth of scope, take a look at these two (very different) satirical novels: 

Convenience Store Woman by Sayaka Murata

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality — all simply store workers. 

Keiko, a thirty-six-year-old convenience store employee, finds comfort and happiness in the strict, uneventful routine of the shop’s daily operations. A funny, satirical, but simultaneously unnerving examination of the social structures we take for granted, Sayaka Murata’s Convenience Store Woman is deeply original and lingers with the reader long after they’ve put it down.

Erasure by Percival Everett

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it.  

Erasure is a truly accomplished satire of the publishing industry’s tendency to essentialize African American authors and their writing. Everett’s protagonist is a writer whose work doesn’t fit with what publishers expect from him — work that describes the “African American experience” — so he writes a parody novel about life in the ghetto. The publishers go crazy for it and, to the protagonist’s horror, it becomes the next big thing. This sophisticated novel is both ironic and tender, leaving its readers with much food for thought.

Creative Nonfiction

Creative nonfiction is pretty broad: it applies to anything that does not claim to be fictional (although the rise of autofiction has definitely blurred the boundaries between fiction and nonfiction). It encompasses everything from personal essays and memoirs to humor writing, and they range in length from blog posts to full-length books. The defining characteristic of this massive genre is that it takes the world or the author’s experience and turns it into a narrative that a reader can follow along with.

Here, we want to focus on novel-length works that dig deep into their respective topics. While very different, these two examples truly show the breadth and depth of possibility of creative nonfiction:

Men We Reaped by Jesmyn Ward

Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear as ghosts. In death, they transcend the circumstances of this place that I love and hate all at once and become supernatural. 

Writer Jesmyn Ward recounts the deaths of five men from her rural Mississippi community in as many years. In her award-winning memoir , she delves into the lives of the friends and family she lost and tries to find some sense among the tragedy. Working backwards across five years, she questions why this had to happen over and over again, and slowly unveils the long history of racism and poverty that rules rural Black communities. Moving and emotionally raw, Men We Reaped is an indictment of a cruel system and the story of a woman's grief and rage as she tries to navigate it.

Cork Dork by Bianca Bosker

He believed that wine could reshape someone’s life. That’s why he preferred buying bottles to splurging on sweaters. Sweaters were things. Bottles of wine, said Morgan, “are ways that my humanity will be changed.” 

In this work of immersive journalism , Bianca Bosker leaves behind her life as a tech journalist to explore the world of wine. Becoming a “cork dork” takes her everywhere from New York’s most refined restaurants to science labs while she learns what it takes to be a sommelier and a true wine obsessive. This funny and entertaining trip through the past and present of wine-making and tasting is sure to leave you better informed and wishing you, too, could leave your life behind for one devoted to wine. 

Illustrated Narratives (Comics, graphic novels)

Once relegated to the “funny pages”, the past forty years of comics history have proven it to be a serious medium. Comics have transformed from the early days of Jack Kirby’s superheroes into a medium where almost every genre is represented. Humorous one-shots in the Sunday papers stand alongside illustrated memoirs, horror, fantasy, and just about anything else you can imagine. This type of visual storytelling lets the writer and artist get creative with perspective, tone, and so much more. For two very different, though equally entertaining, examples, check these out:

Calvin & Hobbes by Bill Watterson

"Life is like topography, Hobbes. There are summits of happiness and success, flat stretches of boring routine and valleys of frustration and failure." 

This beloved comic strip follows Calvin, a rambunctious six-year-old boy, and his stuffed tiger/imaginary friend, Hobbes. They get into all kinds of hijinks at school and at home, and muse on the world in the way only a six-year-old and an anthropomorphic tiger can. As laugh-out-loud funny as it is, Calvin & Hobbes ’ popularity persists as much for its whimsy as its use of humor to comment on life, childhood, adulthood, and everything in between. 

From Hell by Alan Moore and Eddie Campbell 

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." 

Comics aren't just the realm of superheroes and one-joke strips, as Alan Moore proves in this serialized graphic novel released between 1989 and 1998. A meticulously researched alternative history of Victorian London’s Ripper killings, this macabre story pulls no punches. Fact and fiction blend into a world where the Royal Family is involved in a dark conspiracy and Freemasons lurk on the sidelines. It’s a surreal mad-cap adventure that’s unsettling in the best way possible. 

Video Games and RPGs

Probably the least expected entry on this list, we thought that video games and RPGs also deserved a mention — and some well-earned recognition for the intricate storytelling that goes into creating them. 

Essentially gamified adventure stories, without attention to plot, characters, and a narrative arc, these games would lose a lot of their charm, so let’s look at two examples where the creative writing really shines through: 

80 Days by inkle studios

"It was a triumph of invention over nature, and will almost certainly disappear into the dust once more in the next fifty years." 

Named Time Magazine ’s game of the year in 2014, this narrative adventure is based on Around the World in 80 Days by Jules Verne. The player is cast as the novel’s narrator, Passpartout, and tasked with circumnavigating the globe in service of their employer, Phileas Fogg. Set in an alternate steampunk Victorian era, the game uses its globe-trotting to comment on the colonialist fantasies inherent in the original novel and its time period. On a storytelling level, the choose-your-own-adventure style means no two players’ journeys will be the same. This innovative approach to a classic novel shows the potential of video games as a storytelling medium, truly making the player part of the story. 

What Remains of Edith Finch by Giant Sparrow

"If we lived forever, maybe we'd have time to understand things. But as it is, I think the best we can do is try to open our eyes, and appreciate how strange and brief all of this is." 

This video game casts the player as 17-year-old Edith Finch. Returning to her family’s home on an island in the Pacific northwest, Edith explores the vast house and tries to figure out why she’s the only one of her family left alive. The story of each family member is revealed as you make your way through the house, slowly unpacking the tragic fate of the Finches. Eerie and immersive, this first-person exploration game uses the medium to tell a series of truly unique tales. 

Fun and breezy on the surface, humor is often recognized as one of the trickiest forms of creative writing. After all, while you can see the artistic value in a piece of prose that you don’t necessarily enjoy, if a joke isn’t funny, you could say that it’s objectively failed.

With that said, it’s far from an impossible task, and many have succeeded in bringing smiles to their readers’ faces through their writing. Here are two examples:

‘How You Hope Your Extended Family Will React When You Explain Your Job to Them’ by Mike Lacher (McSweeney’s Internet Tendency)

“Is it true you don’t have desks?” your grandmother will ask. You will nod again and crack open a can of Country Time Lemonade. “My stars,” she will say, “it must be so wonderful to not have a traditional office and instead share a bistro-esque coworking space.” 

Satire and parody make up a whole subgenre of creative writing, and websites like McSweeney’s Internet Tendency and The Onion consistently hit the mark with their parodies of magazine publishing and news media. This particular example finds humor in the divide between traditional family expectations and contemporary, ‘trendy’ work cultures. Playing on the inherent silliness of today’s tech-forward middle-class jobs, this witty piece imagines a scenario where the writer’s family fully understands what they do — and are enthralled to hear more. “‘Now is it true,’ your uncle will whisper, ‘that you’ve got a potential investment from one of the founders of I Can Haz Cheezburger?’”

‘Not a Foodie’ by Hilary Fitzgerald Campbell (Electric Literature)

I’m not a foodie, I never have been, and I know, in my heart, I never will be. 

Highlighting what she sees as an unbearable social obsession with food , in this comic Hilary Fitzgerald Campbell takes a hilarious stand against the importance of food. From the writer’s courageous thesis (“I think there are more exciting things to talk about, and focus on in life, than what’s for dinner”) to the amusing appearance of family members and the narrator’s partner, ‘Not a Foodie’ demonstrates that even a seemingly mundane pet peeve can be approached creatively — and even reveal something profound about life.

We hope this list inspires you with your own writing. If there’s one thing you take away from this post, let it be that there is no limit to what you can write about or how you can write about it. 

In the next part of this guide, we'll drill down into the fascinating world of creative nonfiction.

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Creative Writing Ultimate Guide

I don’t know about you, but when I start learning a new skill, I want to know everything about it right away. How do I get started? What do I need to get started? How could this new skill transform my life?

Being an incessant researcher of new pastimes, I love a good master post. So, I’ve made one today for one of my favorite things in the world: creative writing .

I wrote this for people who are just getting into creative writing, but even if you’ve been writing for a while, stay tuned—some of the tricks and resources in this post will be helpful for you, too.

Need A Fiction Book Outline?

What is creative writing?

Creative writing examples, how to start creative writing, creative writing prompts, creative writing jobs, creative writing degrees, online creative writing courses.

Creative writing is imaginative writing. It’s meant to entertain its readers and get some emotional response from them. You’ll note that I said imaginative , but I didn’t say fictional writing, because while fiction is a subcategory of creative writing, it doesn’t define creative writing. All fiction is creative writing, but not all creative writing is fiction.

While technical, legal, or academic writing might be focused on conveying information in the most efficient and clear manner possible, the goal of creative writing is slightly different. You still want to communicate effectively and clearly, but you also want to put some pep in there. Creative writing uses tools like metaphor and imagery to evoke an image, emotion, or both from the reader.

Another way to look at it: if you were to say what makes creative writing distinct as a form, you could say it’s the artsy one.

Creative writing covers more than just fiction, or even just novels . Here’s a quick rundown of some types of creative writing you might encounter.

Novels (which fall under the ‘fiction’ umbrella) are a type of creative writing where the reader follows a character or characters through a plot. A novel might be a standalone, or it might be part of a series.

Example: Parable of the Sower by Octavia Butler

2. Short Stories

Short stories (which also fall under the ‘fiction’ umbrella) follow a character through a plot, like you’d see in a novel, but short stories are, well, shorter. Generally, short stories run between 1,000 and 10,000 words, with works under 1,000 words falling under the subcategory ‘flash fiction.’

Example: The Yellow Wallpaper by Charlotte Perkins Gilman

Poetry is a form of writing which focuses heavily on imagery, metaphor, symbolism, and other figurative tools. It also involves a lot of technical work with form; meter and rhythm are commonly used to enhance meaning. You can generally tell what poems are by looking at them, since they’re usually divided into groups of lines (stanzas) instead of paragraphs, like you might see in other forms of creative writing.

Example: Little Beast by Richard Siken

Related: Where to Publish Poetry

Plays are written for the stage. They include stage direction, brief scene descriptions, and character dialogue, but there’s often not a lot of prose. Plays are intended to be watched by an audience instead of read, so whatever prose exists, it is intended for the people participating in the play.

Example: Hamlet by Shakespeare

Songs are similar to poetry in terms of their structure and use of figurative language, but songs are meant to be performed. People don’t generally read song lyrics without listening to it, and the instrumentation and production often enhance the meaning of a song. Songwriters also use music theory to play with meaning—at a basic level, for example, minor chords generally convey sadness, while major chords generally convey happiness.

Example: Let it Be by the Beatles

6. Memoirs & Personal Essays

Memoirs and personal essays are a form of creative writing where an author draws on their real lived experience to create a narrative. Memoir specifically sometimes plays with chronological order and specific technical fact in favor of symbolic resonance—the author is getting at an emotional truth rather than a literal or objective truth.

Example: Me Talk Pretty One Day by David Sedaris

7. Journaling

Not everyone uses journaling as a creative writing exercise—some people want to log their daily activities and be done with it—but if you’ve ever poured your heart out about a breakup to the nonjudgmental pages of a notebook, you’ve probably already done some creative writing!

Want to find more examples? I wrote on this topic for another site, and it includes even more examples of creative writing for you to try.

Now that you know what creative writing looks like, let’s talk about how to get started, even if you’ve never practiced creative writing before.

1. Try stuff on until something fits

Take a look at the list above (or do a Google search for ‘types of creative writing’ and see if there’s anything else you might be interested in—I won’t be offended) and pick one that seems fun. If you want to try, for example, a screenplay, but you’re not sure how to write one, read a bunch. Get a feel for how they work.

Maybe you do that and decide you don’t want to write screenplays after all. Okay! Try short stories. Try poetry. Try songwriting. Practicing different forms will make you a more well-rounded writer in the long run, and you might be surprised at what resonates with you.

2. Practice, practice, practice

Once you’ve found a form or a few forms that suit you, your job as a newbie is simple: practice. Write whatever you want as often as you can and, if possible, for your eyes only. Create a relationship between yourself and your craft.

Some say you should start with short stories before jumping into novels so you can practice completing narrative arcs. That might work great! But if you hate writing short stories, just practice with writing novels.

If you have an idea that feels a little too advanced for you, that’s probably what you should be working on, since it’ll teach you a lot about the craft along the way. Don’t be intimidated, and don’t worry about anyone else’s opinions (this includes any fretting about publishing). Your singular goal here is to create, and your secondary goal is to challenge yourself.

3. Join some kind of writerly group

But hold on, you might be thinking. How do I know I’m not getting worse the more I practice? How do I know I’m not just churning out garbage?

At some point, especially if your goal is to publish , you’ll want feedback on your work. And while it’s important to have the support of your loved ones, it’s also important to get feedback from other writers.

I do not recommend sending your very first manuscript to an editor or well-established writer for feedback—their feedback, generally aimed at moderate to advanced writers, is probably going to devastate you at the fledgling stage. I do recommend finding other writers at approximately your skill level to bounce ideas off of and exchange critiques. These other writers can be found online or at local writing circles—check your local public library for creative writing workshops.

Have you picked out a form of creative writing to try, but you just can’t come up with any ideas? Try using a creative writing prompt to get those creative gears turning. These are totally for you to use however is most helpful: use the prompt as-is, tweak it a little, whatever works.

Prompts are a great way to explore different types of tones in writing and hone your own personal style as an author!

Use this FREE tool: Writing Prompts Generator

Looking to make some money with your creative writing endeavors? Here’s a few options to kickstart your job search:

Ghostwriting

As a ghostwriter, your job is to write the story your client assigns you . This might be a fictional novel, or it might be a memoir. The client often has specific requests for content, length, and so on. The catch? Your name is not on the book. You’re not allowed to say that you wrote it—the client’s name or pen name usually goes on the author line. You can find ghostwriting gigs on sites like Upwork or Fiverr.

Marketing does involve some technical elements like copywriting, but creative writers have a place in marketing, too. Brands need catchy slogans, funny commercials, and even social media gurus to run entertaining Twitter accounts. For more ideas on how to market your upcoming book , check out our post on the topic.

Columnist/Blog Writer

You can also look for work as an op-ed columnist or blog writer. This might be something you do for an existing website, or it might be a blog you start from scratch on Wix, SquareSpace, or Tumblr.

You might have heard of people getting creative writing degrees, or at least you might have heard some of the discourse surrounding these degrees. Off the bat, I want to say that you don’t need a creative writing degree to be a writer. It doesn’t make you a ‘real’ writer, and it doesn’t indicate your seriousness toward the craft.

If you do want to get a creative writing degree, though, you’re looking (broadly) at two options:

Undergraduate writing programs

This is your BFA in creative writing. Not all colleges offer them—many (like my alma mater) offer a creative writing concentration or focus as part of an English degree. So you might graduate, hypothetically, for example, with a degree in English with a concentration in creative writing. Some colleges don’t offer a major, but they do offer minors.

Check to see what sorts of courses your college or prospective college offers. Do you have to be an English major to take their creative writing course? Does their creative writing course offer guidance in the type of creative writing you want to pursue? For example, my alma mater offered a creative writing concentration with two tracks, one for fiction and one for poetry. There was also a separate film studies concentration for aspiring screenplay writers and film students.

Graduate writing programs (a.k.a., the MFA)

MFA programs can be extremely competitive and prohibitively expensive, not to mention that you’re obviously not guaranteed to come out of them a better writer. They can be a great tool, but they’re not a necessary one. Look at it this way: are you willing to get this MFA if it means you might come out of it without a successfully published novel? If so, proceed.

If you want to pursue an MFA, do your research. Don’t go straight for the Iowa Writers Workshop application page and hope for the best—investigate the universities that look appealing to you, see if your interests align with theirs, and make that application fee count.

Going to college isn’t the only way to take classes on creative writing! If you’re looking for more cost-friendly options, the Internet is your friend. I’ve linked to a few places loaded with creative writing courses to get you started.

1. Intelligent.com: The Best 10 Online Creative Writing Courses

2. Coursera: Best Creative Writing Courses and Certifications

3. Self-Publishing School: Best Self-Publishing Courses

4. Our Programs: Fiction Write Your Book Program

Are you ready to try an online creative writing course? Are you ready to start some creative writing prompts? Or, are you think you’re ready to go for a full creative writing project of your own? Here is a resource to help you get started:

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Top 10 Elements of Creative Writing: All you Need to Know

Learn the art of storytelling with our comprehensive blog on the Elements of Creative Writing. Discover the vital components that transform ordinary words into extraordinary tales. Dive into character development, plot intricacies, and more as we cover the core aspects of crafting captivating narratives. Read more to find out!

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Whether you're an aspiring novelist, a poet, or simply someone who loves to pen down your ideas, understanding the key Elements of Creative Writing can significantly enhance your skills. In this blog, we will explore the top 10 Elements of Creative Writing that are essential for creating compelling and impactful written works, along with tips. 

Table of Contents  

1) The i mportance of Creative Writing elements 

2) Top 10 Elements of Creative Writing 

   a)  Imagery and descriptive language  

   b)  Character development 

   c)  Plot structure 

   d)  Dialogue and conversations 

   e)  Point of View (POV) 

   f)  Setting and world-building 

   g)  Tone and Style 

   h)  Conflict and resolution 

   i)   Theme and symbolism  

   j)  Editing and revision 

3)  Conclusion 

The importance  of Creative Writing elements  

Creative writing isn't confined to the pages of novels or the lines of poetry; it's a fundamental human expression that predates recorded history. It has been a conduit for cultural preservation, knowledge transfer, and emotional catharsis. But how exactly mastering these elements can improve your writing?   

Every art has its tools, and Creative Writing is no different. The elements we'll delve into aren't just guidelines; they're the building blocks that transform your words from ordinary to extraordinary. By understanding and mastering these Creative Writing elements, you'll be equipped to craft narratives that draw readers in, keep them engaged, and leave an indelible mark on their minds and hearts.  

Top 10 Elements of Creative Writing    

Generally, there are various Elements of Creative Writing, each possessing its own unique features. However, many forms of Creative Writing also share some common features. Here’s a detailed explanation of each element every Writer must follow:  

1) Imagery and d escriptive l anguage   

Imagery and descriptive language are the brushes with which writers paint vivid mental pictures for their readers. By skillfully weaving sensory details, you bring scenes to life and evoke emotions. The rustling leaves, the scent of freshly baked bread, the gritty texture of sand beneath one's feet—these details create a sensory symphony that immerses readers in your world.    

Metaphors, similes, and analogies act as bridges, connecting the familiar with the unfamiliar. Through them, you can compare the indescribable to the known, enriching your narrative with layers of meaning. Mastery of imagery and descriptive language transforms passive reading into an active experience where readers can taste, smell, hear, see, and feel the world you've created.   

Tips :   

a)  When selecting details, focus on the ones that have the most impact and avoid including unnecessary clutter.   

b)  Use metaphors and similes sparingly, making them truly resonate.   

c) T ailor your descriptions to the tone and mood of the scene or story. 

2) Character d evelopment   

Character development is the art of breathing life into your fictional personas. Well-crafted characters are not only relatable but also complex, with layers of personality, desires, flaws, and history. They drive the plot forward, compelling readers to invest emotionally in their journeys. Backstories provide context, explaining why characters behave the way they do.   

Effective character development allows readers to understand, empathise, and even dislike characters. The key lies in making them authentic and evolving. Just as people change, so should your characters. They learn, grow, and adapt, making their arcs believable and satisfying. The beauty of character development is in its ability to mirror the human experience, forging connections between fictional worlds and real hearts.  

a)  Explore your characters' pasts to understand their motivations and fears.  

b) Create a character profile detailing their appearance, background, and personality traits. 

c) Show character development through actions and decisions rather than telling.

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3) Plot s tructure   

Plot structure is the architecture that holds your narrative together. Think of it as a roller coaster, with highs and lows that keep readers engaged. The introduction sets the stage, introducing characters, settings, and the initial conflict. Rising action builds tension, propelling the story forward. At its peak is the climax, the turning point that determines the characters' fate.   

Falling action allows for a gradual untwisting of events, leading to the resolution. Effective plot structure balances pacing, ensuring readers remain intrigued without feeling rushed. Twists and turns add surprise, while cause-and-effect relationships maintain coherence. A well-structured plot keeps readers invested, eagerly flipping pages to discover what happens next.  

a)  Introduce the main conflict early to hook readers' curiosity.  

b) Use cliffhangers and unexpected twists to maintain suspense.  

c)  Ensure each scene contributes to character development or plot progression.  

4) Dialogue and c onversations   

Dialogue and conversations are windows into your characters' minds and hearts. Natural and dynamic dialogue conveys information and reveals personalities and relationships. Each character's speech patterns, vocabulary, and tone should be distinct, reflecting their backgrounds and emotions .   

Through dialogue, conflicts can be ignited, alliances forged, and secrets unveiled. Subtext—the unspoken thoughts beneath the spoken words—adds depth and intrigue. Conversations can quicken the story's pace, providing relief from dense narrative passages. Dialogue-driven scenes foster engagement, inviting readers to eavesdrop on captivating interactions that fuel the narrative's fire.  

a)  Listen to real conversations to capture natural rhythms and speech patterns.  

b)  Use interruptions and nonverbal cues to make dialogue dynamic.  

c)  Balance dialogue with narrative to avoid overwhelming the reader.  

5) Point of View (POV)  

Point of view (POV) is the lens through which your story is perceived. The choice of POV shapes the reader's relationship with characters and events. First-person offers intimacy, allowing readers to see the world through a character's eyes. Second person immerses readers directly into the narrative. Third person limited provides insight into a character's thoughts, while third-person omniscient offers a broader perspective.   

Consistency in POV is vital; changing viewpoints can confuse readers. The chosen POV influences what readers know and when they know it. It also affects emotional connection and empathy. Selecting the appropriate POV requires consideration of the story's needs and the desired reader experience.  

a)  Experiment with different POVs to find the best fit for your story.  

b)  Consider the level of intimacy and distance you want between characters and readers.  

c)  Be aware of the limitations and advantages of each POV.   

6) Setting and w orld- b uilding   

The setting isn't just a backdrop; it's a dynamic element that influences mood and plot. A well-defined setting isn't merely a stage but an active participant, influencing characters and events. You transport readers to a different reality through meticulous detail, allowing them to immerse themselves fully.  

Effective world-building extends beyond the physical, encompassing societal norms, rules, and even magic systems in speculative fiction. The environment can reflect themes and impact mood. Whether in a fantasy realm or a contemporary city, the authenticity of the setting enhances the reader's experience.   

a)  Research settings thoroughly to ensure accuracy and authenticity.  

b)  Show how characters interact with their environment to convey their experiences.  

c)  Create a sense of place by using unique and specific details.  

7)   Tone and style   

Tone and style are the fingerprints that make your writing uniquely yours. The tone is the distinctive way you express yourself through words—a combination of tone, diction, and syntax. It reflects your personality as an author. Style encompasses sentence structure, pacing, and word choice, influencing the overall feel of your work .   

A comedic style might employ wordplay and witty dialogue, while a dramatic style could use evocative descriptions and emotional introspection. Finding your voice and style involves self-discovery and experimenting with different approaches until you uncover what feels authentic. A strong voice and style leave an indelible mark on readers, making your work instantly recognisable   

a)  Read more to familiarise yourself with different writing styles.  

b)  Practice writing in different tones to discover your preferred voice.  

c)  Revise with a focus on refining your voice; eliminate elements that don't align. 

8)  Conflict and r esolution   

Conflict and resolution are the engine that drives your narrative forward. Conflict introduces challenges that characters must overcome, making their journeys compelling and relatable. There are various types of conflict—internal struggles within characters, external conflicts with other characters or nature, and interpersonal conflicts between characters. Conflict creates tension, propelling the story toward its climax.   

The resolution, whether happy or bittersweet, provides closure and offers insights into the characters' growth. Well-crafted conflicts test characters' limits, forcing them to confront their fears, flaws, and desires. Through the resolution, readers witness the transformation and the culmination of the character's arcs. 

a)  Vary the types of conflict to maintain reader engagement.  

b)  Build tension gradually; escalate the stakes as the story progresses.  

c)  Avoid convenient solutions; resolutions should arise from the characters' choices and actions.  

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9) Theme and symbolism  

Theme and symbolism lend depth and layers to your writing. Themes are the underlying ideas, beliefs, or messages that resonate with readers. They can explore love, friendship, power, or mortality, connecting the narrative to universal human experiences. Symbolism employs objects, actions, or concepts to convey abstract ideas, often adding an element of intrigue.  

A red rose might symbolize love or passion, while a broken mirror could represent self-perception. Themes and symbols intertwine, enriching the story's interpretation and emotional impact. Skilful use of theme and symbolism transforms a tale into an exploration of human nature and society.  

Tips:   

a)  Reflect on the themes that resonate with you and explore them in your writing.  

b)  Use recurring symbols to reinforce thematic elements.  

c)  Allow themes to emerge naturally from the characters' struggles and growth. 

10) Editing and r evisi on    

Editing and revising are the crucial phases that turn your initial draft into a polished masterpiece. Writing is rewriting; the initial draft is a raw exploration of ideas. Editing involves refining sentences for clarity, coherence, and flow. It ensures grammar and punctuation are correct. Revising delves deeper, examining plot holes, character consistency, and thematic resonance.  

Seeking feedback from peers or professionals is invaluable, offering fresh perspectives. The revision process is where your story truly comes to life. It's an opportunity to tighten narrative threads, enhance descriptions, and amplify emotions. Embrace the iterative nature of editing and revising; each pass brings your writing closer to its full potential.  

a) Revise in multiple passes, focusing on different aspects in each round.  

b)  Cut unnecessary details or scenes that don't contribute to the narrative.  

c)  Pay attention to grammar, punctuation, and spelling to ensure a polished final product.  

Conclusion   

Creative Writing is a journey of discovery, both for the Writer and the reader. In this blog post, we've explored the essential elements that constitute effective Creative Writing. From the foundation of imagination to the nuances of dialogue, style, and conflict, each element plays a pivotal role in crafting a compelling narrative. By mastering these top 10 Elements of Creative Writing, you'll be equipped to create stories that resonate, inspire, and captivate audiences.  

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What is Creative Writing? | An Introduction for Students

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What is creative writing?

As the name suggests, creative writing is a form of writing that goes beyond the traditional realms of normal, professional, academic or technical forms of writing.

Instead, it encompasses a number of different genres and styles across a whole range of fields of both fictional and non-fiction writing; storytelling, playwriting, poetry, prose, journalistic, and more.

Though the definition can be quite vague, creative writing can, for the most part, be considered as any type of writing that is original and expressive of oneself. Typically, it can be identified by an emphasis on narrative craft, focusing on elements such as character development, narrative and plot, infusing its structure with imagination, invention and story.

In this sense, creative writing can technically be considered any writing of contemporary, original composition - it's bound by no standard conventions and uses a whole range of elements in its craft.

In an academic setting, creative writing is typically divided into fiction, poetry, or scriptwriting classes, with a focus on writing in an original style, not defined by pre-existing structures and genres.

What are the different types of creative writing?

Creative writing comes in many forms, encompassing a number of genres and styles. There are lots of different types of creative writing, which can be categorised as fiction or non-fiction. Some of the most popular being:

• Biographies
• Fiction: novels, novellas, short stories, etc.
• Poetry and spoken word
• Playwriting/scriptwriting
• Personal essays

What makes a good piece of creative writing?

First and foremost, it’s important to note that there is no pre-defined description of what it means to create a ‘good’ piece of creative writing. As the very name suggests, creative writing is an imaginative process, created by the individual with all their quirks and personalities.

Creative writing doesn’t fit one set genre and therefore there will never be an umbrella definition to describe the ‘perfect’ piece. Just think about a Gothic short story and then compare it to the features of a great Romantic poem - the two are so very different - it wouldn’t be unfair to judge them together.

However, with that being said, there are a few general principles that you can follow to make your creative writing as strong as it can be - by making it as authentic and true to you as possible:

• Know your audience - All great stories begin with a target audience in mind - because it’s exactly what you need to know in order to really tailor your writing and connect with them. Therefore, any creative writer should begin their writing by plotting out exactly who they want to read their work. Once you have this in mind, your writing will naturally begin to take direction and flow in a way that seems appropriate to your audience.
• Write what you know - Quite often, the best stories are those which we can connect to and relate in one or another way to our own lives. Or, they’re stories which seem to authentic that you could imagine it to be about the writer’s own life. Now, this doesn’t mean that you quite literally have to write about your life, but drawing on knowledge you have about different elements of our lives to give your story some authenticity and more believability.
• Creativity is key - Creativity is one of the most important elements of creative writing. It’s what sets you apart from other pieces of writing in your genre. Of course, this doesn't demand that you write a tale about a totally fantastical and mythical world with unique creatures - but simply use your creativity to think a little outside the box and put a unique twist on things; using literary devices like metaphors, alliteration, and varied sentence structure to make your work unique and interesting.
• Push your imagination - One of the great things about creative writing is that there is no definition or rules on ‘how’ to write. It’s a much more subjective genre and one which relies heavily on your own interpretations. Therefore, you should push your imagination to the limits to see what the end result could be. Some of the most interesting pieces of literature are thought-provoking or make us question the writing or world around us - where could your story take us?
• Plot a loose story arc - Despite the loose bounds of creative writing, it is still advisable to plot a loose story arc for any piece of literature you create. Story arcs are critical at giving your writing direction and purpose, helping you to write the whole piece at a good pace, without writing any superfluous content or ‘waffle.’ Follow your story arc, and your writing will have a strong structure, pace and direction - keeping your readers more engaged.

What are some techniques used in creative writing?

To make their writing stand out, writers often employ several creative writing techniques and literary devices, including:

• Character development - The process of creating a well-rounded, realistic character with depth, personality, and clear goals or motivations.
• Plot development - The story of your piece of writing - how it develops, unfolds, and moves along in time.
• Point of view - The perspective from which a narrative is told. It indicates who is telling the story and how the information is conveyed to the reader. Quite often writers will play with the point of view of the central character or protagonist to trick the reader and twist their perspective.
• Dialogue - Refers to the speech and conversations characters use to speak to one another. Dialogue and the language choices a character makes can be pivotal in helping define their personality.
• Literary devices - Such as metaphors, similes and alliteration to make creative writing more imaginative and descriptive. These are used in a myriad of ways by writers to make their writing more vivid, interesting and engaging.

Can creative writing be taught?

Of course! Creative writing can be taught, and is a very popular subject for university students, and for those who attend our summer courses.

Those who pursue the subject of Creative Writing will typically study a variety of texts from different periods of time to learn more about the different genres of writing within the field. They’ll become familiar with some of the leading creative writers from generations past to present, as well as some lesser-known and emerging writers in the industry.

Inspired by what they’ve learnt in the classroom, it’s not uncommon for Creative Writing students to also participate in regular workshops and scratch sessions, where they bring a piece of their writing along to class and have it read by other students and the tutor. They’ll leave with constructive feedback on how to improve their writing, or recommendations of other works which they may want to read to take influence from.

How to start creative writing

If you’re interested in getting those creative juices flowing and improving your writing craft, read some of our tips below on how to start creative writing:

• Read as much as you can - For creative writers, inspiration comes from a whole range of sources, but most commonly, from other writers. There’s some excellent examples of creative writing throughout history that all writers should be inspired by. Read a variety of genres by different authors to get a real feel for what type of writing you may want to do. Need some inspiration? Check out our blog: 15 Classic Books to Read
• Start journaling - Starting a journal can really help to unleash your inner creativity. Getting into the habit of writing each day about literally anything that’s preoccupied you that day will help you practice the art of writing. The more regularly you journal, the more you’ll build your confidence. You never know, you could even find your next great idea from something you’ve journaled about!
• Attend a Creative Writing summer course - If you’re just starting out as a creative writer and looking to collaborate, share ideas with others and workshop your writing, then joining a creative writing summer school could be a great option. Our creative writing summer courses are designed to help you extend your creative writing toolkit; you’ll analyse some of the industry’s greatest writers, as well as workshop some of your own writing with your peers.
• Practice using literary devices - Literary devices, such as metaphors, similes and rhyme can really help you write more vividly and create really descriptive, imaginative scenes. Practice using them regularly and you’ll soon watch your own creative writing start to flourish. Need some ideas to help you get practising? Look around your house and pick a random object. Then, practice using 5 literary devices to describe that same object - see where your creativity can take you!
• Write, write, write! - When it comes to how to start creative writing, one of the biggest pieces of advice we can offer is to pick up your pen or laptop, and start writing. Whether you have a single conversation starter for a character, or a complete narrative arc, you will only begin your creative writing journey when you physically do it. Even if you have no idea on what to write - look for writing prompt inspiration from all around you. The more you practice unleashing your creativity, the easier it will be to write over longer periods of time.

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Creative writing is a remarkable voyage that invites us to unleash our imagination, share our stories, and inspire others. It offers countless personal and professional benefits, nurturing self-expression, empathy, and creativity. So, grab a pen, open your mind, and embark on this enchanting journey of creative writing with Oxford Summer Courses. Let your words paint a vivid tapestry that captivates hearts and minds under the guidance of experienced tutors from Oxford and Cambridge. Join us as we explore the magic of creative writing and discover the transformative power it holds within through the renowned Oxford Summer Courses summer school.

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Introduction

The term creative writing means imaginative writing, or writing as an art. The primary concern of creative writing is not with factual information or with the more routine forms of communication ( see writing,communication by ). It does, however, use many of the same skills.

A novel, for example, may contain much sociological, political, or psychological information. Scholars may study it for that information, as Sigmund Freud studied literature for accounts of dreams and emotional states. No true novel, however, is written to communicate facts. Like other forms of creative writing it attempts to produce in its reader the pleasure of an aesthetic experience. It tries to uncover form and meaning in the turmoil of love, hate, violence, tedium, habit, and brute fact through which people flounder from day to day.

The novelist and short-story writer John Cheever, when asked why he wrote, did not say, “To show how the upper middle class lives in Connecticut.” He said, “To try to make sense out of my life.” Whether it takes the form of poem, short story, novel, play, personal essay, or even biography or history, creative writing is certain to involve some search for meaning, a measure of wonder and discovery, and a degree of personal involvement in the result.

Expository Versus Creative Writing

Unlike the expository writer, the creative writer uses language plastically, for its suggestiveness and power of sensuous evocation. The difference between the expository writer and the creative writer, however, goes deeper than the use of language.

Joseph Conrad wrote, in Notes on Life and Letters , “To have the gift of words is no such great matter. A man furnished with a long-range weapon does not become a hunter or a warrior by the mere possession of a fire-arm; many other qualities of character and temperament are necessary. . . .” Robert Frost remarked, in a similar mood, that “all that can be done with words is soon told,” and that poetry is “merely one more art of having something to say.”

A Creative Writer Has Something to Say

Any student with ambitions to be a literary artist is likely to have something he wants to say. He will probably discover for himself that poems in which words are manipulated for their color or sound alone tinkle emptily and abstractly in the mind. He will learn that shallow or conventional stories are exposed rather than supported by a self-conscious, “poetic,” or elevated style. A mannered style is more often than not a sign that a writer has not much to say. A writer and his style are inseparable.

If a writer is not a little dangerous, both to himself and to others, he is not living up to his calling. To live up to himself, to find what it is he must say, and to find ways of saying it, a writer must know in what he believes. Because the use of words is a power easily abused and because a writer must make himself heard against a clamor of television, radio, amusement parks, highways—the many distractions of a civilization incessantly busy—he must be both humble and assertive. Unless he can get himself noticed, he is nothing; and if he gets himself noticed by cheating or out of mere vanity, he is less than nothing.

The prayer of anyone hoping to make himself into a writer should be: “Lord, let me grow into someone who has something to say! Let me be one of those that Henry James speaks of, one of those ‘upon whom nothing is lost’. Let understanding and wisdom be engraved on my mind as deep as the lines of living on a wise and weathered face. Teach me to love and teach me to be humble and let me learn to respect human difference, human privacy, human dignity, and human pain. And then let me find the words to say it so it can’t be overlooked and can’t be forgotten.”

The Art and Power of Words

Only by means of words can the writer persuade a person of the truth in what he says or make anyone care about it. Possession of a weapon does not make a warrior or hunter, but no one is a warrior or hunter without one. Conrad and Frost could disparage the gift of words because both had it, supremely. Having had something to say, they found ways to say it. Frost wrote (in “The Figure a Poem Makes”), “Like a piece of ice on a hot stove the poem must ride on its own melting.” Here he compressed into a single image the whole process of artistic creation. Conrad, without his sensuously loaded language, could never have realized so spectacularly the literary purpose he set himself: “. . . by the power of the written word to make you hear, to make you feel.. . before all, to make you see. That and no more, and it is everything. If I succeed, you shall find there according to your deserts: encouragement, consolation, fear, charm—all you demand—and, perhaps, also that glimpse of truth for which you have forgotten to ask.”The art of writing begins in the senses and is accomplished with words. Its end is communicated insight. When writing is successful, it communicates insight to the reader with a pang, a heightened awareness, a sharpening of feeling, and a sense of personal exposure, danger, involvement, or enlargement. The achievement of communicated insight unmistakably distinguishes the artist from the everyday user of words.

Know What You Really Feel

Speaking of his apprentice years in Paris in the early 1920s, Ernest Hemingway said (in Death in the Afternoon ): “I was trying to write then, and I found the greatest difficulty, aside from knowing truly what you really felt, rather than what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things were which produced the emotion that you experienced. In writing for a newspaper you told what happened and, with one trick and another, you communicated the emotion aided by the element of timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years, or, with luck and if you stated it purely enough, always, was beyond me and I was working very hard to get it.”

This passage suggests a simple-sounding but rigorous training program for any beginner: learn to see straight; practice with endless patience, stating purely what you find to say; and see it and state it with the aim of communicating not only its meaning but its most essential emotion, the thing that made it important to you in the first place.

The Creative Writer as an Image Maker

Creative writing begins in the senses, and the stamp of the senses must remain on it. No one lacking acute senses and the willingness to use them should pretend to literature. Without senses the writer cannot create images, and images are his only means of making his reader hear and feel and see. By pure intelligence he can outargue a reader and convince him, but his intelligence must be supplemented by the equipment of sensuousness.

Not only must creative writers perceive in images, but they must communicate in them and the reader must read in them. Images are both source and means. An image is crystallized by the perceptions of the writer, is converted into words like a cable message being unscrambled, and finally is reconverted by the reader into something like the original perception.

The creative writer is concrete—that is, he is bound to things of experience. However strongly he holds his ideas, he cannot express them in the way a philosopher or a social scientist does. He does not deal in concepts or in formulated patterns of thought but in images and imitations. He is concerned with people, places, actions, feelings, and sensations. His fictional house should be haunted, not inhabited, by ideas; ideas should flit past the windows, not fill the rooms. The moment anyone tries to make poems or stories of ideas alone he is at the edge of absurdity; he can only preach, never interest and persuade, because ideas alone are simply not dramatic. They must be put into the form of people and actions to achieve their proper force. One Macbeth onstage is worth a thousand essays on ambition.

Sometimes a writer begins with ideas, as Nathaniel Hawthorne did, and makes them into flesh and blood; sometimes he starts with flesh and blood, as Mark Twain did, and lets flesh and blood work themselves out into ideas. Either way he is steadily called upon to render the way life seems to him or to his imaginary characters. To make the reader feel this vividly, the writer makes use of all the senses he has. That is why literature overflows with such sensuous things as the hollowness of footsteps in a street at night; the fisting of anger in the pit of the stomach; the weight of hydrangeas brushed against in the summer dark; and the look and texture of the fuzzy down on the back of a fair-haired woman’s neck.

Anyone attempting to write must take the trouble to know, and be able to express, the qualities of things: their hardness and smoothness and splinteriness, their heat and cold. A writer must observe and be able to communicate differing qualities of voice and gesture and the nearly invisible signs in eyes and mouth and hands and body by which people show their state of mind or emotion—fear and delight and loss. A writer must be able to stimulate the sweat glands and the hair follicles of his readers; make mouths water; turn stomachs; command tears, laughter, and scorn—all with words.

Most literary images are visual. Images, however, may just as properly involve any other sense or several senses at one time. Sometimes the images are heavily and damply auditory, as when Mark Twain’s jumping frog leaps after a fly and alights on the counter “as solid as a gob of mud.”

St. Agnes’ Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limped trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman’s fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censor old, Seem’d taking flight for heaven, without a death, Past the sweet Virgin’s picture, while his prayer he saith.

The Use of Figures of Speech

It is a common misconception that an image always involves a figure of speech. Often it does. The poet Francis Thompson in describing a poppy as a “yawn of fire” uses a metaphor. In comparing the sea and sky of a sunrise to the opening of a clamshell, D.H. Lawrence employs a simile. The Browning lines obtain their vividness from onomatopoeia (word-imitation of a sound). The Keats stanza, however, gets its total effect of coldness not entirely with figurative language. “Woolly fold” (metonymy, the use of one word for another that it suggests) is there as a contrasting image. The image of the frosted breath is primarily visual.

Let us go then, you and I, When the evening is spread out against the sky Like a patient etherised upon a table

On the other hand, an objective approach is illustrated by Hemingway’s description of a trout stream in “Big Two-Hearted River” (from In Our Time ): “He watched them holding themselves with their noses into the current, many trout in deep, fast-moving water, slightly distorted as he watched far down through the glassy convex surface of the pool, its surface pushing and swelling smooth against the resistance of the long-driven piles of the bridge . . .” Here the author only observes. He makes no judgment. There is no metaphorical leap, such as that in the Eliot lines, but only a reproduction of the thing seen. In later stories, especially in his novels, Hemingway wisely relaxed his ban against both metaphorical language and symbolism. Nevertheless his attempt to put the whole burden of vividness on the precision of observation was invaluable training. It was not unlike that which Gustave Flaubert set for his pupil, the future great short-story writer Guy de Maupassant, when he sent him out to report in a single phrase or a single word the content of an action. Whether arrayed in metaphor or stripped to bare observation, any creative writing must be concrete and must communicate by images. ( See also figures of speech .)

Different Ways of “Seeing”

Thomas Wolfe wrote in a letter to F. Scott Fitzgerald, who had been badgering him about his lack of economy and form: “Don’t forget, Scott, that a great writer is not only a leaver-outer but also a putter-inner, and that Shakespeare and Cervantes and Dostoevsky were great putter-inners—greater putter-inners, in fact, than taker-outers and will be remembered for what they put in—remembered, I venture to say, as long as Monsieur Flaubert will be remembered for what he left out.” (From The Crack-Up .)

Wolfe himself was a mighty putter-inner. He could hardly let a character pass a hardware-store window without enumerating every tool in it; and the sights and sounds of afternoon in a familiar town set him into a sensuous frenzy: “Light came and went and came again, the great plume of the fountain pulsed and winds of April sheeted it across the Square in a rainbow gossamer of spray. The fire department horses drummed on the floors with wooden stomp, most casually, and with dry whiskings of their clean, coarse tails. The street cars ground into the Square from every portion of the compass and halted briefly like wound toys in their familiar quarter-hourly formula. A dray, hauled by a boneyard nag, rattled across the cobbles.. . . The courthouse bell boomed out its solemn warning of immediate three.. . .” (From The Hills Beyond .)

This is a passage worth study, particularly for its choice of strong and active verbs: “pulsed,” “sheeted,” “drummed,” “ground,” “rattled,” “boomed.” It is certainly not seven eighths below the surface, as Hemingway said icebergs are and stories should be. It is piled on, heaped until it runs over.

Differing from either method is the impressionism of such a writer as Anton Chekhov, who said, “You will get the full effect of a moonlight night if you write that on the mill-dam a little glowing star-point flashed from the neck of a broken bottle, and the round, black shadow of a dog, or a wolf, emerged and ran.” In that same impressionist manner, Stephen Crane carries the reader along with a fatally wounded soldier walking to some quiet place to die. The whole passage is like a prolonged silent scream, and it ends with a single staring phrase: “The red sun was pasted in the sky like a wafer.”

Most potential writers are omnivorous readers, and in the nature of things an apprentice is sure to imitate. He has no other way to learn. Although he may try very hard to “develop a style of his own,” his real style will be a long time in developing and will parallel or reflect the development of his own mind and sensibility. The best way to find the style that naturally fits him is to follow Hemingway’s method and simply try to state purely whatever is before his eyes.

Freedom in the Use of Natural Language

Nothing is so likely to hinder the freedom of expression so essential to true creative writing as a too-strict adherence to “correctness.” This is not to say that correctness does not matter or that there is no distinction between good usage and bad usage. It is only to say that there should be growth and invention at all levels of language.

When Hemingway, in The Green Hills of Africa , remarked that “All modern American literature comes from one book by Mark Twain called Huckleberry Finn ,” he was exaggerating. Nevertheless this work, containing the inspired lingo of Huck Finn, has had more effect on American literature and on the development of American speech than any other book.

Although Hawthorne was a good writer, any paragraph of his sounds old-fashioned and stilted. Huckleberry Finn , however, remains fresh and lively. An example is Huck’s description of a river sunrise: “Not a sound, anywheres—perfectly still—just like the whole world was asleep, only sometimes the bullfrogs a-cluttering, maybe. The first thing to see, looking away over the water, was a kind of dull line—that was the woods on t’other side; you coudn’t make nothing else out; then a pale place in the sky; then more paleness spreading around; then the river softened up away off, and warn’t black any more, but gray; you could see little dark spots drifting along ever so far away—trading-scows, and such things; and long black streaks—rafts; sometimes you could hear a sweep screaking; or jumbled-up voices, it was so still, and sounds come so far; and by and by you could see a streak on the water which you know by the look of the streak that there’s a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up, and the river, and you make out a log cabin in the edge of the woods, away on the bank on t’other side of the river, being a wood-yard, likely, and piled by them cheats so you can throw a dog through it anywheres; then the nice breeze springs up, and comes fanning you from over there, so cool and fresh and sweet to smell on account of the woods and the flowers; but sometimes not that way, because they’ve left dead fish laying around, gars and such, and they do get pretty rank; and next you’ve got the full day, and everything smiling in the sun, and the song-birds just going it!”

Although not traditionally “correct,” this passage is magnificent. It does what language was created to do. Twain has observed the scene with the greatest possible precision and found a way of stating it purely. The “bullfrogs a-cluttering,” the “song-birds just going it,” and the “wood-yard . . . piled by them cheats so you can throw a dog through it anywheres” are barbarisms skillfully handled, the kind of inventive and playful language that should not be suppressed. Barbarisms crop up in casual speech, in popular songs, even in advertising slogans. They exist as a kind of private language in the subculture of the American adolescent. They well up out of jazz and the jazz world. A young writer would make a mistake to be enslaved to subliterary languages, but he would be a fool to ignore them.

For the young creative writer there is no rule on language. There are only warnings, and they concern the extremes of choice. Bookish and literary language, the kind that half embarrasses its author when it is read aloud, is obviously a mistake. A mistake too is the affected overmasculine toughness that some young men adopt in the belief that it permits them to love literature without being called effeminate. Between those extremes anything that works is good, and a playful way with language is always better than a solemn one. When a tourist at Bryce Canyon, Utah, said to his wife as they got out of their car, “Well, shall we pace over and peer at it?” he was indulging in a playful attitude toward words. One would expect more from him in the way of true appreciation than from someone who braced himself solemnly and got ready to experience the feelings he thought he should have.

The Use of Symbolism

In one sense, every word is a symbol. “Tree” is four letters and a certain sound, but it is also a thing with bark and leaves. Put into a context which includes the word Calvary it becomes a metaphor for the cross on which Christ was nailed. That kind of extension of meaning, which is called symbolism, is actually one of the most suggestive and economical ways of communicating the aesthetic experience.

To-day, the road all runners come, Shoulder-high we bring you home, And set you at your threshold down, Townsman of a stiller town.

Here the symbolism is perfectly plain, on what Prof. Harry Levin of Harvard University called the conventional level. Much poetic symbolism is of this commonly accepted kind. A journey often symbolizes human life; a season often suggests the age of a man.

A symbolism less traditional is what Levin called the explicit. An example is this line by Henry Wadsworth Longfellow: “Thou, too, sail on, O Ship of State!” A third sort described by Levin is the implicit, which takes the reader into more ambiguous country. In Herman Melville’s Moby-Dick , Moby Dick is more than whale, but what precisely is it? God? The spirit of evil? A manifestation of pure mindless force? No single explanation will fully satisfy. It is in this area of unexplained, private, or ambiguous meaning that much contemporary writing exists.

Again there are no rules for the student except that he should read, and read, and read, and fill his mind, and express what he wants to as well as he can. If he is sucked into the whirlpool of allegory, he may go down; many have. He is safe in the conventional and explicit levels, however, and reasonably safe in the implicit. When he begins using private symbols, disguising rather than revealing his thoughts, he risks exclusiveness and pedantry.

Of one thing, however, he can be sure: when the outward story or poem is solid, the symbolism, even though ambiguous, will take care of itself. Jonathan Swift’s Gulliver’s Travels , though representing far more than appears on its surface, remains a fascinating children’s story. Moby-Dick is still a tale of adventure. It does not attempt to cast a shadow without having any solid substance.

The Problem of Point of View

The beginner should try all types of writing, but some forms will come more naturally to him than others. Short lyrics, short stories, and one-act plays are more within his scope than longer forms. He will learn most by making many beginnings and endings—the hardest parts of any piece of writing, and where, as Chekhov said, a man is most likely to lie.

Hiding himself is not a problem for the writer who chooses lyric poetry, because this is a very personal art. If he chooses fiction, however, particularly the short story, he will have to learn, like any good puppeteer, to keep his hands and feet from showing. Basic to all fictional writing is the problem of selecting the point of view from which one wishes to have the reader follow the story. Fiction is usually much less personal than the lyric poem and less bound to objectivity than the drama.

The writer of fiction, however he may pretend to be indifferent and invisible, is always there. He cannot help steering, cannot help providing some double vision, commentary, insight, or irony. If he wants a reader to participate intensely, he adopts the point of view of one of the characters in the story, sees through those eyes alone, thinks with that mind, knows nothing that that individual would not know. If he wants to imitate the dramatic, he pretends to be a camera. John Steinbeck does this in Of Mice and Men , a story which was written to fulfill at one and the same time the requirements of a novel and those of a play. If, as Chekhov, Conrad, Crane, and many others do, the writer wants to have the immediacy of drama but at the same time to keep the right of comment, then he has the subtle job of keeping himself out of his story while still making it say what he wants it to say.

Point of view is a complicated subject. Handling it, however, is a principal skill which a fiction writer must develop once he has perfected his gift of words. He must be in his story but not apparently in it; the story must go his way while appearing to act itself out. For this sort of skill, the short story is the best practice ground. It is so short that a flaw in the point of view shows up like a spider in the cream. It is so concentrated that it forces the writer to develop great economy and structural skill. It is so intense that, like a karate kick, it has great knock-down power.

A writer must knock readers down. This is the goal he must constantly have in mind: to make people listen, to catch their attention, to find ways to make them hold still while he says what he so passionately wants to say. Although creative writing as an intellectual exercise may be pursued with profit by anyone, writing as a profession is not a job for amateurs, dilettantes, part-time thinkers, 25-watt feelers, the lazy, the insensitive, or the imitative. It is for the creative, and creativity implies both talent and hard work.

Situation, or Conflict

Alexandre Dumas said that to make a novel you need a passion and four walls. He might have added that to make a passion you need people “in a bind,” in a situation charged with love, hate, ambition, longing—some tension that cries to be resolved. A beginning writer may have trouble finding his real situation. He may have only clues, characters, a place, an atmosphere, or the haunting association of ideas in his mind. In a novel he may even be able to grope for the situation through his first chapters. (One formula for the novel, proposed by Bernard De Voto, was to throw away the first five chapters and start with number six.) In a short story, however, the situation must be located at once, for even more than in a novel, a short story must start off running, must begin on a rolling slope as near the end as possible.

Because no situation can exist apart from what brought it about and what it leads to, the writer will be led both forward and backward from his germinal knot of tension. He must deal at least a little with the past, which in fictional technique is called summary or exposition; and he must deal with the dramatic present, which is called scene.

The Dramatic Present, or Scene

To make a scene is to put characters onstage and let them act out their own story. The point of view may not be strictly objective—there may be some equivalent of the stage manager of Thornton Wilder’s Our Town lounging around somewhere—but any scene is essentially dramatic. It follows George M. Cohan’s celebrated advice, “Don’t tell ’em—show ’em.” A scene must persuade the reader in all its aspects. The characters have to be credible and consistent. The dialogue must approximate real talk, without being cluttered by the monotony, fatuousness, and repetition of real talk. The action must move in a direct line, without wanderings or irrelevancies. An internal logic has to hold the scene together, beginning and middle and end. The setting must be sensuously realized and then never permitted to drop away and be forgotten.

If any object is important enough to be mentioned, it should be put to use. As Chekhov said, if you hang a gun on the wall at the beginning, it has to go off before the end. If there is a fireplace in a scene, characters should warm themselves by it or lean on its mantle, as part of their stage business.

One does not learn to do a job such as this by practicing whole paragraphs of description, whole chunks of setting or characterization. The elements interweave, and there are many balls to be kept in the air at once. A single paragraph may contain a fragment of action; a bit of dialogue that by its content or its manner and tone characterizes the speaker; a sensuous perception of some detail of setting; and a glance backward in memory, dialogue, or external comment to pick up a meaningful bit of the past.

Now for a few rules of thumb: (1) Start in the middle of things; begin in motion. (2) Stay in motion by not letting the summary intrude; keep the summary feeding into the scene in hints and driblets, by what Henrik Ibsen called the “uncovering” technique. (3) Never explain too much. Most readers are offended if they cannot use their imaginations, and a story loses much of its suspense the moment everything is explained. (4) Keep yourself out of your story; pick a point of view and (especially in the short story) stay with it. Nobody has less right in your story than yourself. (5) Do not show off or try to impress others with your style. The writing should match the characters and the situation, not you. This principle applies as well to obscenity and profanity as to other matters. They are appropriate only where character and situation call for such elements. (6) Nothing is to be gained by attempts to find substitutes for the word “said” in dialogue tags. “Said” is a neutral word that disappears. (7) Stopping a story is hard. Learn to do it cleanly, without leftovers or repetition.

Wallace E. Stegner

Additional Reading

Applebee, Arthur. Context for Learning To Write (Ablex, 1984). Barkas, J.L. How To Write Like a Professional (Arco, 1984). Barzun, Jacques. Simple and Direct, rev. ed. (Harper, 1985). Beaugrande, Robert de. Writing Step by Step: Easy Strategies for Writing and Revising (Harcourt, 1985). Burroway, Janet. Writing Fiction: A Guide to Narrative Craft (Little, 1987). Clouse, B. The Student Writer: Editor and Critic (McGraw, 1986). Donovan, Melissa. Teaching Creative Writing (Good Apple, 1990). Phillips, K., and Steiner, B. Catching Ideas (Libraries Unlimited, 1988). Smith, Frank. Writing and the Writer (Holt, 1985). Stein, Gertrude. How To Write (Dover, 1975). Stott, Bill. Write to the Point and Feel Better About Your Writing (Doubleday, 1984). Strunk, William, Jr. and White, E.B. The Elements of Style, 3rd ed. (Macmillan, 1979). Zinsser, William. On Writing Well: An Informal Guide to Writing Nonfiction, rev. ed. (Harper, 1985). ‘Death in the Afternoon’: Copyright 1932 Charles Scribner’s Sons; renewal copyright (c) 1960 Ernest Hemingway. ‘The Figure a Poem Makes’ from ‘Complete Poems of Robert Frost’. Copyright 1930, 1939 by Holt, Rinehart and Winston, Inc. Reprinted by permission of Holt, Rinehart and Winston, Inc. ‘Notes on Life and Letters’ by Joseph Conrad quoted with permission of J.M. Dent & Sons Ltd. ‘The Love Song of J. Alfred Prufrock’ in ‘Collected Poems 1909–1935’ by T.S. Eliot, copyright, 1936, by Harcourt, Brace & World, Inc. ‘In Our Time’: Copyright 1925, 1930 Charles Scribner’s Sons; renewal copyright 1953, 1958 Ernest Hemingway. ‘The Crack-Up’ by F. Scott Fitzgerald, Copyright 1945 by New Directions quoted with the permission of the Estate of Thomas Wolfe. ‘The Hills Beyond’ by Thomas Wolfe quoted with the permission of Harper & Brothers. ‘The Green Hills of Africa’: Copyright 1935 Charles Scribner’s Sons. ‘To an Athlete Dying Young’ in ‘A Shropshire Lad’—Authorized Edition—from ‘Complete Poems’ by A.E. Housman. Copyright (c) 1959 by Holt, Rinehart and Winston, Inc. Reprinted by permission of Holt, Rinehart and Winston, Inc. ‘The Single Hound’ by Emily Dickinson, copyright 1914, 1942 by Martha Dickinson Bianchi, by permission of Little, Brown & Co. The illustration—permission to reprint has been granted by the Publishers from ‘The Poems of Emily Dickinson’, edited by Thomas H. Johnson, The Belknap Press of Harvard University Press, Cambridge, Massachusetts, copyright 1951, 1955 by The President and Fellows of Harvard College.

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• bang something out
• bash something out
• put someone down for something
• re-register
• re-registration
• readability

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skip out on something

to avoid doing something that you should do; to leave someone when they need your help

It’s not really my thing (How to say you don’t like something)

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Here's Why Writing and Sharing Books Brings Me Purpose and Meaning

"So, if you have found something that brings you meaning—whether a hobby, a cause, a learning experience or a creative endeavor—but fear that life’s constraints will hold you back from engaging in it, I invite you to shift your perspective," writes Norman Shabel.

August 30, 2024 at 10:00 AM

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A fundamental question people grapple with at all stages of life is: What brings me purpose and meaning?

From a young age, one answer stood out to me: writing fiction. By the time I was in my 20s I had drafted several novels. Eventually, I penned 7 plays and 8 novels—many based in the New York and New Jersey area. Putting stories on paper then bringing them out into the world has always brought an unparalleled level of meaning to everyday life.

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Legal scholars warn SCOTUS could "manipulate" immunity definition to torpedo new Trump indictment

"the supreme court has been very creative in protecting maga misdeeds," legal scholar says, by marina villeneuve.

The Supreme Court's lack of clarity in its presidential immunity ruling's definition of "official" conduct leaves room for former President Donald Trump to fight the refiled indictment alleging he conspired to thwart the results of the 2020 presidential election.

On Tuesday, Special Counsel Jack Smith filed a slimmed down indictment — which he secured from a grand jury that only heard streamlined evidence. 

Smith's new indictment again includes four felony charges against Trump but excluded evidence concerning Trump's official conduct in office, including the removal of former DOJ official Jeff Clark and his alleged efforts to place him in control of the department to pursue his election fraud claims.

Legal observers say the refiled indictment has an overall stronger chance of holding up on appeal by excluding evidence that appears to fall squarely into the Supreme Court's definition of official conduct in last month's ruling.

But some legal experts warn that the refiled indictment isn't a slam dunk.

"It’s not clear whether this will work, because on appeal the Supreme Court can manipulate the category of official conduct to create a broader immunity covering other elements of the indictment," said Syracuse University law professor David Driesen, an expert in constitutional law and the author of the book “The Specter of Dictatorship: Judicial Enabling of Presidential Power.”

In July, the Supreme Court ruled 6-3 that presidents have "absolute immunity from criminal prosecution" for acts that fall within the "exercise of his core constitutional powers he took when in office."

Presidents, according to the ruling, have "at least presumptive" immunity from other official acts, and no immunity for unofficial acts.

In a section of the ruling that drew 5-4 support from justices, the ruling also stated that prosecutors can't present evidence of official acts when charging former presidents.

Dissenting justices warned that the ruling would empower presidents to use their official power for political and private reasons to escape accountability.

And Dreisen said the ruling still leaves room for Trump to topple any convictions.

“It’s difficult to know whether Trump will end up in prison or not," Dreisen said. "The Supreme Court has been very creative in protecting MAGA misdeeds. It ruled, for example, that invading the Capitol is not an obstruction of an official proceeding, thereby wiping out some criminal convictions of Jan. 6 insurrectionists."

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Dreisen added that the fact that Smith felt he had to refile the indictment in the first place is troubling.

“The Supreme Court ruling clearly overrode longstanding constitutional norms forbidding presidents from issuing orders to investigate political opponents or to challenge election results," Dreisen said. "The forcing of these amendments to the indictment highlights how the high court has opened the door wide to autocracy.”

University of Texas Law professor Lee Kovarsky said the indictment is "weaker than what it was."

"The allegations about Jeffrey Clark and Trump's attempt to have DOJ intimidate states with false accusations about widespread voter fraud was extremely incriminating, and now it's gone," he said on X.

He called the new indictment a "smart move" — but agreed that Trump could dispute how Smith characterized and described his alleged conduct.

"Amendments to the [superseding indictment] ensure that DOJ won't accidentally plead itself into an immunity problem, but the Trump folks will still have a chance to dispute the [superseding indictment's] characterization of various conduct, in an attempt to have it designated as official, & potentially immunized," Kovarsky wrote.

Trump has  complained that the superseded indictment violates the DOJ's practice of avoid filing new criminal charges or undertaking investigative activities within 60 days of an election.

But former federal prosecutor and University of Michigan Law School professor Barb McQuade told Salon: "These are not new charges or new investigative activity, but rather following the guidance of the Supreme Court to advance a pending case."

McQuade noted that Smith included Trump‘s conduct to pressure Mike Pence to block the certification of the election.

"Smith characterizes Pence as acting in his role as president of the Senate when counting votes, but I expect Trump to argue that any conversations between him and the vice president is core executive activity," McQuade said. "This is the only set of allegations that strike me as potentially protected by immunity. The remaining allegations seem to be clearly unofficial acts that should be fair game for prosecution."

If Trump wins, McQuade expects he'll direct his attorney general to dismiss the case.

Otherwise, she said it's likely the case will go up to the Supreme Court before any trial as the court figures out how to apply the immunity ruling to the allegations.

"That means trial in this case likely will not occur until a year or so from now," she said. 

about Trump's legal cases

• Jack Smith responds to Supreme Court immunity ruling by re-indicting Trump
• Legal expert: SCOTUS "invented a new rule" that could even give Trump immunity for "unofficial acts"
• "Narrow ruling": Legal scholar says Supreme Court Jan. 6 decision won't save Trump

Marina Villeneuve is a staff reporter for Salon covering Trump's legal battles and other national news focusing on major legal and political narratives.

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